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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Have It All
Non classifié
3 896
Piano & claviers
Piano seul
2 072
Piano, Voix et Guitare
871
Piano Facile
828
Piano, Voix
700
Instruments en Do
394
Orgue
100
Accompagnement Piano
80
1 Piano, 4 mains
43
Piano Trio: piano, violon, violoncelle
26
Accordéon
21
2 Pianos, 4 mains
15
Piano (partie séparée)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
5
2 Pianos, 8 mains
3
Clavecin
3
Clavier
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
170
Guitare notes et tablatures
168
Ligne De Mélodie, (Paroles) et Accords
76
Ukulele
59
2 Guitares (duo)
19
Guitare (partie séparée)
18
Basse electrique
17
4 Guitares (Quatuor)
14
Paroles et Accords
12
Dulcimer
7
3 Guitares (trio)
7
Banjo
7
Mandoline
7
Ensemble de guitares
4
Piano, Guitare (duo)
4
Mandoline, Guitare (duo)
4
2 Dulcimers (duo)
2
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
Guitare, Orchestre
1
Ukulele Baryton
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
566
Chorale Unison
394
Chorale 3 parties
179
Chorale 2 parties
137
Chorale TTBB
72
Chorale SSAA
40
Voix Soprano, Piano
25
Voix duo
21
Voix Tenor, Piano
20
Voix Alto, Piano
18
Voix duo, Piano
17
Voix Tenor
6
Pack Instrumental pour Chorale
6
Voix haute
6
Voix seule
5
Chorale SSATTB
4
Voix Baryton, Piano
4
Chorale
3
Voix basse, Piano
3
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Voix Soprano
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
318
Quintette de Saxophone: 5 saxophones
197
Quatuor de Saxophones: 4 saxophones
196
Flûte, Hautbois, Clarinette, Basson
181
Flûte traversière et Piano
148
Clarinette et Piano
136
Hautbois, Piano (duo)
113
Flûte traversière
109
Quatuor de Clarinettes: 4 clarinettes
103
Saxophone Alto et Piano
103
Clarinette
96
Saxophone (partie séparée)
87
Hautbois (partie séparée)
85
2 Flûtes traversières (duo)
82
Ensemble de saxophones
78
Saxophone Tenor et Piano
76
Quatuor de Flûtes : 4 flûtes
67
Ensemble de Clarinettes
67
Saxophone Soprano et Piano
66
Saxophone Alto
63
2 Saxophones (duo)
62
Ensemble de Flûtes
46
2 Clarinettes (duo)
42
Saxophone Baryton, Piano
39
Saxophone Tenor
35
Quintette de Clarinettes: 5 clarinettes
34
2 Flûtes traversières, Piano
28
Quintette de Flûte : 5 flûtes
23
Cor anglais, Piano
23
Flûte, Clarinette (duo)
23
3 Saxophones (trio)
22
3 Clarinettes (trio)
21
Flûte et Guitare
19
Clarinette Basse, Piano
18
Quatuor de Flûtes à bec
17
2 Hautbois (duo)
16
Flûte à Bec
16
Clarinette, Violon (duo)
15
Cor Anglais
15
5 Flûtes à bec
14
Hautbois, Basson (duo)
14
Trio de Flûtes: 3 flûtes
14
Hautbois, Clarinette (duo)
13
Saxophone, Clarinette (duo)
12
Flûte à bec Soprano
12
Clarinette et Alto
11
Clarinette (partie séparée)
11
Hautbois
11
Hautbois, Flûte
10
Clarinette, Violoncelle (duo)
10
Flute (partie séparée)
10
Clarinette, Trompette (duo)
9
Flûte, Violon
9
Clarinette, Basson (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Harmonica
8
Clarinette, Guitare (duo)
8
Flûte, Alto (duo)
7
Flûte irlandaise
7
Flûte, Violon, Piano
6
Flûte, Violoncelle
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Hautbois (duo)
6
2 Flûte à bec (duo)
6
Flûte à bec Alto, Piano
5
Saxophone Soprano
5
Saxophone Baryton
5
Flûte, Trompette (duo)
5
Flûte, Clarinette, Piano (trio)
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette et Basson
4
Flûte, Trombone (duo)
4
Clarinette, Trombone (duo)
4
Hautbois, Violoncelle
3
Cor anglais, Guitare (duo)
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Violon et Violoncelle
3
Saxophone
3
Ensemble De Flûte à bec
2
Flûte à bec Alto
2
Flûte, Alto et Piano
2
Hautbois et alto (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Ocarina
2
Flûte traversière, Orgue (duo)
1
Clarinette, Contrebasse (duo)
1
Instruments en Mib
1
Piccolo, Piano
1
Flûte et Trio à cordes
1
Ensemble de Hautbois
1
Flute, harpe et violon
1
Saxophone et Orgue
1
3 Hautbois
1
Clarinette, Tuba
1
Ensemble à vent
1
Hautbois, Violon, Piano
1
Saxophone et Guitare
1
Clarinette, Harpe (duo)
1
Piccolo
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Basson et Piano
1
2 Hautbois, Piano
1
Flûte, Clarinette, Violon (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Tenor
1
+ 108 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
276
Quatuor de Cuivres : 2 trompettes, trombone, tuba
165
Trompette, Piano
107
Quatuor de Cuivres
96
Trompette
93
Trombone et Piano
91
Trombone
72
Cor et Piano
70
Tuba
53
Trompette (partie séparée)
51
Cor
51
Trombone (partie séparée)
50
Tuba et Piano
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
38
2 Trombones (duo)
27
Quatuor de cuivres: 4 trombones
26
Euphonium, Piano (duo)
25
Trompette, Trombone (duo)
23
Cor anglais, Piano
23
Ensemble de Trompettes
22
2 Trompettes (duo)
20
2 Cors (duo)
16
Cor Anglais
15
Cor (partie séparée)
13
Trio de Cuivres
12
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 cors
10
2 Tubas (duo)
9
Euphonium
8
Tuba (partie séparée)
8
Ensemble de Cors
6
Trompette, Cor (duo)
5
Cor, Tuba (duo)
5
2 Euphoniums et 2 Tubas
4
4 Tubas
4
Trompette, violon (duo)
4
Cor anglais, Guitare (duo)
3
Euphonium, Tuba (duo)
3
2 Euphoniums (duo)
3
3 Trompettes (trio)
2
Trompette, Trombone, Piano
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
Trompette, Tuba (duo)
2
Bass Clef Instruments
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
1
3 Trombones (trio)
1
Trombone basse
1
Instruments en Sib
1
Cor, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trompettes
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
692
Violon
264
Violon, Violoncelle (duo)
218
Violon et Piano
188
Trio à Cordes: violon, alto, violoncelle
180
Violoncelle, Piano
129
Harpe
125
Violoncelle
124
Quintette à cordes: 2 violons, alto, violoncelle, basse
117
Alto, Piano
90
Alto seul
86
2 Violons (duo)
66
Contre Basse
66
Trio à Cordes: 2 violons, violoncelle
58
Violon, Alto (duo)
52
2 Violoncelles (duo)
46
2 Altos (duo)
34
Contrebasse, Piano (duo)
32
Alto (partie séparée)
23
Contrebasse (partie séparée)
17
Violoncelle, Contrebasse (duo)
17
Alto, Violoncelle (duo)
16
2 Harpes (duo)
14
Ensemble de Violons
13
4 Violoncelles
13
Violon (partie séparée)
12
Ensemble d'Altos
12
Violon, Guitare (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Trio à cordes: 3 violins
6
Quatuor à cordes: 4 violons
6
4 Contrebasses
5
Trio à cordes: 3 altos
5
2 Contrebasses (duo)
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes : 4 altos
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Voix
4
Harpe, Flûte (duo)
3
Violon, Basson (duo)
3
Ensemble de Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violoncelle (duo)
3
5 Harpes
2
2 Altos, Piano
2
Alto et Basson
2
3 Harpes
2
Alto, Guitare (duo)
2
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Autoharp
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Harpe, Violon, Violoncelle
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
573
Orchestre à Cordes
287
Orchestre
207
Ensemble Jazz
196
Ensemble de cuivres
127
Orchestre de chambre
73
Fanfare
53
Cloches
49
Jazz combo
40
Ensemble de Percussions
38
Batterie
12
Batterie (partie séparée)
11
Percussion (partie séparée)
9
Marimba
8
Ensemble d'École
6
Vibraphone
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Xylophone, Piano
3
Percussion
2
Orchestre, Violon
2
3 Marimbas
1
Piano et Orchestre
1
Xylophone ou Marimba ou Vibraphone
1
Xylophone
1
2 Xylophones
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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TROMBONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
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OPERA
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POLKA
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POP ROCK - ROCK CLAS…
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PUNK
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20 772 partitions trouvées
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9976
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Take Me Out To The Ball Game for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Albert Von Tilzer
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Jari A
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Take Me Out To The Ball Game f
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JV MUSIC
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.722757 Composed by Albert Von Tilzer. Arranged by Jari A. Villanueva. 20th Century,F...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.722757 Composed by Albert Von Tilzer. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Traditional. Score and parts. 9 pages. JV MUSIC #3484197. Published by JV MUSIC (A0.722757). Take Me Out To The Ball Game for Woodwind QuintetA delightful setting of the iconic baseball tune for Woodwind Quintet by Jari VillanuevaA young lady by the name of Katie was a devoted baseball fanatic. In fact almost every penny she had was spent on tickets to see her favorite team. Her boyfriend wanted to take her to see a show on a weekend afternoon but Katie declined instead insisting on going to the ballpark. This was not uncommon for her as she attended every home game sitting where she could call the players (usually by the first name) and let the umpires have it when an unfavorable ruling was made. In the heat of a game when the score was tied Katie would get other fans to cheer on the team by singing.https://www.youtube.com/watch?v=OWgCdUlmtpY
$12.00
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissem
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Fo...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs d&
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
$19.95
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Bad Hombres Jumping Over my Wa
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare...
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Piano Solo - Level 4 - SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
Can't Help Falling In Love
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Small Ensemble Marimba - Level 3 - SKU: A0.845300 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Fi...
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Small Ensemble Marimba - Level 3 - SKU: A0.845300 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 6 pages. Phil Beaman #6690329. Published by Phil Beaman (A0.845300). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for nostalgia concerts. 3 pages score, 1 page parts; all parts in Treble ClefPart I -- single note melodyPart II -- countermelody or 2 note chordsPart III -- up to 4 note chords
$12.99
Jesus Paid It All
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Steph Macleod
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Lyndell Leatherman
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Jesus Paid It All
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1402448 By Steph Macleod. By Words: Elvina M. Hall / Music: John T. Grape. Arranged by Lyndell Leatherman. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1402448 By Steph Macleod. By Words: Elvina M. Hall / Music: John T. Grape. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #985667. Published by Leatherman Music Services (A0.1402448). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
Can't Help Falling In Love
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Mariage/Ballade
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Rock
#
Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Trombone - Level 2 - SKU: A0.845307 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged b...
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Small Ensemble B-Flat Clarinet,Trombone - Level 2 - SKU: A0.845307 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6718217. Published by Phil Beaman (A0.845307). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsClarinet 1,2,3; Trombone 1,2,3instrument part ranges - 10th 7 pages score, 1 page parts2:00 minutes
$12.99
Can't Help Falling In Love
#
Mariage/Ballade
#
Rock
#
Elvis Presley
#
Phil Beaman
#
FrenchHorn 1,2
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Can't Help Falling In Love
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Phil Beaman
#
SheetMusicPlus
Small Ensemble Clarinet,Horn,Trombone - Level 2 - SKU: A0.845310 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by ...
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Small Ensemble Clarinet,Horn,Trombone - Level 2 - SKU: A0.845310 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6719795. Published by Phil Beaman (A0.845310). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsinstrument part ranges - 10th Clarinet 1,2; FrenchHorn 1,2; Trombone 1,27 pages score, 1 page parts2:00 minutes
$12.99
Can't Help Falling In Love
#
Mariage/Ballade
#
Rock
#
Elvis Presley
#
Phil Beaman
#
FrenchHorn 1,2
#
Can't Help Falling In Love
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Horn - Level 2 - SKU: A0.845311 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by P...
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Small Ensemble Bassoon,Clarinet,Horn - Level 2 - SKU: A0.845311 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6719797. Published by Phil Beaman (A0.845311). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsinstrument part ranges - 10th Clarinet 1,2; FrenchHorn 1,2; Bassoon 1,27 pages score, 1 page parts2:00 minutes
$12.99
Can't Help Falling In Love
#
Mariage/Ballade
#
Rock
#
Elvis Presley
#
Phil Beaman
#
FrenchHorn 1,2
#
Can't Help Falling In Love
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Horn - Level 2 - SKU: A0.845312 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phi...
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Small Ensemble Cello,Clarinet,Horn - Level 2 - SKU: A0.845312 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6719801. Published by Phil Beaman (A0.845312). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsinstrument part ranges - 10th Clarinet 1,2; FrenchHorn 1,2; Cello 1,27 pages score, 1 page parts2:00 minutes
$12.99
Can't Help Falling In Love
#
Mariage/Ballade
#
Rock
#
Elvis Presley
#
Phil Beaman
#
Can't Help Falling In Love
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Horn,Oboe,Viola - Level 2 - SKU: A0.845313 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creato...
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Small Ensemble Bassoon,Cello,Clarinet,Horn,Oboe,Viola - Level 2 - SKU: A0.845313 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6719811. Published by Phil Beaman (A0.845313). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsinstrument part ranges - 10th 7 pages score, 1 page parts2:00 minutes
$12.99
Can't Help Falling In Love
#
Mariage/Ballade
#
Rock
#
Elvis Presley
#
Phil Beaman
#
Clar 1,2
#
Can't Help Falling In Love
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Bassoon,Oboe - Level 2 - SKU: A0.845309 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged...
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Small Ensemble Bass Clarinet,Bassoon,Oboe - Level 2 - SKU: A0.845309 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6718967. Published by Phil Beaman (A0.845309). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsOboe; Clar 1,2; BassClar; Bassoon 1,2instrument part ranges - 10th 7 pages score, 1 page parts2:00 minutes
$12.99
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