This pack of baroque music is ideal to use a practice and performance pieces. The arrangements have been tried and tested for many years with great success, and are brought together here in one book to provide a big saving on the pieces compared to their full price.

Includes scores and parts for:


* Brandenburg Concerto No. 3 (Bach)
* Brandenburg Concerto No. 5, mvt. 3 (Bach)
* Canon (Pachelbel)
* Largo from ?Xerxes? (Handel) (quartet)

BACH: Sonata in Eb BWV 1031, Score: 20 pages, Duration ca. 9:45
in three movements:
1. Allegro moderato
2. Siciliano
3. Allegro
Originally scored for flute and harpsichord

Arrangement that combines a hymn "Come Thou Fount of Every Blessing" with Bach's Cello Suite No.1 "Prelude"

Johann Sebastian Bach, Aria 'Schafe können sicher weiden' / 'Sheep may safely graze' from cantate BWV 208, arrangment / transcription for piano by Jaap Eilander

Duration: 5 minutes.

Johann Sebastian Bach, Sonatine 'Gottes Zeit ist die allerbeste Zeit' from cantate BWV 106 (Actus Tragicus).
Arrangment / transcription for piano by Jaap Eilander

J.S.Bach / Chaconne from Vilolin Partita No.2 in D minor, BWV1004 (for Clarinet Octet / Choir)
Arr. by Daisuke Uchiyama

Including Score and Parts:
Eb, Bb 1-4, Alto, Bass, Contralto, (Option)Contrabass

J. S. BACH: Sonata BWV 1034
Duration: ca. 15:00 Score: 26 pages
I. Adagio ma non tanto
II. Allegro
III. Andante
IV. Allegro
Originally scored for transverse flute & cembalo
Arrangement and figured bass realization by James M. Guthrie

The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged especially for the 22-string travel harp. It contains lever changes. This arrangement includes a version with lever notations (diamond note method) and fingering suggestions. The range is from A below the small C (C3) to A above the treble staff (A2-A5).

The arrangement remains true to the original, but includes the "Schwencke measure" = m. 23 and some necessary octaviations to accommodate the smaller 22-string travel harp. Charles Gounod used this version to compose his beautiful Ave Maria melody. .

Adagio in D minor by Johann Sebastian Bach. It is an arrangement of an Oboe Concerto by Allesandro Marcello. Fingering includes.

The ever popular Cello Suite no. 1 in G major by J.S. Bach.

This is a guide for fingering, shifting and suggested bowings.

Labels Movements
No colour - 1st Position I: Prelude
Purple - 1/2 Position II: Allemande
Blue - 2nd Position III: Courante
Beige - 3rd Position IV: Sarabande
Green - 4th Position V: Menuet I, Menuet II
VI: Gigue

While one can argue that there are multiple fingerings, these are the fingering compiled based on various cellists and is the most beginner friendly, using only the basic 4 positions.

"Prelude / Coloured Fingering Guide" is also available as a standalone purchase.

Complete score and part of the "Violin Concerto in E major BWV 1042" for Violin and Cembalo (or Piano). Composed around 1720, by Johann Sebastian Bach. Transcribed in Rome in 2019 by Santino Cara.

Movements: 1. Allegro, 2. Adagio, 3. Allegro assai

Johann Sebastian Bach, Aria 'Widerstehe doch der Sünde' from cantate BWV 54. Arrangment / transcription for piano by Jaap Eilander.

Ralph Sauer's landmark new work, Practice With Bach, will challenge your technique and musicality with demanding new études. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.).



Tenor trombonists will find that the Alto version is excellent for high register practice and alto clef reading. Likewise, Tenor trombonists can use the Bass version for low register work.



Bass trombonists will find excellent material in the Tenor version for work in the upper register and tenor clef reading. The Euphonium version is in the same key as the Tenor version, but all in bass clef, with many more trills added. The Tuba version is in the same key as the Bass version, also with more trills.



Volume One contains Twenty-four études in all keys, based upon preludes from The Well-Tempered Clavier.and#65279;

ISBN 9781619117549.

The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.

The French Romantic composer Charles Gounod added a beautiful melody to the Prelude in C by Baroque master Johann Sebastian Bach, to create this beloved and inspiring Ave Maria.

This pedal harp solo arranged by Stephanie Bennett (ASCAP) has been meticulously notated with fingerings, as well as tempo and dynamics markings.

Great for any classical-music setting, & for any Christian occasion (weddings, funerals, christenings, Christmas, etc.)

If you print it out on paper, remember that the ODD numbered pages go on your LEFT and the EVEN numbered pages go on your right. Laid out this way, there will be only one easy page turn (from page 3 to page 4).

If you take the repeat, it?s about 4 minutes long. If you skip the repeat (go directly to 2nd ending), it?s about 2 minutes & 15 seconds.

30 beautiful concerts of the most famous composers of the Baroque period transcribed for flute and piano by Santino Cara over the years. Bach, Vivaldi, Telemann, Pergolesi, Scarlatti, Sammartini, Marcello, Brescianello, Platti, Sarro, Lucchesini.
In this collection, along with the complete scores of the 30 concerts, they are also included the separate parts of the flute.

English - French - German.

This anthology presents pieces by 17th and 18th century composers in a variety of different styles, providing an informed introduction to the musical forms of the Baroque period. The volume contains works by major composers such as Bach, Handel and Telemann, as well as lesser known composers including Caix d'Hervelois and Marcello. Insightful teaching notes and composer biographies accompany the works.
Ideal for players and teachers looking to explore the repertoire for their instrument further, this collection provides pieces suitable for concerts, festivals and competitions. Suitable for students with 8 or more years playing experience (grades 7-8).