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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concert Works
Non classifié
1 381
Piano & claviers
Piano seul
513
Orgue
88
Piano Facile
53
Piano, Voix
38
Piano, Voix et Guitare
35
Accompagnement Piano
12
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
9
Instruments en Do
8
Orgue, Trompette (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
2
Piano (partie séparée)
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
75
2 Guitares (duo)
24
Guitare notes et tablatures
17
4 Guitares (Quatuor)
11
Ligne De Mélodie, (Paroles) et Accords
6
Piano, Guitare (duo)
5
Ukulele
5
3 Guitares (trio)
5
Guitare (partie séparée)
4
Guitare, Violon, Violoncelle (trio)
2
Mandoline
1
Orchestre à Plectres
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale 2 parties
120
Chorale 3 parties
73
Voix duo
32
Voix duo, Piano
23
Chorale TTBB
22
Chorale Unison
10
Voix haute
9
Voix Baryton, Piano
8
Chorale SSAA
4
Voix moyenne, Piano
3
Voix basse
3
Voix Soprano, Piano
3
Voix seule
2
Voix Alto, Piano
2
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Voix Soprano, Orchestre
1
Voix Tenor
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
141
Clarinette et Piano
134
Saxophone Alto et Piano
133
Quatuor de Saxophones: 4 saxophones
112
Hautbois, Piano (duo)
106
Quatuor de Clarinettes: 4 clarinettes
102
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
99
Flûte, Hautbois, Clarinette, Basson
91
Saxophone Soprano et Piano
78
Saxophone Tenor et Piano
75
2 Saxophones (duo)
68
Quatuor de Flûtes : 4 flûtes
65
2 Flûtes traversières (duo)
58
Ensemble de Clarinettes
52
3 Saxophones (trio)
51
3 Clarinettes (trio)
45
2 Clarinettes (duo)
44
Clarinette
42
Saxophone Baryton, Piano
42
Flûte traversière
41
Quintette de Saxophone: 5 saxophones
40
Cor anglais, Piano
31
Ensemble de Flûtes
30
Quatuor de Flûtes à bec
30
Saxophone (partie séparée)
29
Hautbois, Basson (duo)
23
Ensemble de saxophones
22
Trio de Flûtes: 3 flûtes
22
Clarinette (partie séparée)
21
Quintette de Clarinettes: 5 clarinettes
20
2 Hautbois (duo)
19
Clarinette Basse, Piano
19
Clarinette, Basson (duo)
19
Flûte, Violoncelle
16
Flûte, Clarinette (duo)
16
Flûte et Guitare
15
Flûte, Violon et Violoncelle
15
2 Flûte à bec (duo)
14
Flûte, Clarinette et Basson
13
Clarinette, Violoncelle (duo)
13
Flûte, Hautbois (duo)
12
Saxophone Alto
12
Flûte, Saxophone (duo)
11
Flûte, Violon
11
Flûte à Bec
10
Flûte à bec Soprano, Piano
10
Saxophone Tenor
9
Hautbois (partie séparée)
9
Flûte, Trombone (duo)
8
Flûte, Trompette (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
2 Clarinettes, Basson
7
Hautbois, Clarinette (duo)
7
Quintette de Flûte : 5 flûtes
7
Flûte à bec Soprano
7
Flûte, Hautbois, Basson
6
Clarinette, Violon (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Guitare (duo)
6
Hautbois, Violoncelle
6
Flûte, Alto (duo)
6
3 Flûtes à bec (trio)
6
Flûte, Tuba (duo)
5
Saxophone, Violon (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Hautbois
5
Flûte à bec Alto
5
Flute (partie séparée)
5
5 Flûtes à bec
5
Piccolo
4
Flûte à bec Alto, Piano
4
Flûte, Violon, Piano
4
Hautbois, violon (duo)
3
Cor Anglais
3
Saxophone et Orgue
3
Hautbois, Flûte
3
2 Saxophones, Piano
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Orchestre
2
Saxophone Soprano
2
Saxophone Baryton
2
Clarinette, Contrebasse (duo)
2
Flûte à bec, Guitare (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Hautbois, Piano (trio)
2
Clarinette et Alto
2
Flûte à bec Alto, Basse continue
2
Piccolo, Piano
2
Clarinette, Trombone (duo)
1
Harmonica
1
Flûte, Alto et Piano
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes, Basse continue
1
Flûte, Basson et Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Tenor
1
Clarinette, Harpe (duo)
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte traversière, Basse continue
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Clarinette, Orgue
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Trombone et Piano
105
Trompette, Piano
81
Cor et Piano
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
70
Euphonium, Piano (duo)
48
Trompette
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Cor anglais, Piano
31
2 Cors (duo)
30
Quatuor de cuivres: 4 trombones
29
Trompette (partie séparée)
29
Trombone (partie séparée)
28
Ensemble de Trompettes
26
3 Trombones (trio)
25
2 Trombones (duo)
22
2 Trompettes (duo)
20
Tuba et Piano
20
Cor
19
Quatuor de Cuivres
16
Trompette, Trombone (duo)
15
Quatuor de cuivres: 4 cors
15
Ensemble de Trombones
12
Trompette, Violoncelle (duo)
11
Trompette, violon (duo)
10
Trio de Cuivres
10
Trombone
9
Cor (partie séparée)
9
4 Tubas
8
Euphonium, Tuba (duo)
7
2 Tubas (duo)
7
Tuba et Orgue
6
3 Trompettes (trio)
6
Cor, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
Trompette, Saxophone (duo)
5
Cor, Violoncelle (duo)
5
Tuba (partie séparée)
5
2 Euphoniums (duo)
4
Trombone basse et Piano
4
Cor Anglais
3
Trompette, Cor (duo)
3
Trombone basse
3
Tuba
3
Ensemble de Cors
3
Trombone, Tuba (duo)
3
Euphonium
2
Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
Trombone et orchestre
1
Cor et Orgue
1
3 Cors (trio)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
272
Violon et Piano
190
Violoncelle, Piano
138
Alto, Piano
128
2 Violons (duo)
51
Violon, Violoncelle (duo)
48
Trio à Cordes: violon, alto, violoncelle
40
Violoncelle
37
4 Violoncelles
35
Quatuor à cordes: 4 violons
33
2 Altos (duo)
32
Violon
32
Violon, Alto (duo)
32
Quatuor à cordes : 4 altos
30
Contrebasse, Piano (duo)
29
Harpe
28
2 Violoncelles (duo)
25
Alto seul
23
Violon (partie séparée)
21
Violoncelle, Contrebasse (duo)
19
4 Contrebasses
16
Trio à cordes: 3 altos
16
Alto, Violoncelle (duo)
15
Trio à cordes: 3 violins
15
Contrebasse (partie séparée)
13
Violon, Guitare (duo)
12
2 Contrebasses (duo)
11
3 Contrebasses
9
Alto (partie séparée)
8
Violoncelle , Guitare (duo)
8
Trio à Cordes: 3 violoncelles
7
Alto, Guitare (duo)
7
Violoncelle (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
6
Contre Basse
5
Piano Trio: Violon, Alto, Piano
5
Flûte, Contrebasse (duo)
4
Violoncelle, Basse continue
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Orchestre
3
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Violon, Violoncelle, Clarinette
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Violon, Orgue
1
Ensemble d'Altos
1
Alto et Basson
1
Violoncelle, Orgue
1
Ensemble de Violons
1
2 Violoncelles, Piano
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
784
Orchestre à Cordes
209
Orchestre
97
Ensemble de cuivres
88
Orchestre de chambre
77
Ensemble Jazz
31
Ensemble de Percussions
13
Cloches
13
Percussion (partie séparée)
11
Xylophone, Piano
9
Jazz combo
4
Vibraphone
3
Piano et Orchestre
3
Timbales (partie séparée)
3
Instrumentation Flexible
3
Batterie (partie séparée)
2
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Batterie
2
Percussion
1
Marimba
1
Marimba et Orgue
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 19 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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ENFANTS : EVEIL - IN…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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OPERA
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Vous avez sélectionné:
Concert Works
Partitions à imprimer
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9101
Concert Works
Guitare
Guitar - difficult - Digital Download Arranged for guitar. Composed by Johann Kaspar …
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Guitar - difficult - Digital Download Arranged for guitar. Composed by Johann Kaspar Mertz (1806- 1856). This edition: Sheet music. Guitar Works (Mertz). Downloadable. Duration 4 minutes. Chanterelle #Q47056. Published by Chanterelle
English - German.<br> <br> Included in the 6 works here is the famous Elegie, so often heard in concerts and recordings..English - German.<br> <br> Included in the 6 works here is the famous Elegie, so often heard in concerts and recordings..
$18.99
17.51 €
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Guitare
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Concert Works
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Chanterelle
#
SheetMusicPlus
Concerto Grosso
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1236808 Composed by Ivan Lluch Pe…
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Concert Band - Level 4 - Digital Download SKU: A0.1236808 Composed by Ivan Lluch Pedregosa. 20th Century,Classical,Film/TV. Score and Parts. 65 pages. Clockworks Music Group #832338. Published by Clockworks Music Group (A0.1236808). Concerto Grosso is a magnificent composition specifically crafted for concert band, consisting of five distinct parts. It unfolds with an array of captivating themes, each offering a rich and varied musical experience. Infused with a heavy romantic component, the piece exudes a sense of passion and emotional depth.This composition is particularly well-suited for intermediate to advanced players who are seeking more challenging works to expand their musical abilities. It presents a wonderful opportunity for these musicians to delve into complex musical structures and develop their technical skills. The intricate interplay between the different sections of the band, coupled with the expressive melodies and harmonies, demands precision, coordination, and artistry from the performers.Concerto Grosso not only offers a stimulating challenge for the musicians, but it also captivates audiences with its beauty and evocative power. The enchanting melodies, supported by lush harmonies and dynamic contrasts, create an immersive musical journey that leaves a lasting impression on listeners.As players delve into the depths of this composition, they will have the chance to explore the nuanced phrasing, dynamic range, and expressive potential inherent in the piece. The complex interweaving of different musical themes, accompanied by the intricate ornamentation and intricate counterpoint, offers a rich tapestry of musical textures to be explored and mastered.Overall, Concerto Grosso stands as a testament to the profound artistry and technical prowess required in concert band repertoire. It offers a challenging yet rewarding experience for advanced to intermediate players, enabling them to stretch their musical abilities, ignite their creativity, and leave a lasting impact on both performers and audiences alike.
$49.99
46.09 €
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Orchestre d'harmonie
#
Ivan Lluch Pedregosa
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Concerto Grosso
#
Clockworks Music Group
#
SheetMusicPlus
UKRAINIAN BELL CAROL (young concert band - easy - score, parts, & license to photocopy)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1435958 Composed by arr. Brian Ha…
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Concert Band - Level 1 - Digital Download SKU: A0.1435958 Composed by arr. Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Multicultural,Traditional,World. 38 pages. HMS Music #1016126. Published by HMS Music (A0.1435958). _______________________A simple setting of everyone's favorite holiday tune. Easy ranges and the use of antiphonal bells (optional) will make UKRAINIAN BELL CAROL the hit of the concert. Suggestions are included for using your beginner percussionists to play the antiphonal bell parts on their bell sets while your advanced band plays the music.FEATURES: Brass players remove mouthpiece and blow air to give wind sound; Antiphonal Bells (optional, see below) adds excitement to performance; Simple parts for all; 1st Clarinet remains below break except for 3 notes (m.77).NOTE: Included is a SITE LICENSE granting permission to photocopy as many SCORES or PARTS as needed for use by your school.(BcP-YB)KEY and RANGES: Written in Concert G minor. All parts are well within 2nd-year ranges: Flute to B-flat above staff; 1st Clarinet to E on staff; 2nd Clarinet remains below break; Trumpet 1 to 4th space E (only twice); Trombone not above 4th space G.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto Sax, Trumpet, Trombone, Bass Line (Tuba, Bari Sax, Bass Clar, Bsn), Percussion.INSTRUMENTATION: includes Full Conductor Score (16 pages) and all Parts: one each for Flute, Oboe, Bassoon, Clarinet 1, Clarinet 2, Bass Clarinet, Alto Saxophone (short divisi), Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2, Horn in F, Trombone, B.C. Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Snare and Chimes), Percussion 2 (Bass Drum), Percussion 3 (Mark Tree, 3 triangles), Percussion 4 (Sus. Cymbal, Mark Tree), Bells/Chimes, Timpani (2 drums, no pitch changes), optional Antiphonal Bell part (for multiple players).ANTIPHONAL BELL PART: The Antiphonal Bell parts are optional and may be omitted if desired. However, the effect they create can substantially add to the experience of the piece for audience and performers alike. Complete performance suggestion are written in the score.___________________________COMPOSER: Brian Harris holds the Ph.D. in Instrumental Music from Florida State University and was a public school and college band director for over 30 years. He is now retired (with just a little hearing loss!).___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)___________________________.
$34.99
32.26 €
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Orchestre d'harmonie
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arr
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Brian Harris
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UKRAINIAN BELL CAROL
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HMS Music
#
SheetMusicPlus
TIDINGS OF JOY (young concert band - Easy - score, parts, & license to copy)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris.…
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Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1015909. Published by HMS Music (A0.1435814). ___________________________With a nice minor mode sound and a propelling timpani line, TIDINGS OF JOY opens with God Rest Ye, Merry, harmonized in drone fashion, then features a soli middle section of Pat-a-Pan for which you audition the players who get to play this more difficult middle section (keeps your best players challenged!) while the rest of the band vocalize a single pitch on ahh. The piece then recaps with God Rest You Merry with a slightly fuller instrumentation and a simple flute obligato line.FEATURES: Melody opportunities for all wind parts; Multiple percussion parts give colorful sound; timpani provide bass ostinato; Students sing ahh on a single note - great for improving intonation!; Soli section in middle will motivate players to learn the part so they get to play the melody (keeps your better players challenged); Low brass parts are very simple.RANGES: C minor (3 flats). Some Clarinets play low G and F (m. 14 and 48) - put your best players on these low notes and have rest play the comfortable notes of D and C.CHALLENGES: Appropriate for young players who have encountered eighth-notes and the key of E-flat; Independence of lines (melody played with/against simple bass and accompaniment; simple flute obligato line in last section); Some slurs and eighth-notes; Key/few accidentals (mostly in flutes, oboe, clarinet, and trumpet); A few extended range notes for some parts.INSTRUMENTATION: includes Full Conductor Score (8 pages) and PARTS (16 pages): one each for Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium/Bassoon, T.C. Euphonium, Tuba, Percussion 1 (Suspended Cymbal/Tenor Drum, Bass Drum), Percussion 2 (Triangle, Finger Cymbals), Timpani (3 or 4 drums), Bells/Tambourine, Chimes.PERCUSSION: parts to occupy 9 or more players; playable by as few as four players.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto Sax, Trumpet, 1 Percussion (Timpani), and 2 bass voices (Voice 1: Trombone, Horn, or Tenor Sax; Voice 2: Bassoon, Bass Clarinet, Bari Sax, or Tuba).NOTE: This Digital Download document is assembled with the Clarinet part appearing as page 1 so you may view it as you listen to the sound file. When you print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is a SITE LICENSE granting permission to photocopy as many SCORES or PARTS as needed for use by your school. (BcP-YB)___________________________Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________.
$31.99
29.49 €
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Orchestre d'harmonie
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Brian Harris
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Brian Harris
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TIDINGS OF JOY
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HMS Music
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SheetMusicPlus
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.66 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Epic Steve - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Intermediate - Digital Download Composed by Brendan Elliget MAGA 537. …
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Concert Band - Intermediate - Digital Download Composed by Brendan Elliget MAGA 537. Contemporary Classical. Score, Set of Parts. 35 pages. Published by Brendan Elliget
This short Concert Band composition (originally for Orchestra) was written for my son Stephen (Epic Steve) who works as a digital animator – The music depicts a possible future animation involving an ”epic” tale. Let me know what you think of the composition. The MP3 was recorded with NotePerformer. Also available at this site for Orchestra.<br> <br> Grade = 4 Duration = 2:25 minsThis short Concert Band composition (originally for Orchestra) was written for my son Stephen (Epic Steve) who works as a digital animator – The music depicts a possible future animation involving an ”epic” tale. Let me know what you think of the composition. The MP3 was recorded with NotePerformer. Also available at this site for Orchestra.<br> <br> Grade = 4 Duration = 2:25 mins
$25.00
23.05 €
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Orchestre d'harmonie
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Brendan Elliget MAGA 537
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Epic Steve - Concert Band Score and Parts PDF
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Brendan Elliget
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.21 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathaniel Holland #3629797. Published by James Nathaniel Holland (A0.730464). (Duration: 25 minutes) Full Orchestral Score Only in Concert Pitch.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers or for the Fourth of July summer concert. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$21.95
20.24 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$45.25
41.72 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
9.17 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Concertstük Op. 28 for Trombone and Band
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.757443 Composed by Max Warnecke. Arranged b…
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Concert Band - Digital Download SKU: A0.757443 Composed by Max Warnecke. Arranged by James Michael bicigo. Romantic Period. Score and parts. 99 pages. Polar Publications #3012075. Published by Polar Publications (A0.757443). This gem in the trombone literature was lost for many years. I reconstructed a score from parts found on imslp and then created a band arrangement. This arrangement works well in the tradition of the late 19th and early 20th century American concert bands.
$50.00
46.1 €
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Orchestre d'harmonie
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Max Warnecke
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James Michael bicigo
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Concertstük Op. 28 for Trombone and Band
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Polar Publications
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SheetMusicPlus
Feux d'artifice [Arrangement for concert band] - Score Only
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1089980 By Masakazu YAMAMOTO. By …
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Concert Band - Level 5 - Digital Download SKU: A0.1089980 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival,Film/TV,Pop. 22 pages. Motch Music #694194. Published by Motch Music (A0.1089980). Arrangement for concert band.This is the 12th song from Preludes 2nd book, which is Debussy's mature piano music. It is a depiction of the Paris Festival (Revolutionary Day) on July 14. Against the background of the first triplet, you can start to see fireworks shining in the distance. After getting closer and closer and launching it bigger, it's dizzying and colorful.It's changing to shine. Fanfare-style motifs that appear on the way are deployed in various ways, and they are magnificently reproduced at the climax at the end.And the French national anthem La Marseès concludes the song with a reverberation in the aftertaste.The whole scale and the tonic sound are skillfully combined, and the original song is very pianistic.I want to switch the tone and tempo firmly for each scene, and try to play crisp and colorful performances. Commissioned by conductor Keiko Kobayashi, and the Sony Concert Band. Premiered on July 2, 2022. Playing time: about 5'00(arr. Masakazu YAMAMOTO)[Instrumentation]Piccolo Flute 1, 2 Oboe 1, 2 Bassoon (option) Eb Clarinet Bb Clarinet 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet 1, 2, 3 F Horn 1, 2, 3, 4 Trombones 1, 2, 3 Euphonium Tuba String Bass Harp (option) Timpani Percussion (5 players) 1 (Glockenspiel, Whip) 2 (Vibraphone, Triangle, Xylophone, Wind-chime) 3 (Suspended Cymbal, Wind-chime, Triangle, Whip, Rachet, Crash Cymbal) 4 (Snare Drum, Suspended Cymbal, Bass Drum) 5 (Maracas, Bass Drum, Rachet, Tambourine, Tam-tam, Snare Drum) Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$40.00
36.88 €
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Orchestre d'harmonie
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Masakazu YAMAMOTO
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Masakazu YAMAMOTO
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Feux d'artifice [Arrangement for concert band] - Score Only
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Motch Music
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SheetMusicPlus
Concerto for Trombone and Military Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1292690 Composed by Nikolay Andre…
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Concert Band - Level 4 - Digital Download SKU: A0.1292690 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by John Ivor Holland. 19th Century,20th Century,Classical,Romantic Period. Score and Parts. 160 pages. John Ivor Holland #883252. Published by John Ivor Holland (A0.1292690). This bombastic Concerto by Nikolai Rimsky-Korsakov was composed in 1877 whilst still a serving naval officer, for fellow marine musician; it was premiered in March 1878 at Kronstadt, with the international premiere not taking place until the summer of 1952 in New York City. The work consists of three short movements, the second and third including cadenza sections for the soloist. The duration of the Concerto stands at around 10 minutes. Although written for the tenor trombone, the Concerto is standard repertoire amongst bass trombonists, as the composer makes few demands on the very high register of the instrument. Indeed, in common with solo trombone works of the period, the Concerto encompasses the full downward range of the instrument, including in the 3rd movement cadenza notes that are so low as to be usually unobtainable (and therefore played up an octave) by latter-day tenor trombonists. This arrangement has been rescored from the condensed piano arrangement for modern day concert band.
$69.99
64.52 €
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Orchestre d'harmonie
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Nikolay Andreyevich Rimsky-Korsakov
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John Ivor Holland
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Concerto for Trombone and Military Band
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John Ivor Holland
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SheetMusicPlus
CONCERTO FOR HORN - S. R. Mercadante - solo horn part only (full band accomp. available separately)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.859735 Composed by Saverio Raffae…
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Concert Band - Level 3 - Digital Download SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romantic Period,Standards. 4 pages. Bandroom.com Publications #553447. Published by Bandroom.com Publications (A0.859735). Written around 1820 by Italian composer Saverio Raffaele Mercadante, this engraving of his CONCERTO FOR HORN is in the original key and has been meticulously edited. Consisting of two sections, the beautiful, plaintive opening slow section (Larghetto alla Siciliano) is about 2.5 minutes in length and works well as a stand-alone feature to showcase the sonority of the horn. It would be perfect for a talented high school player. The concluding fast section (Allegretto brillante) is bubbly, delightful, and quite technically challenging in a few spots. The concert band / wind ensemble accompaniment (available separately) is scored to prevent overpowering the soloist and will work with smaller groups for senior recitals, etc. NOTE: This download is for the 4-page SOLO PART ONLY. If you wish to purchase the band parts and full score, please visit www.bandroom.com. This SOLO PART will also work with the Kuyper setting for piano accompaniment. The score and parts are error-free, as I spent considerable time in editing and making corrections to the parts while it was prepared for performance. This SOLO PART has tightly-cropped margins so it will print as large as possible on letter-sized paper. You can view the conductor score and sample parts as well as listen to a live recording of the work on my website (URL above) or on YouTube at https://youtu.be/NuMFb5p5Kfk____________________________ ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com ____________________________
$10.00
9.22 €
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Orchestre d'harmonie
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Saverio Raffaele Mercadante
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Brian Harris
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CONCERTO FOR HORN - S. R. Mercadante - solo horn part only
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Bandroom.com Publications
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SheetMusicPlus
Trombone Concerto for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1309564 Composed by Pete Cross. A…
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Concert Band - Level 3 - Digital Download SKU: A0.1309564 Composed by Pete Cross. Arranged by Pete Cross. Classical. 135 pages. Robert Peter Cross #898728. Published by Robert Peter Cross (A0.1309564). A lot of trombone classical music is transcribed from orchestral works. I have written this for Concert Band performances, In a good key for the armature performer. But enough to be a challenge.
$40.00
36.88 €
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Orchestre d'harmonie
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Pete Cross
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Pete Cross
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Trombone Concerto for Concert Band
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Robert Peter Cross
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SheetMusicPlus
Vivaldi Concerto for Two Trumpets
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.985608 Composed by Antonio Vivald…
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Concert Band - Level 4 - Digital Download SKU: A0.985608 Composed by Antonio Vivaldi. Arranged by Arranged Steven Stanke. Baroque. Score and parts. 122 pages. Steven Stanke #6323503. Published by Steven Stanke (A0.985608). This sparkling concerto by Vivaldi is one of the few solo works of the early 1700s to feature brass instruments. Their rarity stems from the difficulties inherent in the Baroque trumpet which were, at that time, natural, or valveless. This arrangement requires two advanced soloists able to play in the upper register, to a high C.
$45.00
41.49 €
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Orchestre d'harmonie
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Antonio Vivaldi
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Arranged Steven Stanke
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Vivaldi Concerto for Two Trumpets
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Steven Stanke
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SheetMusicPlus
Concerto for Alto Trombone and Winds
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.755099 Composed by Johann Georg A…
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Concert Band - Level 5 - Digital Download SKU: A0.755099 Composed by Johann Georg Albrechtsberger. Arranged by Sy Brandon. Classical,Concert. Score and parts. 198 pages. Sy Brandon #3383907. Published by Sy Brandon (A0.755099). This transcription of all three movements of this Classic period work was performed at the 1998 and 1999 Eastern Trombone Workshop. The muted brass imitate the sound of the harpsichord and the woodwinds are the string parts.
$39.99
36.87 €
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Orchestre d'harmonie
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Johann Georg Albrechtsberger
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Sy Brandon
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Concerto for Alto Trombone and Winds
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Sy Brandon
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SheetMusicPlus
Easy Concert Pieces
Violon et Piano
Violin and piano - intermediate - Digital Download 16 Famous Pieces from 4 Centurie…
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Violin and piano - intermediate - Digital Download 16 Famous Pieces from 4 Centuries. This edition: Sheet music. Lessons, concert, violin. Easy Concert Pieces. Downloadable. Op. 3. Schott Music - Digital #Q49503. Published by Schott Music - Digital
The Easy Concert Pieces series .for Violin and Piano is intended for tuition purposes and are particularly suitable for performance at auditions and school concerts, for competitions, examinations . - and for music making at home too, of course. Volume 3 (intermediate) requires familiarity with the first four positions.<br> Besides well-known works such as the famous Air by Bach, the Largo from Handel's opera 'Xerxes' and a movement from Vivaldi's Four Seasons, there are rewarding concerto and sonata movements by Kuchler and Fiocco, as well as less familiar Romantic compositions by Rieding and Trowell. .Modern music is represented in two lovely pieces by Hermann Schroeder, also inspired by the theme of the seasons. . Young violinists will enjoy the four pop pieces that round off the selectionThe Easy Concert Pieces series .for Violin and Piano is intended for tuition purposes and are particularly suitable for performance at auditions and school concerts, for competitions, examinations . - and for music making at home too, of course. Volume 3 (intermediate) requires familiarity with the first four positions.<br> Besides well-known works such as the famous Air by Bach, the Largo from Handel's opera 'Xerxes' and a movement from Vivaldi's Four Seasons, there are rewarding concerto and sonata movements by Kuchler and Fiocco, as well as less familiar Romantic compositions by Rieding and Trowell. .Modern music is represented in two lovely pieces by Hermann Schroeder, also inspired by the theme of the seasons. . Young violinists will enjoy the four pop pieces that round off the selection
$16.99
15.66 €
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Violon et Piano
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
Two Favorite Children's Tunes for Young Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1514089 Composed by Robert Schuma…
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Concert Band - Level 4 - Digital Download SKU: A0.1514089 Composed by Robert Schumann. Arranged by Bud Caputo. 21st Century,Children,Romantic Period. 28 pages. Bud Caputo #1088553. Published by Bud Caputo (A0.1514089). Here are two great tunes to perform for recruiting concerts in your elementary feeder schools, yet will be entertaining to all audiences.Both, The Headless Horseman and Happy Farmer, are part of The Album for the Young by Robert Schumann, originally for piano, arranged here for Young Concert Band.Album for the Young (Album für die Jugend), Op. 68, was composed by Robert Schumann in 1848 for his three daughters. The album consists of a collection of 43 short works. Unlike the Kinderszenen, they are suitable to be played by children or beginners. The second part, starting at Nr. 19 (Kleine Romanze), is marked Für Erwachsenere (For adults; For more grown-up ones) and contains more demanding pieces.All ranges will be comfortable for young bands.Here is a vdeo link to the string version that will provide you with a condensed version of this band arrangement.Video linkhttps://youtu.be/G2ExQxILRqQ.
$19.95
18.39 €
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Orchestre d'harmonie
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Robert Schumann
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Bud Caputo
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Two Favorite Children's Tunes for Young Concert Band
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Bud Caputo
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SheetMusicPlus
LIVING PULSE for Saxophone Quartet and Concert Band/Wind Ensemble
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.770394 Composed by Ivan Marini. C…
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Concert Band - Level 4 - Digital Download SKU: A0.770394 Composed by Ivan Marini. Contemporary,Multicultural,World. Score and parts. 152 pages. Www.dalsegno.eu #4756671. Published by www.dalsegno.eu (A0.770394). Concerto for saxophone quartet and band, from Minimal music to Tango.Complete set with score and parts: Solos (Soprano or Alto 1, Alto 2, Tenor, Bari), Piccolo, Flute 1+2, Oboe 1+2, Bassoon 1+2, Clarinets 1+2+3+bass, Trumpets 1+2+3, F Horns 1+2+3+4, Trombones 1+2+3, Euphonium/Baritone, Tuba, String Bass, Timpani, Heartbeat, Percussions 1+2+3 .Other transpositions (e.g. Bb Trombones TC) available for free at simply request. Euphoniums already provided in Bb (TC) and C (BC). Arrangement for percussion ensemble and saxophone quartet also available.Duration ca. 9 mins., 152 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$99.99
92.18 €
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Orchestre d'harmonie
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Ivan Marini
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LIVING PULSE for Saxophone Quartet and Concert Band/Wind Ensemble
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www.dalsegno.eu
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Ensemble de saxophones
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95
69.1 €
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Ensemble de saxophones
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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jmsgu3
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95
46.05 €
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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jmsgu3
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SheetMusicPlus
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