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Tri et filtres :
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2 Trompettes (duo)
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Cor
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2
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Trompette, Saxophone (duo)
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1
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Quatuor de cuivres: 4 cors
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2 Trombones (duo)
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Trombone basse et Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
33
Harpe
12
Alto, Piano
10
Violoncelle, Piano
8
Violon, Violoncelle (duo)
8
Violon et Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Violon
6
Violoncelle (partie séparée)
5
Contre Basse
2
Alto seul
2
2 Violons (duo)
2
Flûte, Contrebasse (duo)
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Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
2 Violons, Piano
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Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
Contrebasse (partie séparée)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Autoharp
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
25
Orchestre à Cordes
9
Orchestre de chambre
9
Jazz combo
7
Ensemble Jazz
4
Ensemble de cuivres
4
Orchestre
4
Cloches
3
Marimba
2
Xylophone, Piano
2
Xylophone
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Vibraphone et Marimba
1
Orchestre, Violon
1
Ensemble de Percussions
1
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Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
32.09 €
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.74 €
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
Boppin' At the Laundromat
Ensemble Jazz
Jazz ensemble - Digital Download SKU: IZ.JES171 Composed by Benjamin Van De Water. …
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Jazz ensemble - Digital Download SKU: IZ.JES171 Composed by Benjamin Van De Water. Score and Parts. 63 pages. Imagine Music - Digital #JES171. Published by Imagine Music - Digital (IZ.JES171). 9 x 12 in inches.Boppin' at the Laundromat, a piece for Jazz Ensemble featuring Oboe and Tuba soloists, is a programmatic story. The first idea to come to mind was the dissonant chord (m. 16, m. 24, m. 32, etc.) intended to emulate a dryer buzzer. From there, a story began to take shape.An attractive gentleman (tuba) approaches the counter at his local laundromat (m. 17), looking to have some of his clothes washed. Soon after, an attractive lady (oboe) approaches the counter along with the man (m. 23), and they notice each other. The mutual attraction is palpable, illustrated with arpeggios in triplets in the piano and vibes (m. 33). Their clothes washing questions are resolved, and they take their seats, nearby each other, of course. The small talk begins.Just then, some noisier patrons enter (brass), completing the laundering atmosphere. A high trumpet lick (m. 61) is the ever present obnoxious laughter that always seems to have an outburst at the most inopportune time. The following solo section (m. 66) is a lull in the superficial conversation of the lady and gentleman, where each is left to their own thoughts.Suddenly (m. 78), the conversation begins anew, with a more personal and profound interaction between them. All the while, the other launderers continue their carrying on. At measure 121, the man's dryer finishes, followed soon after by the woman's (m. 122), and the pair go their separate ways. Their story to be completed in the mind of the listener.
$50.00
45.84 €
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Ensemble Jazz
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Benjamin Van De Water
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Boppin' At the Laundromat
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Imagine Music - Digital
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.79 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Walk Beside Thee
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1376536 By Brooke G…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Brooke Griffin Carpenter #961065. Published by Brooke Griffin Carpenter (A0.1376536). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the choral version of this composition.
$2.75
2.52 €
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Chorale SATB
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Brooke Griffin Carpenter
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Brooke Griffin Carpenter
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I Walk Beside Thee
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Brooke Griffin Carpenter
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SheetMusicPlus
I Walk Beside Thee
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Ca…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Brooke Griffin Carpenter #961290. Published by Brooke Griffin Carpenter (A0.1376743). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the solo version of this composition.
$2.75
2.52 €
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Piano, Voix
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Brooke Griffin Carpenter
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Brooke Griffin Carpenter
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I Walk Beside Thee
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Brooke Griffin Carpenter
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SheetMusicPlus
The House We Build
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
2.75 €
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Chorale SATB
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
A Conversation
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1024938
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1024938 Composed by Abigail Gilson. Contemporary. Score and parts. 11 pages. Abigail Gilson #3631501. Published by Abigail Gilson (A0.1024938). A Conversation is a duet that represents the feeling of falling in love. Starting off slow and daunting at first, with shifts and odd dynamics and rhythms as you just allow yourself to fall into this new feeling. Then, the piece takes off. With confusing chords, a ground bass but always a visible motet. The ground bass always sounds like it may rush, like any second the pianist could speed up and leave the other pianist behind but it never does. The voices often trade parts and dance back and forth. With the treble line taking off suddenly, ending the ground bass line. The last section has question chords, and unresolved lines as a relationship starts to lose the new lover buzz and falls into a steady rhythm. Some may feel that the relationship is ending, that the two pianos don’t sound the same as they used to together. But really the two pianos have found their music. They don’t need to experiment with different rhythms, keys, or time signatures. They know what sounds good together, they can continue to make music forever.
$4.99
4.58 €
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1 Piano, 4 mains
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Abigail Gilson
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A Conversation
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Abigail Gilson
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SheetMusicPlus
Conversations
Instrumental Duet Instrumental Duet,Piano,Soprano Recorder - Level 1 - Digital Download
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Instrumental Duet Instrumental Duet,Piano,Soprano Recorder - Level 1 - Digital Download SKU: A0.720219 Composed by Julie Gaulke. Children,Instructional. Score and parts. 2 pages. Julie Gaulke #26211. Published by Julie Gaulke (A0.720219). This piece for recorder focusses on phrasing. Using only the notes GABCD, students learn the concept of question and answer phrases. The opening phrase uses a skipping pattern that heads upward, as if in a question. The answer phrase uses the same pattern, but in reverse, sounding like an answer. In addition, there is a solo flute part that is cued in the music. This can be played by the teacher, or another student, to add another element to the conversation..
$4.95
4.54 €
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Julie Gaulke
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Conversations
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Julie Gaulke
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SheetMusicPlus
"Conversations" A piece for Piano Four (4) Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00
5.5 €
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2 Pianos, 4 mains
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Antonis Koundourakis
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"Conversations" A piece for Piano Four
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
Hymns from Childhood - Set 10 (solo)
Piano seul
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
5.49 €
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Piano seul
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Hymns from Childhood - Set 10 (SATB)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719738 Composed by Various…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$2.25
2.06 €
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Chorale SATB
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Conversations In The Dark
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521760 By John Legend. By Cha…
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String Orchestra - Level 3 - Digital Download SKU: A0.521760 By John Legend. By Chance Pena, Gregg Wattenberg, Jesse Finkelstein, John Stephens, and Kellen Pomeranz. Arranged by Sherry Lewis. Hip-Hop,R & B. Score and Parts. 30 pages. Sherry Lewis Publishing #6434149. Published by Sherry Lewis Publishing (A0.521760). CONVERSATIONS IN THE DARK String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: Yes Parts: 10 pages Time: 4'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.91 €
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Orchestre à Cordes
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John Legend
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Sherry Lewis
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https://www
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Conversations In The Dark
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Sherry Lewis Publishing
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SheetMusicPlus
Conversations In The Dark
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521763 By John …
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521763 By John Legend. By Chance Pena, Gregg Wattenberg, Jesse Finkelstein, John Stephens, and Kellen Pomeranz. Arranged by Sherry Lewis. Hip-Hop,R & B. 13 pages. Sherry Lewis Publishing #6436543. Published by Sherry Lewis Publishing (A0.521763). CONVERSATIONS IN THE DARK String Duo, Intermediate Level for violin and cello Score: Yes Parts: 5 pages Time: 4'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.58 €
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Violon, Violoncelle (duo)
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John Legend
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Sherry Lewis
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Conversations In The Dark
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Sherry Lewis Publishing
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SheetMusicPlus
Conversations In The Dark
Trio à Cordes: violon, alto, violoncelle
Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521762 By John Legend. By C…
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Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521762 By John Legend. By Chance Pena, Gregg Wattenberg, Jesse Finkelstein, John Stephens, and Kellen Pomeranz. Arranged by Sherry Lewis. Hip-Hop,R & B. 27 pages. Sherry Lewis Publishing #6434197. Published by Sherry Lewis Publishing (A0.521762). CONVERSATIONS IN THE DARK String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello Score: Yes Parts: 8 pages Time: 4'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.91 €
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Trio à Cordes: violon, alto, violoncelle
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John Legend
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Sherry Lewis
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https://www
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Conversations In The Dark
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Sherry Lewis Publishing
#
SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.42 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.5 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.5 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
A Conversation With My Mother
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1012126 Composed by Dr. Anthea John…
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Piano Solo - Level 3 - Digital Download SKU: A0.1012126 Composed by Dr. Anthea John-Phillip. Contemporary. Score. 2 pages. Dr. Anthea John-Phillip #4969561. Published by Dr. Anthea John-Phillip (A0.1012126). This four chord piece, written in C minor, is a simplified theme and variation. Each four bar phrase is a snippet of a conversation between a mother and her daughter. Raised voices and comments made under one's breath are all part of the dynamics of a mother-daughter relationship. No pedal or key signature is used. The dynamics, crescendos, and diminuendos create the atmosphere and set the mood for this upper intermediate piano solo.
$4.00
3.67 €
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Piano seul
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Dr
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A Conversation With My Mother
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Dr. Anthea John-Phillip
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SheetMusicPlus
Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿· (Glory to God in the Highest)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Advent,Sacred. Score. 17 pages. Stephen R Dalrymple #913719. Published by Stephen R Dalrymple (A0.1325492). Hark the Herald Angels Sing♫ by Charles Wesley (1739) and Felix Mendelsohn (adapted by W H Cummings (1857) ♫ with  Δόξα á¼Î½ ὑψίστοις θεῷ (Glory to God in the Highest) ♫ original song © 2023 Stephen R Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 2023 Stephen R Dalrymple ♫ recording â„—  2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ Charles Wesley started his poem with ‘Listen to the angels !’ This started me wondering, what did the angels’ voices sound like ? ♫ Prosody is study of the intonation, stress, and rhythm of the speech of a language (contrasted with the sounds of the vowels and consonants.) Could I replicate the angel’s basic speech patterns? My study of Greek in seminary has given me a pretty good idea of how to pronounce the consonants and vowels of the Greek language. But I would want to listen to someone who actually speaks Greek as their mother tongue to have an idea of the prosody. After further study, I have rewritten the angels’ music; this update represents my latest understanding.♫ Although Latin was the language of the Roman conquerors, Greek was the lingua franca of the Mediterranean world of the first century. Some scholars want us to believe that most of the Jews were not erudite enough to speak Greek. ♫ Yet those of us who have travelled to countries like Haiti, are not surprised that many people there speak Kreyòl, French, English and Spanish!♫ I began searching for someone who actually spoke Greek conversationally to pronounce Luke 2 :14 in Greek. After I found a reliable source, I reduced the rhythm and the accented sylables to simpified music notation. I pulled from my knowledge of ancient modes and used my imagination to add pitches and repetitions of phrases. The melodic and harmonic result is completely inventive, but I believe the basic rhythm of the speech is fairly accurate.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube Video is available in French (Écoutez le chant des anges) https://youtu.be/9_equasuWR4YouTube Channel: @DalrympleDesigns.
$4.50
4.13 €
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Piano seul
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿·
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Stephen R Dalrymple
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SheetMusicPlus
Deck The Halls Ye Merry Gentlemen!
Trio de Flûtes: 3 flûtes
Flute Trio,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1301990 By …
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Flute Trio,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1301990 By Catherine Quinlan. By Catherine Quinlan. Arranged by Catherine Quinlan. Chamber,Christmas,Folk,Traditional. 6 pages. Catherine Quinlan #891581. Published by Catherine Quinlan (A0.1301990). A bit of festive fun for 3 flutes! Starting with a conversation between the instruments - shall we play Fa la la? Jingle Bells? Silent Night? They then agree on Deck the Halls, which then merges into God Rest Ye Merry Gentlemen. I always try to give everyone something interesting to play and share the tune around.. This should be fun to both play and listen to.
$1.99
1.82 €
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Trio de Flûtes: 3 flûtes
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Catherine Quinlan
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Catherine Quinlan
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Deck The Halls Ye Merry Gentlemen!
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Catherine Quinlan
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SheetMusicPlus
The Final Conversation
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.761940 Composed by Louis Landon. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.761940 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 4 pages. Landon Creative, Inc. #6341121. Published by Landon Creative, Inc. (A0.761940). If a person listens closely to the melodies and the sections of The Final Conversation, he or she might hear the back & forth of a conversation between two people in a relationship. They are clearly taking positions with their points of views and there is an attempt to work things out. Unfortunately, this is truly The Final Conversation of their relationship and that the relationship is over. The chord at the end is clear. This is the sheet music for The Final Conversation, from the Solo Piano Space Traveler album, and was released on August 5, 2019. Recorded at the Peace Palace from February - April, 2019. You can listen to the song by streaming on Spotify, Apple Music, and Pandora Radio You can also download the recording iTunes, Amazon, and Bandcamp.. Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ Cover photo: NASA Cover art: DanLevin.com All music published by Landon Creative, Inc. BMI All music produced, arranged, composed & performed by Louis Landon.
$5.25
4.81 €
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Piano seul
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Louis Landon
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The Final Conversation
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Landon Creative, Inc.
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SheetMusicPlus
The Angel's Prayer (Full Accompaniment Track - Key of Ab)
Strings Choir,Harp,Horn,Piano Accompaniment - Level 2 - Digital Download SKU: A0.141149…
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Strings Choir,Harp,Horn,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1411496 By Stephen DeCesare. By Stephen DeCesare. Christian,Classical,Opera,Sacred,Spiritual. Accompaniment. Duration 177. Exultet Music #993766. Published by Exultet Music (A0.1411496). Scored for a variety of arrangements. Based on the Angel's Prayer of Fatima: O Most Holy Trinity, Father, Son and Holy Spirit, I adore Thee profoundly. I offer Thee the most precious Body, Blood, Soul and Divinity of Jesus Christ present in all the tabernacles of the world, in reparation for the outrages, sacrileges and indifferences by which He is offended. By the infinite merits of the Sacred Heart of Jesus and the Immaculate Heart of Mary I beg the conversion of poor sinners..
$3.99
3.66 €
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Stephen DeCesare
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The Angel's Prayer
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Exultet Music
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SheetMusicPlus
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