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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Way
Non classifié
5 492
Piano & claviers
Piano seul
1 847
Piano, Voix
1 811
Piano, Voix et Guitare
1 137
Piano Facile
754
Instruments en Do
488
Orgue
98
1 Piano, 4 mains
78
Piano grosses notes
52
Accompagnement Piano
49
Piano Trio: piano, violon, violoncelle
26
Piano (partie séparée)
24
Accordéon
20
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 6 mains
3
Orgue, Trompette (duo)
3
Clavier
3
2 Pianos, 8 mains
2
Clavecin
2
2 Orgues (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
454
Ligne De Mélodie, (Paroles) et Accords
349
Guitare
206
Ukulele
112
Paroles et Accords
65
Basse electrique
62
Guitare (partie séparée)
38
Ukulele Baryton
18
2 Guitares (duo)
15
Piano, Guitare (duo)
9
Dulcimer
8
Mandoline
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
Banjo
2
2 Dulcimers (duo)
2
Ensemble de guitares
2
2 Mandolines (duo)
2
Basse électrique (partie séparée)
1
Partitions De Groupes
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 014
Chorale 3 parties
372
Pack Instrumental pour Chorale
349
Chorale TTBB
254
Chorale 2 parties
233
Chorale SSAA
158
Chorale Unison
98
Voix Soprano, Piano
74
Voix duo, Piano
54
Voix Alto, Piano
44
Voix Baryton, Piano
42
Voix Tenor, Piano
38
Chorale
31
Voix seule
30
Voix haute
29
Voix duo
24
Voix basse, Piano
17
Chorale SSAB a cappella
7
Voix Tenor
6
Voix moyenne, Piano
3
Voix basse
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Chorale SSATTB
2
Voix Baryton
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
1 430
Saxophone Alto
1 095
Quatuor de Saxophones: 4 saxophones
1 058
Saxophone Tenor
1 024
2 Saxophones (duo)
771
Saxophone
743
Saxophone Alto et Piano
603
Saxophone Tenor et Piano
497
Quintette de Saxophone: 5 saxophones
316
Saxophone Soprano et Piano
237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
223
Flûte, Hautbois, Clarinette, Basson
220
Flûte traversière et Piano
201
3 Saxophones (trio)
192
Saxophone, Clarinette (duo)
191
Flûte traversière
185
Clarinette
170
Clarinette et Piano
170
2 Flûtes traversières (duo)
146
Hautbois, Piano (duo)
137
Saxophone Baryton, Piano
136
2 Clarinettes (duo)
129
Saxophone Soprano
128
Clarinette, Violon (duo)
120
Quatuor de Clarinettes: 4 clarinettes
97
Clarinette, Trompette (duo)
94
Ensemble de saxophones
84
Flûte, Clarinette (duo)
81
Hautbois, Basson (duo)
77
Ensemble de Clarinettes
61
Clarinette et Alto
60
Hautbois, Clarinette (duo)
60
Flûte, Violon
58
Hautbois, Flûte
58
Flûte, Saxophone (duo)
56
Hautbois (partie séparée)
55
Quatuor de Flûtes : 4 flûtes
54
Flûte, Trompette (duo)
46
Saxophone Baryton
45
Flûte, Alto (duo)
44
2 Hautbois (duo)
41
Flûte à bec Soprano
36
Ensemble de Flûtes
36
Flute (partie séparée)
29
Clarinette (partie séparée)
29
Hautbois
29
Cor anglais, Piano
28
2 Flûtes traversières, Piano
26
3 Clarinettes (trio)
22
Flûte et Guitare
20
2 Flûte à bec (duo)
20
Clarinette Basse, Piano
19
Quintette de Clarinettes: 5 clarinettes
17
Cor Anglais
17
2 Saxophones, Piano
15
Trio de Flûtes: 3 flûtes
14
Flûte à Bec
14
Instruments en Mib
14
Clarinette, Trombone (duo)
13
Clarinette, Guitare (duo)
12
Flûte, Trombone (duo)
11
Saxophone, Violon (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Saxophone et Piano
9
Clarinette, Violoncelle (duo)
9
Flûte, Clarinette et Basson
9
Quatuor de Flûtes à bec
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone et Guitare
8
Quintette de Flûte : 5 flûtes
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette, Basson (duo)
7
Ocarina
6
Flûte, Violon, Piano
6
Flûte, Hautbois (duo)
5
Hautbois, Violoncelle
5
Hautbois, trombone (duo)
5
Cor anglais, Guitare (duo)
4
Flûte, Violoncelle
4
5 Flûtes à bec
4
Hautbois, violon (duo)
4
Harmonica
4
Hautbois, Guitare (duo)
4
Flûte à bec Tenor
4
Clarinette Basse
3
Saxophone et Harpe
3
Flute, harpe et violon
3
Piccolo, Piano
2
Flûte à bec Alto
2
Flûte, Hautbois, Basson
2
Clarinette, Saxophone, Piano
2
Ensemble à vent
2
Ensemble De Flûte à bec
2
Flûte irlandaise
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
2 Clarinettes, Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte traversière, Basse continue
1
Hautbois, Harpe
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Saxophone, Tuba (duo)
1
Saxophone, Basson (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Flûtes à bec (trio)
1
Piccolo
1
+ 108 instrumentations
Retracter
Cuivres
Trombone
1 131
Trombone (partie séparée)
958
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
771
Trombone et Piano
513
Quatuor de Cuivres : 2 trompettes, trombone, tuba
281
2 Trombones (duo)
257
Quatuor de Cuivres
163
Quatuor de Cuivres: 2 trompettes, Cor, trombone
158
Trompette
153
Trompette, Saxophone (duo)
144
Trompette, Trombone (duo)
132
Trompette, Piano
129
Trompette (partie séparée)
127
Cor et Piano
86
Cor
76
Quatuor de cuivres: 4 trombones
68
2 Trompettes (duo)
60
3 Trombones (trio)
51
Tuba
48
Tuba et Piano
44
Euphonium, Piano (duo)
38
Cor (partie séparée)
31
Cor anglais, Piano
28
Tuba ou Euphonium ou Saxhorn
26
Tuba (partie séparée)
24
Trio de Cuivres
24
Ensemble de Trombones
20
Bass Clef Instruments
18
Cor Anglais
17
Instruments en Sib
16
Quatuor de cuivres: 4 cors
16
Euphonium
15
2 Cors (duo)
14
Trombone, violoncelle (duo)
13
Trompette, Basson (duo)
10
Ensemble de Cors
10
Trombone, Tuba (duo)
9
Trompette, Cor (duo)
8
2 Euphoniums et 2 Tubas
8
Ensemble de Trompettes
7
2 Tubas (duo)
7
Quatuor de cuivres: 4 trompettes
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trombone, Violon (duo)
5
Trompette, Trombone, Piano
5
Trombone basse
4
Cor anglais, Guitare (duo)
4
Trompette, Violoncelle (duo)
4
Trombone basse et Piano
4
Tuba et Orgue
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor, Violoncelle (duo)
3
2 Trombones, Piano
2
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
Cor, Trompette, Trombone (trio)
2
3 Cors (trio)
2
3 Tubas (trio)
2
Trombone, Orgue
2
2 Euphoniums (duo)
1
4 Tubas
1
2 Cors, Piano
1
Trombone, Alto (duo)
1
Cor et Basson (duo)
1
Ensemble de Tubas
1
Trompette, Harpe
1
3 Euphoniums
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
690
Violon
313
Violon et Piano
261
Violon, Violoncelle (duo)
240
Violoncelle, Piano
170
Violoncelle
165
Trio à Cordes: violon, alto, violoncelle
163
Alto, Piano
139
Quintette à cordes: 2 violons, alto, violoncelle, basse
114
Alto seul
114
Harpe
100
2 Violons (duo)
99
Violon, Alto (duo)
79
2 Altos (duo)
66
2 Violoncelles (duo)
64
Contrebasse, Piano (duo)
45
Contrebasse (partie séparée)
44
Violon (partie séparée)
42
Trio à Cordes: 2 violons, violoncelle
42
Contre Basse
33
Alto (partie séparée)
23
Alto, Violoncelle (duo)
13
Piano Trio: Violon, Alto, Piano
13
Violon, Guitare (duo)
11
Violoncelle (partie séparée)
10
4 Violoncelles
9
Trio à cordes: 3 violins
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violoncelle , Guitare (duo)
7
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, alto
5
2 Harpes (duo)
5
Harpe, Voix
4
Quatuor à cordes : 4 altos
4
Alto et Basson
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
3
Ensemble de Violoncelles
2
Violon, Basson (duo)
2
Ensemble de Violons
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Harpe, Violon (duo)
1
Harpe (partie séparée)
1
Harpe, Violon, Violoncelle
1
Ensemble d'Altos
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 283
Fanfare
614
Ensemble Jazz
529
Orchestre
445
Orchestre à Cordes
291
Ensemble de cuivres
214
Jazz combo
102
Orchestre de chambre
91
Cloches
78
Ensemble de Percussions
43
Batterie
39
Xylophone
32
Batterie (partie séparée)
28
Xylophone, Piano
17
Percussion (partie séparée)
14
Marimba
11
Vibraphone
8
2 Xylophones
6
Ensemble d'École
6
Percussion
5
Instrumentation Flexible
5
Timbales (partie séparée)
3
Quintette de Cuivres: autres combinaisons
3
Xylophone ou Marimba ou Vibraphone
2
Caisse Claire
1
Timbales
1
Xylophone (partie séparée)
1
Orchestre, Violon
1
Piano et Orchestre
1
+ 24 instrumentations
Retracter
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ACCORDEON
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BATTERIE
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CLARINETTE
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COR ANGLAIS
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
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9976
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Jos…
(+)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
#
Saxophone (partie séparée)
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Bass Trombones
2 Trombones (duo)
Trombone Duet Trombone - Digital Download SKU: A0.784313 Composed by Joshua Hauser.…
(+)
Trombone Duet Trombone - Digital Download SKU: A0.784313 Composed by Joshua Hauser. Instructional. Score. 41 pages. Slide Ride #3570011. Published by Slide Ride (A0.784313).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.22 €
#
2 Trombones (duo)
#
Joshua Hauser
#
Donut Etudes v5 - Scale Duets for 2 Bass Trombones
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
Saxophone Alto
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.784330 Composed by Joshua …
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Saxophone Alto
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Away in a Manger for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1124385 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Historic,Traditional. 8 pages. Jps Arrangements #725130. Published by Jps Arrangements (A0.1124385). Away in a Manger for Saxophone Quintet The quintet brought us a beautiful and sincere interpretation of Away in a Manger. We hope you enjoy this beautiful Christmas arrangement as much as we enjoyed arranging it. 🎼 parts I Soprano Saxophone II Alto Saxophone III Tenor Saxophone IV Tenor Saxophone V Baritone Saxophone An easy arrangement where the main solos are on the soprano saxophone. Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. #saxophonequintet #awayinamanger #christmascarol #easyarrangement #sheetmusic #saxophonebaritone #sopranosaxophone #altosaxophone #tenorsaxophone.
$12.99
11.98 €
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Quintette de Saxophone: 5 saxophones
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William J
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JPS Edições Musicais
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Away in a Manger for Saxophone Quintet
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Jps Arrangements
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SheetMusicPlus
Away in a Manger for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1124388 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Historic,Traditional. 8 pages. Jps Arrangements #725134. Published by Jps Arrangements (A0.1124388). Away in a Manger for Saxophone Quintet The quintet brought us a beautiful and sincere interpretation of Away in a Manger. We hope you enjoy this beautiful Christmas arrangement as much as we enjoyed arranging it. This arrangement is with the figures. 🎼 parts I Soprano Saxophone II Alto Saxophone III Tenor Saxophone IV Tenor Saxophone V Baritone Saxophone An easy arrangement where the main solos are on the soprano saxophone. Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. #saxophonequintet #awayinamanger #christmascarol #easyarrangement #sheetmusic #saxophonebaritone #sopranosaxophone #altosaxophone #tenorsaxophone.
$12.99
11.98 €
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Quintette de Saxophone: 5 saxophones
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William J
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JPS Edições Musicais
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Away in a Manger for Saxophone Quintet
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Jps Arrangements
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SheetMusicPlus
Away in a Manger for Saxophone Quintet and Piano
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1124399 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Historic,Traditional. 8 pages. Jps Arrangements #725145. Published by Jps Arrangements (A0.1124399). Away in a Manger for Saxophone Quintet and Piano The quintet brought us a beautiful and sincere interpretation of Away in a Manger. We hope you enjoy this beautiful Christmas arrangement as much as we enjoyed arranging it. The arrangement is accompanied by the piano with the ciphers. 🎼 parts I Soprano Saxophone II Alto Saxophone III Tenor Saxophone IV Tenor Saxophone V Baritone Saxophone An easy arrangement where the main solos are on the soprano saxophone. Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. #saxophonequintet #awayinamanger #christmascarol #easyarrangement #sheetmusic #saxophonebaritone #sopranosaxophone #altosaxophone #tenorsaxophone #piano.
$15.99
14.74 €
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Quintette de Saxophone: 5 saxophones
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William J
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JPS Edições Musicais
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Away in a Manger for Saxophone Quintet and Piano
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Jps Arrangements
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SheetMusicPlus
Away in a Manger for Saxophone Quintet and Piano
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1124394 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Historic,Traditional. 8 pages. Jps Arrangements #725139. Published by Jps Arrangements (A0.1124394). Away in a Manger for Saxophone Quintet and Piano The quintet brought us a beautiful and sincere interpretation of Away in a Manger. We hope you enjoy this beautiful Christmas arrangement as much as we enjoyed arranging it. 🎼 parts I Soprano Saxophone II Alto Saxophone III Tenor Saxophone IV Tenor Saxophone V Baritone Saxophone An easy arrangement where the main solos are on the soprano saxophone. Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. #saxophonequintet #awayinamanger #christmascarol #easyarrangement #sheetmusic #saxophonebaritone #sopranosaxophone #altosaxophone #tenorsaxophone #piano.
$15.99
14.74 €
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Quintette de Saxophone: 5 saxophones
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William J
#
JPS Edições Musicais
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Away in a Manger for Saxophone Quintet and Piano
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Jps Arrangements
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
Latchn Duets for Tenor and Bass Trombone
2 Trombones (duo)
Trombone Duet Trombone - Level 5 - Digital Download SKU: A0.984460 Composed by Brad…
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Trombone Duet Trombone - Level 5 - Digital Download SKU: A0.984460 Composed by Brad Edwards. Contemporary. Score. 41 pages. HornBone Press (Brad Edwards) #3921087. Published by HornBone Press (Brad Edwards) (A0.984460). Three Concert Duets for Tenor and Bass TrombonesI. Everlasting ArmsII. He's Gone AwayIII. Sweet Betsy from Pike
$15.00
13.83 €
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2 Trombones (duo)
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Brad Edwards
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Latchn Duets for Tenor and Bass Trombone
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HornBone Press
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.52 €
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Quatuor de Saxophones: 4 saxophones
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet
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Slide Ride
#
SheetMusicPlus
One Way Ticket (to The Blues)
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.635691 Composed by Hank Hunter and Jack Keller. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 7 pages. F & N Enterprise #5740957. Published by F & N Enterprise (A0.635691). An excellent arrangement of the famous Song One Way Ticket (to The Blues), performed by Eruption for Alto Sax and Piano-Jazz/Pop Version.
$4.99
4.6 €
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Saxophone Alto et Piano
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Hank Hunter and Jack Keller
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Fishel Pustilnik
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One Way Ticket
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F & N Enterprise
#
SheetMusicPlus
The Progressive Warm Up-Trombone Edition
Trombone
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exe…
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Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.63 €
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Trombone
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The Progressive Warm Up-Trombone Edition
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.21 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Trumpet Tune and Air, by Purcell; Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.587673 Composed by Henr…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.587673 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score. 3 pages. David McKeown #4729545. Published by David McKeown (A0.587673). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for two Trombones and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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2 Trombones (duo)
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purcell; Trombone Duet
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David McKeown
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SheetMusicPlus
One Way Ticket (to The Blues)
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.635685 Composed by Hank Hunter and Jack Keller. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 7 pages. F & N Enterprise #5740031. Published by F & N Enterprise (A0.635685). An excellent arrangement of the famous Song One Way Ticket (to The Blues), performed by Eruption for Tenor Sax and Piano-Jazz/Pop Version.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Hank Hunter and Jack Keller
#
Fishel Pustilnik
#
One Way Ticket
#
F & N Enterprise
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trompette, Trombone (duo)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Trompette, Trombone (duo)
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
#
jmsgu3
#
SheetMusicPlus
One-way Ticket
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.939572 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.939572 Composed by Clara Marincowitz. Blues,Contemporary,Jazz. Score and parts. 17 pages. Clara Marincowitz #2957181. Published by Clara Marincowitz (A0.939572). A fun quintet for two trumpets, alto horn, trombone and bass trombone. Alternate version for trumpet, french horn, trombone and tuba also available. .
$11.00
10.14 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Clara Marincowitz
#
One-way Ticket
#
Clara Marincowitz
#
SheetMusicPlus
One-way Ticket
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.939574
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.939574 Composed by Clara Marincowitz. Blues,Contemporary,Jazz. Score and parts. 17 pages. Clara Marincowitz #2994133. Published by Clara Marincowitz (A0.939574). A fun quintet for two trumpets, french horn, trombone and tuba. Alternate version for trumpet, alto horn, trombone and bass trombone also available.
$11.00
10.14 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Clara Marincowitz
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One-way Ticket
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Clara Marincowitz
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SheetMusicPlus
Hill Country Miniatures for 8-part Trombone Ensemble
Ensemble de Trombones
Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Centu…
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Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Century, Jazz, Blues, Swing. Score, Set of Parts. 143 pages. Published by Cherry Classics Music
Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.<br> <br> This music is about 15 minutes in length and is for advanced performers.<br> <br> The four movements of the work are:<br> <br> Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.<br> <br> Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.<br> <br> The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.<br> <br> Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.<br> <br> Cherry Classics is proud to be the new distributor of this great work.Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.<br> <br> This music is about 15 minutes in length and is for advanced performers.<br> <br> The four movements of the work are:<br> <br> Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.<br> <br> Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.<br> <br> The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.<br> <br> Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.<br> <br> Cherry Classics is proud to be the new distributor of this great work.
$50.00
46.1 €
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Ensemble de Trombones
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Lawn, Richard
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Hill Country Miniatures for 8-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
25 Christmas Duets for Trombone or Euphonium - VOL.2
2 Trombones (duo)
Composed by Alfonso Maria de Liguori, John Henry Hopkins Jr., Christmas Carols, Mykola…
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Composed by Alfonso Maria de Liguori, John Henry Hopkins Jr., Christmas Carols, Mykola Leontovych, Kocher Conrad, William J. Kirkpatrick,Gustav Holst, James Pierpont, H. Lewis Redner, Adolphe Charles Adam, Xaver Franz Gruber. Arranged by Francesco Leone. 30 pages. Published by Glissato Music Publishing
25 selected Christmas Duets for Trombone or Euphonium bass clef - VOL.2. Easy for beginner - intermediate, comfortable range and keys. Contents titles: A la nanita nana - Angels from the Realms of Glory - As with Gladness Men of Old - Away in a Manger - Carol of the bells -Christmas Tree - Deck the Halls - First Noel, The -Gloucestershire Wassail, The - God Rest Ye Merry,Gentlemen - Hark! The Herald Angels Sing -Huron Carol, The - In dulci Jubilo - In the Bleak Midwinter -Jingle Bells -Little Town of Bethlehem -O Holy Night -Oh, come, little children -Over the river and through the woods - Quanno Nascette Ninno -Rise Up Shepherd And Follow -Silent Night -Twelve Days of Christmas, The -We Three Kings of Orient Are - What Child Is This?.25 selected Christmas Duets for Trombone or Euphonium bass clef - VOL.2. Easy for beginner - intermediate, comfortable range and keys. Contents titles: A la nanita nana - Angels from the Realms of Glory - As with Gladness Men of Old - Away in a Manger - Carol of the bells -Christmas Tree - Deck the Halls - First Noel, The -Gloucestershire Wassail, The - God Rest Ye Merry,Gentlemen - Hark! The Herald Angels Sing -Huron Carol, The - In dulci Jubilo - In the Bleak Midwinter -Jingle Bells -Little Town of Bethlehem -O Holy Night -Oh, come, little children -Over the river and through the woods - Quanno Nascette Ninno -Rise Up Shepherd And Follow -Silent Night -Twelve Days of Christmas, The -We Three Kings of Orient Are - What Child Is This?.
$12.99
11.98 €
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2 Trombones (duo)
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Alfonso Maria de Liguori, John Henry Hopkins Jr
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Francesco Leone
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25 Christmas Duets for Trombone or Euphonium - VOL.2
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Glissato Music Publishing
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SheetMusicPlus
One Way Ticket (to The Blues)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.642680 Composed by Hank H…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.642680 Composed by Hank Hunter and Jack Keller. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 6 pages. Kaiserin Rebecca #6633499. Published by Kaiserin Rebecca (A0.642680). For alto saxophone solo and piano accompaniment with chords.
$6.99
6.44 €
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Saxophone Alto et Piano
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Hank Hunter and Jack Keller
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Kaiserin Rebecca
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One Way Ticket
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Kaiserin Rebecca
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SheetMusicPlus
One Way Ticket (to The Blues)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.642728 Composed by Hank …
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.642728 Composed by Hank Hunter and Jack Keller. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 6 pages. Kaiserin Rebecca #6667745. Published by Kaiserin Rebecca (A0.642728). For tenor saxophone solo and piano accompaniment with chords.
$6.99
6.44 €
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Saxophone Tenor et Piano
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Hank Hunter and Jack Keller
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Kaiserin Rebecca
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One Way Ticket
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Kaiserin Rebecca
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
23.05 €
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
Away in a Manger for Saxophone Quartet and Piano
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1124376 Composed by William J. Kirkpatrick. Arranged by JPS Edições Musicais. Christmas,Classical,Historic,Traditional. 7 pages. Jps Arrangements #725120. Published by Jps Arrangements (A0.1124376). Away in a Manger for Saxophone Quartet and Piano The quartet brought us a beautiful and sincere interpretation of Away in a Manger. We hope you enjoy this beautiful Christmas arrangement as much as we enjoyed arranging it. We also have piano accompaniment in the music with without the figures. 🎼 parts I Soprano Saxophone II Alto Saxophone III Tenor Saxophone IV Baritone Saxophone An easy arrangement where the main solos are on the soprano saxophone. Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. #saxophonequartet #awayinamanger #christmascarol #easyarrangement #sheetmusic #saxophonebaritone #sopranosaxophone #altosaxophone #tenorsaxophone #piano.
$12.99
11.98 €
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Quatuor de Saxophones: 4 saxophones
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William J
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JPS Edições Musicais
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Away in a Manger for Saxophone Quartet and Piano
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Jps Arrangements
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SheetMusicPlus
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