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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSE
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I Stand at the Door
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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TROMPETTE
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Crtitères actifs :
I Stand at the Door
Partitions à imprimer
61 partitions trouvées
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Behold! Behold! I Stand At The Door.
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Chorale SATB
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INTERMÉDIAIRE
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Joel Boadi
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Behold! Behold! I Stand At The
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Joel Boadi
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1031851 Composed by Joel Boadi. Christian,Contemporary,Sacred. Octavo. 3 pages. Joel Boadi #4793167. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.1031851 Composed by Joel Boadi. Christian,Contemporary,Sacred. Octavo. 3 pages. Joel Boadi #4793167. Published by Joel Boadi (A0.1031851). The composer seek to touch the heart of those who are still wandering in this world of sin; calling them back to the Savior, who is knocking at the door of their hearts and waiting to enter. The text of the music is selected from Revelations chapter three (3) verses twenty (20) with an additional text from the composer to enrich the music. The soft, sweet voice of the Lord calls for those who are broken hearted and are earnestly seeking Him.This music can be sung at church, schools and other gatherings.
$1.99
She Stands For Me
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Chorale 3 parties
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FACILE
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Clyde Moreland
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Jon Arterton
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She Stands For Me
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Moreland Publishing Company
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1435064 Composed by Clyde Moreland. Arranged by Jon Arterton. Historic,Holiday,Multicultural,Patrioti...
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Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1435064 Composed by Clyde Moreland. Arranged by Jon Arterton. Historic,Holiday,Multicultural,Patriotic,World. 9 pages. Moreland Publishing Company #1015165. Published by Moreland Publishing Company (A0.1435064). This wonderfully patriotic song about the Statue of Liberty will have your audiences on their feet. It embraces the contributions immigrants have made to this country. It’s perfect for Americana/Fourth of July-themed concerts. It features a major solo. The lyrics tell the story.SOLO: Set sail across these waters over a wide and open seaWith my wife and my son and daughters to this land of OpportunityDisembarking at Ellis Island feelings of pride came over meAs the veil of the mist that shrouded her lifted up I could clearly seeStanding tall she lifted my heart, revealing all I’d come to beShe holds the light for my rights, for my life, for my child, for my landCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me SOLO: Two hundred years we now flash forward at the dawn of this brave new worldAs I stand with my eyes gazing upward she still stands with the light in her handIt still shines as bright as it can be for those still longing to breathe freeThough by the waves we are tossed as we weather the storms she still shows us who we can beStanding tall she lifted my heart, showing all we’d come to beStands for the lonely and lost and those tempest tossed she still standsCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me VARIOUS SOLOS: I am the farmer standing by my plowThe small business owner makes a go of it nowI am the dreamer through no fault of mineBut still wanting a life and a future that’s bright/ We are the couple blessed by eyes aboveBut stripped of our rights because of who we love We are the tired, the oppressed and the poorThe huddled masses at the golden doorCHORUS: We are a people of all colors and creedsTogether we’re strong in our diversityLady Liberty lifted me up. She stands for me.
$2.35
I Stand At The Door (Vocal solo)
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1374586 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Standards. Score. 3 pag...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1374586 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Standards. Score. 3 pages. Exultet Music #959142. Published by Exultet Music (A0.1374586). Meditative, eclectic setting based on Revelation 3:20 that is scored for a Vocal solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
Here I stand at the door and knock
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Roger Jones
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Here I stand at the door and k
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Christian Music Ministries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.927439 Composed by Roger Jones. Christian,Praise & Worship,Sacred. Score. 5 pages. Christian Music Ministri...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.927439 Composed by Roger Jones. Christian,Praise & Worship,Sacred. Score. 5 pages. Christian Music Ministries #4410807. Published by Christian Music Ministries (A0.927439). A beautiful ballad based on Revelation 3:20 for solo voice and piano. The score also includes guitar chords. With a beautiful melody and powerful words, this piece is incredibly moving and is perfect for an evangelistic event.
$4.51
A Beautiful Song With Chorus. The Old Door Step
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Chorale SATB
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George B
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A Beautiful Song With Chorus.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4942 Composed by George B. Chase. Farewells, Homesickness, Families, Sadness. Lester S. Levy Collection...
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Piano and voice (solo and SATB chorus) - SKU: LV.4942 Composed by George B. Chase. Farewells, Homesickness, Families, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4942). A Beautiful Song With Chorus. The Old Door Step. Words by A.J. Crider. Music by Geo. B. Chase. Published 1880 by Dr. J.W. Graves in Creston, IA. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Farewells, Homesickness, Families, Sadness. First line reads I stand on the doorstep at eventide now, the wind whispers by with a moan.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
An die Türen (I will creep up to the doors) for low voice and guitar
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Classique
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Franz Schubert
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David Warin Solomons
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An die Türen
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285
$8.00
I Will Seek Jesus, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Will Seek Jesus, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.744949 By Kevin G. Pace. By Kevin G. Pace (ASCAP), Kathryn W. Hales. A Cappella,Praise & Worship,Sacred,Spiritua...
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Choral Choir (SATB) - Level 4 - SKU: A0.744949 By Kevin G. Pace. By Kevin G. Pace (ASCAP), Kathryn W. Hales. A Cappella,Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #352940. Published by Kevin G. Pace (A0.744949). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales. Text: I will seek Jesus like shepherds of old, Hastening forward through the night and the cold, I will search each house, stable, or inn, ‘Til I find the Babe who will save me from sin. Refrain I will seek Jesus like others before, I will seek Jesus who stands at the door Each step brings me closer to His love deep and warm, Where waiting He’ll greet me with welcoming arms. I will seek Jesus like Mary so dear, Who obeyed God with faith, not doubt or fear, I will seek Jesus in labor and love, Pondering life given me from above. I will seek Jesus like wisemen who came Over great distance__desert and plain, I will seek Jesus watching a star With diligence, courage, though traveling far. I will seek Jesus like Joseph who stood Beside Mary through bad times or good, Through acts of compassion, service so kind, Obeying dreams which came to his mind.
$1.99
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #57914...
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Piano Solo - Level 4 - SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
I Stand At The Door (Full Accompaniment Track)
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Strings Choir,Horn,Piano Accompaniment - Level 2 - SKU: A0.1382683 By Stephen DeCesare. By Stephen DeCesare. Christian,Praise & Worship,Religious,Sacred...
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Strings Choir,Horn,Piano Accompaniment - Level 2 - SKU: A0.1382683 By Stephen DeCesare. By Stephen DeCesare. Christian,Praise & Worship,Religious,Sacred,Spiritual. Accompaniment. Duration 218. Exultet Music #967110. Published by Exultet Music (A0.1382683). Meditative, eclectic setting based on Revelation 3:20 that is scored for a Vocal solo with Piano accompaniment. Â Accessible and appropriate for any church setting.
$3.99
I Stand At The Door (Rehearsal Track)
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Strings Choir,Horn,Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1382684 By Stephen DeCesare. By Stephen DeCesare. Christian,Praise & Worshi...
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Strings Choir,Horn,Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1382684 By Stephen DeCesare. By Stephen DeCesare. Christian,Praise & Worship,Religious,Sacred,Spiritual. Full Performance. Duration 219. Exultet Music #967111. Published by Exultet Music (A0.1382684). Meditative, eclectic setting based on Revelation 3:20 that is scored for a Vocal solo with Piano accompaniment. Â Accessible and appropriate for any church setting.
$3.99
I Stand At The Door (Accompaniment Track - Piano only)
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Accompagnement Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Piano Accompaniment - Level 2 - SKU: A0.1374507 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompanim...
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Piano Accompaniment - Level 2 - SKU: A0.1374507 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 228. Exultet Music #959118. Published by Exultet Music (A0.1374507). Meditative, eclectic setting based on Revelation 3:20 that is scored for a variety of arrangements. Â Accessible and appropriate for any church setting.
$3.99
I Stand At The Door (Vocal Quartet - (SATB)
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1374575 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 5 pag...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1374575 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 5 pages. Exultet Music #959131. Published by Exultet Music (A0.1374575). Meditative, eclectic setting based on Revelation 3:20 that is scored for a Vocal Quartet (SATB) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$12.99
I Stand At The Door (Duet for Soprano and Tenor solo)
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Voix duo, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - SKU: A0.1374579 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - SKU: A0.1374579 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pages. Exultet Music #959135. Published by Exultet Music (A0.1374579). Meditative, eclectic setting based on Revelation 3:20 that is scored as a duet for a Soprano and Tenor solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
I Stand At The Door (SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1374572 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 5 p...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1374572 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 5 pages. Exultet Music #959128. Published by Exultet Music (A0.1374572). Meditative, eclectic setting based on Revelation 3:20 that is scored for SATB with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$3.99
I Stand At The Door (2-part choir - (SA)
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - SKU: A0.1374566 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pag...
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Choral Choir,Choral (SA) - Level 2 - SKU: A0.1374566 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pages. Exultet Music #959122. Published by Exultet Music (A0.1374566). Meditative, eclectic setting based on Revelation 3:20 that is scored for a 2-part choir (SA) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$3.99
I Stand At The Door (Unison choir)
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Chorale Unison
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1374584 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 3...
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Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1374584 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 3 pages. Exultet Music #959140. Published by Exultet Music (A0.1374584). Meditative, eclectic setting based on Revelation 3:20 that is scored for a Unison choir with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$3.99
I Stand At The Door (2-part choir)
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1374509 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1374509 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pages. Exultet Music #959121. Published by Exultet Music (A0.1374509). Meditative, eclectic setting based on Revelation 3:20 that is scored for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$3.99
I Stand At The Door (2-part choir - (TB)
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 2 - SKU: A0.1374569 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pag...
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Choral Choir,Choral (TB) - Level 2 - SKU: A0.1374569 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pages. Exultet Music #959125. Published by Exultet Music (A0.1374569). Meditative, eclectic setting based on Revelation 3:20 that is scored for a 2-part choir (TB) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$3.99
I Stand At The Door (SAB)
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1374571 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 5 pa...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1374571 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 5 pages. Exultet Music #959127. Published by Exultet Music (A0.1374571). Meditative, eclectic setting based on Revelation 3:20 that is scored for SAB with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$3.99
I Stand At The Door (Duet for Soprano and Alto solo)
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Voix duo, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - SKU: A0.1374577 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - SKU: A0.1374577 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pages. Exultet Music #959133. Published by Exultet Music (A0.1374577). Meditative, eclectic setting based on Revelation 3:20 that is scored as a duet for a Soprano and an Alto solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
I Stand At The Door (Vocal Trio - (SAB)
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1374574 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 5 pag...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1374574 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 5 pages. Exultet Music #959130. Published by Exultet Music (A0.1374574). Meditative, eclectic setting based on Revelation 3:20 that is scored for a Vocal Trio (SAB) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$12.99
I Stand At The Door (Duet for Tenor and Bass solo)
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Voix duo, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - SKU: A0.1374581 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sa...
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - SKU: A0.1374581 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pages. Exultet Music #959137. Published by Exultet Music (A0.1374581). Meditative, eclectic setting based on Revelation 3:20 that is scored as a duet for a Tenor and Bass solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
I Stand At The Door (2-part choir - (Soprano and Tenor)
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Stand At The Door
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1374568 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1374568 By Stephen DeCesare. By Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 4 pages. Exultet Music #959124. Published by Exultet Music (A0.1374568). Meditative, eclectic setting based on Revelation 3:20 that is scored for a 2-part choir (Soprano and Tenor) with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$3.99
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