English - French - German.

Argentinian Folk Tunes for Flute presents a collection of beautiful pieces arranged for solo flute with chords for accompanying instruments, drawn from the rich tradition of Argentinian music. Highly regarded performer author and teacher Ros Stephen provides notes on all of the pieces, explaining their background and history. French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.

Enjoy this tango on brass!

Item Number: H0.1019155-SC000027723

Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.

This arrangement for Cello with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.

?El Choclo? (Tango Criolo) is a very popular Argentinian tango written by Angel Villoldo and arranged here Clarinet Quartet. This is an advanced intermediate to easy advanced arrangement, gives every member a chance to shine and a lot of fun to play. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Playing time: 3:00

ISBN 9781609743918. The tangos of Brazilian pianist/composer Ernesto Julio de Nazareth combine elements of European dances such as the polka and Latin-American forms including the maxixe. There are unmistakable syncopations of Scott Joplin's ragtime and, of cource, the cosmopolitan choros of his native Rio. These diverse sources of Nazareth melded into a style that is both uniquely personal and quintessentially of his time and place. Written in standard notation and tablature.