English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That Smile
Non classifié
77
Piano & claviers
Piano seul
69
Piano, Voix et Guitare
62
Piano, Voix
24
Piano Facile
16
Instruments en Do
11
Orgue
5
Accompagnement Piano
1
1 Piano, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
8
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
41
Chorale 3 parties
11
Chorale 2 parties
8
Chorale TTBB
8
Chorale SSAA
5
Chorale Unison
2
Voix Mezzo-Soprano, Piano
2
Voix haute
2
Voix duo, Piano
1
Voix Tenor
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
18
Clarinette et Piano
16
Hautbois (partie séparée)
11
Flûte, Hautbois, Clarinette, Basson
11
Flûte traversière et Piano
10
Saxophone Soprano et Piano
10
Quatuor de Saxophones: 4 saxophones
8
Saxophone Alto et Piano
8
Flûte traversière
8
Saxophone (partie séparée)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Hautbois, Piano (duo)
8
Clarinette
7
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
6
Saxophone Tenor
6
Saxophone Alto
6
Quintette de Saxophone: 5 saxophones
4
2 Hautbois (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Ensemble de saxophones
3
Flute (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Clarinettes
2
3 Clarinettes (trio)
2
3 Saxophones (trio)
2
Flûte, Clarinette (duo)
2
Saxophone Tenor et Piano
2
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Trio de Flûtes: 3 flûtes
1
Cor anglais, Piano
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette et Basson
1
Cor Anglais
1
+ 33 instrumentations
Retracter
Cuivres
Cor
11
Trompette
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Piano
7
Tuba
7
Cor et Piano
7
Trombone
6
Tuba et Piano
5
Trombone et Piano
5
2 Trombones (duo)
4
2 Trompettes (duo)
4
2 Cors (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
3
Tuba et Orgue
2
2 Tubas (duo)
2
Trombone (partie séparée)
1
Cor anglais, Piano
1
Cor Anglais
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
4 Tubas
1
Quatuor de Cuivres
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
10
2 Violons (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Violon
9
Violoncelle, Piano
8
Violoncelle
8
Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
2 Violoncelles (duo)
5
Contre Basse
5
2 Altos (duo)
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
3
2 Contrebasses (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Harpe
1
Trio à cordes: 3 altos
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
58
Orchestre à Cordes
13
Ensemble Jazz
7
Orchestre
6
Cloches
4
Ensemble de cuivres
4
Marimba
3
Jazz combo
1
Batterie
1
Fanfare
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
That Smile
Partitions à imprimer
921 partitions trouvées
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901
Die With A Smile
B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1509437 By Bruno Mars And…
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B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1509437 By Bruno Mars And Lady Gaga. By Andrew Wotman (Andrew Watt), Dernst Emile, James Fauntleroy, Peter Gene Hernandez, and Stefani Germanotta. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #1084675. Published by Antônio S. Fernandes (A0.1509437). Sheet Music PDF: Die With A Smile – Lady Gaga & Bruno MarsBring the magic of Lady Gaga and Bruno Mars to your instrument!Unlock the full potential of your musical talent with the official sheet music for Die With A Smile. This powerful collaboration between two of pop's biggest icons combines soaring vocals, captivating melodies, and heartfelt emotion. Now, you can play it yourself with professional-grade sheet music in PDF format, designed for musicians of all levels.Why Choose This Sheet Music?This arrangement captures the essence of the song's unique blend of pop and soul, with each note carefully transcribed to reflect the intensity of the original performance. Whether you're playing the piano, guitar, or vocals, this sheet music is crafted to bring out the best in your interpretation. The arrangement is accurate, easy to read, and available for multiple instruments.Unique Features: Includes both vocal and instrumental notations, with dynamic markings that allow you to express the full range of emotions from the song.High-Quality PDF: Instantly downloadable and printable, so you can start practicing right away.Perfect for All MusiciansWhether you're preparing for a performance, practicing for fun, or teaching your students, this sheet music provides everything you need to master the song. The clear notations and precise rhythms allow you to recreate the energy and soul of Die With A Smile with ease.Keywords: #SheetmusicPDF, #LadyGaga, #BrunoMars, #DieWithASmile, #piano sheet music, #guitartabs, #vocalscore, #music transcription.Start Playing Today!Don’t miss the chance to add this iconic song to your repertoire. Purchase the sheet music now and experience the joy of playing one of the most anticipated musical collaborations of the year!
$5.00
4.6 €
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Bruno Mars And Lady Gaga
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Antônio S
#
Die With A Smile
#
Antônio S. Fernandes
#
SheetMusicPlus
Die With A Smile
Saxophone Alto
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1509444 By Bruno Mars And …
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1509444 By Bruno Mars And Lady Gaga. By Andrew Wotman (Andrew Watt), Dernst Emile, James Fauntleroy, Peter Gene Hernandez, and Stefani Germanotta. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #1084682. Published by Antônio S. Fernandes (A0.1509444). Sheet Music PDF: Die With A Smile – Lady Gaga & Bruno MarsBring the magic of Lady Gaga and Bruno Mars to your instrument!Unlock the full potential of your musical talent with the official sheet music for Die With A Smile. This powerful collaboration between two of pop's biggest icons combines soaring vocals, captivating melodies, and heartfelt emotion. Now, you can play it yourself with professional-grade sheet music in PDF format, designed for musicians of all levels.Why Choose This Sheet Music?This arrangement captures the essence of the song's unique blend of pop and soul, with each note carefully transcribed to reflect the intensity of the original performance. Whether you're playing the piano, guitar, or vocals, this sheet music is crafted to bring out the best in your interpretation. The arrangement is accurate, easy to read, and available for multiple instruments.Unique Features: Includes both vocal and instrumental notations, with dynamic markings that allow you to express the full range of emotions from the song.High-Quality PDF: Instantly downloadable and printable, so you can start practicing right away.Perfect for All MusiciansWhether you're preparing for a performance, practicing for fun, or teaching your students, this sheet music provides everything you need to master the song. The clear notations and precise rhythms allow you to recreate the energy and soul of Die With A Smile with ease.Keywords: #SheetmusicPDF, #LadyGaga, #BrunoMars, #DieWithASmile, #piano sheet music, #guitartabs, #vocalscore, #music transcription.Start Playing Today!Don’t miss the chance to add this iconic song to your repertoire. Purchase the sheet music now and experience the joy of playing one of the most anticipated musical collaborations of the year!
$5.00
4.6 €
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Saxophone Alto
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Bruno Mars And Lady Gaga
#
Antônio S
#
Die With A Smile
#
Antônio S. Fernandes
#
SheetMusicPlus
Die With A Smile
Flûte traversière
Flute Solo,Soprano Flute - Level 3 - Digital Download SKU: A0.1509441 By Bruno Mars…
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Flute Solo,Soprano Flute - Level 3 - Digital Download SKU: A0.1509441 By Bruno Mars And Lady Gaga. By Andrew Wotman (Andrew Watt), Dernst Emile, James Fauntleroy, Peter Gene Hernandez, and Stefani Germanotta. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #1084679. Published by Antônio S. Fernandes (A0.1509441). Sheet Music PDF: Die With A Smile – Lady Gaga & Bruno MarsBring the magic of Lady Gaga and Bruno Mars to your instrument!Unlock the full potential of your musical talent with the official sheet music for Die With A Smile. This powerful collaboration between two of pop's biggest icons combines soaring vocals, captivating melodies, and heartfelt emotion. Now, you can play it yourself with professional-grade sheet music in PDF format, designed for musicians of all levels.Why Choose This Sheet Music?This arrangement captures the essence of the song's unique blend of pop and soul, with each note carefully transcribed to reflect the intensity of the original performance. Whether you're playing the piano, guitar, or vocals, this sheet music is crafted to bring out the best in your interpretation. The arrangement is accurate, easy to read, and available for multiple instruments.Unique Features: Includes both vocal and instrumental notations, with dynamic markings that allow you to express the full range of emotions from the song.High-Quality PDF: Instantly downloadable and printable, so you can start practicing right away.Perfect for All MusiciansWhether you're preparing for a performance, practicing for fun, or teaching your students, this sheet music provides everything you need to master the song. The clear notations and precise rhythms allow you to recreate the energy and soul of Die With A Smile with ease.Keywords: #SheetmusicPDF, #LadyGaga, #BrunoMars, #DieWithASmile, #piano sheet music, #guitartabs, #vocalscore, #music transcription.Start Playing Today!Don’t miss the chance to add this iconic song to your repertoire. Purchase the sheet music now and experience the joy of playing one of the most anticipated musical collaborations of the year!
$5.00
4.6 €
#
Flûte traversière
#
Bruno Mars And Lady Gaga
#
Antônio S
#
Die With A Smile
#
Antônio S. Fernandes
#
SheetMusicPlus
Die With A Smile
Saxophone Tenor
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.1509446 By Bruno Mars And…
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.1509446 By Bruno Mars And Lady Gaga. By Andrew Wotman (Andrew Watt), Dernst Emile, James Fauntleroy, Peter Gene Hernandez, and Stefani Germanotta. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #1084685. Published by Antônio S. Fernandes (A0.1509446). Sheet Music PDF: Die With A Smile – Lady Gaga & Bruno MarsBring the magic of Lady Gaga and Bruno Mars to your instrument!Unlock the full potential of your musical talent with the official sheet music for Die With A Smile. This powerful collaboration between two of pop's biggest icons combines soaring vocals, captivating melodies, and heartfelt emotion. Now, you can play it yourself with professional-grade sheet music in PDF format, designed for musicians of all levels.Why Choose This Sheet Music?This arrangement captures the essence of the song's unique blend of pop and soul, with each note carefully transcribed to reflect the intensity of the original performance. Whether you're playing the piano, guitar, or vocals, this sheet music is crafted to bring out the best in your interpretation. The arrangement is accurate, easy to read, and available for multiple instruments.Unique Features: Includes both vocal and instrumental notations, with dynamic markings that allow you to express the full range of emotions from the song.High-Quality PDF: Instantly downloadable and printable, so you can start practicing right away.Perfect for All MusiciansWhether you're preparing for a performance, practicing for fun, or teaching your students, this sheet music provides everything you need to master the song. The clear notations and precise rhythms allow you to recreate the energy and soul of Die With A Smile with ease.Keywords: #SheetmusicPDF, #LadyGaga, #BrunoMars, #DieWithASmile, #piano sheet music, #guitartabs, #vocalscore, #music transcription.Start Playing Today!Don’t miss the chance to add this iconic song to your repertoire. Purchase the sheet music now and experience the joy of playing one of the most anticipated musical collaborations of the year!
$5.00
4.6 €
#
Saxophone Tenor
#
Bruno Mars And Lady Gaga
#
Antônio S
#
Die With A Smile
#
Antônio S. Fernandes
#
SheetMusicPlus
Desecration Smile
Batterie
Small Ensemble Bass Guitar,Drums - Level 3 - Digital Download SKU: A0.1002515 By Th…
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Small Ensemble Bass Guitar,Drums - Level 3 - Digital Download SKU: A0.1002515 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Cleber Domingues. Rock. Score and parts. 9 pages. Cleber Domingues #6519705. Published by Cleber Domingues (A0.1002515). The reason that inspired me to make the arrangement of Desecration Smiles '', was its well-constructed harmony, mainly in the intro with the chords: C#m7/G#, and E9. Still an observation that awakens my taste for music is its harmonic progression, and its combination of verse, chorus, and bridge. Contacts: Tel - 55 11 9 5348 3015 Instagram - euclebercorreia
$4.99
4.59 €
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Batterie
#
The Red Hot Chili Peppers
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Cleber Domingues
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Desecration Smile
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Cleber Domingues
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SheetMusicPlus
You're Never Fully Dressed Without A Smile
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465830
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465830 By Jeff Kready. By Charles Strouse and Martin Charnin. Arranged by Will Corbin. Broadway,Film/TV,Musical/Show,Ragtime. 19 pages. Will Corbin #1044423. Published by Will Corbin (A0.1465830). This song is from the 1977 Broadway musical Annie (and subsequent movie version), based on the old comic strip Little Orphan Annie. Annie's fellow orphans are listening to host Bert Healy and the Lovely Boylan Sisters (Ronnie, Connie and Bonnie) sing it on the radio program, the Iodent Hour Of Smiles. Yeah, it's that hokey. But a fun piece for two trumpets, horn, trombone and tuba with a bouncy ragtime feel.If you need other instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
13.8 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Jeff Kready
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Will Corbin
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You're Never Fully Dressed Without A Smile
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Will Corbin
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SheetMusicPlus
Smiles
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1102120 By Gilbert Piger. By Gilbe…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1102120 By Gilbert Piger. By Gilbert Piger. Arranged by Gilbert Piger. Classical,Contemporary. Individual part. 4 pages. GJP Productions #705517. Published by GJP Productions (A0.1102120). Now that the mask are off, we can Smile again.
$12.00
11.04 €
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Guitare
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Gilbert Piger
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Gilbert Piger
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Smiles
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GJP Productions
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SheetMusicPlus
The Sharpest Smile (F Major)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.529570 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.529570 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #117896. Published by Sherman Theatrical Entertainment Ltd. (A0.529570). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun†from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile†represents a “show within a show†moment. Both “Honey Bun†and “The Sharpest Smile†derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera†(a female parrot) is costumed as a 1920s (male) gangster talking to “his†gangster friends. “The Gangster†character explains that “he†has met a wonderful girl (named “Pearlâ€), so don’t expect to see “him†around as much; or lyrics to that effect. Later in the number, we learn that “Pearl†is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bunâ€). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl†is “Peril†(at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.49
3.21 €
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Piano, Voix
#
Robert J
#
or lyrics to that effect
#
The Sharpest Smile
#
Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
The Sharpest Smile (D Major)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.556054 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.556054 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #165526. Published by Sherman Theatrical Entertainment Ltd. (A0.556054). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun†from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile†represents a “show within a show†moment. Both “Honey Bun†and “The Sharpest Smile†derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera†(a female parrot) is costumed as a 1920s (male) gangster talking to “his†gangster friends. “The Gangster†character explains that “he†has met a wonderful girl (named “Pearlâ€), so don’t expect to see “him†around as much; or lyrics to that effect. Later in the number, we learn that “Pearl†is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bunâ€). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl†is “Peril†(at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.99
3.67 €
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Piano, Voix
#
Robert J
#
or lyrics to that effect
#
The Sharpest Smile
#
Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
Your Sweet, Sweet Smile
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.80…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802683 By Karen Carpenter. By Juice Newton and Otha Young. Arranged by Peet du Toit. Contemporary. Score and parts. 16 pages. Peet du Toit #6410509. Published by Peet du Toit (A0.802683). Sweet, Sweet Smile is a C&W song composed by Otha Young and Juice Newton introduced by the Carpenters on their 1977 album Passage. The track features drummer Ron Tutt who regularly backed Elvis Presley.Sweet, Sweet Smile is one of the few songs recorded by the Carpenters which was chosen by Karen Carpenter rather than Richard Carpenter. Juice Newton and her bandleader Otha Young had written Sweet, Sweet Smile for Newton herself to record but Newton's label Capitol Records was not interested in the song. Newton's manager, who was a friend of the Carpenters, was playing the demo of Sweet, Sweet Smile at his home while Karen Carpenter was visiting. Karen Carpenter liked the song and brought it to the attention of her brother Richard Carpenter who'd recall: I liked it immediately...now there's one that, to me, should have done better than it did referring to the track's January 1978 release as the third single from Passage. Acknowledging the Carpenters' career decline, Richard Carpenter would add: I think if someone else had done ['Sweet, Sweet Smile'] at that time, it would have been a bigger hit.Here's your brass quintet and percussion version for enjoyment.
$14.00
12.88 €
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Karen Carpenter
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Peet du Toit
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Your Sweet, Sweet Smile
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Peet du Toit
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SheetMusicPlus
Never Smile At A Crocodile
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1215985 Composed by Frank Churchill…
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Easy Piano - Level 1 - Digital Download SKU: A0.1215985 Composed by Frank Churchill and Jack Lawrence. Arranged by André Nusa. 20th Century,Chamber,Children,Film/TV. Score. 4 pages. Andre_Nusa #812641. Published by Andre_Nusa (A0.1215985). Embark on a wild adventure with the whimsical tune Never Smile at a Crocodile from the classic movie Peter Pan through this delightful arrangement for easy piano. Tailored for beginner pianists, this sheet music allows you to effortlessly bring the lively melodies and playful lyrics of this beloved song to life. Designed with simplicity in mind, this arrangement ensures that even novice pianists can play Never Smile at a Crocodile with confidence and ease. Perfect for students, fans of Peter Pan, or those seeking to expand their repertoire, this arrangement offers a wonderful opportunity to learn and perform Never Smile at a Crocodile with charm and enthusiasm. Unlock the magic of Never Smile at a Crocodile on your piano, allowing its lively melodies and catchy lyrics to captivate your audience. With each note, you'll evoke the sense of adventure and playfulness that is synonymous with the beloved tale of Peter Pan. Indulge in the infectious energy of Never Smile at a Crocodile on your piano. With this easy piano arrangement, you can embrace the art of musical storytelling and create a magical connection with both the song and your audience. Let the mischievous melodies and whimsical lyrics speak through your fingertips as you embark on a delightful musical journey with the unforgettable characters of Peter Pan..
$5.99
5.51 €
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Piano Facile
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Frank Churchill and Jack Lawrence
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André Nusa
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Never Smile At A Crocodile
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Andre_Nusa
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SheetMusicPlus
Weep And Smile [piano solo]
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.596592 Composed by Juan MarÃa So…
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Easy Piano - Level 2 - Digital Download SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5799759. Published by Juan Maria Solare (A0.596592). About the music Both pieces of this diptych are miniatures with a structure quite similar to each of the pieces of the Album für die Jugend Opus 68 by Robert Schumann. The melodies are strongly rooted in Japanese music (particularly obvious in the second piece). Aesthetically, this is neoclassical music (a quite broad concept nowadays). Fans of Erik Satie, Ludovico Einaudi or Joep Beving will possibly feel at home. Both pieces were composed on 6 June 2020 (the first one with my daughter Laura sleeping on my breast). Find this music soon on Spotify, Apple Music, YouTube or any other streaming platform (either under my name or performed by other pianists, possibly Iannis Eralos). Total duration: ca. 5:15.https://open.spotify.com/album/27MbJnfPjcolbQZAmNs8tKWeep Because Its Over: https://www.youtube.com/watch?v=SWflYuEoLy8Smile Because It Happened: https://www.youtube.com/watch?v=7SQFUlb7lFgAbout the titlesIn a poem by the German Romantic poet Ludwig Jacobowski titled Leuchtende Tage (Radiant Days) and published in August 1899, he writes:Nicht weinen, weil sie vorüber!Lächeln, weil sie gewesen!Literally:Don't cry because they are over (they: the radiant days)Smile because they happened.Usually it is quoted this way:Don't cry because it’s overSmile because it happened. For my piece, I adapted this idea und -not quite humbly- think that is better now: Do weep because it’s overBut also smile because it happened Why is it better now? Because… where is the issue with weeping? The first step is to accept that pain exists. Nobody has the moral authority to deny you the possibility of crying. Weeping is not a shame or a disgrace. Besides, only he who weeps is credible when he laughs. By the way, these words are sometimes attributed to Confucius. I leave to you the task of determining whether Jacobowski borrowed this thought from him.
$3.33
3.06 €
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Piano seul
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the way, these words are sometimes attributed to
Confucius
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Juan MarÃa Solare
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Weep And Smile [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Flute (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin …
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Cor
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harr…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Basson
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Har…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Clarinette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Be…
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Flute (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
#
Trompette
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
Alto seul
Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry …
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Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Alto seul
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Har…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Clarinette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Contre Basse
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
#
Hautbois (partie séparée)
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
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