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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Camille Sain-Saen
Non classifié
430
Piano & claviers
Piano seul
187
Piano Facile
150
Piano, Voix
69
1 Piano, 4 mains
28
Orgue
24
Piano Trio: piano, violon, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Accordéon
7
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Trompette (duo)
3
Piano, Voix et Guitare
3
Instruments en Do
3
Piano (partie séparée)
2
1 Piano, 6 mains
1
Accompagnement Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
3
2 Guitares (duo)
3
Ukulele
2
4 Guitares (Quatuor)
2
+ 1 instrumentations
Retracter
Voix
Chorale SATB
32
Chorale 3 parties
11
Pack Instrumental pour Chorale
5
Chorale 2 parties
5
Voix seule
4
Chorale TTBB
4
Voix duo, Orgue
2
Voix Soprano, Piano
1
Chorale SSAA
1
Voix duo, Piano
1
Chorale
1
Chorale Unison
1
+ 7 instrumentations
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Vents
Flûte traversière et Piano
70
Clarinette et Piano
65
Quatuor de Saxophones: 4 saxophones
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Saxophone Alto et Piano
42
2 Saxophones (duo)
39
Clarinette
35
Hautbois, Piano (duo)
34
Saxophone Tenor et Piano
33
3 Saxophones (trio)
29
Quatuor de Clarinettes: 4 clarinettes
26
Flûte, Hautbois, Clarinette, Basson
23
Saxophone Soprano et Piano
22
Quintette de Saxophone: 5 saxophones
22
2 Flûtes traversières (duo)
22
Quatuor de Flûtes : 4 flûtes
21
Flûte traversière
21
Saxophone Baryton, Piano
17
3 Clarinettes (trio)
17
2 Clarinettes (duo)
16
Cor anglais, Piano
13
Trio de Flûtes: 3 flûtes
13
Ensemble de Flûtes
10
Ensemble de saxophones
10
Saxophone Alto
8
Ensemble de Clarinettes
8
Flûte, Clarinette (duo)
8
2 Flûte à bec (duo)
8
Flûte, Clarinette et Basson
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Tenor
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette Basse, Piano
6
2 Hautbois (duo)
6
5 Flûtes à bec
6
Quatuor de Flûtes à bec
6
Flûte et Guitare
6
Quintette de Flûte : 5 flûtes
6
Flûte, Hautbois, Piano (trio)
5
Hautbois, Clarinette (duo)
5
Hautbois, Basson (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Basson
4
Hautbois (partie séparée)
4
Flute (partie séparée)
3
Saxophone
3
Clarinette (partie séparée)
3
Hautbois
3
3 Flûtes à bec (trio)
3
Cor Anglais
2
Flûte à bec Soprano
2
Saxophone Soprano
2
Clarinette Basse
2
Flûte à Bec
2
Flûte, Violon, Piano
1
Flûte, Violon
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Saxophone (partie séparée)
1
Flûte, Violoncelle
1
Clarinette, Violon (duo)
1
Saxophone et Piano
1
Flûte et Quatuor à Cordes
1
Hautbois, Violoncelle
1
Flute, harpe et violon
1
Hautbois, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone Baryton
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone et Piano
30
Cor et Piano
24
Trompette, Piano
20
Tuba et Piano
15
Trompette
15
Cor anglais, Piano
13
Euphonium, Piano (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quatuor de cuivres: 4 cors
10
Trombone
9
2 Euphoniums et 2 Tubas
8
Cor
6
4 Tubas
5
Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
3
Trompette (partie séparée)
3
Quatuor de Cuivres
3
Tuba
3
2 Trombones (duo)
3
Cor (partie séparée)
2
Trombone (partie séparée)
2
Ensemble de Trombones
2
Ensemble de Cors
2
Cor Anglais
2
Euphonium
2
Ensemble de Tubas
2
Trombone basse et Piano
2
Ensemble de Trompettes
2
Trombone, Orgue
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone et orchestre
1
Cor et Orgue
1
Trombone, Tuba (duo)
1
+ 31 instrumentations
Retracter
Cordes
Violon et Piano
85
Violoncelle, Piano
77
Quatuor à cordes: 2 violons, alto, violoncelle
68
Alto, Piano
49
Violon
43
Violoncelle
35
2 Violoncelles (duo)
22
Trio à Cordes: violon, alto, violoncelle
21
2 Violons (duo)
16
Violon, Violoncelle (duo)
16
Alto seul
15
Violon, Alto (duo)
13
Trio à Cordes: 3 violoncelles
12
Trio à cordes: 3 violins
11
4 Violoncelles
11
Violon (partie séparée)
10
2 Altos (duo)
10
Contrebasse, Piano (duo)
10
Quatuor à cordes: 4 violons
8
Quatuor à cordes : 4 altos
7
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle, Orchestre
5
Trio à cordes
5
Alto, Violoncelle (duo)
5
Contre Basse
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle , Guitare (duo)
5
Harpe
4
Contrebasse (partie séparée)
3
2 Violons, Piano
3
Trio à Cordes: 2 violons, alto
3
Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
1
Harpe, Violoncelle (duo)
1
2 Altos, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
Violon, Orgue
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
51
Orchestre d'harmonie
47
Orchestre
47
Ensemble de cuivres
21
Orchestre de chambre
8
Orchestre, Violon
4
Percussion
4
Cloches
4
Vibraphone (partie séparée)
3
Percussion (partie séparée)
2
Quintette à Vent
2
Ensemble Jazz
2
2 Xylophones
1
Piano et Orchestre
1
Ensemble de Percussions
1
Timbales (partie séparée)
1
Timbales
1
+ 12 instrumentations
Retracter
Autres
Instruments
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DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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ORGUE
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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MARIMBA
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Camille Sain-Saen
Partitions à imprimer
3 045 partitions trouvées
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Camille Saint-Saens: Sonata in D major Op.166 instantly for oboe & piano
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Hautbois, Piano (duo)
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AVANCÉ
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Classique
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Camille Saint-Saens
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Virtualsheetmusic
Instantly downloadable sheet music by Camille Saint-Saens for oboe & piano of HIGH skill level. Contents: opus 166, op. 166 / classical,french
Instantly downloadable sheet music by Camille Saint-Saens for oboe & piano of HIGH skill level. Contents: opus 166, op. 166 / classical,french
$5.99
Tribute to Camille Saint-Saens
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Orgue
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INTERMÉDIAIRE
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Allan Leslie McDougall
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Allan Leslie McDougall
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Tribute to Camille Saint-Saens
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Allan Leslie McDougall
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SheetMusicPlus
Organ - Level 3 - SKU: A0.983579 Composed by Allan Leslie McDougall. Arranged by Allan Leslie McDougall. Classical,Concert,Graduation,Holiday,Wedding. S...
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Organ - Level 3 - SKU: A0.983579 Composed by Allan Leslie McDougall. Arranged by Allan Leslie McDougall. Classical,Concert,Graduation,Holiday,Wedding. Score. 3 pages. Allan Leslie McDougall #4980767. Published by Allan Leslie McDougall (A0.983579). This work utilises the well-known melody from the final movement of Saint-Saens's famous Organ Symphony. This work, as here published, is easy to play, sounds impressive on a powerful organ and can be played competently with little practice. The inclusion of the Saint-Saen's melody makes it a crowd pleaser. .
$4.00
Camille Saint-Saens: Sonata in E flat major Op. 167 instantly for clarinet & piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Virtualsheetmusic
Instantly downloadable sheet music by Camille Saint-Saens for clarinet & piano of MEDIUM/HIGH skill level. Contents: opus 167 / classical,french
Instantly downloadable sheet music by Camille Saint-Saens for clarinet & piano of MEDIUM/HIGH skill level. Contents: opus 167 / classical,french
$6.75
Camille Saint-Saens: Concerto in B minor Op.61 No.3 for violin & piano
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Violon et Piano
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AVANCÉ
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Classique
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Camille Saint-Saens
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Virtualsheetmusic
Instantly downloadable sheet music by Camille Saint-Saens for violin & piano of HIGH skill level. Contents: opus 61, op. 61, number 3, no. 3 / classical,french,concert...
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Instantly downloadable sheet music by Camille Saint-Saens for violin & piano of HIGH skill level. Contents: opus 61, op. 61, number 3, no. 3 / classical,french,concert
$7.75
Camille Saint-Saens: Concerto in A minor Op.33 No.1 for cello & piano
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Violoncelle, Piano
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AVANCÉ
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Classique
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Camille Saint-Saens
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Virtualsheetmusic
Instantly downloadable sheet music by Camille Saint-Saens for cello & piano of HIGH skill level. Contents: opus 33, op. 33, number 1, no. 1 / classical,french,concert...
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Instantly downloadable sheet music by Camille Saint-Saens for cello & piano of HIGH skill level. Contents: opus 33, op. 33, number 1, no. 1 / classical,french,concert
$7.75
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals (A Selection of pieces from) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Camille Saint- Saens
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Saint-Saëns: Le Carnaval des
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RayThompsonMusic
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Roma...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Parts. 48 pages. Published by RayThompsonMusic
The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Sans. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and the complete work lasts around 25 minutes.
I have arranged a selection of pieces from this suite for wind quintet-
They are:
I. Introduction et Marche Royale du Lion( Inroduction and Royal March of the Lion)
II. Poules et Coqs (Hens and Roosters)
IV. Tortues (Tortoises)
V. L'Elphant (The Elephant)
XII. Fossiles (Fossils)
XII. Le Cygne (The Swan)
XIV. Final (Finale)
$19.95
THE BEST OF C. S. SAENS (EASY ORGAN & PIANO ARRANGEMENT)
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Piano Facile
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FACILE
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Classique
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CAMILLE SAINT SAENS
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Juliano Music
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THE BEST OF C. S. SAENS
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Juliano Music
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SheetMusicPlus
Composed by CAMILLE SAINT SAENS. Arranged by Juliano Music. Romantic Period, Classical Period, General Worship, Repertoire, Classroom. Individual Part...
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Composed by CAMILLE SAINT SAENS. Arranged by Juliano Music. Romantic Period, Classical Period, General Worship, Repertoire, Classroom. Individual Part, Score, Solo Part. 30 pages. Published by Juliano Music
My arrangements for EASY ORGAN & PIANO OF THE BEST SONGS BY C. S. SAENS.
ARRANGED FOR ORGAN & PIANO.
Content:
AQUARIUM THEME (PIANO ARRANGEMENT)
AQUARIUM (PIANO ARRANGEMENT)
AVE VERUM (ORGAN ARRANGEMENT)
CALME DES NUITS (ORGAN ARRANGEMENT)
DANSE MACABRE - C VERSION (ORGAN ARRANGEMENT)
DANSE MACABRE (PIANO ARRANGEMENT)
LES FLEURES ET LES ARBRES (ORGAN ARRANGEMENT)
ORGAN SYMPHONY N.3 - FINALE (ORGAN SYMPHONY)
SOFTLY AWAKES MY HEART (PIANO ARRANGEMENT)
THE ELEPHANT (PIANO ARRANGEMENT)
THE SWAN (PIANO ARRANGEMENT)
TOLLITE HOSTIAS (ORGAN ARRANGEMENT)
---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING--
JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.
ENJOY!!
$15.00
"The Swan" / "Le Cygne" by Camille Saint-Saens (Transcribed For Piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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ROBERT VAN HORNE
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"The Swan" / "L
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.914982 Composed by Camille Saint-Saens. Arranged by ROBERT VAN HORNE. 19th Century,Classical,Instructional,Multicultural,...
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Piano Solo - Level 4 - SKU: A0.914982 Composed by Camille Saint-Saens. Arranged by ROBERT VAN HORNE. 19th Century,Classical,Instructional,Multicultural,Romantic Period,World. Score. 5 pages. White Piano International Publishing #6707939. Published by White Piano International Publishing (A0.914982). The Swan / Le Cygne by Camille Saint-Saens From THE CARNIVAL OF THE ANIMALS Transcribed for Solo Piano by ROBERT VAN HORNEAdvanced Intermediate Piano5 PagesThis beautiful piece was composed by Camille Saint-Saens in February of 1886 as a cello solo with two piano accompaniment.In 2013, I transcribed this movement from THE CARNIVAL OF THE ANIMALS for solo piano.This arrangement is clearly notated with dynamic marks, phrasing, suggested fingerings, pedal indications, chord identifications and appropriate musical terms for playing.As a wonderful recital and encore selection, this piano transcription is excellent for professionals and students.A Youtube video of Robert's 2013 performance is available at: http://youtu.be/fPaqfV4K124Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
THE SWAN Camille Saint Saens for lead bass and guitar
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint Saens
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Terry Carpenter
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THE SWAN Camille Saint Saens f
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Terry Carpenter
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SheetMusicPlus
Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.916172 Composed by Camille Saint Saens. Arranged by Terry Carpenter. Romantic Period...
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Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.916172 Composed by Camille Saint Saens. Arranged by Terry Carpenter. Romantic Period. Score and parts. 3 pages. Terry Carpenter #3125889. Published by Terry Carpenter (A0.916172). THE SWAN, from Camille Saint Saens is a well known classical music for cello and piano. I arranged it for bass and guitar. It will sound better using a bow on a doublebass for a deep and tragic sound !!! With an electric bass, use the touchboard mike.Any question ? carpentermusic@yahoo.com
$5.00
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Danse Macabre by Camille Saint-Saens for Recorder Quintet
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5 Flûtes à bec
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AVANCÉ
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Classique
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Halloween
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Camille Saint-Saens
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Ander
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Danse Macabre by Camille Saint
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Woods Only, Arrangements
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SheetMusicPlus
Recorder - Level 5 - SKU: A0.1296289 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. Record...
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Recorder - Level 5 - SKU: A0.1296289 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. Recorder Ensemble. 52 pages. Woods Only, Arrangements #886533. Published by Woods Only, Arrangements (A0.1296289). We present to you an exclusive arrangement of the masterpiece “Danse Macabreâ€, composed by the renowned French composer Camille Saint-Saëns. In this special arrangement for Recorder Quintet, we used the version for piano and violin as a base, maintaining fidelity to the original version. This piece is perfect for terror and Halloween themed events, as well as being an excellent didactic material for teachers. We recommend its execution by professional and experienced musicians. “Danse Macabre†is a work that evokes the universality of death, with death summoning all strata of life to dance until dawn. This arrangement captures this essence, providing a unique and exciting musical experience. Acquire this exclusive arrangement and bring your performance to life with the magic of “Danse Macabreâ€. Let the music tell your story and enchant your audience. Secure your sheet music now and be part of this unforgettable dance.
$9.99
Danse Macabre by Camille Saint-Saens for Violin Quintet
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Classique
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Halloween
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Camille Saint-Saens
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Ander
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Danse Macabre by Camille Saint
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Woods Only, Arrangements
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SheetMusicPlus
String Quintet Violin - Level 5 - SKU: A0.1302670 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thr...
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String Quintet Violin - Level 5 - SKU: A0.1302670 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 52 pages. Woods Only, Arrangements #892295. Published by Woods Only, Arrangements (A0.1302670). We present to you an exclusive arrangement of the masterpiece “Danse Macabreâ€, composed by the renowned French composer Camille Saint-Saëns. In this special arrangement for Violin Quintet, we used the version for piano and violin as a base, maintaining fidelity to the original version. This piece is perfect for terror and Halloween themed events, as well as being an excellent didactic material for teachers. We recommend its execution by professional and experienced musicians. “Danse Macabre†is a work that evokes the universality of death, with death summoning all strata of life to dance until dawn. This arrangement captures this essence, providing a unique and exciting musical experience. Acquire this exclusive arrangement and bring your performance to life with the magic of “Danse Macabreâ€. Let the music tell your story and enchant your audience. Secure your sheet music now and be part of this unforgettable dance.
$9.99
Danse Macabre by Camille Saint-Saens for Cello Quintet
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Classique
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Halloween
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Camille Saint-Saens
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Ander
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Danse Macabre by Camille Saint
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Woods Only, Arrangements
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SheetMusicPlus
String Quintet Cello - Level 5 - SKU: A0.1302674 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thri...
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String Quintet Cello - Level 5 - SKU: A0.1302674 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 52 pages. Woods Only, Arrangements #892300. Published by Woods Only, Arrangements (A0.1302674). We present to you an exclusive arrangement of the masterpiece “Danse Macabreâ€, composed by the renowned French composer Camille Saint-Saëns. In this special arrangement for Violoncello Quintet, we used the version for piano and violin as a base, maintaining fidelity to the original version. This piece is perfect for terror and Halloween themed events, as well as being an excellent didactic material for teachers. We recommend its execution by professional and experienced musicians. “Danse Macabre†is a work that evokes the universality of death, with death summoning all strata of life to dance until dawn. This arrangement captures this essence, providing a unique and exciting musical experience. Acquire this exclusive arrangement and bring your performance to life with the magic of “Danse Macabreâ€. Let the music tell your story and enchant your audience. Secure your sheet music now and be part of this unforgettable dance.
$9.99
Danse Macabre by Camille Saint-Saens for String Quintet
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Classique
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Halloween
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Camille Saint-Saens
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Ander
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Danse Macabre by Camille Saint
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Woods Only, Arrangements
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SheetMusicPlus
String Quintet - Level 5 - SKU: A0.1302668 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. ...
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String Quintet - Level 5 - SKU: A0.1302668 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 52 pages. Woods Only, Arrangements #892293. Published by Woods Only, Arrangements (A0.1302668). We present to you an exclusive arrangement of the masterpiece “Danse Macabreâ€, composed by the renowned French composer Camille Saint-Saëns. In this special arrangement for String Quintet, we used the version for piano and violin as a base, maintaining fidelity to the original version. This piece is perfect for terror and Halloween themed events, as well as being an excellent didactic material for teachers. We recommend its execution by professional and experienced musicians. “Danse Macabre†is a work that evokes the universality of death, with death summoning all strata of life to dance until dawn. This arrangement captures this essence, providing a unique and exciting musical experience. Acquire this exclusive arrangement and bring your performance to life with the magic of “Danse Macabreâ€. Let the music tell your story and enchant your audience. Secure your sheet music now and be part of this unforgettable dance.
$9.99
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Camille Sain-Saen
