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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
5 To 9
Non classifié
671
Piano & claviers
Piano seul
333
Piano grosses notes
260
Orgue
156
Piano Facile
96
Piano, Voix
46
Piano, Voix et Guitare
41
1 Piano, 4 mains
19
Instruments en Do
8
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
5
Clavier
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Accordéon
1
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
53
Guitare
40
Piano, Guitare (duo)
17
Ukulele
4
4 Guitares (Quatuor)
3
Dulcimer
3
3 Guitares (trio)
3
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
2
Basse electrique
2
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
171
Chorale 3 parties
28
Chorale SSAA
21
Chorale TTBB
18
Chorale Unison
13
Chorale 2 parties
12
Voix seule
9
Voix Soprano, Piano
8
Voix haute
5
Pack Instrumental pour Chorale
4
Voix Tenor, Piano
3
Voix Alto, Piano
1
Voix duo
1
Chorale
1
+ 9 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
151
Clarinette et Piano
51
Flûte traversière et Piano
50
Saxophone Alto et Piano
50
Hautbois, Piano (duo)
49
Saxophone Tenor et Piano
39
2 Flûtes traversières (duo)
35
Quatuor de Saxophones: 4 saxophones
32
Quintette de Clarinettes: 5 clarinettes
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
2 Saxophones (duo)
26
Clarinette
21
Flûte, Hautbois, Clarinette, Basson
18
Quintette de Flûte : 5 flûtes
15
Hautbois (partie séparée)
14
Quatuor de Clarinettes: 4 clarinettes
14
Flûte traversière
14
2 Clarinettes (duo)
10
2 Hautbois (duo)
8
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
7
Hautbois
7
Ensemble de Clarinettes
7
3 Clarinettes (trio)
6
3 Saxophones (trio)
6
Trio de Flûtes: 3 flûtes
6
Ensemble de Flûtes
6
Saxophone Alto
6
Flûte, Clarinette (duo)
5
Clarinette Basse, Piano
4
Saxophone Tenor
4
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette et Alto
3
2 Flûte à bec (duo)
3
Quatuor de Flûtes à bec
3
Hautbois, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle
2
Flûte, Saxophone (duo)
2
5 Flûtes à bec
2
Cor anglais, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Flûte, Alto (duo)
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Hautbois, Violoncelle
1
Ensemble de saxophones
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Flûte
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trompette (duo)
1
2 Flûtes traversières, Piano
1
Hautbois, Basson (duo)
1
Ocarina
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Saxophone et Orgue
1
+ 55 instrumentations
Retracter
Cuivres
Trombone et Piano
51
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trompette, Piano
27
Trompette
16
Cor et Piano
16
Tuba et Piano
13
Ensemble de Trompettes
10
2 Trombones (duo)
8
2 Trompettes (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Euphonium, Piano (duo)
6
Trombone
5
Tuba
5
Ensemble de Trombones
5
Cor
4
2 Euphoniums (duo)
4
Trombone basse
4
2 Cors (duo)
4
2 Euphoniums et 2 Tubas
3
2 Tubas (duo)
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
Cor et Harpe
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
3 Trombones (trio)
2
4 Tubas
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Cors Anglais Et Pianoforte
1
Trompette (partie séparée)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
100
Violon et Piano
60
Violoncelle, Piano
46
Alto, Piano
42
Violon
19
2 Violons (duo)
18
Trio à Cordes: violon, alto, violoncelle
18
2 Violoncelles (duo)
17
Violoncelle
17
Harpe
17
Violon, Violoncelle (duo)
12
2 Altos (duo)
8
Alto seul
7
Violon, Alto (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
3
4 Violoncelles
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
Violon, Basse continue
2
Alto et Harpe
1
2 Contrebasses (duo)
1
Ensemble de Violons
1
Contrebasse (partie séparée)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Ensemble d'Altos
1
Contrebasse, Piano (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Cloches
80
Orchestre à Cordes
48
Orchestre
42
Orchestre d'harmonie
41
Ensemble de cuivres
21
Orchestre de chambre
16
Ensemble Jazz
15
Ensemble de Percussions
9
Marimba
9
Batterie
6
Jazz combo
4
Fanfare
4
+ 7 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
5 To 9
Partitions à imprimer
3 882 partitions trouvées
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3876
5 To 9
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Dolly Parton
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Jack Ross
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5 To 9
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Jack Ross
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SheetMusicPlus
Bass Guitar,Clarinet,Drums,Electric Guitar,Medium Voice,Violin - Level 3 - SKU: A0.1306437 By Dolly Parton. By Dolly Parton. Arranged by Jack Ross. Coun...
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Bass Guitar,Clarinet,Drums,Electric Guitar,Medium Voice,Violin - Level 3 - SKU: A0.1306437 By Dolly Parton. By Dolly Parton. Arranged by Jack Ross. Country,Pop. 36 pages. Jack Ross #895800. Published by Jack Ross (A0.1306437). This arrangement of '9 to 5' by Dolly Parton is for a small band setup, including Clarinet in Bb, Violin, Electric Guitar, Drums, and Bass Guitar.3mins 30secs approximately.
$12.99
5 To 9
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Dolly Parton
#
Zuzu Davis
#
5 To 9
#
Zuzu Davis
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1082359 By Dolly Parton. By Dolly Parton. Arranged by Zuzu Davis. Conte...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1082359 By Dolly Parton. By Dolly Parton. Arranged by Zuzu Davis. Contemporary,Country,Film/TV,Folk,Pop. Score and parts. 4 pages. Zuzu Davis #686510. Published by Zuzu Davis (A0.1082359). 9 to 5 by Dolly Parton. String Quartet- Violin 1, Violin 2, Cello, and Bass. Violin 2 part can be transcribed for viola as well. Violin 1 plays the melody with harmony from Violin 2. Cello and Bass lay down the foundation and bass line in the intro and throughout.
$12.99
5 To 9
#
Chorale 3 parties
#
FACILE
#
Dolly Parton
#
Guy Bunce
#
5 To 9
#
Enigma Music
#
SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1412652 By Dolly Parton. By Dolly Parton. Arranged by Guy Bunce. Broadway,Country,Musical/Show,Pop. 9...
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Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1412652 By Dolly Parton. By Dolly Parton. Arranged by Guy Bunce. Broadway,Country,Musical/Show,Pop. 9 pages. Enigma Music #976428. Published by Enigma Music (A0.1412652). This fun and upbeat arrangement of the Dolly Parton classic captures all the joy and drive of the original and the award-winning musical of the same name. Ideal for any SAB choir up for a moderate level challenge. This is sure to be a show stopper!
$1.99
Cherubini : Les gammes Tomplay, Vol. 5 – N° 9 Do dièse mineur
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Violon
#
FACILE
#
Methode : Gammes & Accords
#
Methodes
#
Cherubini
#
Les gammes Tomplay, Vol. 5 –
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Tomplay
Telechargez la partition Violon Les gammes Tomplay, Vol. 5 – N° 9 Do dièse mineur de Cherubini. Partition pour Duo (2 violons) -- Classique...
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Telechargez la partition Violon Les gammes Tomplay, Vol. 5 – N° 9 Do dièse mineur de Cherubini. Partition pour Duo (2 violons) -- Classique
0.99€
Cherubini : Les Gammes Tomplay, Vol. 5 - N° 9 Do dièse mineur
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Hautbois
#
INTERMÉDIAIRE
#
Methodes Etudes
#
Methodes
#
Cherubini
#
Les Gammes Tomplay, Vol. 5
#
Tomplay
Telechargez la partition Hautbois Les Gammes Tomplay, Vol. 5 - N° 9 Do dièse mineur de Cherubini. Partition pour Duo (2 hautbois) -- Classique,Exerci...
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Telechargez la partition Hautbois Les Gammes Tomplay, Vol. 5 - N° 9 Do dièse mineur de Cherubini. Partition pour Duo (2 hautbois) -- Classique,Exercices (ameliorez votr
1.99€
Cherubini : Les Gammes Tomplay, Vol. 5 - N° 9 Do dièse mineur
#
Hautbois
#
INTERMÉDIAIRE/AVANCÉ
#
Methodes Etudes
#
Methodes
#
Cherubini
#
Les Gammes Tomplay, Vol. 5
#
Tomplay
Telechargez la partition Hautbois Les Gammes Tomplay, Vol. 5 - N° 9 Do dièse mineur de Cherubini. Partition pour Duo (2 hautbois) -- Classique,Exerci...
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Telechargez la partition Hautbois Les Gammes Tomplay, Vol. 5 - N° 9 Do dièse mineur de Cherubini. Partition pour Duo (2 hautbois) -- Classique,Exercices (ameliorez votr
1.99€
Cherubini : Les gammes Tomplay, Vol. 5 - N° 9 Ré bémol majeur
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Violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Methode : Gammes & Accords
#
Methodes
#
Cherubini
#
Les gammes Tomplay, Vol. 5
#
Tomplay
Telechargez la partition Violoncelle Les gammes Tomplay, Vol. 5 - N° 9 Re bemol majeur de Cherubini. Partition pour Duo (2 violoncelles) -- Classique...
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Telechargez la partition Violoncelle Les gammes Tomplay, Vol. 5 - N° 9 Re bemol majeur de Cherubini. Partition pour Duo (2 violoncelles) -- Classique
0.99€
Cherubini : Les gammes Tomplay, Vol. 5 – N° 9 Fa dièse mineur
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Alto seul
#
FACILE
#
Methode : Gammes & Accords
#
Methodes
#
Cherubini
#
Les gammes Tomplay, Vol. 5 –
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Tomplay
Telechargez la partition Alto Les gammes Tomplay, Vol. 5 – N° 9 Fa dièse mineur de Cherubini. Partition pour Duo (2 altos) -- Classique...
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Telechargez la partition Alto Les gammes Tomplay, Vol. 5 – N° 9 Fa dièse mineur de Cherubini. Partition pour Duo (2 altos) -- Classique
0.99€
7 to 9
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Ben Pritchard
#
Ben Pritchard
#
7 to 9
#
Benjamin Pritchard
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. B...
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Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
$49.99
5 To 9
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Dolly Parton
#
Chad Weirick
#
5 To 9
#
Chad Weirick
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1490712 By Dolly Parton. By Dolly Parton. Arranged by Chad Weirick. 20th Century,Broadway,Contempora...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1490712 By Dolly Parton. By Dolly Parton. Arranged by Chad Weirick. 20th Century,Broadway,Contemporary,Musical/Show,Pop. 22 pages. Chad Weirick #1067523. Published by Chad Weirick (A0.1490712).
$2.99
O Word of God Incarnate - Dedicated to 9/11
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Traditional
#
Gene Roberson
#
O Word of God Incarnate - Dedi
#
Gene Roberson
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.848596 Composed by Traditional. Arranged by Gene Roberson. Concert,Sacred. Score. 5 pages. Gene Roberson #3628429. Publis...
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Piano Solo - Level 4 - SKU: A0.848596 Composed by Traditional. Arranged by Gene Roberson. Concert,Sacred. Score. 5 pages. Gene Roberson #3628429. Published by Gene Roberson (A0.848596). Advanced Piano Solo of the familiar hymn O Word of God Incarnate. with passages of Mendelssohn's Scherzo mingled in the intro and connectors.Perfect for recital, preludes and offertories.This arrangement is dedicated to the memory of 9/11 as we remember that date on 9/11/2018We Will Never Forget.
$3.99
WE ARE DIFFERENT NOW (A TRIBUTE TO 9/11)
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Ensemble Jazz
#
MICHAEL L
#
TIMOTHY C
#
WE ARE DIFFERENT NOW
#
Creative Horizons Music Publishers
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.991690 Composed by MICHAEL L. RICCIARDI. Arranged by TIMOTHY C. DORAN. Holiday,Patriotic. Score and parts. 5 pages...
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Jazz Ensemble Jazz Ensemble - SKU: A0.991690 Composed by MICHAEL L. RICCIARDI. Arranged by TIMOTHY C. DORAN. Holiday,Patriotic. Score and parts. 5 pages. Creative Horizons Music Publishers (ASCAP) #3057923. Published by Creative Horizons Music Publishers (ASCAP) (A0.991690). WRITTEN AS A 9/11 TRIBUTE SONG, THIS SOARING BALLAD ANNOUNCES TO OUR ENEMIES IN THE WORLD THAT THEY AWOKEN THE SLEEPING GIANT WE WERE BEFORE THIS TERRIBLE INVASION OF OUR COUNTRY. RECORDED AND SUNG BY WESTBROOK AND SNYDER, JOSHUA KRANZ, GREG LASTRAPES AND JIMMY CHAPEL
$3.50
Psalm to the Savior
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Musique Sacrée
#
Pepper Choplin
#
Psalm to the Savior
#
Hope Publishing - Digital
#
SheetMusicPlus
(Guitar) - SKU: H1.C5560PDP Composed by Pepper Choplin. General Worship, Sacred. Guitar & strings/synthezied strings parts. 5 pages. Hope Publishing - D...
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(Guitar) - SKU: H1.C5560PDP Composed by Pepper Choplin. General Worship, Sacred. Guitar & strings/synthezied strings parts. 5 pages. Hope Publishing - Digital #C5560PDP. Published by Hope Publishing - Digital (H1.C5560PDP). Matthew 9:5 - Matthew 9:6 - Matthew 10:1 - Mark 2:9 - Mark 2:10 - Mark 2:11 - Luke 5:23 - Luke 5:24 - Philippians 4:13 - John 15:1 - John 15:2 - John 15:3 - John 15:4 - John 15:5 - John 15:6 - John 15:7 - John 15:8 - John 15:9 - John.Original composition The beauty of a stain-glass depiction of the Good Shepherd was the inspiration for this new Pepper Choplin original which unfolds with sincere adoration for Christ. The parts are easily learned with plenty of opportunities to shape the musical phrases framed by the graceful flow of the accompaniment. Prayerful in nature, this gorgeous, memorable melody beautifully expresses our praise and admiration for the Savior. The flute part is included in the anthem.
$22.95
Psalm to the Savior
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Chorale SATB
#
Musique Sacrée
#
Pepper Choplin
#
Psalm to the Savior
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral SATB choir & Piano with optional Flute - SKU: H1.C5560DP Composed by Pepper Choplin. General Worship, Sacred. Octavo. 12 pages. Hope Publishing -...
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Choral SATB choir & Piano with optional Flute - SKU: H1.C5560DP Composed by Pepper Choplin. General Worship, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5560DP. Published by Hope Publishing - Digital (H1.C5560DP). Matthew 9:5 - Matthew 9:6 - Matthew 10:1 - Mark 2:9 - Mark 2:10 - Mark 2:11 - Luke 5:23 - Luke 5:24 - Philippians 4:13 - John 15:1 - John 15:2 - John 15:3 - John 15:4 - John 15:5 - John 15:6 - John 15:7 - John 15:8 - John 15:9 - John.Original composition The beauty of a stain-glass depiction of the Good Shepherd was the inspiration for this new Pepper Choplin original which unfolds with sincere adoration for Christ. The parts are easily learned with plenty of opportunities to shape the musical phrases framed by the graceful flow of the accompaniment. Prayerful in nature, this gorgeous, memorable melody beautifully expresses our praise and admiration for the Savior. The flute part is included in the anthem.
$2.95
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk...
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
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