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6240
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2020
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836
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582
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117
Orgue
107
1 Piano, 4 mains
92
Instruments en Do
56
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52
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42
Piano Trio: piano, violon, violoncelle
19
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18
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15
2 Pianos, 4 mains
15
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5
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36
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25
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9
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296
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214
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136
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134
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108
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105
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95
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90
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84
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82
Saxophone
81
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76
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76
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75
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74
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73
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68
2 Clarinettes (duo)
64
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61
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52
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50
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31
3 Clarinettes (trio)
31
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30
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27
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26
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24
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20
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17
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17
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17
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16
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13
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12
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11
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10
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10
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9
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8
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6
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199
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160
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137
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99
Trombone
96
Cor (partie séparée)
70
Cor
69
Tuba (partie séparée)
54
Cor et Piano
53
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51
2 Trompettes (duo)
42
Quatuor de Cuivres
36
Tuba
34
Quatuor de cuivres: 4 cors
30
Cor anglais, Piano
29
Quatuor de cuivres: 4 trombones
28
Euphonium, Piano (duo)
26
Ensemble de Trompettes
21
2 Trombones (duo)
21
Trompette, Trombone (duo)
21
Ensemble de Trombones
19
Tuba et Piano
17
4 Tubas
15
2 Cors (duo)
15
Euphonium
12
Trompette, Saxophone (duo)
9
2 Tubas (duo)
9
Trompette, Cor (duo)
5
3 Trombones (trio)
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Trompette, Basson (duo)
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Trombone basse
5
Cor Anglais
5
Quatuor de cuivres: 4 trompettes
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2 Euphoniums et 2 Tubas
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2
Trio de Cuivres
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2
Ensemble de Tubas
2
Cornet et orchestre
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Trombone, Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
378
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206
Violon
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Violon (partie séparée)
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Alto seul
112
Harpe
86
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74
2 Violons (duo)
73
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73
2 Violoncelles (duo)
46
Violon, Alto (duo)
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Contre Basse
37
Violoncelle
37
Alto (partie séparée)
33
2 Altos (duo)
33
Trio à Cordes: 2 violons, violoncelle
31
Trio à Cordes: violon, alto, violoncelle
29
Contrebasse, Piano (duo)
23
4 Violoncelles
22
Quatuor à cordes: 4 violons
18
Trio à cordes: 3 violins
18
Alto, Violoncelle (duo)
16
Violon, Guitare (duo)
13
Trio à Cordes: 3 violoncelles
13
Quatuor à cordes : 4 altos
11
Violoncelle , Guitare (duo)
9
2 Contrebasses (duo)
8
Piano Trio: Violon, Alto, Piano
7
Autoharp
7
Alto, Guitare (duo)
6
Violon, Basson (duo)
5
Violon, Basse continue
4
Ensemble de Violons
4
Alto et Basson
4
Ensemble d'Altos
4
Harpe, Flûte (duo)
3
Harpe et Orgue
3
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 altos
2
Trio à cordes
2
Violoncelle, Orchestre
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
4 Contrebasses
2
Violoncelle, Orgue
1
Harpe, Voix
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Alto et orchestre
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2 Harpes (duo)
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Violon, Trompette et Piano
1
Violon, Orgue
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Orchestre d'harmonie
521
Orchestre à Cordes
238
Orchestre
231
Ensemble Jazz
136
Ensemble de cuivres
106
Percussion (partie séparée)
80
Batterie
62
Orchestre de chambre
54
Fanfare
49
Cloches
40
Percussion
33
Jazz combo
25
Batterie (partie séparée)
23
Ensemble de Percussions
20
Timbales (partie séparée)
20
Marimba
11
Xylophone
7
2 Xylophones
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Timbales
4
Quintette à Vent
3
Ensemble d'École
2
Xylophone, Piano
2
Orchestre, Violon
2
Piano et Orchestre
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Vibraphone
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Vibraphone et Marimba
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9976
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
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Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.59 €
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Trompette
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Keith Terrett
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Keith Terrett
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Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
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Keith Terrett
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SheetMusicPlus
Jazztrompete kreativ
Trompette
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This ed…
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Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This edition: Sheet music. Jazz, Trompete, Unterricht. Downloadable. Op. 1. Schott Music - Digital #Q54842. Published by Schott Music - Digital
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.
$18.99
17.42 €
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Trompette
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Jazztrompete kreativ
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Schott Music - Digital
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.77 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Don't forget tomorrow
Chorale SATB
SATB choir and piano - Digital Download SKU: OX.9780193535930 Composed by Pete Chur…
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SATB choir and piano - Digital Download SKU: OX.9780193535930 Composed by Pete Churchill. Sheet music. Voice Junction. Octavo. 12 pages. Oxford University Press Digital #9780193535930. Published by Oxford University Press Digital (OX.9780193535930). ISBN 9780193535930.For SATB and piano. Don't forget tomorrow is an uplifting encore-style piece ideal for college and community choirs, with independent parts during the verses and a catchy chorus in harmony - all supported by an infectious samba rhythm from the piano.
$3.65
3.35 €
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Chorale SATB
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Pete Churchill
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Don't forget tomorrow
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Oxford University Press Digital
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SheetMusicPlus
Flowers for Dorothy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.66 €
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Piano seul
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Castelo Forte é o Nosso Deus / A Mighty Fortress Is Our God
Large Ensemble Cello,Double Bass,Oboe,Piano Accompaniment,Trumpet,Viola,Violin - Level 3 -…
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Large Ensemble Cello,Double Bass,Oboe,Piano Accompaniment,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.1004006 Composed by Martinho Lutero, Martin Luther. Arranged by Adriel Verçosa. Christian,Gospel,Sacred. Score and parts. 43 pages. Adriel Verçosa #3429441. Published by Adriel Verçosa (A0.1004006). Este arranjo de Castelo Forte é o Nosso Deus (do alemão: Ein feste Burg ist unser Gott) foi feito especialmente para as comemorações dos 500 anos da reforma protestante. Pensado de uma maneira quase programática, baseado na versão do hinário Novo Cântico, o arranjo pode ser entoado em unÃssono pelo coral ou pela congregação.Instrumentação: cordas, piano, 1 oboé, 1 trompete C ou Bb (pode ser substituÃdo por outro oboé).Para outros tons ou formações, contate meu email: adrielvall@hotmail.comThis arrangement of A Mighty Fortress Is Our God (from the German: Ein feste Burg ist unser Gott) was made especially for the celebrations of the 500 years of the Protestant Reformation. Thought in a quasi-programmatic way, based on the version of the brazillian hymnal Novo Cântico, the arrangement can be sung in unison by the choir or the congregation.Instrumentation: strings, piano, 1 oboe, 1 trumpet C or Bb (can be replaced by another oboe).To another tune or instrumental group, contact me: adrielvall@hotmail.com
$6.50
5.96 €
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Martinho Lutero, Martin Luther
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Adriel Verçosa
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Castelo Forte é o Nosso Deus / A Mighty Fortress Is Our God
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Adriel Verçosa
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SheetMusicPlus
Solos for Alto Flute Book 1
Flûte traversière et Piano
Alto Flute and Piano - Intermediate-Advanced - Digital Download Composed by Various. …
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Alto Flute and Piano - Intermediate-Advanced - Digital Download Composed by Various. Arranged by Robert Rainford. Score and parts. 42 pages. Forton Music - Digital #FM056. Published by Forton Music - Digital
ISBN 9790708085553.<br> <br> Popular works arranged for Alto Flute and Piano. Handel - Every Valley from The Messiah , Mozart - Voi, che sapete, Bach/Gounod - Ave Maria, Dvorak - Humoreske, Saint-Saens - Le Cygne, Elgar - Salut D'amour, Debussy - La fille aux cheveux de lin.
$12.95
11.88 €
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Flûte traversière et Piano
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Various
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Solos for Alto Flute Book 1
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SheetMusicPlus
Valor (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
18.3 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Return of the Herds (for Trumpet Trio)
Trompette
Trumpet - Level 2 - Digital Download SKU: A0.1284600 Composed by Adolphe Danhauser.…
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Trumpet - Level 2 - Digital Download SKU: A0.1284600 Composed by Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. 18 pages. Andrew Lamb #875774. Published by Andrew Lamb (A0.1284600). Presenting Return of the Herds (Retour des Troupeaux), an engaging trumpet trio arrangement meticulously crafted from the imaginative composition by Frenchman Adolphe Danhauser. Originally designed as a secular chorus, this arrangement now resonates anew through the powerful voices of three trumpets.Set at an easy-to-intermediate level of difficulty, Return of the Herds offers an accessible yet musically rewarding experience for trumpeters of varying skill levels. The arrangement transforms Danhauser's evocative melodies into a triumphant dance of three trumpets, conjuring the imagery of returning herds with every note.Versatile in its applications, this arrangement enriches a variety of settings, from captivating concerts to educational showcases. Whether you're aiming to enhance your repertoire for a performance or seeking to provide your students with an opportunity to explore ensemble dynamics, Return of the Herds stands ready to inspire.Let the resounding calls of the trumpets capture the essence of a triumphant return, whether in a grand concert hall or an intimate recital setting. Elevate your musical journey with this exquisite trumpet trio arrangement, as it revives the spirit of Adolphe Danhauser's composition in a new and vibrant form.
$4.00
3.67 €
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Trompette
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Adolphe Danhauser
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Andrew Lamb
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Return of the Herds
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Andrew Lamb
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SheetMusicPlus
Freight Train for Solo Fingerstyle Guitar
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download By Elizabeth Cotton, Peter, Paul, and Ma…
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Guitar Tab - Intermediate - Digital Download By Elizabeth Cotton, Peter, Paul, and Mary, Chet Atkins, Jerry Garcia, Pete Seeger, and Odetta. Arranged by Dennis McCorkle. Sheet Music Single, Tablature. 2 pages. Published by DF McCorkle Music and eBook Publications
Oneof the most versatile and most widely used acoustic guitar accompaniment stylesis ‘Cotton Picking”—a staple for any fingerstyle guitarist. This accompanimentstyle was so named after the woman who first popularized this technique in theearly part of the 20th Century, Elizabeth Cotton. Born Elizabeth Nevills on 5January 1893 near Chapel Hill in North Carolina, Elizabeth was a self-taughtmusician, singer, and songwriter who developed this unique accompaniment style.Also referred to as ‘Travis Picking’ and attributed to Merle Travis, thispattern-based fingerstyle guitar accompaniment should most certainly beattributed to Elizabeth Cotton and not Merle Travis. This arrangement of 'Freight Train' by Dennis McCorkle for solo fingerstyle guitar is an excellent representation of this style of playing. Includes standard sheet music notation and Tablature with fingeringsfor both the left and right hands.
$5.95
5.46 €
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Guitare notes et tablatures
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Elizabeth Cotton, Peter, Paul, and Mary, Chet Atkins, Jerry Garcia, Pete Seeger, and Odetta
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Dennis McCorkle
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Freight Train for Solo Fingerstyle Guitar
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Pray for the Church
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1267531 Composed by John W…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1267531 Composed by John W. Fisher. 21st Century,A Cappella,Christian,Contemporary,Religious. Octavo. 2 pages. John Fisher #860067. Published by John Fisher (A0.1267531). This is the fourth in my series of Sermon Songs. On June 18, 2023, at First Presbyterian Church, Fort Myers, Florida, Rev. Roger Peterson used the text Acts 12 : 1-19 in an inspiring sermon - BELIEVING PRAYER. James had been killed, and Herod, grandson of Herod the Great, who had spoken to the Wise Men, put Peter in chains and had him heavily guarded so he could be executed after the Feast of the Unleavened Bread. The early church prayed, and prayed for Peter, and an angel lead Peter out and he at first thought it was a dream. When he finally realized he was free, he knocked and knocked on doors until a faithful girl named Rhoda let him join in what would be his long journey of spreading the Gospel. Herod, by the way had the guards killed, but when he acted like a god, God got him but good.In these perilous times, I would hope that this hymn arrangement could be sung over and over. ( Check out my other published Sermon Songs - SING TO THE LORD, MOSES AND MIRIAM, and BARNABAS.
$7.00
6.42 €
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Chorale SATB
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John W
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Pray for the Church
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John Fisher
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SheetMusicPlus
Finland National Anthem and US National Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or VÃ¥rt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw
$10.00
9.17 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fredrik Pacius, John Stafford Smith
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Jari A
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Finland National Anthem and US National Anthem for Brass Quintet
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JV MUSIC
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SheetMusicPlus
Canto di forza
Orgue
Organ - advanced - Digital Download Per organo. Composed by Peteris Vasks (1946-). Th…
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Organ - advanced - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q6906. Published by Schott Music - Digital
Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Canto di forza' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man.<br> Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions.
$11.99
11 €
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Orgue
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Peteris Vasks
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Canto di forza
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Schott Music - Digital
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SheetMusicPlus
The Candy Cakewalk, for Flute and Trumpet Duet
Flûte, Trompette (duo)
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591142 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284963. Published by David McKeown (A0.591142). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Trumpet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Flûte, Trompette (duo)
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David McKeown
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The Candy Cakewalk, for Flute and Trumpet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Clarinet and Trumpet Duet
Clarinette, Trompette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591135 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284947. Published by David McKeown (A0.591135). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Trumpet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinette, Trompette (duo)
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David McKeown
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The Candy Cakewalk, for Clarinet and Trumpet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Clarinet and Violin Duet
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591136 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284949. Published by David McKeown (A0.591136). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Violin. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinette, Violon (duo)
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David McKeown
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The Candy Cakewalk, for Clarinet and Violin Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Flute and Violin Duet
Flûte, Violon
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591144 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284967. Published by David McKeown (A0.591144). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Violin. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Flûte, Violon
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David McKeown
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The Candy Cakewalk, for Flute and Violin Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Flute and Viola Duet
Flûte, Alto (duo)
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.591143 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284965. Published by David McKeown (A0.591143). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Viola. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Flûte, Alto (duo)
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David McKeown
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The Candy Cakewalk, for Flute and Viola Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Clarinet and Viola Duet
Clarinette et Alto
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.591134 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284945. Published by David McKeown (A0.591134). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Viola. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinette et Alto
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David McKeown
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The Candy Cakewalk, for Clarinet and Viola Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Trumpet and Clarinet Duet
Clarinette, Trompette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591158 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6285005. Published by David McKeown (A0.591158). The Candy Cakewalk is a fun and original duet written by David McKeown for one Trumpet and one Clarinet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinette, Trompette (duo)
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David McKeown
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The Candy Cakewalk, for Trumpet and Clarinet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Trumpet Duet
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.591162 Composed by David …
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.591162 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6285013. Published by David McKeown (A0.591162). The Candy Cakewalk is a fun and original duet written by David McKeown for two Trumpets. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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2 Trompettes (duo)
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David McKeown
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The Candy Cakewalk, for Trumpet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Clarinet and Alto Clarinet Duet
2 Clarinettes (duo)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.591132 Composed by David McKeown. Easter,Folk,Jazz,Traditional. Score and parts. 4 pages. David McKeown #6284937. Published by David McKeown (A0.591132). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Alto Clarinet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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2 Clarinettes (duo)
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David McKeown
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The Candy Cakewalk, for Clarinet and Alto Clarinet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Flute Duet
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.591145 Composed by David McKe…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.591145 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6284969. Published by David McKeown (A0.591145). The Candy Cakewalk is a fun and original duet written by David McKeown for two Flutes. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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2 Flûtes traversières (duo)
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David McKeown
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The Candy Cakewalk, for Flute Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Violin and Clarinet Duet
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591165 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6285019. Published by David McKeown (A0.591165). The Candy Cakewalk is a fun and original duet written by David McKeown for one Violin and one Clarinet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinette, Violon (duo)
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David McKeown
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The Candy Cakewalk, for Violin and Clarinet Duet
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David McKeown
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SheetMusicPlus
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