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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
3 Poems
Non classifié
104
Piano & claviers
Piano, Voix
70
Piano seul
45
Piano, Voix et Guitare
6
1 Piano, 4 mains
5
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Piano Facile
2
Instruments en Do
1
+ 3 instrumentations
Retracter
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Guitare
4
Basse electrique
1
Voix
Chorale SATB
84
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32
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25
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8
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7
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5
Voix duo
5
Voix Mezzo-Soprano, Piano
4
Chorale TTBB
3
Voix haute
3
Chorale Unison
3
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix seule
1
Voix Baryton, Piano
1
Voix, Guitare
1
Voix Soprano
1
Voix Tenor
1
+ 13 instrumentations
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Vents
Flûte traversière et Piano
6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette et Piano
4
Hautbois, Piano (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Alto
3
Clarinette
3
Saxophone Baryton, Piano
2
Saxophone Tenor et Piano
2
Saxophone Alto et Piano
2
Clarinette Basse, Piano
2
Saxophone Soprano et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
Clarinette, Guitare (duo)
2
Hautbois
1
Clarinette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Saxophone Soprano
1
2 Clarinettes (duo)
1
3 Saxophones (trio)
1
2 Flûtes traversières (duo)
1
Flûte traversière
1
Quatuor de Saxophones: 4 saxophones
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Tenor
1
Hautbois, Basson (duo)
1
+ 23 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone
3
Cor
3
Tuba
2
Trompette
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de cuivres: 4 trombones
2
3 Trombones (trio)
1
Cor et Piano
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Trompette, Piano
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
9
Violoncelle, Piano
5
Alto, Piano
4
Harpe, Voix
4
2 Harpes (duo)
3
Alto seul
3
Contre Basse
3
Violoncelle
3
Violon, Violoncelle (duo)
2
Violon, Guitare (duo)
2
4 Violoncelles
2
Violon
1
Violon, Basson (duo)
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
11
Orchestre à Cordes
8
Orchestre d'harmonie
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Ensemble de cuivres
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Orchestre
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : ETUDES
METHODE : TECHNIQUES
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Vous avez sélectionné:
3 Poems
Partitions à imprimer
600 partitions trouvées
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Fear No More: Two Poems for Women's Chorus
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Matthew C
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Fear No More: Two Poems for Wo
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Matthew Schildt
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.993410 Composed by Matthew C. Schildt. 20th Century,Contemporary. Octavo. 30 pages. Matthew Schildt #3880363. Pub...
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Choral Choir (SSA) - Level 4 - SKU: A0.993410 Composed by Matthew C. Schildt. 20th Century,Contemporary. Octavo. 30 pages. Matthew Schildt #3880363. Published by Matthew Schildt (A0.993410). Fear No More: Two Poems for Women's Chorus is a setting of Under the Greenwood Tree and Fear No More the Heat of the Sun by William Shakespeare. The settings are contrasting in character, with a pastoral first movement followed by a haunting and dramatic second. The piece was composed in 2003, is registered with ASCAP, and is approximately 11 minutes in length. More of my music can be viewed and heard at www.matthewschildtmusic.com
$12.00
3 Poems
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Edward MacDowell
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3 Poems
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Schott Music - Digital
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SheetMusicPlus
Piano (4 hands) - intermediate to advanced - SKU: S9.Q11737 Composed by Edward MacDowell. This edition: Sheet music. Downloadable. Op. 20. Schott Music ...
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Piano (4 hands) - intermediate to advanced - SKU: S9.Q11737 Composed by Edward MacDowell. This edition: Sheet music. Downloadable. Op. 20. Schott Music - Digital #Q11737. Published by Schott Music - Digital (S9.Q11737). Edward MacDowell (1860–1908), although rather unknown in Germany, ranks among the most important musicians of North America on the threshold of the 20th century. He received his musical training in Paris, Stuttgart, Wiesbaden and Frankfurt. In 1888 MacDowell returned to the USA where he was celebrated as a pianist and composer, as 'the greatest musical genius America has produced'. Influenced by the works of Schumann and Grieg, his 3 Poems display a mature romantic sound image. The pieces for four hands live on their strong expression while being soft, sensitive and subtle in the detail. The gentle tones reflect MacDowell's love of nature, especially of the clouds and the sea, with 3 Poems beginning with the movement Night by the Sea. The pieces are ideal for lessons, recitals and concert performances.
$11.99
Ballad from: 3 Poems, Op. 20 No. 3
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Classique
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Edward MacDowell
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Ballad from: 3 Poems, Op. 20 N
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Schott Music - Digital
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SheetMusicPlus
Piano (4 hands) - intermediate - SKU: S9.Q13986 From: 3 Poems. Composed by Edward MacDowell. This edition: Sheet music. Classical. Downloadable. ...
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Piano (4 hands) - intermediate - SKU: S9.Q13986 From: 3 Poems. Composed by Edward MacDowell. This edition: Sheet music. Classical. Downloadable. Volume op. 20/3. 6 pages. Schott Music - Digital #Q13986. Published by Schott Music - Digital (S9.Q13986). Digital publication of the piece found in the following print music collection: 23 Pieces for Piano Duet.
$3.99
Sappho ... Five Poems by H.D. (2019) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 3: Vous ne voulez
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 3: Adieu from Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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David Warin Solomons
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David W. Solomons: Five Poems
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. S...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
Li Bai three poems for Yangtze River Waltz
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Chorale SATB
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Contemporain
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Johnson K
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e-Pllination Inc
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Li Bai three poems for Yangtze
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.1006987 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Contemporary. Octavo. 2 pages. Johnson Gao #3374739. Pu...
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Choral Choir (Mixed) - SKU: A0.1006987 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Contemporary. Octavo. 2 pages. Johnson Gao #3374739. Published by Johnson Gao (A0.1006987). Li Bai three poems for Yangtze River Waltz was composed by Johnson K. Gao in November 3, 2017. You can simply call it as the <Yangtze River Waltz>. The three poems are very similar in words counts. They are 28 Chinese characters for each poem shown as follows: æŽç™½ï¼ˆå”）Li Bai (公元 701~ 762) <望天門山> 天 é–€ ä¸ æ–· 楚 江 é–‹, 碧 æ°´ æ± æµ ç›´ 北 迴。* å…© 岸 é’ å±± 相 å° å‡º, å¤ å¸† 一 片 æ—¥ é‚Š 來。(* å‘北迴，至æ¤è¿´ã€‚) <é€åŸæµ©ç„¶ä¹‹å»£é™µ> æ•… 人 西 è¾ é»ƒ 鶴 樓, ç…™ 花 三 月 下 æš å·žã€‚å¤ å¸† é å½± 碧 空 盡, 惟 見 é•· 江 天 éš› æµã€‚<æ—©å‘白å¸åŸŽ> æœ è¾ ç™½ å¸ å½© 雲 é–“, åƒ é‡Œ 江 陵 一 æ—¥ 還。兩 岸 猿 è² å•¼ ä¸ ä½, 輕 舟 å·² éŽ è¬ é‡ å±±ã€‚The same three poems of Li Bai that I composed in three songs and put together and Li Bai's Still Night Thought> song can be found in http://www.lulu.com/shop/johnson-k-gao/ten-songs-collection-used-chinese-ancient-poetry-as-lyrics/pa.....
$1.99
Three Poems for Soprano Voice & Piano
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Piano, Voix
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AVANCÉ
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Contemporain
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Nick Raspa, Emily Dickinson
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Three Poems for Soprano Voice
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NJR Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189. Published by NJ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189. Published by NJR Music (A0.754232). A setting of three Emily Dickinson poems (Syllable, Word, Phrase) for piano & soprano voice. Â Syllable was selected for performance in the 1988 New Music Festival at the University of Wisconsin. Â The song cycle was selected for performance at the Region 1 meeting of the Society of Composers in 1992. Â Emily Dickinson did not title the poems. Â The titles were selected based on the context of the poems. Â Duration of the entire song cycle is about 3 1/2 minutes: Syllable and Word are approximately 1 minute each and Phrase is about 1 1/2 minutes. Â 32 pages.SyllableCould mortal lip divinethe undeveloped FreightOf a delivered syllable'Twould crumble with the weight.WordA word is deadWhen it is said,Some say.I say it justBegins to liveThat Day.PhraseI found the phrase to every thoughtI ever had - but One -Â And that - defies me -As a Hand did try to chalk the SunTo Races - nurtured in the Dark -How would your own - begin?Can Blaze be shown in Cochineal -Â Or Noon - in Mazarin? ASCAP.
$12.95
Three Poems of W B Yeats (mixed choir with solo soprano, unaccompanied)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Alan Bullard
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Three Poems of W B Yeats
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1106987 Composed by Alan Bullard. 20th Century,A Cappella. Octavo. 15 pages. Colne Edition / BullardMusic...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1106987 Composed by Alan Bullard. 20th Century,A Cappella. Octavo. 15 pages. Colne Edition / BullardMusic #709854. Published by Colne Edition / BullardMusic (A0.1106987). Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. Three Poems of W. B. Yeats is one of the earliest works of Alan Bullard to enter the choral repertoire. Originally written for a college choir in 1973, it was soon taken up elsewhere, and later broadcast by the BBC Northern Singers. It sets three of Yeats’ best-known poems and shows a rich and colourful response to their heady and allusive character. The three poems are (1) The Wild Swans at Coole, (2) Running to Paradise, and (3) Sweet Dancer. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
Train Poems for SATB a cappella with solo vocal quartet (text by Laura Kelly)
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Chorale SATB
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Judith Cloud
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Train Poems for SATB a cappell
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Judith Cloud
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.981228 Composed by Judith Cloud. A Cappella. Octavo. 51 pages. Judith Cloud #6690579. Published by Judith Cloud (A0.981228...
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Choral Choir (SATB) - SKU: A0.981228 Composed by Judith Cloud. A Cappella. Octavo. 51 pages. Judith Cloud #6690579. Published by Judith Cloud (A0.981228). Train Poems (poems by Laura Kelly)1. The Silver Breath of Water2. The Gentle Theater of Sunday Afternoon3. The Echo My Future Runs Ahead to Make
$4.99
Three poems by Alfonsina Storni
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Chorale SATB
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INTERMÉDIAIRE
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Dario Duarte
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Three poems by Alfonsina Storn
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Dario Duarte
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1009087 Composed by Dario Duarte. 20th Century,World. Octavo. 31 pages. Dario Duarte #6631705. Published by Dari...
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Choral Choir (SATB) - Level 3 - SKU: A0.1009087 Composed by Dario Duarte. 20th Century,World. Octavo. 31 pages. Dario Duarte #6631705. Published by Dario Duarte (A0.1009087). This work is for SATB and piano. It is based on three poems by the Argentine poet Alfonsina Storni. It is a writing known for her work and for a tragic ending that led her to take her life at sea. In many of his poems there are allusions to the sea and everything that consists of the maritime environment.
$18.20
THREE POEMS BY EMILY DICKINSON, for SATB choir a cappella
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Marilena Zlatanou
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THREE POEMS BY EMILY DICKINSON
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.887073 Composed by Marilena Zlatanou. A Cappella,Contemporary. 12 pages. Marilena Zlatanou #3426791. Publ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.887073 Composed by Marilena Zlatanou. A Cappella,Contemporary. 12 pages. Marilena Zlatanou #3426791. Published by Marilena Zlatanou (A0.887073). THREE POEMS BY EMILY DICKINSON, for SATB choir a cappella:Duration 6 minutes. The poems used are: 1. I'm nobody 2. Compensation3. HopeThe attached mp3 file is a converted sibelius file. Please visit website www.zlatanou.net for more information on the composer (member of TONO, the Norwegian copyright org.)
$25.00
H.D. ... Seven Poems by Hilda Doolittle (2015) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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H.D. ... Seven Poems by Hilda
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869373 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 37 pages. ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869373 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #38787. Published by Thomas Oboe Lee (A0.869373). A musical setting of seven poems by H.D., aka Hilda Doolittle. 1. Song. 2. Circe. 3. Evadne. 4. We Two. 5. Lethe. 6. If You Will Let Me Sing. 7. Adonis. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/h-d-2015-seven-poems-by-hilda-doolittle
$9.99
Five Cavafy Poems (Confusion, September, December, January, Song of the Heart)
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Voix seule
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AVANCÉ
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Contemporain
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James F
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Five Cavafy Poems
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WayWordBound
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 5 - SKU: A0.1097663 Composed by James F. Rickley. Contemporary. 32 pages. WayWordBound #701601. Published by WayWord...
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Medium-Low Voice,Vocal Solo - Level 5 - SKU: A0.1097663 Composed by James F. Rickley. Contemporary. 32 pages. WayWordBound #701601. Published by WayWordBound (A0.1097663). Five Cavafy Poems (1-Confusion[1896], 2-September of 1903 [1904], 3-December 1903 [1904], 4-January of 1904 [1904], 5-Song of the Heart [1886]), James F. Rickley, Composer, for Contralto and Piano, Poems by Constantine P. Cavafy, Translation by Daniel Mendelsohn, Commissioned by Montana Arts Council.
$20.00
Seven Short Poems by Robert Creeley (2016) for baritone voice, vibraphone, marimba and multi-percuss
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Thomas Oboe Lee
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Seven Short Poems by Robert Cr
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Marimba,Multi-Percussion,Vibraphone,Voice - Level 4 - SKU: A0.869425 Composed by Thomas Oboe Lee. 20th Century,Blues,Contemporary,Jazz,Ro...
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Small Ensemble Marimba,Multi-Percussion,Vibraphone,Voice - Level 4 - SKU: A0.869425 Composed by Thomas Oboe Lee. 20th Century,Blues,Contemporary,Jazz,Romantic Period. Score and parts. 31 pages. Thomas Oboe Lee #2037161. Published by Thomas Oboe Lee (A0.869425). I wrote this song cycle for my friend Brian Calhoon, who sings in the style of Chet Baker and is a fabulous percussionist. In this work he and an assistant play vibraphone, marimba, triangle, tom-toms, wood blocks and gong. The seven Robert Creeley poems are: 1. Water Music ... 2. The Carnival ... 3. Zero ... 4. The Measure ...5. Jack's Blues ...6. The Rhythm ...7. The End.Audio link: https://thomasoboelee.bandcamp.com/album/seven-short-poems-by-robert-creeley-2016Video link: https://youtu.be/uAQrr9b3Dbg
$9.99
The Hildegard Motets: 3. Hodie aperuit (Downloadable)
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Chorale SATB
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Noël
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Frank Ferko
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The Hildegard Motets: 3. Hodie
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB Choir divisi - SKU: MQ.4990-E Composed by Frank Ferko. Christmas. 9 pages. E. C. Schirmer Music Company - Digital #4990-E. Published by E. C. Schir...
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SATB Choir divisi - SKU: MQ.4990-E Composed by Frank Ferko. Christmas. 9 pages. E. C. Schirmer Music Company - Digital #4990-E. Published by E. C. Schirmer Music Company - Digital (MQ.4990-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65
Autumnal Poems: Opus 14
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Piano seul
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INTERMÉDIAIRE
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Daniel Emme
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Autumnal Poems: Opus 14
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Daniel Emme
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.941351 Composed by Daniel Emme. 20th Century,Concert,Contemporary,Standards. Score. 18 pages. Daniel Emme #3663045. Publi...
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Piano Solo - Level 3 - SKU: A0.941351 Composed by Daniel Emme. 20th Century,Concert,Contemporary,Standards. Score. 18 pages. Daniel Emme #3663045. Published by Daniel Emme (A0.941351). Autumnal Poems is a collection of 6 fall-themed piano solos. Each piece creates a unique atmosphere or tells an imaginative story. The titles suggest what could be pictured as these piece are played, yet some are intentionally ambiguous to allow for more imagination.1. Ringing Mist2. Floating Leaves3. Southward Flight4. Frost Sprites5. The Last Flower6. Winter's Approach
$12.00
Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
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Violoncelle, Piano
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Contemporain
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Stephen R Dalrymple
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Sketches of Christ 3 "I W
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Sc...
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Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 109 pages. Stephen R Dalrymple #4991045. Published by Stephen R Dalrymple (A0.818293). Sketches of Christ Movement 3 Though I Was Blind; Now I SeeTone Poem for Cello and Piano and Piano by Stephen R Dalrymplebased on John 9, the account of the interactions of the man born blind, Jewish authorities, and Jesus Christtranscribed for solo flute, clarinet, trumpet, euphonium/trombone, and violin Sketches of Christ is a 3 movement work by Stephen R Dalrymple intended for the concert stage (contrasted with preludes and offertories at church). It was originally titled Sonata for Cello and Piano. As I composed similar works, I realized that, although I have used the concepts of sonata form in various movements, because these pieces reflect the drama of selected passages of the Bible, Tone Poem was a more fitting genre title. I have begun the process of transcribing these Tone Poems for additional instruments. I consider these Tone Poems as contemporary classical music. I have used modal harmonies; polychords and polytonality; free dissonance; atonality, mixed meters, etc. to convey the drama of the Bible. Sketches of Christ is based on 3 episodes from Christ’s Life: The calming of the Sea of Galilee, Mary and Martha, and the healing of the man born blind. This score is movement 3 of a 3 movement tone poem, originally scored and premiered as a sonata for Cello and Violin. It is presented here for 5 additional solo instruments: Flute, Clarinet, Trumpet, Euphonium (or Trombone) and Violin.  Sketches of Christ is written in 20th Century Classical Music composition techniques. Various movements employ a mix of bitonality, modal harmony, deliberate dissonance, and mixed meter. Each movement dramatizes an event form the Life of Christ. This movement expresses the interactions of the man born blind, Jewish authorities, and Jesus Christ from John 9.  The score shows the parts for cello and piano, but individual parts are provided for the other solo instruments.  Includes 14 scores: Full Score for cello and piano letter size; Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts; Full Score for cello and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)  The 3 movements of the tone poem are published separately. This tone poem is actually a more like a solo instrument and piano duet rather than a solo with a piano accompaniment.
$6.50
15 Pure Land Hymns on Poems by Shinran Shonin
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Chorale SATB
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INTERMÉDIAIRE
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Richard St
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15 Pure Land Hymns on Poems by
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.939747 Composed by Richard St. Clair. 20th Century,A Cappella. Octavo. 33 pages. Richard St. Clair #3368565. Pub...
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Choral Choir (SATB) - Level 3 - SKU: A0.939747 Composed by Richard St. Clair. 20th Century,A Cappella. Octavo. 33 pages. Richard St. Clair #3368565. Published by Richard St. Clair (A0.939747). 15 short four-part SATB a Capella chorales in traditional tonal style, on poems (wasan) by Japanese Buddhist sage Shinran Shonin (1173-1262). The audio clip plays the first of these chorales.
$16.99
Craig Urquhart - THREE SONGS ON POEMS OF TENNESSEE WILLIAMS
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Craig Urquhart
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Craig Urquhart - THREE SONGS O
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Craig URQUHART
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1046368 By Craig Urquhart. By Craig Urquhart. Classical,Contemporary. Score. 13 pages. Craig URQUHART #650882. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1046368 By Craig Urquhart. By Craig Urquhart. Classical,Contemporary. Score. 13 pages. Craig URQUHART #650882. Published by Craig URQUHART (A0.1046368). Three songs on poems of Tennesse Williams: The Cabin Was Cozy, Lonesome Man, Heavenly Grass.
$20.00
Hiemal Poems: Opus 15
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Daniel Emme
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Hiemal Poems: Opus 15
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Daniel Emme
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.941352 Composed by Daniel Emme. 20th Century,Concert,Contemporary,Standards. Score. 21 pages. Daniel Emme #3926121. Publi...
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Piano Solo - Level 4 - SKU: A0.941352 Composed by Daniel Emme. 20th Century,Concert,Contemporary,Standards. Score. 21 pages. Daniel Emme #3926121. Published by Daniel Emme (A0.941352). Hiemal Poems is a collection of 6 winter-themed piano solos. Each piece creates a unique atmosphere or tells an imaginative story. The titles suggest what could be pictured as these piece are played, yet some are intentionally ambiguous to allow for more imagination.1. Frozen Tundra2. Winter Storm3. Snow Flurries4. White Woods5. Glacier6. Melting Rain.
$12.00
Craig Urquhart - LEAVES (Songs on poems of Walt Whitman)
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Piano, Voix
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INTERMÉDIAIRE
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Craig Urquhart
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Craig Urquhart - LEAVES
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Craig URQUHART
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1047174 Composed by Craig Urquhart. Classical,Contemporary,Traditional. Score. 13 pages. Craig URQUHART #651709. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1047174 Composed by Craig Urquhart. Classical,Contemporary,Traditional. Score. 13 pages. Craig URQUHART #651709. Published by Craig URQUHART (A0.1047174). A song cycle on poems of Walt Whitman. Contents, Here The Frailest Leaves of Me, O You Whom I Often and Silently Come, We Two Boys Together Clinging, Sometimes With One I Love, Among The Multitude.
$25.00
HOPE, A Song Cycle for Voice and piano, on 4 Poems by Emily Dickinson
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Marilena Zlatanou
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HOPE, A Song Cycle for Voice a
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Marilena Zlatanou
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1160062 Composed by Marilena Zlatanou. Contemporary. Score. 20 pages. Marilena Zlatanou #760308. Published by Mari...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1160062 Composed by Marilena Zlatanou. Contemporary. Score. 20 pages. Marilena Zlatanou #760308. Published by Marilena Zlatanou (A0.1160062). The four poems used are: I' nobody (1' 25''), If you can stop one heart from breaking (2') , Compensation (2'22''), Hope (2' 50''). HOPE song-cycle: ca 13' 20''The piano introduction contains excerpts of the musical material from the whole song-cycle and it should commence the song-cycle when it is performed complete. Both this introduction and the individual songs may also be performed independently. Duration intro: ca 4' 22''. The mp3 file provided is made from the sibelius score.The composer is a member of TONO, the Norwegian Copyright org. For more information on her work please visit websIte www.zlatanou.net                                Â
$20.00
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