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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For Peter
Non classifié
2 319
Piano & claviers
Piano, Voix
6 065
Piano seul
2 005
Piano, Voix et Guitare
724
Piano Facile
556
Accompagnement Piano
116
Orgue
101
1 Piano, 4 mains
86
Instruments en Do
86
Piano grosses notes
36
Piano Trio: piano, violon, violoncelle
23
Piano (partie séparée)
18
Accordéon
15
2 Pianos, 4 mains
15
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon, Voix
3
Clavier
1
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
410
Guitare
237
Ligne De Mélodie, (Paroles) et Accords
149
Paroles et Accords
102
Basse electrique
45
Ukulele
44
Guitare (partie séparée)
35
2 Guitares (duo)
33
4 Guitares (Quatuor)
12
Banjo
7
Dulcimer
6
Mandoline
5
Piano, Guitare (duo)
5
Ensemble de guitares
4
3 Guitares (trio)
3
Guitare Pedal Steel
2
Guitare, Violon, Violoncelle (trio)
2
Ensemble de Ukulélés
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
578
Chorale Unison
271
Chorale TTBB
157
Chorale 3 parties
138
Chorale 2 parties
71
Chorale
50
Chorale SSAA
45
Voix seule
17
Voix duo, Piano
14
Chorale SSAATTBB
12
Voix Soprano, Piano
6
Voix moyenne, Piano
5
Voix haute
3
Voix basse, Piano
3
Voix Baryton, Piano
2
Chorale SSATTB
1
Chorale SSATB
1
Voix Tenor
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Chorale SATTBB, Clavier
1
Male Voice
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
240
Flûte traversière et Piano
204
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
182
Flûte traversière
156
Clarinette et Piano
152
Clarinette
137
Clarinette (partie séparée)
133
Quatuor de Saxophones: 4 saxophones
132
Saxophone
115
Hautbois, Piano (duo)
114
Saxophone Alto et Piano
113
Saxophone Alto
98
Quatuor de Clarinettes: 4 clarinettes
82
Flûte, Hautbois, Clarinette, Basson
82
Saxophone Tenor et Piano
79
2 Saxophones (duo)
78
Ensemble de saxophones
77
Saxophone Tenor
77
Ensemble de Clarinettes
76
Hautbois (partie séparée)
74
2 Flûtes traversières (duo)
72
Quintette de Saxophone: 5 saxophones
67
Flute (partie séparée)
61
2 Clarinettes (duo)
57
Saxophone Soprano et Piano
53
Quatuor de Flûtes : 4 flûtes
48
Flûte et Guitare
34
Saxophone Baryton, Piano
33
3 Clarinettes (trio)
30
Ensemble de Flûtes
28
Cor anglais, Piano
28
Flûte à Bec
27
Flûte, Clarinette (duo)
25
2 Hautbois (duo)
24
Quintette de Clarinettes: 5 clarinettes
20
Flûte à bec Soprano
20
Hautbois
18
3 Saxophones (trio)
17
Trio de Flûtes: 3 flûtes
16
Quatuor de Flûtes à bec
15
Clarinette Basse, Piano
15
2 Flûte à bec (duo)
14
Clarinette, Guitare (duo)
12
Clarinette, Basson (duo)
11
Hautbois, Basson (duo)
11
Flûte, Clarinette et Basson
10
Saxophone Soprano
10
Hautbois, Guitare (duo)
9
5 Flûtes à bec
9
Flûte à bec Soprano, Piano
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Clarinette (duo)
9
Flûte, Hautbois (duo)
8
Quintette de Flûte : 5 flûtes
8
Flûte à bec Alto
7
Flûte, Violon, Piano
7
Flûte, Violon
7
Flûte, Hautbois, Basson
6
Flûte à bec Alto, Piano
6
Piccolo
5
Clarinette, Violoncelle (duo)
5
Flûte, Violoncelle
5
Saxophone Baryton
5
Saxophone, Clarinette (duo)
5
Clarinette, Violon (duo)
4
Cor Anglais
4
Clarinette, Trombone (duo)
4
Saxophone, Basson (duo)
4
Hautbois, Flûte
4
Harmonica
4
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Saxophone (duo)
3
Flûte, Clarinette, Piano (trio)
3
Instruments en Mib
3
Ocarina
3
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Clarinettes, Basson
2
Flûte, Trombone (duo)
2
Flûte, Basson et Piano
2
Clarinette, Harpe (duo)
2
2 Saxophones, Piano
2
Flûte, Hautbois, Violon
1
Clarinette et Alto
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Flûte de Pan
1
Clarinette, Orgue
1
4 Hautbois
1
Flûte, Violon, Guitare
1
Flûte traversière, Orchestre
1
Clarinette, Basson, Piano (trio)
1
Flute, harpe et violon
1
Harmonica, Piano
1
Saxophone et Guitare
1
2 Flûtes traversières, Piano
1
Clarinette, Orchestre
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Violon (trio)
1
2 Clarinettes, Piano
1
Hautbois, violon (duo)
1
Flûte, Alto (duo)
1
+ 98 instrumentations
Retracter
Cuivres
Trompette
215
Trombone (partie séparée)
190
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
189
Trompette, Piano
158
Quatuor de Cuivres : 2 trompettes, trombone, tuba
126
Trompette (partie séparée)
125
Trombone
101
Trombone et Piano
79
Cor (partie séparée)
68
Cor et Piano
62
Cor
60
Tuba (partie séparée)
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
50
2 Trompettes (duo)
44
Quatuor de Cuivres
34
Tuba
31
Cor anglais, Piano
28
Quatuor de cuivres: 4 trombones
27
Euphonium, Piano (duo)
26
Quatuor de cuivres: 4 cors
21
Ensemble de Trompettes
20
2 Trombones (duo)
20
Trompette, Trombone (duo)
19
Ensemble de Trombones
18
4 Tubas
16
Tuba et Piano
16
2 Cors (duo)
15
Euphonium
10
2 Tubas (duo)
9
Trompette, Saxophone (duo)
7
Trompette, Basson (duo)
5
Trompette, Cor (duo)
5
Trombone basse
5
Quatuor de cuivres: 4 trompettes
5
Ensemble de Cors
5
Cor Anglais
4
Trombone, Violon (duo)
4
2 Euphoniums et 2 Tubas
4
Tuba et Orgue
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Trombones (trio)
3
Bass Clef Instruments
3
Instruments en Sib
3
Trombone basse et Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Ensemble de Tubas
2
3 Cors (trio)
2
Cornet A Pistons
2
Trompette, Violoncelle (duo)
2
Trio de Cuivres
2
Trompette, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
3 Trompettes (trio)
1
Cornet et orchestre
1
Trompette, Orchestre
1
Cor, Tuba (duo)
1
Trombone, Orgue
1
Tuba ou Euphonium ou Saxhorn
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
361
Violon et Piano
245
Violoncelle, Piano
194
Violon
174
Alto, Piano
137
Violon (partie séparée)
130
Alto seul
119
Violoncelle
105
Harpe
89
Violon, Violoncelle (duo)
71
Contrebasse (partie séparée)
70
2 Violons (duo)
67
Trio à Cordes: violon, alto, violoncelle
53
Violoncelle (partie séparée)
53
2 Violoncelles (duo)
45
Violon, Alto (duo)
41
Contre Basse
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Trio à Cordes: 2 violons, violoncelle
32
2 Altos (duo)
31
Alto (partie séparée)
29
Contrebasse, Piano (duo)
22
4 Violoncelles
22
Trio à cordes: 3 violins
21
Quatuor à cordes: 4 violons
17
Alto, Violoncelle (duo)
16
Violon, Guitare (duo)
13
Quatuor à cordes : 4 altos
11
Violoncelle , Guitare (duo)
9
Trio à Cordes: 3 violoncelles
8
2 Contrebasses (duo)
7
Piano Trio: Violon, Alto, Piano
7
Autoharp
7
Alto, Guitare (duo)
6
Violon, Basson (duo)
5
Violon, Basse continue
4
Ensemble d'Altos
4
Alto et Basson
4
Ensemble de Violons
4
Harpe et Orgue
3
Harpe, Flûte (duo)
3
4 Contrebasses
2
Violoncelle, Orchestre
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 altos
2
Trio à cordes
2
Violoncelle, Orgue
1
Alto et orchestre
1
Violon, Trompette et Piano
1
2 Harpes (duo)
1
Harpe, Voix
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
485
Orchestre à Cordes
222
Orchestre
205
Ensemble Jazz
148
Ensemble de cuivres
81
Percussion (partie séparée)
77
Batterie
63
Orchestre de chambre
62
Cloches
41
Fanfare
37
Jazz combo
35
Percussion
30
Batterie (partie séparée)
22
Timbales (partie séparée)
20
Ensemble de Percussions
18
Marimba
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Xylophone
5
2 Xylophones
4
Timbales
4
Quintette à Vent
3
Ensemble d'École
2
Xylophone, Piano
2
Orchestre, Violon
2
Vibraphone et Marimba
1
Vibraphone
1
Piano et Orchestre
1
+ 22 instrumentations
Retracter
Autres
Papeterie
5
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POP ROCK - ROCK CLAS…
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9976
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
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Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.6 €
#
Trompette
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Keith Terrett
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Keith Terrett
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Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
#
Keith Terrett
#
SheetMusicPlus
Pray for the Church
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1267531 Composed by John W…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1267531 Composed by John W. Fisher. 21st Century,A Cappella,Christian,Contemporary,Religious. Octavo. 2 pages. John Fisher #860067. Published by John Fisher (A0.1267531). This is the fourth in my series of Sermon Songs. On June 18, 2023, at First Presbyterian Church, Fort Myers, Florida, Rev. Roger Peterson used the text Acts 12 : 1-19 in an inspiring sermon - BELIEVING PRAYER. James had been killed, and Herod, grandson of Herod the Great, who had spoken to the Wise Men, put Peter in chains and had him heavily guarded so he could be executed after the Feast of the Unleavened Bread. The early church prayed, and prayed for Peter, and an angel lead Peter out and he at first thought it was a dream. When he finally realized he was free, he knocked and knocked on doors until a faithful girl named Rhoda let him join in what would be his long journey of spreading the Gospel. Herod, by the way had the guards killed, but when he acted like a god, God got him but good.In these perilous times, I would hope that this hymn arrangement could be sung over and over. ( Check out my other published Sermon Songs - SING TO THE LORD, MOSES AND MIRIAM, and BARNABAS.
$7.00
6.44 €
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Chorale SATB
#
John W
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Pray for the Church
#
John Fisher
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SheetMusicPlus
Return of the Herds (for Trumpet Trio)
Trompette
Trumpet - Level 2 - Digital Download SKU: A0.1284600 Composed by Adolphe Danhauser.…
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Trumpet - Level 2 - Digital Download SKU: A0.1284600 Composed by Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. 18 pages. Andrew Lamb #875774. Published by Andrew Lamb (A0.1284600). Presenting Return of the Herds (Retour des Troupeaux), an engaging trumpet trio arrangement meticulously crafted from the imaginative composition by Frenchman Adolphe Danhauser. Originally designed as a secular chorus, this arrangement now resonates anew through the powerful voices of three trumpets.Set at an easy-to-intermediate level of difficulty, Return of the Herds offers an accessible yet musically rewarding experience for trumpeters of varying skill levels. The arrangement transforms Danhauser's evocative melodies into a triumphant dance of three trumpets, conjuring the imagery of returning herds with every note.Versatile in its applications, this arrangement enriches a variety of settings, from captivating concerts to educational showcases. Whether you're aiming to enhance your repertoire for a performance or seeking to provide your students with an opportunity to explore ensemble dynamics, Return of the Herds stands ready to inspire.Let the resounding calls of the trumpets capture the essence of a triumphant return, whether in a grand concert hall or an intimate recital setting. Elevate your musical journey with this exquisite trumpet trio arrangement, as it revives the spirit of Adolphe Danhauser's composition in a new and vibrant form.
$4.00
3.68 €
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Trompette
#
Adolphe Danhauser
#
Andrew Lamb
#
Return of the Herds
#
Andrew Lamb
#
SheetMusicPlus
Valor (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
18.36 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Canto di forza
Orgue
Organ - advanced - Digital Download Per organo. Composed by Peteris Vasks (1946-). Th…
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Organ - advanced - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q6906. Published by Schott Music - Digital
Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Canto di forza' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man.<br> Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions.Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Canto di forza' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man.<br> Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions.
$11.99
11.03 €
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Orgue
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Peteris Vasks
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Canto di forza
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Schott Music - Digital
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SheetMusicPlus
Finland National Anthem and US National Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or VÃ¥rt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw
$10.00
9.2 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fredrik Pacius, John Stafford Smith
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Jari A
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Finland National Anthem and US National Anthem for Brass Quintet
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JV MUSIC
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SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich …
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Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Technique Training, Recital. Score, Set of Parts. 16 pages. Published by jmsgu3
Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program.<br> <br> Pyotr Ilyich Tchaikovsky<br> Tchaikovsky is probably the most popular of thegreat composers in America. His music certainly appeals to musicians. Likewise,it appeals even to folks who don’t normally listen to serious music. This isprobably because of his most noteworthy melodies. Above all, he writes withgreat emotion. This certainly makes a most noteworthy if not an unforgettableimpact.<br> <br> Education<br> First of all, He attended classes at the RussianMusical Society. Even more, He also attended the St. PetersburgConservatory. There he studied music theory with Nikolai Zaremba. He alsoconsequently studied composition with Anton Rubenstein. It seems likeRubenstein came under criticism from a group of Russian composers known as “theFive.”<br> <br> The Five<br> The Five certainly rejected Western musicalinfluences. They rather sought to use elements from Russian music. Theyfurthermore wanted to use more exotic musical materials.<br> <br> Western Techniques<br> More than other Russian composers, Tchaikovskystudied modern Western music. He certainly develops his music like the Europeanmasters. So, rather than repeating a motive, he moves to a new key. He thenintroduces a different theme in the new key. Hence, he maintained hisindependence from “the Five.” Even more, he became the first Russian composerof international stature.<br> <br> Influences<br> Tchaikovsky was probably influenced in his balletscoring by Léo Delibes. Richard Wagner influenced his symphonic writing.Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite,and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies.The greatest of the six symphonies may be No. 6, the “Pathétique.”<br> <br> Swan Lake Op. 20<br> Tchaikovsky composed Swan Lake in 1875-76. To beginwith, most noteworthy the ballet failed to attract a positive reception. Overtime, however, the ballet became probably one of the most popular of all ofTchaikovsky’s works. The ballet was certainly first performed by the BolshoiBallet in Moscow.<br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.comDuration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program.<br> <br> Pyotr Ilyich Tchaikovsky<br> Tchaikovsky is probably the most popular of thegreat composers in America. His music certainly appeals to musicians. Likewise,it appeals even to folks who don’t normally listen to serious music. This isprobably because of his most noteworthy melodies. Above all, he writes withgreat emotion. This certainly makes a most noteworthy if not an unforgettableimpact.<br> <br> Education<br> First of all, He attended classes at the RussianMusical Society. Even more, He also attended the St. PetersburgConservatory. There he studied music theory with Nikolai Zaremba. He alsoconsequently studied composition with Anton Rubenstein. It seems likeRubenstein came under criticism from a group of Russian composers known as “theFive.”<br> <br> The Five<br> The Five certainly rejected Western musicalinfluences. They rather sought to use elements from Russian music. Theyfurthermore wanted to use more exotic musical materials.<br> <br> Western Techniques<br> More than other Russian composers, Tchaikovskystudied modern Western music. He certainly develops his music like the Europeanmasters. So, rather than repeating a motive, he moves to a new key. He thenintroduces a different theme in the new key. Hence, he maintained hisindependence from “the Five.” Even more, he became the first Russian composerof international stature.<br> <br> Influences<br> Tchaikovsky was probably influenced in his balletscoring by Léo Delibes. Richard Wagner influenced his symphonic writing.Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite,and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies.The greatest of the six symphonies may be No. 6, the “Pathétique.”<br> <br> Swan Lake Op. 20<br> Tchaikovsky composed Swan Lake in 1875-76. To beginwith, most noteworthy the ballet failed to attract a positive reception. Overtime, however, the ballet became probably one of the most popular of all ofTchaikovsky’s works. The ballet was certainly first performed by the BolshoiBallet in Moscow.<br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
30.32 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
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SheetMusicPlus
Trumpet Music for Worship
Trompette, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.1294910 Composed by Peter Hillia…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.1294910 Composed by Peter Hilliard. Arranged by Peter Hilliard. Christmas,Easter,Sacred. Score and part. 84 pages. Shaw Music #885224. Published by Shaw Music (A0.1294910). Drawing on an extensive background in musical theatre, Peter Hilliard provides trumpeters with ten exceptional hymn settings. Both trumpeter and pianist will appreciate the idiomatic attention to detail, and audience members will be both moved and thrilled by these dramatic interpretations. With titles spanning the church year, this collection provides preludes, postludes, and offertories for all seasons. Titles include: A Mighty Fortress Is Our God; All Praise to God, Who Reigns Above; Amazing Grace; Angels, from the Realms of Glory; Christ the Lord Is Risen Today; Immortal, Invisible, God Only Wise; Just a Closer Walk with Thee; The King of Love My Shepherd Is; This Is My Father's World; What a Friend We Have in Jesus.
$29.99
27.6 €
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Trompette, Piano
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Peter Hilliard
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Peter Hilliard
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Trumpet Music for Worship
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Shaw Music
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Ensemble de Tubas
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comMoonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.95 €
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Ensemble de Tubas
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
Children's Galop from the Nutcracker for Violin & Cello Duet Music for Two (or Flute or Oboe & Basso
Violon, Violoncelle (duo)
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Daniel Kelley. Childre…
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Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Daniel Kelley. Children, Concert, Romantic Period, Standards. 4 pages. Last Resort Music Publishing #3583321. Published by Last Resort Music Publishing
The Tarantellafrom the Tschaikovsky’s Nutcracker is a very fast dance movement in 6/8 and is traditionallyperformed by a male dancer immediately following the Pas de Deux. Don’t missthis delightful and energetic arrangement!<br> <br> The Children’s Galop from Tschaikovsky’s Nutcracker is anabsolutely delightful movement from Act I and is the perfect addition to any Holidayperformance!<br> <br> Playable by Flute & Cello Duet, Oboe &Cello Duet, Violin & Cello Duet, Flute & Bassoon Duet, Oboe &Bassoon Duet, Violin & Bassoon Duet<br> <br> Each duet is published in score form (both parts on the same page) sothat the players can play from the same part.<br> <br> Don\'t miss our other Nutcracker arrangements including MotherGinger, Chocolate, Clara & the Nutcracker, Pas De Deux, FinalWaltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children\'s Galop,Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March,Overture & Trepak!The Tarantellafrom the Tschaikovsky’s Nutcracker is a very fast dance movement in 6/8 and is traditionallyperformed by a male dancer immediately following the Pas de Deux. Don’t missthis delightful and energetic arrangement!<br> <br> The Children’s Galop from Tschaikovsky’s Nutcracker is anabsolutely delightful movement from Act I and is the perfect addition to any Holidayperformance!<br> <br> Playable by Flute & Cello Duet, Oboe &Cello Duet, Violin & Cello Duet, Flute & Bassoon Duet, Oboe &Bassoon Duet, Violin & Bassoon Duet<br> <br> Each duet is published in score form (both parts on the same page) sothat the players can play from the same part.<br> <br> Don\'t miss our other Nutcracker arrangements including MotherGinger, Chocolate, Clara & the Nutcracker, Pas De Deux, FinalWaltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children\'s Galop,Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March,Overture & Trepak!
$5.95
5.48 €
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Violon, Violoncelle (duo)
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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Children's Galop from the Nutcracker for Violin & Cello Duet Music for Two
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Last Resort Music Publishing
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SheetMusicPlus
Recitative and Aria for Violin and Viola (or Cello)
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1245038 Compose…
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Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1245038 Composed by John Manduell. 20th Century,Chamber,Classical. 22 pages. Forsyth Brothers Ltd #839939. Published by Forsyth Brothers Ltd (A0.1245038). This recently published duet for Violin and Viola (or Cello) provides a brief and tantalising glimpse of the composing genius of Sir John Manduell, best known as the founding principal of the Royal Northern College of Music (RNCM).Written in memory of Peter Crossley-Holland, a former colleague at the BBC where Sir John Manduell was founding the BBC Music Programme, this superb duet was given a first performance by Richard Howarth (Violin) and Tom Dunn (Viola) at the Bridgewater Hall in August 2002.While a short piece, there is plenty of technical challenge in this work, with the Recitative spanning the full range octaves leading on to an Aria in 11/8, featuring muted, pizzicato, double stopping and harmonic passages. Click titles to hear performed by Richard Howarth (Violin) and Tom Dunn (Viola) on the album Celtic Magic.RecitativeAria
$13.99
12.88 €
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Violon, Alto (duo)
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John Manduell
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Recitative and Aria for Violin and Viola
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Forsyth Brothers Ltd
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SheetMusicPlus
Theme from Slavonic March, for two violins and piano
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.909598 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher A. Sforza. Folk,Romantic Period,Standards. Score and parts. 4 pages. Christopher A. Sforza #4898137. Published by Christopher A. Sforza (A0.909598). The Slavonic March, Op. 31 or Marche slave is an orchestral tone poem poem by Pyotr Ilyich Tchaikovsky. The famous somber melody from the work is based a Serbian folk song. This arrangement for two violins and piano is a great piece to reinforce augmented-second finger patterns. The arrangement can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included is both the piano and violin duet scores.
$2.25
2.07 €
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Violon et Piano
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Peter Ilyich Tchaikovsky
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Christopher A
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Theme from Slavonic March, for two violins and piano
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Christopher A. Sforza
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SheetMusicPlus
Symphony for Organ No. 5 - Toccata: For Brass Octet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.899600 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.899600 Composed by Charles Marie Widor. Arranged by Chris Blankenship. Classical,Graduation,Romantic Period,Wedding. Score and parts. 41 pages. C Blankenship #3578365. Published by C Blankenship (A0.899600). The Symphony for Organ No. 5 in F minor, Op. 42, No. 1, was composed by Charles-Marie Widor in 1879, with numerous revisions published by the composer in later years. The fifth movement, in F major, is often referred to as just Widor's Toccata because it is his most famous piece. It lasts around six minutes. Its fame in part comes from its frequent use as recessional music at festive Christmas and wedding ceremonies. The melody of Widor's Toccata is based upon an arrangement of rapid staccato arpeggios which form phrases, initially in F, moving in fifths through to C major, G major, etc. Each phrase consists of one bar. The melody is complemented by syncopated chords, forming an accented rhythm against the perpetual arpeggio motif. The phrases are contextualized by a descending bass line, often beginning with the 7th tone of each phrase key.Blankenship's arrangement for brass octet takes advantage of the trumpets' ranges by voicing the arpeggiated motif in only these parts and allowing it to be passed back and forth (this also means that it can be customized to be performed by as few as 1 or as many as 4 trumpeters). As a tubist, Blankenship has written a very demanding bass part that is not for the faint of heart; it can be played 8va but does not present the same effect.
$25.00
23.01 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Charles Marie Widor
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Chris Blankenship
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Symphony for Organ No. 5 - Toccata: For Brass Octet
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C Blankenship
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SheetMusicPlus
C Jam Blues for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By…
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String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
11.95 €
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Orchestre à Cordes
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Duke Ellington
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Keith Terrett
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C Jam Blues for String Orchestra
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Keith Terrett
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SheetMusicPlus
C Jam Blues for Trombone / Low Brass Quintet
Ensemble de Trombones
Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duk…
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Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
11.03 €
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Ensemble de Trombones
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Duke Ellington
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Keith Terrett
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C Jam Blues for Trombone / Low Brass Quintet
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Keith Terrett
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SheetMusicPlus
C Jam Blues for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
11.03 €
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Quintette de Clarinettes: 5 clarinettes
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Duke Ellington/Barney Bigard
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Keith Terrett
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quintet
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Keith Terrett
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SheetMusicPlus
C Jam Blues for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
11.95 €
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Quintette de Saxophone: 5 saxophones
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Duke Ellington
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Keith Terrett
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C Jam Blues for Saxophone Quintet
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Keith Terrett
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SheetMusicPlus
C Jam Blues for Recorder Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$14.99
13.8 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Duke Ellington
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Keith Terrett
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C Jam Blues for Recorder Quintet
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Keith Terrett
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believinYour audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.43 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
Concerto for Seven Trumpets and Timpani for Trumpet Ensemble (two complete editions, Ab & F concert)
Ensemble de Trompettes
Trumpet Ensemble Trumpet - Level 4 - Digital Download SKU: A0.817150 Composed by Jo…
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Trumpet Ensemble Trumpet - Level 4 - Digital Download SKU: A0.817150 Composed by Johann Ernst Altenburg. Arranged by Charles Decker. Baroque,Chamber,Classical,Contest,Festival. 68 pages. Charles Decker Music Press #5324601. Published by Charles Decker Music Press (A0.817150). Need an impressive and accessible showcase for your ambitious trumpet section? Then this famous and elegant three-movement, mini-concerto for trumpeters from Johann Ernst Altenburg’s extensive 1795 treatise Essay on an introduction to the heroic and musical trumpeters’ and kettledrummers’ art is a rewarding experience for trumpeters to expand their musical horizons. Composed for 18th century court trumpeters with valveless instruments, the work is scored for solo trumpet with two antiphonal trios and timpani. Each movement presents contrasting musical styles, the first fanfare figures, the second expressive lyricism, and the third facile scale runs. Two complete editions for B-flat trumpets are included, each with full score and parts, one in A-flat concert for more advanced players and a second in F concert to make it more accessible for less experienced trumpeters. The second and third movements, traditionally set in 4/8 and 3/8, are changed to 4/4 and 3/4 as more frequently encountered time signatures. Consider opening your next band concert featuring the trumpet section performing this impressive work. The sound file is an actual trumpet ensemble performance of the entire edition and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$13.99
12.88 €
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Ensemble de Trompettes
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Johann Ernst Altenburg
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Charles Decker
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Concerto for Seven Trumpets and Timpani for Trumpet Ensemble
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Charles Decker Music Press
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SheetMusicPlus
King Of The Road for Classical Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
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Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet. "King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song. The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song." "King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony. The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs". Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground. A send-up version by English entertainer Billy Howard was a British chart hit in 1976. A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.
"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.
The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.
The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."
"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.
The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".
Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.
A send-up version by English entertainer Billy Howard was a British chart hit in 1976.
A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.8 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Randy Travis, Roger Miller
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Keith Terrett
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King Of The Road for Classical Brass Quintet
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Music for all Occasions
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SheetMusicPlus
Rosenberg Sonata for Violin and Piano
Violon et Piano
Piano,Violin - Digital Download SKU: A0.1090293 Composed by Peter MachajdÃk. Arr…
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Piano,Violin - Digital Download SKU: A0.1090293 Composed by Peter MachajdÃk. Arranged by Pavel Burdych. Contemporary. Full Performance. Duration 832. Pavel Burdych #31423. Published by Pavel Burdych (A0.1090293). Slovak composer and sound artist Peter MachajdÃk (b. 1961) occupies a unique place in the world of contemporary music. He won international acclaim for his multimedia project Intimate Music at the Inventionen 1994 festival in Berlin. MachajdÃk has worked with numerous chamber ensembles and orchestras, choreographers, dancers and visual artists. He writes music for film and theatre. He is the holder of Slovakia´s most prestigious classical music award, the Ján Levoslav Bella Prize. His Rosenberg Sonata for Violin and Piano, of 2010, is a composition whose structure sets it in a class of its own, and which plays around with the minimalist style, whilst at the same time attesting to the breadth of the composer's musical and philosophical understanding. The Czechoslovak Chamber Duo premiered Rosenberg Sonata at the Forfest in KroměřÞ, Czech Republic. For further information go to Peter MachajdÃk´s web site - www.machajdik.de. Performers: The Czechoslovak Chamber Duo was formed in 2004 by Czech violinist Pavel Burdych and Slovak pianist Zuzana BereÅ¡ová. Both artists have been regular guests at music festivals in the Czech Republic, Slovakia and Germany, as well as making frequent concert appearances in capitals around the globe, including Rome, Paris, Lisbon, Seoul, Bucharest, Sofia, Athens, Prague, and Bratislava. Thanks to their Czechoslovakian roots, they often receive invitations from Czech and Slovak expatriate communities in various countries. Every year, they mount projects centred around anniversaries of major composers. The Czechoslovak Chamber Duo has earnt the accolades of audiences and critics alike for its high professional standards, flawless coordination, and musicality. For more detailed information go to the Duo´s website www.chamberduo.eu. Pavel Burdych studied violin firstly at the Conservatory in Pardubice, and thereafter with Bohumil Smejkal at the JanáÄek Academy of Music and Performing Arts in Brno. Zuzana BereÅ¡ová studied piano at the Conservatory in KoÅ¡ice, at the Academy of Performing Arts in Bratislava, and then with Jiřà Skovajsa and Jaroslav Smýkal at the JanáÄek Academy of Music and Performing Arts in Brno.
$2.99
2.75 €
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Violon et Piano
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Peter MachajdÃk
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Pavel Burdych
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Rosenberg Sonata for Violin and Piano
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Pavel Burdych
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SheetMusicPlus
Cello Music for Worship
Violoncelle, Piano
Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 84 p…
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Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 84 pages. Shaw Music #693869. Published by Shaw Music
While under quarantine in 2020, Peter Hilliard wrote ten hymn settings for cello and piano to be performed during filmed segments for virtual church services. In each expertly crafted arrangement, these beloved hymns are treated with reverence and invention, ranging from triumphant virtuosity to quiet contemplation. With titles spanning the church year, this collection provides preludes, postludes, and offertories for all seasons.While under quarantine in 2020, Peter Hilliard wrote ten hymn settings for cello and piano to be performed during filmed segments for virtual church services. In each expertly crafted arrangement, these beloved hymns are treated with reverence and invention, ranging from triumphant virtuosity to quiet contemplation. With titles spanning the church year, this collection provides preludes, postludes, and offertories for all seasons.
$29.99
27.6 €
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Violoncelle, Piano
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Peter Hilliard
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Peter Hilliard
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Cello Music for Worship
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Shaw Music
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SheetMusicPlus
10 Romantic Easy duets for Oboe and English Horn
Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827),…
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Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827), Robert Schumann, Anton Rubinstein (1829-1894), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Classical, Instructional, Romantic Period. 41 pages. Glissato Edizioni Musicali #6664795. Published by Glissato Edizioni Musicali
10 easy duets collection of the romantic period arranged for Oboe in C and English Horn in F, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-).<br> Contents: 1. Largo from "New World Symphony" – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.10 easy duets collection of the romantic period arranged for Oboe in C and English Horn in F, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-).<br> Contents: 1. Largo from "New World Symphony" – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.
$12.99
11.95 €
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Niccolò Paganini Johannes Brahms, Ludwig van Beethoven
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Francesco Leone
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10 Romantic Easy duets for Oboe and English Horn
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Glissato Edizioni Musicali
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SheetMusicPlus
10 Romantic Easy duets for Bb Clarinet and Bassoon
Clarinette, Basson (duo)
Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827),…
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Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827), Robert Schumann, Anton Rubinstein (1829-1894), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Classical, Instructional, Romantic Period. 41 pages. Glissato Edizioni Musicali #6661505. Published by Glissato Edizioni Musicali
10 easy duets collection of the romantic period arranged for Bb Clarinet and Bassoon, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-).<br> Contents: 1. Largo from "New World Symphony" – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.10 easy duets collection of the romantic period arranged for Bb Clarinet and Bassoon, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-).<br> Contents: 1. Largo from "New World Symphony" – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.
$12.99
11.95 €
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Clarinette, Basson (duo)
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Niccolò Paganini Johannes Brahms, Ludwig van Beethoven
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Francesco Leone
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10 Romantic Easy duets for Bb Clarinet and Bassoon
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Glissato Edizioni Musicali
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SheetMusicPlus
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