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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Stay The Night
Non classifié
45
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28
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26
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15
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12
Piano Quatuor: piano, violon, alto, violoncelle
2
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1
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1
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1
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1
1 Piano, 4 mains
1
+ 5 instrumentations
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7
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3
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22
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6
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2
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2
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1
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1
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4
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4
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3
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3
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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6
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4
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3
Cor et Piano
3
Cor
3
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3
Trompette
3
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2
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2
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1
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1
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
11
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6
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4
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4
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3
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3
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2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
Violon, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
+ 9 instrumentations
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17
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3
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1
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Stay The Night
Partitions à imprimer
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Mevlidi Sherif Symphony ~ in English Piano Reduction
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Piano seul
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Contemporain
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Taylor Kroff
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The Mevlidi Sherif Symphony ~
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Listening Heart, LLC
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SheetMusicPlus
Piano Solo - SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC ...
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Piano Solo - SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawī of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin Çevikoğlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff
$50.00
Nearer My God To Thee (Titanic) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Sarah Flower Adams
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Film/TV,Multicultural,Praise & Worship,Sacred,World. 9 pages. Keith Terrett #614983. Published by Keith Terrett (A0.1009325). Nearer, My God, to Thee arranged for Brass Quartet, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$10.99
Nearer My God To Thee (Titanic) for Young Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett....
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Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
The Shelling
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Luis Bernal
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Luis Bernal
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The Shelling
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Luis Bernal
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1019813 Composed by Luis Bernal. Arranged by Luis Bernal. Contemporary,Film/TV,Patriotic,Video Game. Score and parts....
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Brass Ensemble - Level 4 - SKU: A0.1019813 Composed by Luis Bernal. Arranged by Luis Bernal. Contemporary,Film/TV,Patriotic,Video Game. Score and parts. 14 pages. Luis Bernal #5725875. Published by Luis Bernal (A0.1019813). Inspired in the script: 1. Act 1: The slaughter Oradour-sur-Glane, France, June 1944. Having been informed that a Waffen-SS commander has been captured by local members of the Resistance, an SS Panzer battalion is sent to the small village of Oradour in an alleged search for the kidnapped officer and Partisans’ weapons. At two o'clock on Saturday 10th, the midday calm is shattered by the appearance of German troops led by Major Diekmann at the southeastern entrance to the village. Soon after, all seven hundred villagers are assembled on the fairground. Women and children are herded and locked into the church, whereas men are marched in groups to nearby barns and crammed inside. While the village is being plundered, all men are machine-gunned by soldiers, and then the barns are set alight. A smoke bomb sets the church on fire too, and women and children trying to escape through the windows are mowed down as they make it outside. Marguerite is wounded on her way out, but she manages to hide in the bushes and stays there overnight until she is finally rescued the next afternoon. Then, she will face the aftermath: few of her fellow villagers have survived the slaughter… (Alfons Conde)
$7.99
David W. Solomons - The Frostbound Wood for ATBB men's chorus a capella
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Chorale SATB
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INTERMÉDIAIRE
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David Warin Solomons
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David W. Solomons - The Frostb
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.776016 Composed by David Warin Solomons. A Cappella,Christian,Christmas,Contemporary,Instructional,Sacred. Octa...
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Choral Choir (Mixed) - Level 3 - SKU: A0.776016 Composed by David Warin Solomons. A Cappella,Christian,Christmas,Contemporary,Instructional,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #2036509. Published by Musik Fabrik Music Publishing (A0.776016). This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday. A robin brought some holly all covered with snow. The cruel wind blows. From each little berry fell drops of blood, Which covered the earth where the Virgin once stood. The cruel wind blows. Dark was the sky when Angels came to stay, They brought old lanterns to lead the way. The cruel wind blows. Candles brightly shine for all to see, They glow tonight through the ageing year. Tender are the lilies as soft as her gown And white are the ringlets that fall to the ground. Mary with her child upon this Winter night, She walked through the darkness with yellow candle light. North winds blow across the fields, But only one child continues to dream. The cruel wind blows The cruel wind blows. ©Tom Clarke Buying this file gives the right to print six copies of the music score.
$1.99
Stay The Night
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Rock
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Chicago
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Patrick Sheehan
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Stay The Night
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748003 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score and parts....
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Small Ensemble - Level 5 - SKU: A0.748003 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 56 pages. Patrick Sheehan #5011763. Published by Patrick Sheehan (A0.748003). INSTRUMENTATION: Lead Vocal, Lead Vocal Echo, Background Vocal I, Background Vocal II, Background Vocal III, Keyboard I, Keyboard II, Keyboard III, Keyboard IV, Electric Guitar I (solo), Electric Guitar II (rhythm), Bass, Drumset. All parts transcribed by ear from the original recording from CHICAGO 17, released in 1984. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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Contemporain
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Ma Shui Long 馬水é¾
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《無形的ç
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SpringAutumnmusic
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SheetMusicPlus
Small Ensemble Choir,Voice - SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #471...
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Small Ensemble Choir,Voice - SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
No 11, Praying For You (Tonight, we stay together, we remain awake, For You.)
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Chorale SATB
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FACILE
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P
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P
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No 11, Praying For You
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P.W.Z(Taiwan)
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465625 By P.W.Z.(Taiwan). By P.W.Z.(Taiwan). Arranged by P.W.Z.(Taiwan). Christian,Easter,Religious...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465625 By P.W.Z.(Taiwan). By P.W.Z.(Taiwan). Arranged by P.W.Z.(Taiwan). Christian,Easter,Religious,Sacred,Soul. 1 pages. P.W.Z(Taiwan) #1044237. Published by P.W.Z(Taiwan) (A0.1465625). To commemorate your love, with the infinite repeat. (and informal harmony)----I am sining in the night. Let me pray for you.In this night, I sing for your name. In the night, it will pray for you.This night I sing, in the mind with you.
$1.99
Midnight Blues Serenade For Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Andrew D
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Andrew D
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Midnight Blues Serenade For Fl
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A.D.G. Productions
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1246834 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Contemporary,Instructional,Jazz,Po...
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Flute,Piano - Level 3 - SKU: A0.1246834 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Contemporary,Instructional,Jazz,Pop. Score and part. 3 pages. A.D.G. Productions #841482. Published by A.D.G. Productions (A0.1246834). Midnight Blues Serenade For Flute and Piano is one of a collection of Blues Flute and Piano Pieces for the Intermediate Flautist. This is a medium tempo 12 bar blues with a swing rhythm in the key of F. The audio is recorded 1st. with flute and piano followed by just the piano to practice with. There is a 4 beat click as an intro.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99
Lord Maxwell's Goodnight - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Percy Aldridge Grainger
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Brian S
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Lord Maxwell's Goodnight - Sco
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G. Meredith Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1501543 Composed by Percy Aldridge Grainger. Arranged by Brian S. Wilson. 20th Century,Classical. 8 pages. G. Meredith ...
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Concert Band - Level 3 - SKU: A0.1501543 Composed by Percy Aldridge Grainger. Arranged by Brian S. Wilson. 20th Century,Classical. 8 pages. G. Meredith Publications #1077486. Published by G. Meredith Publications (A0.1501543). This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style. I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer). Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country. Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904. The original is in the key of F major but has been shifted to Db major in this orchestration. The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
$10.00
Lord Maxwell's Goodnight - Set of Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Percy Granger
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Brian S
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Lord Maxwell's Goodnight - Set
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G. Meredith Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Meredith Publicati...
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Concert Band - Level 3 - SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Meredith Publications #1077544. Published by G. Meredith Publications (A0.1501664). SET OF PARTS. Score sold separately. This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style. I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer). Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country. Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904. The original is in the key of F major but has been shifted to Db major in this orchestration. The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
$35.00
Near, My God To Thee (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Lowell Mason
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Joseph Pugh
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Near, My God To Thee
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855097 Composed by Lowell Mason (1792-1872)/Sarah F. Adams(1805-1848). Arranged by Joseph ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855097 Composed by Lowell Mason (1792-1872)/Sarah F. Adams(1805-1848). Arranged by Joseph Pugh. 20th Century,Concert,Sacred,Standards. Score and parts. 8 pages. Joseph Pugh #6188539. Published by Joseph Pugh (A0.855097). Nearer, My God, to Thee is a 19th-century Christian hymn by Sarah Flower Adams, which retells the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it... This brass quintet arrangement by Joseph Pugh, brings a new touch to the old iconic Hymn.
$9.99
Staying In Tonight
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Andrew Mc Donald
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Staying In Tonight
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841837 Composed by Andrew Mc Donald. Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3478225. Published by ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841837 Composed by Andrew Mc Donald. Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3478225. Published by Andrew Mc Donald (Macka Records) (A0.841837). Staying In Tonight is a song about staying inside by the fire keeping warm on a cold winter night. While it's snowing and freezing on this winter evening we can keep warm as long as we are together with me and my girl.
$4.99
Praise Him Through The Night
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Fred Hammond
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David Whitaker
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Praise Him Through The Night
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David Whitaker
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SheetMusicPlus
Alto Saxophone,Alto Voice,Baritone Horn TC,Bass Voice,Bell (or Triangle),Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Hand Percussion,Piano Acco...
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Alto Saxophone,Alto Voice,Baritone Horn TC,Bass Voice,Bell (or Triangle),Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Hand Percussion,Piano Accompaniment,Soprano voice,Tambourine,Tenor Saxophone,Tenor Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.1438540 By Fred Hammond. By Fred Hammond and Tommie Walker. Arranged by David Whitaker. Religious. 31 pages. David Whitaker #1018561. Published by David Whitaker (A0.1438540). Praise Him Through The Night By Fred Hammond and Tommie Walker in Studio Mix format.Instruments included: Lead Voice (Tenor), Background Vocals (Baritone), Soprano, Alto, Tenor, and Bass Voices, Alto Sax, Tenor Sax, French Horn, Trumpet in Bb, Trombone, Violin (2), Viola, Cello, String Bass, Electric Guitar, Bass Guitar, Piano, Electric Piano, Hand Clap, Percussion, and Drumset.Piano and Vocals were created using this score, which was purchased from MusicNotes -https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0045684This score is now available for purchase on SheetMusicPlus.com and/or SheetMusicDirect.com. Just search up “David Whitaker (Song Name)” and it will pop up. To view other arrangements, head over to our MuseScore Page “David Whitaker ICMFY MuseScore” or our YouTube Channel “David Whitaker ICMFY”. There you can browse through all the music we currently have to offer. Thank you for your support and stay tuned for more coming soon!
$35.00
Down To The Nightclub
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Piano, Voix
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INTERMÉDIAIRE
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Tower Of Power
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Jeff Tincher
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Down To The Nightclub
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.584555 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tincher. Rock,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.584555 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tincher. Rock,Soul. Score. 13 pages. Jeff Tincher #5866427. Published by Jeff Tincher (A0.584555). Another great funk piece from the Oakland band Tower of Power. In the original key from their Tower of Power Live project, this song is still a mainstay with their concerts. The level classification is intermediate due to the many switches between 4/4 and 7/8 measures. Duration = 2:35. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
Down To The Nightclub
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Tower Of Power
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Jeff Tincher
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Down To The Nightclub
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.584559 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by J...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.584559 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tincher. Rock,Soul. Score and parts. 23 pages. Jeff Tincher #5866435. Published by Jeff Tincher (A0.584559). Another great funk piece from the Oakland band Tower of Power. In the original key from their Tower of Power Live project, this song is still a mainstay with their concerts. The level classification is intermediate due to the many switches between 4/4 and 7/8 measures. Duration = 2:35. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Down To The Nightclub
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Tower Of Power
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Jeff Tincher
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Down To The Nightclub
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.584557 By Tower Of Power. By ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.584557 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tincher. Rock,Soul. 23 pages. Jeff Tincher #5866431. Published by Jeff Tincher (A0.584557). Another great funk piece from the Oakland band Tower of Power. In the original key from their Tower of Power Live project, this song is still a mainstay with their concerts. The level classification is intermediate due to the many switches between 4/4 and 7/8 measures. Duration = 2:35. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Down To The Nightclub
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Tower Of Power
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Jeff Tincher
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Down To The Nightclub
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.584558 By Tower Of Power. By David Garibaldi, Emilio Castillo, and St...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.584558 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tincher. Rock,Soul. 23 pages. Jeff Tincher #5866433. Published by Jeff Tincher (A0.584558). Another great funk piece from the Oakland band Tower of Power. In the original key from their Tower of Power Live project, this song is still a mainstay with their concerts. The level classification is intermediate due to the many switches between 4/4 and 7/8 measures. Duration = 2:35. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Down To The Nightclub
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Ensemble Jazz
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INTERMÉDIAIRE
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Tower Of Power
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Jeff Tincher
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Down To The Nightclub
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Jeff Tincher
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.584560 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tinch...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.584560 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tincher. Rock,Soul. Score and parts. 53 pages. Jeff Tincher #5866437. Published by Jeff Tincher (A0.584560). Another great funk piece from the Oakland band Tower of Power. In the original key from their Tower of Power Live project, this song is still a mainstay with their concerts. The level classification is intermediate due to the many switches between 4/4 and 7/8 measures. Duration = 2:35. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$40.00
Down To The Nightclub
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Tower Of Power
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Jeff Tincher
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Down To The Nightclub
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.584556 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. A...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.584556 By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Jeff Tincher. Rock,Soul. Score and parts. 24 pages. Jeff Tincher #5866429. Published by Jeff Tincher (A0.584556). Another great funk piece from the Oakland band Tower of Power. In the original key from their Tower of Power Live project, this song is still a mainstay with their concerts. The level classification is intermediate due to the many switches between 4/4 and 7/8 measures. Duration = 2:35. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Heaven's Here to Stay (Vocal Solo/Piano, opt. Choral Unison, Opt. Violin)
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Renee Allsbrook
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be still and just receive
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Heaven's Here to Stay
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Renee Allsbrook Music
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music ...
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Choral Choir (SAB) - Level 4 - SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music #4795863. Published by Renee Allsbrook Music (A0.915827). Looking for the perfect song for your Christmas Eve service? As music director and pianist at my church, I was too! So one year I decided to write this one. Perhaps the ideal way to present this song is with a soloist who is joined by a choir of adults (or children!) singing in unison on the second and third choruses--emulating a choir of angels. When used this way, this song provides an easy way to stretch your rehearsal time at the Christmas season, as the choir can easily participate, yet there is no learning of extra parts. Brimming with worship of the Christ Child from the very first lyric, Heaven's Here to Stay begins by quietly evoking the atmosphere of the stable. When the chorus arrives, the jubilant singing of the angels arrives as well: Glory in the highest, for the Peace of heaven comes to earth! Glory in the highest--Hope itself was born in Jesus's birth. For Death is dying, Fear is cowering, Light is chasing Night away. The burning love of heaven's here to stay. The second verse takes us from the manger scene to the hills of Judea, where we hear Jesus's words: Come, you weary ones to me, I will give you rest. Trade your tattered rags for my robes of purest white. Come, you hungry, eat, be satisfied. You're all need, but I'm all giving; be still and just receive. The PDF contains parts in this order: 1.Voice/Piano full score in C 2.Violin part in C 3.Lead Sheet in C 4.Lead Sheet in D 5.Violin part in D 6.Piano/Violin/Voice full score in C.
$4.99
I Love To Stay At Home
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Piano, Voix
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Irving Berlin
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Irving Berlin
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I Love To Stay At Home
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.21802 Composed by Irving Berlin. Parlors, Fireplaces, Mothers & children, Windows, Moonlight, Domestic life, Singing, Contentm...
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Piano and voice - SKU: LV.21802 Composed by Irving Berlin. Parlors, Fireplaces, Mothers & children, Windows, Moonlight, Domestic life, Singing, Contentment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21802). I Love To Stay At Home. Words and Music By Irving Berlin. Published 1915 by Waterson, Berlin & Snyder Co., Strand Theatre Bldg., Broadway at 47th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Parlors, Fireplaces, Mothers & children, Windows, Moonlight, Domestic life, Singing, Contentment. First line reads I don't go out nights, I'm not about nights, I'll tell you why I never roam.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 m...
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Tenor voice solo with string quartet or piano - Moderately Easy - SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
Father, Bring Home Your Money To-Night. Temperance Song and Chorus
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Chorale SATB
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W
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Father, Bring Home Your Money
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11047 Composed by W.F. Sherwin. Intoxication, Fathers & children, Poor persons, Vice. Lester S. Levy Co...
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Piano and voice (solo and SATB chorus) - SKU: LV.11047 Composed by W.F. Sherwin. Intoxication, Fathers & children, Poor persons, Vice. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11047). Father, Bring Home Your Money To-Night. Temperance Song and Chorus. Words by Mrs. M.A. Kidder. Music by W.F. Sherwin. Published 1875 by Horace Waters & Son, 481 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Intoxication, Fathers & children, Poor persons, Vice. First line reads Oh! Father, dear Father, don't stay away late, come home when your day's work is o'er.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Stay The Night
