Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op Opera
Non classifié
117
Piano & claviers
Piano, Voix
146
Piano seul
79
1 Piano, 4 mains
28
Accordéon
14
Piano, Voix et Guitare
9
Piano Trio: piano, violon, violoncelle
4
Orgue
4
Instruments en Do
4
Accompagnement Piano
3
Piano Facile
3
+ 5 instrumentations
Retracter
Guitares
Guitare
8
2 Guitares (duo)
4
Guitare notes et tablatures
2
Ligne De Mélodie, (Paroles) et Accords
1
Orchestre à Plectres
1
Voix
Voix seule
26
Voix Soprano, Piano
6
Voix moyenne, Piano
2
Chorale SATB
2
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
1
Voix haute
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
42
Clarinette et Piano
26
Saxophone Alto et Piano
23
2 Saxophones (duo)
17
Quatuor de Clarinettes: 4 clarinettes
15
Hautbois, Piano (duo)
14
Quatuor de Saxophones: 4 saxophones
14
Flûte traversière
12
Clarinette
12
Saxophone Alto
12
2 Flûtes traversières (duo)
12
3 Saxophones (trio)
12
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor
10
Saxophone Soprano et Piano
9
Saxophone Tenor et Piano
8
Cor anglais, Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Flûtes : 4 flûtes
5
Flûte à Bec
5
2 Flûte à bec (duo)
5
3 Flûtes à bec (trio)
5
Ensemble de Clarinettes
4
Flûte, Clarinette (duo)
3
Saxophone
3
Hautbois
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Instruments en Mib
3
2 Clarinettes (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Basson (duo)
3
Saxophone Baryton, Piano
3
Flûte à bec Alto
3
5 Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
3 Clarinettes (trio)
2
Flûte, Clarinette, Piano (trio)
2
Quatuor de Flûtes à bec
2
Clarinette, Guitare (duo)
2
Flûte, Violon et Violoncelle
1
Ensemble de saxophones
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Flûte traversière, Basse continue
1
Flûte à Bec, Piano
1
Clarinette Basse, Piano
1
Flûte, Clarinette et Basson
1
Saxophone (partie séparée)
1
Hautbois, Clarinette et Piano (Trio)
1
+ 47 instrumentations
Retracter
Cuivres
Trompette, Piano
19
Trombone et Piano
12
Trompette
10
Cor et Piano
10
Cor anglais, Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
5
2 Trombones (duo)
4
2 Cors (duo)
3
3 Tubas (trio)
3
Cor
3
Instruments en Sib
3
Ensemble de Cors
3
Euphonium
3
Trombone
3
3 Trombones (trio)
2
Trompette, Cor (duo)
2
Euphonium, Piano (duo)
2
Euphonium, Tuba (duo)
2
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 trombones
2
Tuba
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Cors (trio)
2
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 29 instrumentations
Retracter
Cordes
Violon et Piano
42
Violoncelle, Piano
33
Alto, Piano
21
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violoncelle
16
Violon
13
Alto seul
12
2 Harpes (duo)
10
2 Violoncelles (duo)
9
Harpe
9
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
Contrebasse, Piano (duo)
4
2 Altos (duo)
4
4 Violoncelles
4
Quatuor à cordes : 4 altos
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
3
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
2 Violons (duo)
3
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Violon, Alto (duo)
2
Violoncelle (partie séparée)
1
2 Violons et Basse continue
1
Violon, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
30
Orchestre à Cordes
17
Orchestre d'harmonie
14
Orchestre de chambre
8
Ensemble de cuivres
3
Ensemble de Percussions
2
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3 420
Partitions Numériques
1 274
Librairie Musicale
15 458
Matériel de Musique
936
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Op Opera
Partitions à imprimer
1 274 partitions trouvées
<
1
26
51
....
1251
Opera Melodies with and without Variations
#
2 Flûtes traversières (duo)
#
Classique
#
Opera
#
Werner Richter
#
op
#
Opera Melodies with and withou
#
SheetMusicPlus
Aus der \"Anweisung zum Flötenspiel\" op. 106. Composed by Kaspar Kummer. Arranged by Werner Richter. This edition: Sheet music. Flö...
(+)
Aus der \"Anweisung zum Flötenspiel\" op. 106. Composed by Kaspar Kummer. Arranged by Werner Richter. This edition: Sheet music. Flöte im Salon. Downloadable. Musikverlag Zimmermann #Q54601. Published by Musikverlag Zimmermann
Taken from the \"Instructions for playing the flute\", op. 106, published between 1840 and 1846, this edition could also be described as a short excursion into the history of the opera. This was an aspect that Kummer certainly had in mind when adding these pieces to his main didactic work. Ideally suited for instruction and audition.
$13.99
8 Easy Pieces by Luigi Bottazzo, Op. 203 (arr. for Brass Quartet)
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Classique
#
Luigi Bottazzo
#
Andrew Lamb
#
8 Easy Pieces by Luigi Bottazz
#
Andrew Lamb
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1219633 Composed by Luigi Bottazzo (1845-1924). Arranged by Andrew Lamb. 19th Century,Chamber,Re...
(+)
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1219633 Composed by Luigi Bottazzo (1845-1924). Arranged by Andrew Lamb. 19th Century,Chamber,Religious. 92 pages. Andrew Lamb #815997. Published by Andrew Lamb (A0.1219633). Title: 8 Easy Pieces, Op. 203Composer: Luigi Bottazzo (1845-1924)Arranger: Andrew LambDescription: This is a transcription of 8 Easy Pieces by Luigi Bottazzo (1845-1924).Luigi Bottazzo (1845-1924) was an Italian composer and conductor who was born in the town of Marostica, near Vicenza. He studied music at the Conservatory of Venice, where he excelled in both composition and performance.Bottazzo’s music is characterized by its romanticism and lyricism, and he is particularly known for his operas and choral works. His most famous opera is “Francesca da Rimini,†which was based on the famous tragic love story of Paolo and Francesca from Dante’s “Inferno.â€In addition to his work as a composer, Bottazzo was also a respected conductor, and he served as the musical director of several Italian opera houses, including La Scala in Milan and the Teatro Regio in Turin.Bottazzo’s music was highly regarded in his lifetime, and he received many honors and awards for his contributions to Italian music. Today, his music is less well-known outside of Italy, but his operas and choral works continue to be performed and recorded by musicians and ensembles throughout the country.
$26.00
Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Eugene Walckiers
#
Fantaisie sur de motifs de l&r
#
Schott Music - Digital
#
SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzier...
(+)
Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell†was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.
$4.99
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Jacques Offenbach
#
he died in Paris on 5
#
Fantaisie facile sur l’O
#
Schott Music - Digital
#
SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. Thi...
(+)
Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 71. 15 pages. Schott Music - Digital #Q53291. Published by Schott Music - Digital (S9.Q53291). English • German.Jacques Offenbach, son of a Jewish cantor, was born in Cologne on 20.6.1819; he died in Paris on 5.10.1880. In 1833 his father took his fourteen-year-old son to the Paris Conservatoire, where the director Luigi Cherubini was impressed by his cello playing and accepted him as a student, even though foreign candidates were not normally admitted there. Offenbach then changed his first name ‘Jacob’ to ‘Jacques’. From 1835 he worked as a cellist at the Paris Opéra comique, making ends meet by teaching and performing. From 1850 to 1855 he was Director of Music at the Théâtre Français. He then found his own theatre to rent in Paris and put on highly successful productions of his operetta Orpheus in the Underworld (1858) and other stage works. During his lifetime he had twenty cello compositions published by Schott, among them the tutorial method Cours Méthodique de Duos pour deux Violoncelles op. 49 and various operatic arrangements for cello and piano based on themes by Bellini, Donizetti, Mozart and others - including this Fantaisie facile sur l’Opéra de Rossini: Le Barbier de Seville op. 71 in 1856 (plate no. 11461).
$3.99
Ballo della regina, From the Opera "Don Carlos" 3rd Act, 2nd Picture
#
Orchestre d'harmonie
#
AVANCÉ
#
Giuseppe Verdi
#
Albert Schwarzmann
#
Ballo della regina, From the O
#
Edition Schwalbe
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1505894 Composed by Giuseppe Verdi. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 419 pages. Edit...
(+)
Concert Band - Level 5 - SKU: A0.1505894 Composed by Giuseppe Verdi. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 419 pages. Edition Schwalbe #1081273. Published by Edition Schwalbe (A0.1505894). Giuseppe Verdi had the ambition to get some of his operas first performed in Paris. So he composed Don Carlos first in French, and he also had to deliver a ballet. Ballo della regina is kept as an interlude in the third act of the opera, which premiered on 11 March 1865 at Opéra National de Paris. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned by Mozarteum Wind Philharmonic Salzburg. Due to an overlength program they performed not the whole ballet music, but only the final. It was first time performed conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2017 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/viva-litalia/ or https://www.jpc.de/jpcng/classic/detail/-/art/viva-l-italia/hnum/10428716?iampartner=303&subid=umr12&ref=partner.jpc.de .
$239.00
Neue Melodien Quadrille (New Melodies Quadrille), op. 254 (Based on Motifs from Italian Operas)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Johann Strauss Jr
#
Albert Schwarzmann
#
Neue Melodien Quadrille
#
Edition Schwalbe
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1505851 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 120 pages. E...
(+)
Concert Band - Level 4 - SKU: A0.1505851 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 120 pages. Edition Schwalbe #1081247. Published by Edition Schwalbe (A0.1505851). In his Neue Melodien (New Melodies) Quadrille Johann Strauss jr. processed motifs from various Italian operas. These motifs are taken from Rigoletto, La traviata, Ernani and Il trovatore by Giuseppe Verdi, Lucia di Lammermoor and La fille du régiment by Gaetano Donizetti and La sonnambula by Vincenzo Bellini. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2017 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/viva-litalia/ or https://www.jpc.de/jpcng/classic/detail/-/art/viva-l-italia/hnum/10428716?iampartner=303&subid=umr12&ref=partner.jpc.de .
$98.00
Etude de Concert Op.24
#
Piano seul
#
AVANCÉ
#
Felix Blumenfeld
#
Zellev
#
Etude de Concert Op.24
#
Zellev Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1494322 Composed by Felix Blumenfeld. Arranged by Zellev. 19th Century,Classical,Contemporary,Contest,Festival,Romantic P...
(+)
Piano Solo - Level 5 - SKU: A0.1494322 Composed by Felix Blumenfeld. Arranged by Zellev. 19th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 11 pages. Zellev Music #1070918. Published by Zellev Music (A0.1494322). Key Signature: F♯ MinorTime Signature: 3/4Tempo: Allegro non troppo (not too much, also mind the sustained/connected stacc. melody)Difficulty: Advanced (very)Felix Mikhailovich Blumenfeld (19 April 1863 [O.S. 7 April] – 21 January 1931) was a Russian composer, conductor, pianist, and teacher.He was born in Kovalevka, Kherson Governorate, Russian Empire (today - part of Kropyvnytskyi, Ukraine), the son of Mikhail Frantsevich Blumenfeld and the Polish Marie Szymanowska, and studied composition at the St. Petersburg Conservatory under Nikolai Rimsky-Korsakov and piano under Fedor Stein between 1881 and 1885. He then taught piano there himself from 1885 until 1918, whilst also serving as conductor of the Mariinsky Theatre until 1911.This theatre saw the premieres of the operas composed by his teacher and mentor Rimsky-Korsakov, and he was also the conductor at the Russian premiere of Wagner's opera Tristan und Isolde.In 1908, he conducted the Paris premiere of Modest Mussorgsky's opera Boris Godunov.From 1918 to 1922, he was the director of the Music-drama school of Mykola Lysenko in Kiev, where, amongst others, Vladimir Horowitz was a pupil in his masterclasses. He returned to the Moscow Conservatory in 1922, teaching there until his death. Other famous pupils of his include Simon Barere, Maria Yudina and Maria Grinberg. He died in Moscow.As a pianist, he played many of the compositions of his Russian contemporaries. His compositions, which showed the influence of Frédéric Chopin and Pyotr Ilyich Tchaikovsky, include a symphony, pieces for solo piano, an Allegro de Concert for piano and orchestra, and lieder. His virtuoso pieces for piano in particular are enjoying something of a renaissance in recent years.He was the uncle of Heinrich Neuhaus and first cousin, once removed of Karol Szymanowski (Felix and Karol's father, Stanislaw Szymanowski, were cousins).(Wikipedia).
$6.00
Twelve Original Pieces for two cellos, Op. 63
#
2 Violoncelles (duo)
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Johann Justus Friedrich Dotzau
#
Michele Galvagno
#
Twelve Original Pieces for two
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Cellos - Level 3 - SKU: A0.1125668 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Children,Instructional,Opera...
(+)
Cellos - Level 3 - SKU: A0.1125668 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Children,Instructional,Opera,Romantic Period. Educational Exercises. 66 pages. Artistic Score Engraving di Galvagno Michele #726403. Published by Artistic Score Engraving di Galvagno Michele (A0.1125668). The Twelve Original Pieces for Two Cellos, dedicated to beginners, Op. 63, by J. J. F. Dotzauer (1783—1860) is a most colourful collection, containing a spicy mix of arias from famous operas, original themes, and fugues. The arias are mostly from W. A. Mozart’s La Clemenza di Tito, and G. Rossini’s Tancredi, with a theme and variation from The Magic Flute crowning them all. Even without employing the thumb, these pieces are challenging, and should not be underestimated. They explore all seven positions, making this the most well-rounded collection of the five (Opp. 52, 58, 156, 159), and a must-have for all cello students. This edition comes in two versions, Original & Collectors’ Edition. The Original version is available in either of the following variants: score only, parts only, and score & parts. It is based on the first edition published by Dotzauer at Breitkopf & Härtel in 1823. The Collector’s Edition adds the new edition of these pieces appeared in the 57 Little Duets compiled by Johannes Klingenberg (1852—1905), and in the early XX century edition by Alwin Schöder (1855—1928). Catalogue: https://adobe.ly/3A574Eg Mailing list (newsletter, discounts, gifts): https://bit.ly/3ujFa4j.
$19.50
Jules Massenet GREAT FEMALE CHARACTERS music from his operas - Lever Harp
#
Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Opera
#
Classique
#
Jules Massenet
#
Alessandro Palazzani
#
Jules Massenet GREAT FEMALE CH
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1222106 Composed by Jules Massenet. Arranged by Alessandro Palazzani. 19th Century,Children,Classical,Opera,Romantic Peri...
(+)
Lever Harp - Level 4 - SKU: A0.1222106 Composed by Jules Massenet. Arranged by Alessandro Palazzani. 19th Century,Children,Classical,Opera,Romantic Period. Score. 74 pages. A work by Alessandro Palazzani #818374. Published by A work by Alessandro Palazzani (A0.1222106). CONTENTSManonIntroduction Act 2 et Adieu de ManonCendrillonIntroduction et Le Sommeil de CendrillonCléopâtre suite de 4 piècesPrélude Act 4: La Mort des AmantsCortège des Esclaves EgyptiennesDanse des ChaldéennesLe Marriage Romain: Chant d’HyménéeThaïsNocturne et MeditationSaphoSolitudePetite Valse.
$22.00
Jules Massenet EXOTISME FIN DE SIECLE music from his operas - Lever Harp
#
Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Opera
#
Classique
#
Jules Massenet
#
Alessandro Palazzani
#
Jules Massenet EXOTISME FIN DE
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1221810 Composed by Jules Massenet. Arranged by Alessandro Palazzani. 19th Century,Bollywood,Classical,Opera,Romantic Per...
(+)
Lever Harp - Level 4 - SKU: A0.1221810 Composed by Jules Massenet. Arranged by Alessandro Palazzani. 19th Century,Bollywood,Classical,Opera,Romantic Period. Score. 79 pages. A work by Alessandro Palazzani #818100. Published by A work by Alessandro Palazzani (A0.1221810). CONTENTSThaïsNocturne et MeditationLe Roi de LahoreLe Paradis d’Indra1 - Pantomime2 – DanseLe MageTrois pièces en suite: Lamentation – Invocation – La Montaigne SainteCléopâtre suite de 4 piècesPrélude Act 4: La Mort des AmantsCortège des Esclaves EgyptiennesDanse des ChaldéennesLe Marriage Romain: Chant d’HyménéeHerodiade - Trois PiecesAube sur JérusalemDanse sacréeJean le Baptiste et Salomé.
$22.00
Die Mozartisten (The Mozartists), Walzer (Waltz) op. 196
#
Orchestre d'harmonie
#
AVANCÉ
#
Josef Lanner
#
Albert Schwarzmann
#
Die Mozartisten
#
Edition Schwalbe
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1497133 Composed by Josef Lanner. Arranged by Albert Schwarzmann. 19th Century,Classical,Opera,Romantic Period. 266 pag...
(+)
Concert Band - Level 5 - SKU: A0.1497133 Composed by Josef Lanner. Arranged by Albert Schwarzmann. 19th Century,Classical,Opera,Romantic Period. 266 pages. Edition Schwalbe #1073555. Published by Edition Schwalbe (A0.1497133). Josef Lanner, one of the founders of the Viennese waltz, dedicated this waltz to the admirers of Wolfgang Amadeus Mozart, naming them The Mozartists. It concists of themes of the operas Don Giovanni and The Magic Flute and premiered in Vienna on 19 May 1842. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2019 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/klang-der-donaumonarchie/ or https://www.jpc.de/jpcng/classic/detail/-/art/klang-der-donaumonarchie/hnum/10428726?iampartner=303&subid=umr19&ref=partner.jpc.de .
$142.40
Élégie (Mélodie) Op.10 Nr. 5
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Jules Massenet
#
Stefan Dulov
#
Élégie
#
Stefan Dulov
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1366516 By Jules Massenet. By Jules Massenet. Arranged by Stefan Dulov. 19th Century,Classical,Opera,Romantic Period. Guitar ...
(+)
Guitar - Level 3 - SKU: A0.1366516 By Jules Massenet. By Jules Massenet. Arranged by Stefan Dulov. 19th Century,Classical,Opera,Romantic Period. Guitar Tab. 5 pages. Stefan Dulov #950851. Published by Stefan Dulov (A0.1366516). This is an arrangement for classical guitar of the famous song Elegie (Melodie) by Jules Massenet, French composer of the Romantic era best known for his operas. This piece was originally written for cello, voice and piano and here I arranged it for solo guitar. The difficulty level of this piece is moderate and it is in standard guitar tuning. Standard guitar notation, tabs and detailed left hand fingering included. Duration of the piece is about 4 minutes. I hope you will enjoy learning and playing this beautiful melody!
$5.00
Hasse Sinfonie in G minor Op. 5 No. 6
#
Orchestre à Cordes
#
Classique
#
Johann Adolph Hasse
#
P
#
Hasse Sinfonie in G minor Op.
#
MyMusicScores.com
#
SheetMusicPlus
String Orchestra - SKU: A0.736784 Composed by Johann Adolph Hasse. Arranged by P. Wood. Baroque. Score and parts. 56 pages. MyMusicScores.com #6210405. ...
(+)
String Orchestra - SKU: A0.736784 Composed by Johann Adolph Hasse. Arranged by P. Wood. Baroque. Score and parts. 56 pages. MyMusicScores.com #6210405. Published by MyMusicScores.com (A0.736784). Johann Adolph Hasse (1699 – 1783) was a well-known, loved and respected figure in his day. Like a lot of well-known figures, when he died, his music almost died with him. Hasse was known as an operatic composer, he composed 56 operas but he also left us a few other works too. Cello, flute, keyboard and oboe concertos and 6 sinfonie a quattro Op. 5. The PDF file contains the score and all instrumental parts.
$14.99
Behind the Maestro's Mask (from the musical "The Maestro's Mask: The Untold Story of the Opera Ghost
#
Voix duo
#
INTERMÉDIAIRE/AVANCÉ
#
K
#
Behind the Maestro's Mask
#
Kristopher James Murdock
#
SheetMusicPlus
Voice Duet Voice - Level 4 - SKU: A0.893704 Composed by K.J. Murdock, based on F. Chopin. Contemporary,Instructional,Musical/Show,Romantic Period,Standa...
(+)
Voice Duet Voice - Level 4 - SKU: A0.893704 Composed by K.J. Murdock, based on F. Chopin. Contemporary,Instructional,Musical/Show,Romantic Period,Standards. 11 pages. Kristopher James Murdock #3097989. Published by Kristopher James Murdock (A0.893704). Music teachers -- piano, vocal, or music theatre! Are you wondering how to pique the interest of your students (and their recital audiences) in the heightened and ever shifting musical emotionalism of the Romantic style, while staying relevant to today by using a timeless story that arrests their attention? Do you need an expressive recital piece that will demonstrate your students' abilities in a wide range of expression? The solution to both of these problems is this dramatic piano-vocal arrangement of Behind The Maestro's Mask, from Revelation & Restoration's musical The Maestro's Mask: The Untold Story of the Opera Ghost.The song allows intermediate singers to moderately challenge their vocal emotional expression, and you may wish to accompany them yourself on the piano, yet it's also useful as an instrumental solo piece for a piano student. With music based on the A-C sections of Chopin's Polonaise, Op. 26, No. 1 in C# minor and Db major, but transposed and adapted in the easier keys of G minor and G major, this piece will act as a step up for your moderately advanced piano student, preparing for Chopin's work. (There are significant differences between this song and Chopin's Polonaise, particularly on pages 1 and 8-11.)Disclaimer: This piece quotes from Frédéric Chopin's public domain work, Polonaise, Op. 26, No. 1 and is part of Revelation & Restoration's musical The Maestro's Mask: The Untold Story of the Opera Ghost, which is based on a sequel to Gaston LeRoux's public domain novel Le Fantôme de l'Opéra. The musical is not a sequel to Andrew Lloyd Webber's musical version of The Phantom of the Opera. Revelation & Restoration is not affiliated with Andrew Lloyd Webber or The Really Useful Group.
$2.25
Eight Grand Studies for Cello, Op. 44
#
Opera
#
Classique
#
Friedrich August Kummer
#
Michele Galvagno
#
Eight Grand Studies for Cello,
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Cellos - Level 5 - SKU: A0.1146959 Composed by Friedrich August Kummer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Opera,Romantic ...
(+)
Cellos - Level 5 - SKU: A0.1146959 Composed by Friedrich August Kummer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Opera,Romantic Period. Educational Exercises. 84 pages. Artistic Score Engraving di Galvagno Michele #747161. Published by Artistic Score Engraving di Galvagno Michele (A0.1146959). Friedrich August Kummer (1797—1879) produced less pedagogical material compared to his two great predecessors, Dotzauer and Romberg, but what survived to this day is of the greatest quality. The Eight Grand Studies for Cello, with optional accompaniment of a second Cello, Op. 44, were composed when Kummer was first solo cello at the Dresden Court Opera (1854—64). All of them use the thumb in some way, while two are specifically dedicated to the thumb position. No. 7, in C minor, uses the melody from Rossini’s aria “Dal tuo stellato soglio†from the opera Mosé in Egitto, showing how great an influence his work as an opera cellist had on him. This edition comes in two versions, Original & Collectors’ Edition. The Original version contains, for the first time since their composition, the Urtext score and parts, and is available for digital download right now and will be printed in Q1 2023. The Collectors’ Edition contains, in digital download, the Urtext score and parts, the score and parts of the revision by the legendary Milan Conservatory professor Giuseppe Magrini, and the cello part of the revision by the Paris Conservatory professor Jules Loeb (André Navarra’s teacher).
$24.95
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
#
Orchestre à Cordes
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
James M
#
Beethoven: Sonata Op. 49 No. 2
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
(+)
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
Beethoven: Sonata Op. 49 No. 2
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...
(+)
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
Beethoven: Sonata Op. 49 No. 2
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,S...
(+)
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
Tub'opéra 2
#
Euphonium, Piano (duo)
#
Classique
#
G
#
Yves Bouillot
#
Tub'opéra 2
#
Yves Bouillot
#
SheetMusicPlus
Euphonium,Piano - SKU: A0.931756 Composed by G. Donizetti, Georges Bizet, Giuseppe Verdi, J. Massenet, and Richard Wagner. Arranged by Yves Bouillot. Ro...
(+)
Euphonium,Piano - SKU: A0.931756 Composed by G. Donizetti, Georges Bizet, Giuseppe Verdi, J. Massenet, and Richard Wagner. Arranged by Yves Bouillot. Romantic Period. Score and part. 36 pages. Yves Bouillot #6536401. Published by Yves Bouillot (A0.931756). This album is a compilation of 6 operas arias of Bizet (Carmen - Les pêcheurs de perles), Verdi (Rigoletto), Wagner (Tannhauser), Donizetti (l'elixir d'amour) and Massenet (Werther). All are written for tenor or baritone voices. Trancribes here for euphonium and piano.
$6.00
Wiener Blut op. 354 waltz
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
FACILE
#
Classique
#
Johann Strauss Jr
#
Alessandro Macrì
#
Wiener Blut op. 354 waltz
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931274 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,F...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931274 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 42 pages. Music Macri Editions #6079807. Published by Music Macri Editions (A0.931274). Wiener Blut (Sangue viennese) op. 354, è un valzer di Johann Strauss (figlio).Il 20 aprile 1873, l'arciduchessa Gisella d'Asburgo-Lorena (1856-1932), la maggiore dei figli dell'imperatore austriaco Francesco Giuseppe e di Elisabetta di Baviera, si sposò con il principe Leopoldo di Baviera (1846-1930) a Vienna.Per celebrare l'evento numerose furono le iniziative e le feste che si svolsero nel periodo del matrimonio reale, fra cui, un ballo di corte all'Hofburg e un festival al Prater ai quali parteciparono i membri della nobiltà e i maggiori rappresentanti della città di Vienna.Da parte sua, il personale della Wiener Hof-Operntheater (Teatro dell'opera reale di Vienna) annunciarono per il 22 aprile 1873 un Ballo dell'opera di corte (precursore del ballo dell'opera di Vienna odierno) i cui proventi sarebbero stati destinati per le future pensioni dei membri del teatro.Tuttavia, poiché non vi fu l'assenso da parte dell'imperatore a far svolgere il ballo nel'Hof-Operntheater, l'evento fu spostato nella sala dorata del Musikverein.Desiderosi di fare bella figura con il pubblico, i membri della Wiener Hof-Operntheater ingaggiarono l'orchestra Strauss e il loro direttore, Eduard Strauss, affinché si esibissero durante il ballo.
$17.00
<
1
26
51
....
1251
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Op Opera
