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The Feeding
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Vous avez sélectionné:
The Feeding
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
The Feeding
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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John W
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The Feeding
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John Fisher
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1303569 Composed by John W. Fisher. Christian,Country,Folk,Instructional,Praise & Worship. Score. 3 pages. ...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1303569 Composed by John W. Fisher. Christian,Country,Folk,Instructional,Praise & Worship. Score. 3 pages. John Fisher #893144. Published by John Fisher (A0.1303569). THE FEEDING is a sermon song based on the sermon preached by Dr. Paul de Jong on October 8, 2023 at First Presbyterian Church Fort Myers, Florida using the text of Mark 6: 30-56. It uses the music, previously published as Im Hungry. The piece for solo and guitar was first composed in 1965 after I witnessed such terrible hunger on a mission observation tour of Haiti. Those words were printed in The Baptist Leader. A letter to the editor of Time Magazine on the same topic was published in the same year.  This current composition tells in detail the story of the feeding of the five thousand. It emphasizes that beside the resurection, this is the only miracle of Jesus that appears in all four gospels. The lyrics try to portray how allarmed are the disciples and yet how confident is Jesus.
$7.00
The Wexford Carol for Voice and Piano (Omnibus Edition)
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Piano, Voix
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INTERMÉDIAIRE
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Noël
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M
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M
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The Wexford Carol for Voice an
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Vocal Works
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Sc...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Score. 24 pages. Vocal Works #920929. Published by Vocal Works (A0.1335082). High, Medium High, Medium Low and Low Voice editions all included with this omnibus edition of The Wexford Carol, with a new 4th verse by arranger M. Ryan Taylor.Good people all, this Christmas time,Consider well and bear in mindWhat our good God for us has doneIn sending His beloved SonWith Mary holy we should pray,To God with love this Christmas DayIn Bethlehem upon that morn,There was a blessed Messiah born.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheepTo whom God's angels did appearWhich put the shepherds in great fearPrepare and go, the angels saidTo Bethlehem, be not afraidFor there you'll find, this happy mornA princely Babe, sweet Jesus, born.With thankful heart and joyful mindThe shepherds went the babe to findAnd as God's angel had foretoldThey did our Saviour Christ beholdWithin a manger He was laidAnd by his side the virgin maidAttending on the Lord of LifeWho came on earth to end all strife.NEW 4th VERSEThe shepherds ranged both far and nearTo spread the word of Christmas cheer.So we are called, as they of old,To share our joy, sung in anthems bold.For, on this night we feel againThe hope that Jesus brought all men.So sing the songs of star and birth,As angels sang of peace on earth. Copyright © 2023 M. Ryan Taylor | Vocal Works | Choirworks.com
$9.99
Mystery of the Hills
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Chorale SATB
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INTERMÉDIAIRE
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Debbie Allen
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Mystery of the Hills
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Nottingham Scores
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottin...
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Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.
$2.99
At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jakob Hintze
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Todd Marchand
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At the Lamb's High Feast We Si
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Con Spirito Music
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spiri...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #850950. Published by Con Spirito Music (A0.1257721). An ideal hymn selection for Easter Sunday, Eastertide, or at any celebration of the eucharist, At the Lamb's High Feast We Sing is one of many hymns translated from Latin by Robert Campbell (1814-1868), a Scottish advocate (lawyer) and Roman Catholic layperson. First published in 1850, At the Lamb's High Feast We Sing was one of four of Campbell's hymn texts to be included in Hymns Ancient & Modern (1861), the first standardized and popular hymnal of the Anglican Church.The tune accompanying the text, known as SALZBURG, is attributed to the German composer Jakob Hintze (1622-1702). Its harmonization has long been attributed to J.S. Bach and numbered among his works as BWV 262. However, the New Edition of the Complete Works of Bach, published by Barenreiter, no longer recognizes this, and the harmonization matches that of Johann Pachelbel's Alle Menschen müssen sterben — Choral mit 8 Partiten (Chorale with 8 Variations) of 1683.Regardless of the authorship of text or tune, At the Lamb's High Feast We Sing is a richly theological, grand hymn that references God's saving works in both the Old Testament and the New, culminating in Christ's victorious resurrection and his triumph over sin and death, and celebrates his feeding of the faithful gathered for the eucharistic feast with his Body and Blood.This arrangement for organ and brass quintet begins with alternating fanfares for organ and brass, followed by:Verse 1: organ accompanimentVerse 2: brass accompanimentVerse 3: organ accompaniment with solo trumpet punctuationsInterludeVerse 4: organ and brass accompaniment in alternate harmonizationCoda recapitulating the introductory fanfares Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, and reproducible bulletin insert for voices ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
No Place for the Savior of Men - SATB
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Chorale SATB
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INTERMÉDIAIRE
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KATHLEEN HOLYOAK
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KATHLEEN HOLYOAK
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No Place for the Savior of Men
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Kathleen Holyoak
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1512026 Composed by KATHLEEN HOLYOAK. Arranged by KATHLEEN HOLYOAK. Christian,Christmas,Contest,Fe...
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Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1512026 Composed by KATHLEEN HOLYOAK. Arranged by KATHLEEN HOLYOAK. Christian,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pages. Kathleen Holyoak #1087076. Published by Kathleen Holyoak (A0.1512026). This lovely Christmas title will touch your heart with lyrics by GARY CROXALL. Kathleen Holyoak and Gary Croxall teamed up with music and words that visually capture the image of Mary and Joseph as they are unable to find a single suitable place for Mary to birth the Lord. It appears they will fail to find any shelter at all, even though the beasts and birds and nature have places to rest. Desperate and rejected, they are inevitably driven to the most humble place imaginable for the birth of the creator of the universe, a stall housing beasts with a stone feeding trough or manger for a cradle. In essence, God must seek refuge among His beasts and not what you would expect for a king, let alone the King of kings! So, one place, an undesirable place is found in old Bethelehem.
$3.49
The Tree Song
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Chorale SATB
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INTERMÉDIAIRE
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Connie Pwll Walck Tyler
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The Tree Song
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1008091 Composed by Connie Pwll Walck Tyler. Contemporary,Spiritual. Octavo. 12 pages. Connie Tyler #4833171. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.1008091 Composed by Connie Pwll Walck Tyler. Contemporary,Spiritual. Octavo. 12 pages. Connie Tyler #4833171. Published by Connie Tyler (A0.1008091). The Tree Song is one of many songs from the novel The Earth Woman Tree Woman Quartet. This piece for two cellos, a viola and a double bass, with SATB choir evokes the deep voice of the tree. The choral part is not difficult, but the strings are challenging. The string parts can be played on a synthesizer. Contact Connie at connie@deephum for help with this. The song is short, two and half minutes and might be performed with some of the other songs from the book. Some of the songs can be found on the website www.earthwomantreewoman.com. The words are: Waves of things of forms I am exist in dreams within me,flow through the sap of trees to come and leaves to come,falling, decaying, the soil I am, a nutrient for things living,eating the earth, water and sun, fruit I become,feeding the unrooted beings ever I'm giving.And then I am free.I stretch my wings and fling myself into the air.I sing, I call. My joy is beyond any earthly care.The snap of the jaws of the four-legged one is only a moment of painfor I am living again with a diff'rent name.And when this life's done the worms I become and pass to the earth to gain my rebirth. See my website at www.deephum.com and my facebook pages at Connie Pwll Walck Tyler, Deep Hum Productions, and The Earth Woman Tree Woman Quartet. For more information contact me at connie@deephum.com.
$5.00
Loaves and Fishes, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Loaves and Fishes, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1204591 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1204591 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #803058. Published by Kevin G. Pace (A0.1204591). A sacred hymn depicting the miracle of Jesus and the feeding of the 5000.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Jesus lifted up his eyes while sitting on a mount.There a multitude had come, where thousands was the count.Jesus asked of Philip then, “Whence shall we buy some bread?â€Feeding hungry souls was such a way the Master led.One small lad had barley loaves, just five that day were found.And small fishes, only two, were set upon the ground.“Bring them hither,†Jesus said, then blessed and brake the loaves.These became like manna there, this miracle to show.Jesus asked disciples close to share the scanty feast.Each did eat, not sparingly, ‘til all were filled and pleased.Then He called disciples there to gather what remained;Twelve full baskets still were left, all through the Savior’s Name.Jesus also fills our lives when we might have a lack.Needing aid we lend our best, then He gives as we act.Listening to all we pledge He takes each offering,Always giving more to us than what we humbly bring.Chorus:Granting needs and pure desires is what our Savior seeks.As He fills our daily cups, we aid his heartfelt plea.He will ever honor us by giving what we lack.This, this precious miracle, is what He gives us back.
$1.99
Trust in the Lord
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Chorale Unison
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FACILE
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Musique Sacrée
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Carol Petersen
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Trust in the Lord
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Carol Petersen
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.1146507 Composed by Carol Petersen. Children,Christian,Praise & Worship,Religious. Octavo. 3 pages. Carol Pete...
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Choral Choir (Unison) - Level 2 - SKU: A0.1146507 Composed by Carol Petersen. Children,Christian,Praise & Worship,Religious. Octavo. 3 pages. Carol Petersen #746737. Published by Carol Petersen (A0.1146507). The Bible book of Proverbs includes many verses suited for feeding our spiritual lives. Trusting the Lord is the theme in this original unison melody with piano accompaniment as part of the Sing the Bible Series.
$2.00
Music for the Soul (for SATB and piano)
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Chorale SATB
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INTERMÉDIAIRE
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Alan Bullard
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Music for the Soul
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1272293 Composed by Alan Bullard. 21st Century,Classical,New Age. 12 pages. Colne Edition / BullardMusic ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1272293 Composed by Alan Bullard. 21st Century,Classical,New Age. 12 pages. Colne Edition / BullardMusic #864577. Published by Colne Edition / BullardMusic (A0.1272293). Music for the Soul is a reflective song, to words by the composer, focussing on the healing and expressive power of music, and is scored for SATB choir and piano (or strings).Music: telling our story, feeding the soul; comfort in trouble, solace for all… music of the sparkling day, music of the lonely night… music for loving, music for grieving….............. music of life, music of joy, music of freedom, music for all… music for the world. Music for the Soul is a movement from Alan Bullard’s cantata Endless Song, for SATB choir and strings (quartet, quintet, or orchestra), or piano (Colne Edition CE76 and available on this site). It was comisssioned and first performed by the Waltham Singers, with the Maggini Quartet (plus double-bass), conducted by Andrew Fardell COLNE EDITION CE125 Alan Bullard’s choral music is performed and broadcast world-wide, and is in the repertoire of many choirs. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Collection contains a wide range of Bullard’s works for choirs of all types and sizes.
$1.99
Up On The Farm
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Up On The Farm
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841930 Composed by Andrew Mc Donald. Children,Contemporary,Country,Folk. Score. 5 pages. Andrew Mc Donald (Macka R...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841930 Composed by Andrew Mc Donald. Children,Contemporary,Country,Folk. Score. 5 pages. Andrew Mc Donald (Macka Records) #3479575. Published by Andrew Mc Donald (Macka Records) (A0.841930). Up On The Farm is a fun kids song about living on the farm. Susie was feeding all the chooks...and she goes cluck cluck Susie, cluck cluck Susie etc...
$4.99
Middle Of The Hill
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Josh Pyke
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Alex Davis
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Middle Of The Hill
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Alex Davis Music
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SheetMusicPlus
Guitar,Voice - Level 3 - SKU: A0.1206484 By Josh Pyke. By Josh Pyke. Arranged by Alex Davis. Folk,Pop,Rock,Singer/Songwriter. Guitar Tab with Voice. 5 p...
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Guitar,Voice - Level 3 - SKU: A0.1206484 By Josh Pyke. By Josh Pyke. Arranged by Alex Davis. Folk,Pop,Rock,Singer/Songwriter. Guitar Tab with Voice. 5 pages. Alex Davis Music #804689. Published by Alex Davis Music (A0.1206484). Middle Of The Hill by Josh Pyke, the lead single from his third EP Feeding the Wolves (2005).Arranged for drop-D tuned guitar, with full TAB, chord boxes, vocal line and lyrics included.
$4.99
Loaves and Fishes, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Loaves and Fishes, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1261183 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1261183 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 12 pages. Kevin G. Pace #854253. Published by Kevin G. Pace (A0.1261183). A beautiful, dramatic choral composition portraying the miracle of Jesus in feeding the 5000.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Jesus lifted up his eyes while sitting on a mount.There a multitude had come, where thousands was the count.Jesus asked of Philip then, “Whence shall we buy some bread?â€Feeding hungry souls was such a way the Master led.One small lad had barley loaves, just five that day were found.And small fishes, only two, were set upon the ground.“Bring them hither,†Jesus said, then blessed and brake the loaves.These became like manna there, this miracle to show.Jesus asked disciples close to share the scanty feast.Each did eat, not sparingly, ‘til all were filled and pleased.Then He called disciples there to gather what remained;Twelve full baskets still were left, all through the Savior’s Name.Jesus also fills our lives when we might have a lack.Needing aid we lend our best, then He gives as we act.Listening to all we pledge He takes each offering,Always giving more to us than what we humbly bring.Chorus:Granting needs and pure desires is what our Savior seeks.As He fills our daily cups, we aid his heartfelt plea.He will ever honor us by giving what we lack.This, this precious miracle, is what He gives us back.
$1.99
Devils From Tasmania
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Fiona Hickie
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Devils From Tasmania
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Fiona Alice Hickie
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.738023 Composed by Fiona Hickie. Classical,Contemporary,Jazz,Multicultural,Standards,World. Score and part. 11 pages....
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Clarinet,Piano - Level 4 - SKU: A0.738023 Composed by Fiona Hickie. Classical,Contemporary,Jazz,Multicultural,Standards,World. Score and part. 11 pages. Fiona Alice Hickie #4286529. Published by Fiona Alice Hickie (A0.738023). This piece is a piece about the Tasmanian Devil (Australia). A carnivorous nocturnal animal about the size of a small dog that lives a solitary life, but feeds off dead animals with other devils. While feeding they can make awful screeching sounds. Imagine the devil wandering through the bush of a night and feeding with its friends. Even so, they can look rather cute.Written for clarinet and piano.
$4.99
Feeding the Kitty Rag Beginner Piano
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Piano Facile
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DÉBUTANT
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Ragtime
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George Cobb
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SilverTonalities
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Feeding the Kitty Rag Beginner
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.645305 Composed by George Cobb. Arranged by SilverTonalities. Ragtime. Score. 4 pages. SilverTonalities #5865361. Publish...
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Easy Piano - Level 1 - SKU: A0.645305 Composed by George Cobb. Arranged by SilverTonalities. Ragtime. Score. 4 pages. SilverTonalities #5865361. Published by SilverTonalities (A0.645305). Popular 1919 Ragtime for Beginner PianoA SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead! 
$3.99
Feeding The Giraffes
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Piano seul
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Methodes
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Feeding The Giraffes
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.807944 This edition: Interactive Download,scorch. Educational Piano. Instructional. Score. 2 pages. Hal Leonard - Digital #3...
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Interactive Download SKU: HX.807944 This edition: Interactive Download,scorch. Educational Piano. Instructional. Score. 2 pages. Hal Leonard - Digital #341275. Published by Hal Leonard - Digital (HX.807944).
$4.99
Feeding the Kitty Rag Beginner Piano with Colored Notation
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Piano Facile
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DÉBUTANT
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George Cobb
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SilverTonalities
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Feeding the Kitty Rag Beginner
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1239060 Composed by George Cobb. Arranged by SilverTonalities. 19th Century,Instructional,Ragtime. Score. 5 pages. Silver...
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Easy Piano - Level 1 - SKU: A0.1239060 Composed by George Cobb. Arranged by SilverTonalities. 19th Century,Instructional,Ragtime. Score. 5 pages. SilverTonalities #834453. Published by SilverTonalities (A0.1239060). Popular 1919 Rag for Beginner PianoA SilverTonalities Arrangement!With Colored Notation to enable Beginner Pianists to read Music quickly and accurately!
$4.99
Wexford Carol SATB flute or violin or cello and piano
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Connie Boss
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Wexford Carol SATB flute or vi
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1319598 Composed by Irish Traditional. Arrang...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1319598 Composed by Irish Traditional. Arranged by Connie Boss. Christian,Christmas,Holiday. 11 pages. Connie Boss #906502. Published by Connie Boss (A0.1319598). This Irish Christmas song calls all to gather to celebrate Christ's birth. This version is for SATB quartet or choir with optional flute or violin or cello and piano. Parts are included with this purchase. The harmonies add so much to this pretty song. Questions or requests, email cdboss@cvalley.netGood people all, this Christmas time,Consider well and bear in mindWhat our good God for us has done,In sending His belovèd Son.With Mary holy we should prayTo God with love this Christmas Day;In Bethlehem upon the mornThere was a blest Messiah born.The night before that happy tideThe noble virgin and her guideWere long time seeking up and downTo find a lodging in the town.But mark how all things came to pass:From every door repelled, alas!As long foretold, their refuge allWas but a humble oxen stall.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheep;To whom God’s angels did appearWhich put the shepherds in great fear.“Prepare and goâ€, the angels said,“To Bethlehem, be not afraid;For there you’ll find, this happy morn,A princely Babe, sweet Jesus born.
$7.99
Recipe for Life
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Contemporain
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Pat Holmberg
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Recipe for Life
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Patricia Tanttila Holmberg
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SheetMusicPlus
Small Ensemble Flute,High Voice,Medium Voice,Piano - SKU: A0.852594 Composed by Pat Holmberg. 20th Century,Concert,Contemporary. Score and parts. 10 pag...
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Small Ensemble Flute,High Voice,Medium Voice,Piano - SKU: A0.852594 Composed by Pat Holmberg. 20th Century,Concert,Contemporary. Score and parts. 10 pages. Patricia Tanttila Holmberg #2002959. Published by Patricia Tanttila Holmberg (A0.852594). This would be classified as an art song. It is a duet with soprano and baritone voices, accompanied by flute and piano. The text is: Men and women are complex creatures. They each possess a multitude of features. One of the oldest ones; one of the strongest ones is the need to be fed; the need to be nourished; the need to be fed and nourished in body, mind and spirit; in body, mind and spirit; in body, mind and spirit. Feeding only one part and ignoring the others leads to an empty heart and a body and a mind hungry for food they cannot find. So partake of the food that the earth provides, and nourish your mind with knowledge and ideas you find. Â And always remember that the fruit of the spirit is joy; the fruit of the spirit is love. Eat it and pass it around. Eat it and pass it around. Eat it and pass it around. Â There are lovely melodies woven throughout this piece.
$3.99
Fair Phyllis I saw sitting all alone (mp3)
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Renaissance
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John Farmer
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David Warin Solomons
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Fair Phyllis I saw sitting all
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059403 Composed by John Farmer. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 87. David Warin Solomons #338...
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Choir - SKU: A0.1059403 Composed by John Farmer. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 87. David Warin Solomons #3383549. Published by David Warin Solomons (A0.1059403). Arrangement for men's voices of John Farmer's famous madrigal.Fair Phyllis I saw sitting all aloneFeeding her flock near to the mountain side.The shepherds knew not,they knew not whither she was gone,But after her lover Amyntas hied,Up and down he wanderedwhilst she was missing;When he found her,O then they fell a-kissing.
$2.00
Peace Is Like Starlight, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Peace Is Like Starlight, a sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1046890 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1046890 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #651386. Published by Kevin G. Pace (A0.1046890). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
$1.99
Peace Is Like Starlight, sacred vocal solo
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Musique Sacrée
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Kevin G
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Peace Is Like Starlight, sacre
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Kevin G. Pace
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 p...
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Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 pages. Kevin G. Pace #653450. Published by Kevin G. Pace (A0.1049056). A beautiful vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
$3.99
Yetzer Hara, for orchestra - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Daniel Despins
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Yetzer Hara, for orchestra - S
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Daniel Despins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Pu...
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Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00
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The Feeding
