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Just Keep Breathing
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Vous avez sélectionné:
Just Keep Breathing
Partitions à imprimer
6 partitions trouvées
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Just Keep Breathing
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Piano, Voix et Guitare
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Rock
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We The Kings
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Rock
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Just Keep Breathing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By We The Kings. Pop; Rock. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music ...
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By We The Kings. Pop; Rock. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Just Keep Breathing by We The Kings - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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We The Kings
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Just Keep Breathing
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Musicnotes
Performed by: We The Kings: Just Keep Breathing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fi...
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Performed by: We The Kings: Just Keep Breathing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Alternative Pop/Rock~~Punk-Pop~~Emo
$5.50
We The Kings: Just Keep Breathing - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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We The Kings
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Virtualsheetmusic
Instantly printable sheet music by We The Kings for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by We The Kings for voice, piano or guitar of MEDIUM skill level. / pop,rock
$5.97
I Seek Your Face
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L
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I Seek Your Face
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Imagine Music - Digital
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SheetMusicPlus
TTBB chorus a cappella - Grade 3 - SKU: IZ.VMW143 Composed by L. Ray Strobel. Score. 7 pages. Imagine Music - Digital #VMW143. Published by Imagine Musi...
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TTBB chorus a cappella - Grade 3 - SKU: IZ.VMW143 Composed by L. Ray Strobel. Score. 7 pages. Imagine Music - Digital #VMW143. Published by Imagine Music - Digital (IZ.VMW143). 6.75 x 10.5 in inches.I Seek Your Face is an intimate struggle to understand and accept the divine. The harmonies created within the work reflect that struggle.Special attention to intonation is important in bringing out the effect of subtle harmonic shifts. Make the most of the phrasing, particularly by breathing together and cutting off together. Continually work to keep the energy flowing throughout the piece, although the piece should never feel rushed. The final chords, though not fully consonant, should feel resolved in their imperfection; just as we try to accept our imperfections in our continuing journey.
$2.05
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
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Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
The Other Side
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Benj Pasek and Justin Paul
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Robert Newth
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The Other Side
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Robert Newth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.845582 Composed by Benj Pasek and Justin Paul. Arranged by Robert Newth. Broadway,Film/TV,Musical...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.845582 Composed by Benj Pasek and Justin Paul. Arranged by Robert Newth. Broadway,Film/TV,Musical/Show,Pop. 19 pages. Robert Newth #3513415. Published by Robert Newth (A0.845582). This song from the fantastic film The Greatest Showman is the perfect piece for woodwind quintet. It features flourishes, keeps the audience toe-tapping, and works very well for the instruments. This arrangement is fairly complex and would suit an experienced quintet, perhaps as the closing piece of a concert. It features some foot stamping, loud breathing, and hitting of shot glasses... although all of this is of course optional!The PDF download includes a full score and parts for all five instruments: Flute, Oboe, Clarinet in Bb, Horn in F, and Bassoon.https://www.youtube.com/watch?v=BiFkaCmEhQA
$12.99
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Just Keep Breathing
