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Move Your Body
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Crtitères actifs :
Move Your Body
Partitions à imprimer
290 partitions trouvées
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276
Move Your Body
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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Move Your Body
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Amphibia Cultural Legacy
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SheetMusicPlus
SKU: A0.1350344 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 21st Century,Broadway,Comedy,Musical/Show,Pop,Ska. 12 pages....
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SKU: A0.1350344 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 21st Century,Broadway,Comedy,Musical/Show,Pop,Ska. 12 pages. Amphibia Cultural Legacy #935137. Published by Amphibia Cultural Legacy (A0.1350344). Introducing our latest music sheet - Move Your Body! This captivating composition, presented in the mesmerizing Family in Trust version cover, is a true gem for music enthusiasts. Crafted by the talented Amphibia Cultural Legacy, this remix offers a fresh, dynamic take on the original track.Perfect for personal use, this music sheet allows you to bring the powerful beats and vibrant melodies of Move Your Body to life right in your home. Whether you're an avid musician or a passionate learner, this sheet provides an incredible opportunity to recreate the magic and groove to your heart's content.Our meticulously designed music sheet features clear notation, offering a user-friendly experience for all skill levels. Indulge in the addictive rhythms and harmonies, guided by the precise markings throughout the composition. Immerse yourself in the energy of Move Your Body and let your creativity soar.Don't miss out on this exclusive chance to acquire the remarkable music sheet for Move Your Body, Family in Trust version cover, remixed by Amphibia Cultural Legacy. Add a touch of musical brilliance to your repertoire, and get ready to move and groove with this exceptional creation.
$50.00
Move Your Body
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Piano seul
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FACILE
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Greg Kurstin and Sia
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Sia
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Move Your Body
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1395237 Composed by Greg Kurstin and Sia. Arranged by Sia. Multicultural,World. Score. 5 pages. Mr. Lu Lai #978706. Publi...
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Piano Solo - Level 2 - SKU: A0.1395237 Composed by Greg Kurstin and Sia. Arranged by Sia. Multicultural,World. Score. 5 pages. Mr. Lu Lai #978706. Published by Mr. Lu Lai (A0.1395237). Move Your Body Piano score.
$4.99
Move Your Body
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Piano seul
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FACILE
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Greg Kurstin and Sia
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Sia
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Move Your Body
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1395236 Composed by Greg Kurstin and Sia. Arranged by Sia. Multicultural,World. Score. 6 pages. Mr. Lu Lai #978705. Publi...
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Piano Solo - Level 2 - SKU: A0.1395236 Composed by Greg Kurstin and Sia. Arranged by Sia. Multicultural,World. Score. 6 pages. Mr. Lu Lai #978705. Published by Mr. Lu Lai (A0.1395236). Move Your Body Piano score.
$4.99
Move Your Body
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Piano seul
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FACILE
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Greg Kurstin and Sia
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Sia
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Move Your Body
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1395233 Composed by Greg Kurstin and Sia. Arranged by Sia. Multicultural,World. Score. 5 pages. Mr. Lu Lai #978702. Publi...
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Piano Solo - Level 2 - SKU: A0.1395233 Composed by Greg Kurstin and Sia. Arranged by Sia. Multicultural,World. Score. 5 pages. Mr. Lu Lai #978702. Published by Mr. Lu Lai (A0.1395233). Move Your Body Piano score.
$4.99
Bodyvoice
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Chorale SSAA
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Susanna Lindmark
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Bodyvoice
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSAA chorus and piano, accompaniment ad lib. - SKU: BJ.1260 Composed by Susanna Lindmark. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1260. Published by...
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SSAA chorus and piano, accompaniment ad lib. - SKU: BJ.1260 Composed by Susanna Lindmark. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1260. Published by Bo Ejeby Forlag - Digital (BJ.1260). 8.27 x 11.7 inches.BODYVOICE is a song where you make your voice heard and get to unleash your body in movement. Create your own choreography with your choir or ensemble. The piano part is intended as a “skeleton that the pianist can flesh out with their own creativity. If you feel like adding bass, percussion, and so on – go for it! – Susanna Lindmark.
$3.60
Does Anybody Really Know What Time It Is?
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Chicago
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Chris Magee
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Does Anybody Really Know What
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Dubba C Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363006 By Chicago. By Robert Lamm. Arranged by Chris Magee. Rock. 18 pages. Dubba C Music ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363006 By Chicago. By Robert Lamm. Arranged by Chris Magee. Rock. 18 pages. Dubba C Music #947391. Published by Dubba C Music (A0.1363006). Does Anybody Really Know What Time It Is? was recorded by Chicago in 1969, and it appeared on their first album, Chicago Transit Authority. This arrangement for brass quintet is the second movement of the Chicago Suite, and it can be performed as a stand-alone piece, or as part of the three movement suite. It includes the famous instrumental introduction, leading to the famous Lee Loughnane trumpet solo, and your audience will love it! Also included is an optional drum set part. Be sure to look for the other two movements: 25 or 6 to 4 and Make Me Smile..
$24.99
Christ Has No Body But Yours
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Chorale SATB
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Karen Black
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Christ Has No Body But Yours
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Augsburg Fortress - Digital
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SheetMusicPlus
SATB chorus divisi, a cappella - late Intermediate - SKU: XA.9798889832454 Composed by Karen Black. General. St. Olaf Choral Series. Christian. Octavo. ...
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SATB chorus divisi, a cappella - late Intermediate - SKU: XA.9798889832454 Composed by Karen Black. General. St. Olaf Choral Series. Christian. Octavo. 8 pages. Augsburg Fortress - Digital #9798889832454. Published by Augsburg Fortress - Digital (XA.9798889832454). ISBN 9798889832454. 7 x 10.25 inches.Karen Black writes an expressive new anthem with rich harmonic movement in the Lutheran choral tradition for a cappella SATB divisi choir. The text calls the people of God to be Christ in the world, spreading compassion and caring for humanity. Perfect for worship focused on vocation, service, and justice.
$2.50
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Piano, Voix
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INTERMÉDIAIRE
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3
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Samuel Warren Hatch
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
Tree Dance
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Marimba
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AVANCÉ
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Marei Suyama
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Tree Dance
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good umbrella inc
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SheetMusicPlus
Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual p...
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Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 72 pages. Good umbrella inc #989346. Published by good umbrella inc (A0.1406581). It is said that when an earthquake occurs, trees grow well.Though there is no evidence, the vibration of the earthquake seems to stir and condition the soil.Even through unprecedented disasters when the earth is cracked and the city is burnt, and even when people suffer from helplessness and anger, the trees (including apricot and blackberry branches) grow unaffectedly.Inger Christensen, the author of the poetry collection 'Alphabet', through her perceptive and lyrical senses, expressed that human beings are not managers of nature.On a lonely night, all we hear is the sound of crawling roots underneath the earth and rhythmic breathing of branches and leaves.....Not a few people consider classical music as something you listen to quietly while frowning. Tapping your feet to the rhythm is simply not acceptable. But I’ve always thought that classical music could be danceable - something that DJs can play at a club and you can move your body to.≪Tree dance≫, as the title suggests, is a musical piece featuring marimba and piano expressing the way trees dance in the wind. The music is almost like the classical version of craftwork, combining four-on-the-floor beats of techno music with the sharp sounds of modern music and organic poetry.I hope that the colorful musical notes on the score will be given life to and grow in this concert hall, creating a feast of dancing trees. I would be overwhelmed with joy to see the audience move their bodies or tap their feet to the rhythm of music. Marei Suyama
$38.00
Move Your Body by Sia - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Sia
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Move Your Body
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Musicnotes
Performed by: Sia: Move Your Body Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: P...
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Performed by: Sia: Move Your Body Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 5 pages -- Pop~~Synth-pop~~Electronica
$5.50
EMDR Therapy - Earthscape by Paul Kenny
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Paul Kenny
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EMDR Therapy - Earthscape by P
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Paul Kenny
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SheetMusicPlus
SKU: A0.1411243 By Paul Kenny. By Paul Kenny. Multicultural,New Age,World. Full Performance. Duration 4648. Paul Kenny #993578. Published by Paul Kenny ...
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SKU: A0.1411243 By Paul Kenny. By Paul Kenny. Multicultural,New Age,World. Full Performance. Duration 4648. Paul Kenny #993578. Published by Paul Kenny (A0.1411243). EMDR Therapy by Paul KennyWhat is EMDR Therapy?Eye Movement Desensitization and Reprocessing (EMDR) is a psychotherapy treatment that is designed to alleviate the distress associated with traumatic memories.EMDR (Eye Movement Desensitization and Reprocessing) is a psychotherapy that enables people to heal from the symptoms and emotional distress that are the result of disturbing life experiences. Repeated studies show that by using EMDR therapy people can experience the benefits of psychotherapy that once took years to make a difference. It is widely assumed that severe emotional pain requires a long time to heal. EMDR therapy shows that the mind can in fact heal from psychological trauma much as the body recovers from physical trauma. When you cut your hand, your body works to close the wound. If a foreign object or repeated injury irritates the wound, it festers and causes pain. Once the block is removed, healing resumes.EMDR therapy demonstrates that a similar sequence of events occurs with mental processes. The brain’s information processing system naturally moves toward mental health. If the system is blocked or imbalanced by the impact of a disturbing event, the emotional wound festers and can cause intense suffering. Once the block is removed, healing resumes.Using the detailed protocols and procedures learned in EMDR therapy training sessions, clinicians help clients activate their natural healing processes.For more details please visit - www.PaulKenny.com.
$4.25
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Into the Depths - Instrumental Parts
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Orchestre
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INTERMÉDIAIRE
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Christian Jesse
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Into the Depths - Instrumental
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #66689...
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Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #6668913. Published by Christian James Jesse (A0.940132). Instrumental Parts for Into the Depths-Scoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings-You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-Moore
$20.00
Into the Depths - Conductor's Score - Score Only
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Orchestre
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INTERMÉDIAIRE
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Christian James Jesse
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Into the Depths - Conductor's
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.940130 Composed by Christian James Jesse. Contemporary,Video Game. Score and parts. 24 pages. Christian James Jesse #...
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Full Orchestra - Level 3 - SKU: A0.940130 Composed by Christian James Jesse. Contemporary,Video Game. Score and parts. 24 pages. Christian James Jesse #6668901. Published by Christian James Jesse (A0.940130). You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-MooreScoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings
$20.00
Drifting Afloat
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Vera Woerdeman
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Drifting Afloat
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Vera Woerdeman
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1031879 Composed by Vera Woerdeman. Contemporary. Octavo. 6 pages. Vera Woerdeman #3638877. Published by Vera Wo...
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Choral Choir (SATB) - Level 3 - SKU: A0.1031879 Composed by Vera Woerdeman. Contemporary. Octavo. 6 pages. Vera Woerdeman #3638877. Published by Vera Woerdeman (A0.1031879). Composed by Vera Woerdeman. 6 pages.Drifting Afloat is about the free feelings of lucid dreaming and the thrilling experience of sleep paralysis. Lucid dreaming, in one may roam the kingdom of dreams freely, is a pleasant feeling for most. But if done incorrectly, one can fall into sleep paralysis. In this state, your body is unable to move, yet your mind wakes up. You start to see different shadows moving and may feel a heavy pressure on your chest, as if some ghost or demon is sitting right on your chest.
$20.00
Nacho Burrito
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Ensemble Jazz
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AVANCÉ
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Justin Laukat
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Nacho Burrito
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Justin W Laukat
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.972816 Composed by Justin Laukat. Jazz,Latin,World. Score and parts. 76 pages. Justin W Laukat #3405469....
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.972816 Composed by Justin Laukat. Jazz,Latin,World. Score and parts. 76 pages. Justin W Laukat #3405469. Published by Justin W Laukat (A0.972816). Get ready to dance the night away and feel this high energy rhythm move through your body! This latin chart is the perfect highlight to any jazz concert and will surely get the crowd roaring! Includes score, parts for 5 saxes, 4 tpts., 4 tbns. and rhythm section. Approx. 4 min. in length, 76 pages.
$40.00
25 Or 6 To 4
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Chicago
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Chris Magee
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25 Or 6 To 4
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Dubba C Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363005 By Chicago. By Robert Lamm. Arranged by Chris Magee. Rock. 17 pages. Dubba C Music ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363005 By Chicago. By Robert Lamm. Arranged by Chris Magee. Rock. 17 pages. Dubba C Music #947389. Published by Dubba C Music (A0.1363005). Recorded in 1970, 25 or 6 to 4 is one of Chicago's first big hits, and this arrangement is the first movement of the Chigago Suite for brass quintet. 25 or 6 to 4 is an exciting arrangement that will have your audience asking for more! This arrangement can be performed as a stand-alone piece, or as a part of the three-movement suite, and it includes an optional part for drum set. Be sure to look for the other two movements: Does Anybody Really Know What Time It Is? and Make Me Smile..
$24.99
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
Snake by R. Kelly - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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R. Kelly
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Snake
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Musicnotes
Performed by: R. Kelly: Snake - I wanna see you move your body like a snake Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloa...
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Performed by: R. Kelly: Snake - I wanna see you move your body like a snake Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- New Jack Swing~~Pop-Rap
$5.79
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performan...
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Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$11.00
Happy Birthday to You (First Year Piano)
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Piano Facile
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DÉBUTANT
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Mildred J Hill, Patty S Hill
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Scott Camp
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Happy Birthday to You
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Scott Camp
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.553096 Composed by Mildred J Hill, Patty S Hill. Arranged by Scott Camp. Children,Holiday. Score. 3 pages. Scott Camp #36...
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Easy Piano - Level 1 - SKU: A0.553096 Composed by Mildred J Hill, Patty S Hill. Arranged by Scott Camp. Children,Holiday. Score. 3 pages. Scott Camp #3676003. Published by Scott Camp (A0.553096). Happy Birthday to You! Arranged for First Year PianoIncludes Bonus Song, Your Choice - Free! This is the famous Happy Birthday Song that everybody knows, and has only recently moved into the public domain from previous copyright protection. (I always wondered why wait staff in chain restaurants used to sing the words, but not the well-known melody--they just didn't want to pay the copyright royalty). This arrangement is in the most singable key (F) and includes all hand positions and finger numbers, perfect for first year piano students, who are not yet strong music readers. It's a C position song, with a move to F Position. The Left Hand has Root Position Triads on F, C, and Bb.And... On the third page (not visible in the preview), there's a surprise bonus to receive any single piece of piano music from my catalog--free!
$1.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
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Move Your Body