A beloved traditional Welsh folk song suitable for any occasion, this is arranged for an ensemble of 3 to 6 harps (lever or pedal). All fingerings and lever/pedal changes are clearly marked. Accessible to students and fun to play! Harp parts 1 and 2 are advanced-beginner or intermediate (requires reading a dotted 8th- sixteenth rhythm). Harp parts 3-4 may be combined and played by one person, or split into two even easier parts; their rhythms are simpler (quarter notes).

Parts 1, 2, 3 and 4 each have one or two lever changes; F and C levers are required. That is, they wouldn't be suitable for harps with NO levers.

Harps 5-6 are optional; they can also be combined and played by one person, or split into two very-beginner parts; only whole notes, can all be played with only the second finger, and no levers needed! Great for letting beginners enjoy playing in ensemble, learning to listen and count!

THIS product is the part that shows harps 5&6 together.

You can also buy a FULL SET (score & all parts), it is item S0.493025

Score only is item S0.493025

Harp 1 only is item S0.493013

Harp 2 only is item S0.493015

Harp 3&4 together is item S0.493017

ISBN 9781513459295. 8.75x11.75 inches.

According to musician and musicologist Gunther Schuller, 75% of all harmonic movement in jazz consists of ii-V-I progressions. Consequently, for the jazz improvisor, it is extremely important to be capable of playing a coherent phrase based on any member note of the ii chord and its extensions, in any key. In this book, music educator and world-renowned jazz saxophonist, Lukas Gabric focuses on helping you develop this essential skill. The five strategies outlined in Jazz Course for All Instruments are specifically designed to enhance your vocabulary and fluency as a jazz improviser. In a key segment, Gabric explains how longer phrases can be generated by combining minimal source materials. He also seeks to further your transposition and memorization skills as well as instrumental techniqueall of which are required for effective improvisation. For those familiar with other styles of music, this reasoned, incremental approach could well open the door to the exciting world of improvised jazz.

English.

A course of violin instruction combined with musical theory and practice in duet-playing