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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'m All Over It
Non classifié
243
Piano & claviers
Piano seul
89
Piano, Voix et Guitare
46
Piano, Voix
18
Orgue
7
Instruments en Do
4
Piano Facile
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
12
Guitare
6
Basse electrique
3
Guitare notes et tablatures
3
Ukulele
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
27
Chorale 2 parties
6
Chorale TTBB
4
Chorale 3 parties
4
Voix duo, Piano
2
Chorale Unison
1
Voix Soprano, Piano
1
Chorale SSAA
1
+ 3 instrumentations
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Vents
Ensemble de saxophones
53
Quintette de Saxophone: 5 saxophones
23
Flûte traversière et Piano
10
Clarinette et Piano
10
Ensemble de Clarinettes
9
2 Saxophones (duo)
8
Saxophone Alto et Piano
7
Saxophone Tenor et Piano
7
Hautbois, Piano (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Soprano et Piano
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Quatuor de Saxophones: 4 saxophones
4
Clarinette
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Alto
3
Saxophone, Clarinette (duo)
3
Clarinette Basse, Piano
3
Flûte traversière
3
3 Saxophones (trio)
2
Clarinette, Violon (duo)
2
2 Flûtes traversières (duo)
2
Quintette de Flûte : 5 flûtes
2
2 Clarinettes (duo)
2
Saxophone Tenor
2
Saxophone (partie séparée)
2
Hautbois (partie séparée)
1
Hautbois, Flûte
1
2 Hautbois (duo)
1
Flûte et Guitare
1
Hautbois, Basson (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Saxophone (duo)
1
Trio de Flûtes: 3 flûtes
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Flûte, Violon
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Quatuor de Cuivres
10
Ensemble de Trombones
8
Trombone et Piano
6
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
Trompette
5
Cor anglais, Piano
5
Trompette, Piano
4
Ensemble de Cors
3
Tuba
3
Cor et Piano
3
2 Trombones (duo)
2
Tuba et Piano
2
Trombone
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
1
2 Cors (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle
12
Trio à Cordes: 2 violons, violoncelle
12
Harpe
8
Violoncelle, Piano
6
Alto, Piano
6
Violon
5
Violon et Piano
5
Violon, Alto (duo)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violoncelles (duo)
2
2 Violons (duo)
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
38
Orchestre
8
Orchestre à Cordes
7
Ensemble Jazz
5
Jazz combo
2
Ensemble de cuivres
1
Orchestre de chambre
1
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
Cloches
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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METHODE : TECHNIQUES
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Partitions à imprimer
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1051
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
I'm Looking Over A Four Leaf Clover
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2 Clarinettes (duo)
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FACILE
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Harry M
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Claire Summerbell
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I'm Looking Over A Four Leaf C
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Claire Summerbell
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.1211279 Composed by Harry M. Woods. Arranged by Claire Summerbell. 20th Century,Jazz,Standards. 2 scores. 2 p...
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Clarinet Duet Clarinet - Level 2 - SKU: A0.1211279 Composed by Harry M. Woods. Arranged by Claire Summerbell. 20th Century,Jazz,Standards. 2 scores. 2 pages. Claire Summerbell #808946. Published by Claire Summerbell (A0.1211279). I'm Looking Over A Four Leaf Clover was written in 1927 by Harry Woods and became an instant success. It was revived in 1948 by singer Art Mooney whose recording topped the charts for three weeks. Fun fact: Bugs Bunny parodied the song in one of his cartoons, singing: 'I'm looking over a three-leaf clover / that I've over looked bethree.'Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Jesus Paid It All
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Steph Macleod
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Lyndell Leatherman
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some were not
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Jesus Paid It All
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1402448 By Steph Macleod. By Words: Elvina M. Hall / Music: John T. Grape. Arranged by Lyndell Leatherman. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1402448 By Steph Macleod. By Words: Elvina M. Hall / Music: John T. Grape. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #985667. Published by Leatherman Music Services (A0.1402448). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
(i'm Afraid) The Masquerade Is Over
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Allie Wrubel and Herb Magidson
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John Fries
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(i'm Afraid) The Masquerade Is
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1273299 Composed by Allie Wrubel and Herb Magidson. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. ...
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Piano Solo - Level 4 - SKU: A0.1273299 Composed by Allie Wrubel and Herb Magidson. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #865449. Published by John Fries (A0.1273299). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This great sultry ballad was written in 1939. It has been covered by many singers, with the most notable by Nancy Wilson.Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.
$5.99
(i'm Afraid) The Masquerade Is Over
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jazz
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Allie Wrubel and Herb Magidson
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John Fries
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(i'm Afraid) The Masquerade Is
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202022 Composed by Allie Wrubel and Herb Magidson. Arranged by John Fries. 20th Century,Jazz,Standards. Sc...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202022 Composed by Allie Wrubel and Herb Magidson. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #800640. Published by John Fries (A0.1202022). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This great sultry ballad was written in 1939. It has been covered by many singers, with the most notable by Nancy Wilson.
$4.99
We Shall Overcome
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Clarinette et Piano
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FACILE
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Zilphia Horton
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Spike Maiden Müller
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We Shall Overcome
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Spike Maiden Mueller
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.850760 Composed by Zilphia Horton. Arranged by Spike Maiden Müller. Folk,Instructional,Patriotic,Standards. Score ...
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Clarinet,Piano - Level 2 - SKU: A0.850760 Composed by Zilphia Horton. Arranged by Spike Maiden Müller. Folk,Instructional,Patriotic,Standards. Score and part. 6 pages. Spike Maiden Mueller #6328089. Published by Spike Maiden Mueller (A0.850760). A gospel song which became a protest song and the signal anthem of the civil rights movement, We Shall Overcome is commonly believed to be lyrically descended from I'll Overcome Some Day, a hymn by Charles Albert Tindley. The modern version was first contributed to the People's Songs Bulletin by Zilphia Horton, who said she had learned it from tobacco workers organizer Lucille Simmons in 1945. It became associated with the civil rights movement in 1959 when Guy Carawan and Pete Seeger began using their version at the Highlander Folk School in Tennessee. Within a year, it had spread across the south, becoming the unofficial anthem of the civil rights movement.This simple solemn version for two clarinets and piano is offered for contemporary use. The first clarinet part is well within reach of second or third year students while the second clarinet stays below the break at all times, making it accessible by good first year players.This arrangement is copyright 2021 by Spike Maiden Müller. All rights reserved. You may contact Spike at his web site at www.derspike.comAdditional search terms: Maiden-Mueller, Maiden Miller, Maiden-Müller, Maiden Müller, Maiden Muller
$11.95
When the Roll Is Called Up Yonder
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Gaither Homecoming
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Lyndell Leatherman
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some were not
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When the Roll Is Called Up Yon
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407305 By Gaither Homecoming. By Words & Music: James M. Black. Arranged by Lyndell Leatherman. Christian,...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407305 By Gaither Homecoming. By Words & Music: James M. Black. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #989982. Published by Leatherman Music Services (A0.1407305). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
Jesus Paid It All
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Chorale 3 parties
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FACILE
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Elvina M
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Richard K
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Jesus Paid It All
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Richard K. Austin
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1399666 Composed by Elvina M. Hall/John T' Grape. Arranged by Richard K. Austin. 19th Century,A Cappella,C...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1399666 Composed by Elvina M. Hall/John T' Grape. Arranged by Richard K. Austin. 19th Century,A Cappella,Christian,Sacred. 7 pages. Richard K. Austin #982941. Published by Richard K. Austin (A0.1399666). In order to expose my small church choir to the joys of a cappella singing, I wrote this SAB arrangement with parts that are very singable and easy to learn. The first verse is in octaves/unison to allow the performers to get a confident start before breaking into three parts in the refrain. Verse two features the baritones carrying the melody, accompanied by gentle harmony in the other two parts. The sopranos have the tune in the third verse, while the altos and baritones echo them with an underlying harmonized canon. The final verse has a simple soprano descant over the melody in the lower voices. After a strong build in the final refrain, the piece ends gently. This arrangement is a reachable challenge for a small a cappella choir.
$2.99
I Do
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Rotimi
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Sarah Cellobat Chaffee
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I Do
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1262781 By Rotimi. By Aaron Rogers, Louise Gold, Miguel Louis Jimenez, Mike Jay, Mike Jaye, Nathan Ma...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1262781 By Rotimi. By Aaron Rogers, Louise Gold, Miguel Louis Jimenez, Mike Jay, Mike Jaye, Nathan Marrow, Nigel Sparkes, Nigel Sparks, Olurotimi Akinosho, Omari Massenburg, Rashad Johnson, and Sheldon Marquis Rachad Grant. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #855787. Published by Sarah Cellobat Chaffee (A0.1262781). Born in New Jersey in a Nigerian family, Rotimi is truly a renaissance man. A varsity basketball player in high school, he went on to earn his bachelor's degree in Communications and Business at Northwestern University, and soon began a successful acting career -- and now he's made a major impact on the music world as well! His ethereally beautiful ballad I Do, released in 2021, has achieved massive success, with over 8.5 million views on Youtube; it seems like it will soon become a staple in the wedding music catalog. So you really can't go wrong adding this one to your gig books! This Cellobat arrangement for violin and cello duet captures the soaring melodies, beautiful harmonies, and romantic vibe of the original for a chart your audience is sure to love. Originally written for a wedding ceremony, this will also be perfect for receptions, cocktail hour, proposals, parties, and more! Rated advanced-intermediate mainly for some complex rhythms; this will still be sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
All Out Of Love
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2 Guitares (duo)
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INTERMÉDIAIRE
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Air Supply
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Derek Hasted
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All Out Of Love
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797750 By Air Supply. By Clive Davis and Graham Russell. Arranged by Derek Hasted. Contem...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797750 By Air Supply. By Clive Davis and Graham Russell. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 17 pages. Derek Hasted #4634731. Published by Derek Hasted (A0.797750). I'M ALL OUT OF LOVE (Air Supply) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This piece is in the same key as the original and fits classical or folk guitar beautifully. It's accessible to players with modest experience, and yet even advanced players will find it has much to give.As a bonus, there are two versions of the duet in this one edition! One is Melody + Accompaniment (ideal for a student/teacher duet) and the other gives both players a mix of tune and accompaniment, so it makes a great performance piece. Simply choose the one that you prefer!There is also a separate version for sale for guitar and flute (or oboe or recorder)I’m All Out Of Love was released in 1980.In the United States it reached number 2 in the Hot 100. In the UK, where I’m based, it reached number 11 and was the only Top 40 hit for Air Supply.The piece has recently reappeared in Air Supply’s 2018 Album, and it’s been covered by Johnny Logan, Westlife, John Barrowman, Cliff Richard and many others.At the time it was released, its final note was the longest-held note for a male pop singer, a record beaten not beaten until 1983.I hope you enjoy this piece!
$4.99
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
The Wizard And I
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Chorale 2 parties
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FACILE
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Stephen Schwartz
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Andrew M
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The Wizard And I
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Andrew M. Wallace
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SheetMusicPlus
Choral Choir,Choral,SA Chorus - Level 2 - SKU: A0.1509381 Composed by Stephen Schwartz. Arranged by Andrew M. Wallace. 21st Century,Broadway,Contemporar...
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Choral Choir,Choral,SA Chorus - Level 2 - SKU: A0.1509381 Composed by Stephen Schwartz. Arranged by Andrew M. Wallace. 21st Century,Broadway,Contemporary,Contest,Festival,Film/TV,Musical/Show. 11 pages. Andrew M. Wallace #1084613. Published by Andrew M. Wallace (A0.1509381). Discover this enchanting 2-part arrangement of The Wizard and I from the beloved musical Wicked, specially crafted for soprano and alto voices. This captivating arrangement allows singers to explore the magical essence of Elphaba's journey while blending their voices in beautiful harmony. Perfect for choirs or vocal ensembles, this version brings the song's emotional depth and dynamic storytelling to life.Key Features: 2-Part Arrangement: Tailored for soprano and alto voices, our arrangement of The Wizard and I creates a rich tapestry of sound, allowing each part to shine while enhancing the song's captivating melody. Emotional Narrative: Dive into the heartfelt aspirations of Elphaba as she dreams of her future. The arrangement highlights the poignant lyrics and soaring melodies, creating an engaging experience that resonates with both performers and audiences. Versatile Performance: Whether for concerts, recitals, or auditions, this 2-part arrangement offers versatility and charm. It invites singers to showcase their vocal abilities while connecting deeply with the song's message of hope and ambition.
$3.99
All Out Of Love
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Flûte et Guitare
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FACILE
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Air Supply
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Derek Hasted
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All Out Of Love
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797749 By Air Supply. By Clive Davis and Graham Russell. Arranged by Derek Hasted. ...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797749 By Air Supply. By Clive Davis and Graham Russell. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #4634243. Published by Derek Hasted (A0.797749). ALL OUT OF LOVE (Air Supply) for FLUTE/OBOE/C RECORDER and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This piece is in the same key as the original and fits flute, oboe or recorder and classical or folk guitar beautifully. It's accessible to players with modest experience, and yet even advanced players will find it has a lot to give.There is also a separate version for sale for two guitars (classical or steel-strung)I’m All Out Of Love was released in 1980.In the United States it reached number 2 in the Hot 100. In the UK, where I’m based, it reached number 11 and was the only Top 40 hit for Air Supply.The piece has recently reappeared in Air Supply’s 2018 Album, and it’s been covered by Johnny Logan, Westlife, John Barrowman, Cliff Richard and many others.At the time it was released, its final note was the longest-held note for a male pop singer, a record not beaten until 1983.I hope you enjoy this piece!
$4.99
Let It Rain
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Piano, Voix et Guitare
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Jazz
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Diana Krall
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Let It Rain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015536 By Diana Krall. By Hal Dyson and James Kendis. Jazz. 5 pages. Alfred Music - Digital Sheet Music #00-PS-00155...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015536 By Diana Krall. By Hal Dyson and James Kendis. Jazz. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015536. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015536). ISBN 9780739093771. UPC: 038081452937.This official piano sheet music companion folio to Diana Krall's 11th studio album will delight any pianist who loves jazz and blues. The melodic 1920s- and '30s-era songs are naturally enjoyable at the keys, as are the songs from later eras, like Lonely Avenue and Wide River to Cross. Vocal melodies, complete lyrics, and chords are included. Titles: We Just Couldn't Say Goodbye * There Ain't No Sweet Man That's Worth the Salt of My Tears * Just Like a Butterfly That's Caught in the Rain * You KnowF--I Know Ev'rything's Made for Love * Glad Rag Doll * I'm a Little Mixed Up * Prairie Lullaby * Here Lies Love * I Used to Love You but It's All Over Now * Let It Rain * Lonely Avenue * Wide River to Cross * When the Curtain Comes Down.
$3.99
All Of Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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John Legend
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Sarah Cellobat Chaffee
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All Of Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1250747 By John Legend. By John Stephens and Toby Gad. Arranged by Sarah Cellobat C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1250747 By John Legend. By John Stephens and Toby Gad. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 22 pages. Sarah Cellobat Chaffee #845023. Published by Sarah Cellobat Chaffee (A0.1250747). All Of Me, John Legend's huge 2014 hit single, became the singer's first number one song on the Billboard charts. Dedicated to his wife Chrissy Teigen, the song soon became a top-requested romantic ballad for weddings, so you can't go wrong adding this one to your gig books! This Cellobat arrangement for string quartet was originally written for a client whose request was, There are a lot of boring repetitive arrangements of this song out there, so please write parts that aren't boring -- and I think you'll find that I succeeded! This arrangement is full of beautiful melodies, lush harmonies, fun rhythmic parts, and overall a lot of interesting stuff to play, for a chart that will ensure no one in your group will fall asleep. This arrangement is rated intermediate; it will be learnable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
Can't Help Falling In Love
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Guitare notes et tablatures
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FACILE
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Rock
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Elvis Presley
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Ilona Skowrońska
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Can't Help Falling In Love
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Ilona Guitar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1502450 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Ilona Skowrońska. 20th C...
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Solo Guitar - Level 2 - SKU: A0.1502450 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Ilona Skowrońska. 20th Century,Rock. Individual part. 5 pages. Ilona Guitar #1078233. Published by Ilona Guitar (A0.1502450). Hi everyone!After receiving so many kind messages and requests over the past few months about my arrangement of Can't Help Falling in Love for solo classical guitar, I’m excited to finally share it with you all! I originally posted the video on YouTube and was overwhelmed by the wonderful response from all of you. Many of you asked where you could find the sheet music, and after some thought, I decided to write it down and make it available.This arrangement includes both standard notation and tabulature, so whether you prefer to read music or follow tabs, you'll find it easy to play. It stays true to the beauty of Elvis Presley’s timeless classic while bringing out the gentle, melodic qualities that shine on classical guitar. Whether you’re a beginner or an experienced player, I hope this piece brings you as much joy in playing it as it did for me in creating it.Thank you so much for your support and encouragement! You’ve inspired me to make this arrangement available, and I can’t wait to hear how you interpret it.Warm wishes, Ilona.
$11.99
I'm All Over It
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Chorale SATB
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AVANCÉ
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Jazz
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Jamie Cullum
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Jan-Hendrik Herrmann
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I'm All Over It
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Jan- Hendrik Herrmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - By Jamie Cullum. By Ricky Ross and Jamie Cullum. Arranged by Jan-Hendrik Herrmann. A Cappella, Jazz. Octavo. 7 ...
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Choral Choir (SATB divisi) - Level 5 - By Jamie Cullum. By Ricky Ross and Jamie Cullum. Arranged by Jan-Hendrik Herrmann. A Cappella, Jazz. Octavo. 7 pages. Jan-Hendrik Herrmann #351045. Published by Jan- Hendrik Herrmann
$3.00
Somebody's Coming When The Bill Falls Due
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Piano, Voix
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Henry Loeb
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Henry Loeb
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Somebody's Coming When The Bil
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18659 Composed by Henry Loeb. Caricatures, Debts, Money, Poor persons, Wealth. Lester S. Levy Collection. 4 pages. Published b...
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Piano and voice - SKU: LV.18659 Composed by Henry Loeb. Caricatures, Debts, Money, Poor persons, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18659). Somebody's Coming When The Bill Falls Due. Composed By Henry Loeb. Published 1880 by H.G. Hollenberg in Memphis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Caricatures, Debts, Money, Poor persons, Wealth. First line reads Somebody's coming when the bill falls due, How I'm to pay it is a mystery.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Broke - Chose Money Over Me
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Ensemble Jazz
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AVANCÉ
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Sc...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
Lord, I'm Coming Home
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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The Statler Brothers
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Lyndell Leatherman
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some were not
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Lord, I'm Coming Home
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1403093 By The Statler Brothers. By Words & Music: William J. Kirkpatrick. Arranged by Lyndell Leatherman. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1403093 By The Statler Brothers. By Words & Music: William J. Kirkpatrick. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #986292. Published by Leatherman Music Services (A0.1403093). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
I Believe (When I Fall In Love It Will Be Forever)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Pop musique
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Stevie Wonder
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Will Corbin
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I Believe
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461181 By Stevie Wonder. By Stevie Wonder and Yvonne Wright. Arranged by Will Corbin. Pop. 21 pages....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461181 By Stevie Wonder. By Stevie Wonder and Yvonne Wright. Arranged by Will Corbin. Pop. 21 pages. Will Corbin #1040039. Published by Will Corbin (A0.1461181). Stevie Wonder first recorded this song -- he co-wrote it with Yvonne Wright -- in 1972. In the ensuing nearly 50 years, it has been covered over and over, right up to showing up on soundtracks of current television programming. Among the cover artists: Peter Frampton, Josh Groban, George Michael, Art Garfunkel and Michael McDonald.If you'd like alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
I Got You (i Feel Good)
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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James Brown
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Sarah Cellobat Chaffee
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I Got You
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 4 - SKU: A0.1305312 By James Brown. By James Brown. Arranged by Sarah Cellobat Chaffee. Funk,Pop,Rock,Soul,Wedding. 11 ...
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String Trio Cello,Violin - Level 4 - SKU: A0.1305312 By James Brown. By James Brown. Arranged by Sarah Cellobat Chaffee. Funk,Pop,Rock,Soul,Wedding. 11 pages. Sarah Cellobat Chaffee #894751. Published by Sarah Cellobat Chaffee (A0.1305312). *INSTRUMENTATION: 2 VIOLINS & CELLO*I Feel Good is a song that truly needs no introduction! Released in 1965, this funky, catchy, and exciting song immediately reached the top 5 on the Billboard charts and remained there for six weeks, cementing its place as Brown's highest-charting and best-known song. And it has truly stood the test of time -- it has since been re-released, covered, and sampled numerous times, and it was even inducted into the Grammy Hall of Fame in 2013. And now you can have a blast playing it with your two-violin and cello string trio! Originally written for the groom's entrance at a wedding (it was epic), this Cellobat arrangement features the funky rhythmic groove, bluesy harmonies, and Brown's signature piercing vocal lines for a chart you and your audience are sure to love. Rated advanced-intermediate for some tricky rhythms and a few weird accidentals throughout; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
I'll Name The Dogs
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Blake Shelton
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Sarah Cellobat Chaffee
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I'll Name The Dogs
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1193717 By Blake Shelton. By Ben Hayslip, Josh Thompson, and Matt Dragstrem. Arranged by Sarah Cellob...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1193717 By Blake Shelton. By Ben Hayslip, Josh Thompson, and Matt Dragstrem. Arranged by Sarah Cellobat Chaffee. Country,Pop,Rock,Wedding. 13 pages. Sarah Cellobat Chaffee #793190. Published by Sarah Cellobat Chaffee (A0.1193717). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*Released in 2017 as the lead single from Blake Shelton's album Texoma Shore, I'll Name The Dogs is a fun, upbeat country-pop gem that has since brought joy to people everywhere -- enough that it landed the song at #1 on the Billboard Country Airplay charts! Lyrically, the song is an adorable story describing the singer's readiness to settle down and start a family with his girl, complete with all the ways he's ready to share their life adventure together (eg. you name the kids and I'll name the dogs). The song's theme of matrimonial bliss and its old-school country charm has made it a popular request for weddings and events, so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your violin, viola, and cello string trio maintains the cheerful vibe, country feel, lush harmonies, and sing-along-able melodies of the original for a chart that's sure to get your audience dancing. Rated advanced-intermediate due to a number of syncopated and otherwise tricky rhythms throughout -- it might be good to look over this one for a moment, but it will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
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