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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AMERICANA
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Vendeurs (tous)
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Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
38513
PIANO & CLAVIERS
Piano seul
60860
Piano, Voix
40196
Piano Facile
18769
Piano, Voix et Guitare
15810
Piano grosses notes
3882
Orgue
3571
Accompagnement Piano
2714
1 Piano, 4 mains
1922
Instruments en Do
1372
Piano Trio: piano, violon, violoncelle
876
Piano (partie séparée)
821
2 Pianos, 4 mains
412
Accordéon
260
Piano Quatuor: piano, 2 violons, violoncelle
254
Piano Quatuor: piano, violon, alto, violoncelle
205
Orgue, Piano (duo)
138
Piano Quintette: piano, 2 violons, alto, violoncelle
115
Clavier
80
Clavecin
75
1 Piano, 6 mains
72
Orgue, Trompette (duo)
67
2 Pianos, 8 mains
29
2 Accordéons
8
Ligne De Mélodie, Piano
4
Accordéon, Piano
3
Ensemble de Pianos
2
Accordéon - Piano, Voix, Guitare
2
Accordéon et Orchestre
1
Accordéon, Voix
1
Ensemble d'Accordéons
1
2 Orgues (duo)
1
Orgue, Voix
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1923
Guitare
1432
Ligne De Mélodie, (Paroles) et Accords
923
Basse electrique
444
Ukulele
354
Piano, Guitare (duo)
291
2 Guitares (duo)
276
Paroles et Accords
150
Guitare (partie séparée)
143
Mandoline
61
4 Guitares (Quatuor)
57
Dulcimer
41
3 Guitares (trio)
32
Banjo
30
Mandoline, Piano (duo)
17
Ensemble de guitares
16
Guitare, Violon, Violoncelle (trio)
12
Mandoline, Guitare (duo)
10
Basse électrique (partie séparée)
10
2 Ukuleles
8
2 Mandolines (duo)
4
Ukulele Baryton
2
2 Dulcimers (duo)
2
Guitare, Flûte, Clarinette
2
Partitions De Groupes
1
Cithare
1
Guitare, Orchestre
1
Dobro
1
Guitare Pedal Steel
1
Guitare, Quatuor à cordes
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Instrumentations suivantes
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VOIX
Chorale SATB
16014
Chorale 2 parties
6501
Chorale 3 parties
5322
Chorale Unison
3423
Voix duo, Piano
2724
Chorale TTBB
1862
Chorale SSAA
1075
Voix duo
920
Voix Soprano, Piano
683
Voix seule
564
Voix Alto, Piano
486
Voix haute
448
Voix Tenor, Piano
443
Voix Baryton, Piano
314
Chorale
277
Voix moyenne, Piano
166
Voix basse, Piano
101
Voix Tenor
82
Voix Soprano
45
Voix Mezzo-Soprano, Piano
32
Chorale SSAATTBB
25
Chorale SSAB, Piano
20
Chorale SSAB a cappella
19
Voix basse
18
Chorale SSATTB
14
Chorale SSATB
14
Chorale SSATBB
11
Soli, choeur mixte et accompagnement
10
Chorale SATTB
6
Voix haute, Piano
4
Male Voice
2
Voix Soprano, Orchestre
2
Chorale, Orgue
1
Chorale SSAATB A Cappella
1
Chorale SSAATB
1
Voix et basse continue
1
Chorale SATTBB A Cappella
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
6267
Clarinette et Piano
4560
Hautbois, Piano (duo)
3465
Saxophone Alto et Piano
3117
Saxophone Tenor et Piano
2466
2 Saxophones (duo)
1999
Quatuor de Saxophones: 4 saxophones
1977
Flûte traversière
1923
Clarinette
1746
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1717
Saxophone Soprano et Piano
1677
Flûte, Hautbois, Clarinette, Basson
1664
2 Flûtes traversières (duo)
1387
Saxophone (partie séparée)
1065
Saxophone
1037
2 Clarinettes (duo)
951
Saxophone Alto
937
Quatuor de Clarinettes: 4 clarinettes
883
Quintette de Saxophone: 5 saxophones
853
Saxophone Baryton, Piano
737
Saxophone Tenor
737
Flûte, Clarinette (duo)
598
Hautbois (partie séparée)
588
Quatuor de Flûtes : 4 flûtes
523
Cor anglais, Piano
505
3 Clarinettes (trio)
477
3 Saxophones (trio)
471
Ensemble de Clarinettes
366
Flûte et Guitare
343
2 Hautbois (duo)
336
Saxophone, Clarinette (duo)
282
Clarinette Basse, Piano
282
Clarinette, Violon (duo)
280
Trio de Flûtes: 3 flûtes
279
Hautbois
257
Ensemble de saxophones
245
Hautbois, Basson (duo)
224
2 Flûte à bec (duo)
222
Hautbois, Clarinette (duo)
222
Flûte, Violon
215
Ensemble de Flûtes
211
Flûte à bec Soprano
211
Flûte, Clarinette, Piano (trio)
196
Quintette de Clarinettes: 5 clarinettes
192
Flûte à Bec
190
Clarinette, Trompette (duo)
176
Saxophone Soprano
174
Quatuor de Flûtes à bec
139
2 Flûtes traversières, Piano
137
Clarinette et Alto
136
Flûte, Violon, Piano
133
Flûte, Clarinette et Basson
121
Flûte, Hautbois, Clarinette (trio)
121
Flûte, Violoncelle, Piano (trio)
119
Clarinette, Basson (duo)
118
Flûte à bec Alto
114
Flûte, Alto (duo)
112
Quintette de Flûte : 5 flûtes
110
Clarinette (partie séparée)
109
Flûte, Saxophone (duo)
109
Flûte, Trompette (duo)
103
Hautbois, Clarinette, Basson (trio d'anches)
101
2 Clarinettes, Piano
101
Hautbois, Flûte
98
Flûte à bec Alto, Piano
96
Clarinette, Guitare (duo)
93
Saxophone Baryton
93
Flûte, Violoncelle
91
Cor Anglais
87
Flûte, Hautbois (duo)
85
Flute (partie séparée)
83
Flûte irlandaise
82
Flûte à bec Soprano, Piano
81
Flûte, Basson et Piano
80
Clarinette, Violoncelle (duo)
68
2 Saxophones, Piano
68
Clarinette, Violoncelle, Piano (trio)
66
Flûte, Violon et Violoncelle
64
Hautbois, Violoncelle
56
Flûte, Hautbois, Basson
55
Flûte à bec Tenor
54
Ocarina
53
Ensemble De Flûte à bec
51
Saxophone et Piano
46
5 Flûtes à bec
45
Flûte, Hautbois, Piano (trio)
41
Flûte, Alto et Piano
41
Piccolo, Piano
38
Flûte à Bec, Piano
37
3 Flûtes à bec (trio)
35
Flûte, trombone et piano
33
Flûte, Violon, Violoncelle et Piano
33
Hautbois, violon (duo)
31
Clarinette, Basson, Piano (trio)
29
Flûte, Trombone (duo)
26
Saxophone et Orgue
26
Clarinette, trompette et piano
25
Piccolo
25
Harmonica
24
Hautbois et alto (duo)
23
Hautbois, Guitare (duo)
22
Flûte, Clarinette, Cor, Basson (Quartet)
21
Clarinette, Harpe (duo)
20
Clarinette, Alto et Piano (trio)
18
Hautbois, Violoncelle et Piano
17
Clarinette, Trombone (duo)
17
2 Clarinettes, Basson
16
Flûte, Clarinette, Violon (trio)
16
Hautbois, Basson et Piano
15
Flute, Cor (duo)
14
3 Hautbois
13
Clarinette, Tuba
13
Hautbois, trombone (duo)
12
4 Hautbois
12
Flûte, Tuba (duo)
11
Cor anglais, Guitare (duo)
11
Flute, harpe et violon
11
Hautbois, Clarinette et Piano (Trio)
11
Flûte, Violoncelle, Guitare
10
2 Cors Anglais Et Pianoforte
10
Hautbois, Harpe
10
Flûte, Hautbois, Violon
9
Flûte et Trio à cordes
8
Saxophone et Guitare
8
Hautbois, Violon, Piano
8
Ensemble à vent
7
Flûte à bec, Guitare (duo)
6
Flûte traversière, Orgue (duo)
6
Clarinette Basse
6
Clarinette, Orgue
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Ensemble de Hautbois
4
2 Hautbois, Piano
4
2 Flûtes à bec, Piano
4
Clarinette, Contrebasse (duo)
4
Saxophone et Harpe
4
Flûte à bec Alto, Basse continue
4
2 Hautbois et Basson
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Harmonica, Piano
2
Cor anglais et Harpe (duo)
2
Flûte traversière, Basse continue
2
Cornemuse
2
3 Flûtes à bec, Piano
2
Flûte, Violon, Guitare
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
2 Flûtes, Basse continue
2
Instruments en Mib
2
Hautbois, Trompette (duo)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Saxophone, Piano
1
Saxophone, Violon (duo)
1
Flûte, alto et harpe
1
Flûte à bec, Harpe
1
Flûte de Pan
1
Flûte et Quatuor à Cordes
1
2 Flûtes à bec, Guitare
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Clarinette, Orchestre
1
Flûte à bec Soprano, Basse continue
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Flûtes traversières, Harpe
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
2994
Trombone et Piano
2938
Cor et Piano
2022
Trompette
1978
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1677
Trombone
1199
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1033
Tuba et Piano
934
Quatuor de Cuivres: 2 trompettes, Cor, trombone
624
2 Trompettes (duo)
622
Cor
601
2 Trombones (duo)
580
Quatuor de Cuivres
544
Euphonium, Piano (duo)
528
Cor anglais, Piano
505
Tuba
462
Trompette (partie séparée)
390
Trombone (partie séparée)
367
Trompette, Trombone (duo)
358
2 Cors (duo)
330
Trompette, Cor (duo)
261
Trompette, Saxophone (duo)
214
Quatuor de cuivres: 4 trombones
189
Ensemble de Trombones
133
Euphonium
114
Quatuor de cuivres: 4 cors
112
Ensemble de Trompettes
112
Cor (partie séparée)
107
2 Tubas (duo)
93
Cor Anglais
87
3 Trombones (trio)
82
Tuba (partie séparée)
70
Quatuor de cuivres: 2 trompettes, 2 trombones
68
Trio de Cuivres
67
Tuba et Orgue
64
Quatuor de cuivres: 4 trompettes
54
2 Trompettes, Clavier (piano ou orgue)
45
Ensemble de Cors
38
Trombone, Orgue
34
Trombone basse et Piano
33
Trompette, Violoncelle et Piano
33
3 Trompettes (trio)
32
4 Tubas
30
Cor, Violoncelle (duo)
28
Trompette, Tuba (duo)
27
Trompette, Trombone, Piano
26
Euphonium, Tuba (duo)
26
Trombone basse
24
2 Euphoniums et 2 Tubas
24
Trombone, Cor (duo)
21
Trombone, Tuba (duo)
18
Cor, Tuba (duo)
17
Trompette, Basson (duo)
17
3 Cors (trio)
16
2 Trombones, Piano
16
2 Euphoniums (duo)
16
Trombone, Violon (duo)
15
Trompette, Violoncelle (duo)
15
3 Tubas (trio)
13
Cor et Orgue
12
Cor anglais, Guitare (duo)
11
Cor et Basson (duo)
11
2 Cors Anglais Et Pianoforte
10
Clarinette, Cor (duo)
8
Cor et Harpe
7
Cornet et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor, Violoncelle et Piano
5
2 Cors, Piano
5
Trompette, Harpe
4
Trombone et orchestre
4
Trompette et Guitare
4
Trombone, violoncelle (duo)
4
3 Euphoniums
3
Trompette, violon (duo)
3
Instruments en Sib
3
Cor anglais et Harpe (duo)
2
Ensemble de Tubas
2
Bass Clef Instruments
2
4 Euphoniums
1
Trompette, Orchestre
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cornet et orchestre
1
Euphonium Ou Saxhorn Et Piano
1
Instrumentations suivantes
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CORDES
Violon et Piano
7189
Quatuor à cordes: 2 violons, alto, violoncelle
4648
Violoncelle, Piano
4635
Alto, Piano
3658
Violon
2163
Violoncelle
1448
Violon, Violoncelle (duo)
1130
Alto seul
891
2 Violons (duo)
885
Trio à Cordes: violon, alto, violoncelle
866
Harpe
854
Contrebasse, Piano (duo)
832
2 Violoncelles (duo)
778
Quintette à cordes: 2 violons, alto, violoncelle, basse
758
Violon, Alto (duo)
588
2 Altos (duo)
503
Piano Trio: Violon, Alto, Piano
479
Contre Basse
417
Alto (partie séparée)
287
Trio à Cordes: 2 violons, violoncelle
285
Violon (partie séparée)
197
Alto, Violoncelle (duo)
190
Contrebasse (partie séparée)
158
4 Violoncelles
148
Trio à cordes: 3 violins
139
Violon, Guitare (duo)
132
Harpe, Flûte (duo)
93
2 Harpes (duo)
88
Trio à Cordes: 3 violoncelles
88
2 Contrebasses (duo)
80
Quatuor à cordes: 4 violons
77
Violoncelle , Guitare (duo)
68
2 Violons, Piano
61
Trio à Cordes: 2 violons, alto
60
Violon, Basson (duo)
60
Violoncelle (partie séparée)
55
Violon, Clarinette, Piano (trio)
52
Harpe, Violon (duo)
52
Alto, Guitare (duo)
48
Trio à cordes: 3 altos
46
Violoncelle, Contrebasse (duo)
46
Quatuor à cordes : 4 altos
41
Alto et Basson
36
Quintette à cordes: 2 violons, 2 altos, violoncelle
34
Quintette à cordes : 2 violons, alto et 2 violoncelles
31
Harpe, Violoncelle (duo)
29
Alto et Harpe
28
Violoncelle, Orgue
27
Ensemble de Violons
26
Harpe, Voix
25
2 Violoncelles, Piano
24
Ensemble d'Altos
22
Harpe et Piano
17
Violon, Tuba (duo)
16
Trio à cordes
14
4 Contrebasses
13
Violoncelle, Orchestre
9
Violon, Orgue
8
Ensemble de Violoncelles
8
Harpe, Violon, Violoncelle
8
Violon, Trompette et Piano
8
Flûte, Contrebasse (duo)
7
2 Altos, Piano
7
Harpe (partie séparée)
6
Violon, Basse continue
5
Harpe, Trombone (duo)
5
Violoncelle, Basse continue
5
Violon, Violoncelle, Clarinette
4
Harpe, Quatuor à cordes
4
Harpe et mandoline
3
4 Harpes
3
3 Contrebasses
2
Alto, Orgue
2
Alto et orchestre
2
Autoharp
2
2 Violons et Basse continue
1
Harpe et Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4583
Orchestre à Cordes
1983
Orchestre
1970
Ensemble Jazz
1563
Cloches
1211
Ensemble de cuivres
1075
Jazz combo
886
Orchestre de chambre
849
Batterie
469
Fanfare
213
Ensemble de Percussions
185
Batterie (partie séparée)
124
Xylophone, Piano
90
Percussion (partie séparée)
82
Marimba
70
Vibraphone
56
Piano et Orchestre
52
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
29
Xylophone
19
Percussion
18
Quintette à Vent
16
Timbales
9
2 Xylophones
8
Ensemble d'École
8
Orchestre, Violon
8
Timbales (partie séparée)
7
Caisse Claire
7
Vibraphone (partie séparée)
4
Quintette de Cuivres: autres combinaisons
4
Marimba, Piano (duo)
4
Vibraphone et Marimba
3
Quatuor à Vent : 4 instruments à vents
3
Big band
3
3 Marimbas
2
Instrumentation Flexible
2
Cajon
1
Voix et Orchestre
1
2 Marimbas
1
Bongos
1
Marimba ou Xylophone et Piano
1
Marimba et Orgue
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
47
Théorie de la musique
7
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9976
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, …
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Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, Method, Etudes and Exercises, Pop. 15 pages. Published by Sebastian Freisleben
You want to know how modern songs in old church modes could sound? Let yourself be enchanted by these 7 wonderful & characteristic pieces in ionian \| dorian \| phrygian \| lydian \| mixolydian \| aeolian \| locrian.<br> <br> For the intermediate pianist and jazz piano lover.<br> <br> As a bonus and present from me, you will get a quick explanation about how to use these scales for your own modern sounding songs in old modes!<br> <br> Hear all 7 songs on Spotify or YouTube:<br> https://spoti.fi/2X3xfnq<br> https://bit.ly/2RB2rtt<br> <br> Check out my social media for more!<br> https://facebook.com/sebastianfreisleben <br> https://instagram.com/sebfreis
$10.99
9.9 €
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Piano seul
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Sebastian Freisleben
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Gregorian Modes - 7 Little Pieces In Church Modes For Piano
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Sebastian Freisleben
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SheetMusicPlus
Prelude 19 in A Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 19 in A Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 1 in C Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 7 in Eb Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Prelude 13 in F# Major Ionian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 10 in F Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 10 in F Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 16 in G# Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 16 in G# Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 23 in G Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 17 in E Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 14 in D# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 8 in C Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.4 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano seul
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
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Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
23.42 €
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Piano seul
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John Pitts (1976-)
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How to Play Indian Sitar Rāgas on a Piano
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SheetMusicPlus
Mystic Space - Ambient Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael St…
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Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 pages. James M Stevens Music ASCAP #5011245. Published by James M Stevens Music ASCAP (A0.573205). Written December 22, 2019, this is a minimalistic piano composition written in a reflective and mystical style with some light ambient orchestration. The key is somewhat ambivalent and model with a mixture between D minor (aeolian), A phrygian, and B flat lydian. Wrote it just for a change of pace before I work on some commissions. Hope you enjoy this deep space meditative piece! 
$3.99
3.6 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Mystic Space - Ambient Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano album - volume 1 (15 pieces for piano solo), edition I - 2012 (Romanian language edition)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.912979 Composed by Andrei-Lucian Dr…
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Piano Solo - Level 3 - Digital Download SKU: A0.912979 Composed by Andrei-Lucian Drăgoi (Dragoi). 20th Century,Multicultural,Standards,World. Score. 63 pages. Andrei-Lucian Dragoi #2931267. Published by Andrei-Lucian Dragoi (A0.912979). I am a Romanian composer. This is my first musical album for piano solo (the 1st edition published in Romania, in 2012). This album addresses to (early) intermediate level piano players and contains 15 miniatures for piano solo. The melodies of these pieces also contain the harmonic lines so that to encourage improvisation and added/alternative guitar accompaniments.The separate lead sheets for 10 of these pieces can also be found on my other album called: Multi-instrumental musical album - volume 1, edition I (lead sheets) (Album muzical poli-instrumental, volume 1, edition I) (Romanian language edition).The mp3 sample is an audio variant of the miniature Mic dans cu aroma irlandeza (Little Irish-flavored dance) from this album.All the miniatures from this album can be listened in audio format on this personal blog page:https://acdecojocullumii.wordpress.com/2013/01/14/albumul-meu-de-pian-solo-pentru-incepatori-volumul...I have marked more instruments that piano solo because each piece is written so that it can also be played in duets (piano-woodwind/strings duo, guitar-woodwind/strings duo) and trio/quartets (piano-guitar-woodwind/-strings).
$7.00
6.31 €
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Piano seul
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Andrei-Lucian Drăgoi
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Piano album - volume 1
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Andrei-Lucian Dragoi
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SheetMusicPlus
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