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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In a One Night Stand
Non classifié
192
Piano & claviers
Piano seul
103
Piano, Voix et Guitare
59
Piano, Voix
23
Instruments en Do
22
Piano Facile
21
Piano grosses notes
4
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
Accordéon, Piano
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
4
Guitare (partie séparée)
2
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
22
Chorale 2 parties
7
Voix duo, Piano
3
Chorale Unison
3
Voix Alto, Piano
2
Voix haute
2
Chorale TTBB
1
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAA
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
32
Saxophone Alto et Piano
26
Saxophone (partie séparée)
23
Saxophone Tenor et Piano
20
Saxophone, Clarinette (duo)
18
Flûte traversière et Piano
17
Quatuor de Saxophones: 4 saxophones
16
Clarinette et Piano
15
Saxophone Soprano et Piano
14
Saxophone Alto
13
2 Flûtes traversières (duo)
12
Flûte, Hautbois, Clarinette, Basson
11
Clarinette, Violon (duo)
11
Saxophone Tenor
9
Clarinette
9
Clarinette, Trompette (duo)
8
3 Saxophones (trio)
8
Trio de Flûtes: 3 flûtes
8
Hautbois, Piano (duo)
8
2 Hautbois (duo)
7
2 Clarinettes (duo)
7
Hautbois, Flûte
6
Flûte traversière
6
Flûte, Saxophone (duo)
6
Hautbois, Basson (duo)
6
Ensemble de saxophones
6
Hautbois, Clarinette (duo)
5
Clarinette et Alto
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte à bec Soprano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte, Violon
5
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Saxophone
4
Flûte, Alto (duo)
4
Flute (partie séparée)
3
Cor anglais, Piano
3
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Clarinette Basse, Piano
3
Flûte, Trompette (duo)
3
Quintette de Saxophone: 5 saxophones
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
2
Cor Anglais
2
Flûte irlandaise
1
Ensemble de Flûtes
1
Quatuor de Flûtes à bec
1
Flûte, Trombone (duo)
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
2 Saxophones, Piano
1
Saxophone, Violon (duo)
1
Quatuor de Flûtes : 4 flûtes
1
2 Clarinettes, Piano
1
+ 51 instrumentations
Retracter
Cuivres
Trombone et Piano
18
Trompette, Saxophone (duo)
13
Trombone (partie séparée)
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette (partie séparée)
11
2 Trombones (duo)
9
Tuba et Piano
9
Trombone
8
Trompette
7
Trompette, Trombone (duo)
7
Cor et Piano
7
Euphonium, Piano (duo)
5
Cor (partie séparée)
4
Cor anglais, Piano
3
Quatuor de Cuivres
3
Trompette, Piano
3
2 Trompettes (duo)
3
Cor
2
Euphonium
2
Cor Anglais
2
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trompettes
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
20
Violoncelle, Piano
10
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Alto, Piano
6
2 Violons (duo)
6
2 Harpes (duo)
6
Violon, Violoncelle (duo)
6
Violoncelle
5
Violon
5
Harpe
5
2 Altos (duo)
4
Alto (partie séparée)
3
Contrebasse (partie séparée)
2
Harpe, Voix
2
4 Violoncelles
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Violon (partie séparée)
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
27
Ensemble Jazz
17
Orchestre
10
Orchestre à Cordes
8
Ensemble de cuivres
8
Fanfare
4
Big band
4
Percussion (partie séparée)
2
Jazz combo
2
Cloches
2
Ensemble d'École
1
Batterie (partie séparée)
1
Ensemble de Percussions
1
Xylophone, Piano
1
Marimba
1
Batterie
1
Orchestre de chambre
1
+ 12 instrumentations
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Autres
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
In a One Night Stand
Partitions à imprimer
1 291 partitions trouvées
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In a One Night Stand
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Piano, Voix
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George M
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George M
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In a One Night Stand
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.21763 Composed by George M. Cohan. Travel, Entertainment, Minstrels, Actors, Musicians. Lester S. Levy Collection. 4 pages. Pu...
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Piano and voice - SKU: LV.21763 Composed by George M. Cohan. Travel, Entertainment, Minstrels, Actors, Musicians. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21763). In a One Night Stand. Lyrics and Music By George M. Cohan. Published 1907 by [F.A. Mills] in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Travel, Entertainment, Minstrels, Actors, Musicians. First line reads You may talk of Chicago and New York, and the towns where the big troupers play.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
A Night In Tunisia
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Trompette, Euphonium (duo)
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
#
SheetMusicPlus
Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. J...
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Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Guthrie: The Saxophone Choir Christmas Book
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Noël
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Traditional
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James M
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Alto
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Guthrie: The Saxophone Choir C
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.550709 Composed by Traditional. Arranged by James M. Guthrie, AS...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.550709 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 68 pages. Jmsgu3 #4784649. Published by jmsgu3 (A0.550709). The Saxophone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Saxophone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your sax choir can perform the Saxophone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. Soprano & Alto read from the score on one stand, while the Tenor & Bass uses the parts on a separate stand. The Saxophone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Saxophone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Saxophone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of wind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
A Night In Tunisia
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
#
Dizzy Gillespie
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Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Walter the Weary Werewolf, Halloween Duet for Trombone
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2 Trombones (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Walter the Weary Werewolf, Hal
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #63...
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Trombone Duet Trombone - Level 3 - SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6358907. Published by David McKeown (A0.592395). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for two Trombones. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Wendy the Wonky Witch, Halloween Duet for Trombone
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2 Trombones (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Wendy the Wonky Witch, Hallowe
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.592435 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 5 pages. Davi...
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Trombone Duet Trombone - Level 3 - SKU: A0.592435 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6359347. Published by David McKeown (A0.592435). Wendy the Wonky Witch is a spooky and original duet written by David McKeown for two Trombones. Wendy the Wonky Witch is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Wendy tries her best, but she’s a bit of a failure at witching. She developed a fear of flying after her broomstick started chasing seagulls, and her tadpole stew, (which tastes of chocolate cake), explodes if left overnight.Wendy the Wonky Witch is suitable for players at an advanced intermediate level and above. The main melody in 6/8 is medium fast with chromatic passages, while the slower middle section is a lyrical waltz. The range is accessible for both players. With a playing-time of around three minutes, Wendy the Wonky Witch is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
20 Favourite Christmas Carols for solo Trombone and Piano
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Trombone et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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#
20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 2...
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Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123379. Published by David McKeown (A0.587273). 20 Favourite Carols for Solo Trombone and Piano is a collection of the best-known Christmas carols arranged simply for solo Trombone in concert pitch bass clef and Piano. The file contains the Trombone part plus the separate Piano score with added chord symbols. If you prefer reading treble clef in Bb then search for the Euphonium version of the music item no. S0.245523 20 Favourite Carols for Solo Trombone and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements.· There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church.· The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period.The carols are in alphabetical order and are as follows· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Sullivan: The Lost Chord for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
20 Favourite Christmas Carols for solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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#
20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587272 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587272 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123377. Published by David McKeown (A0.587272). 20 Favourite Carols for Solo Tenor Saxophone and Piano is a collection of the best-known Christmas carols arranged simply for solo Tenor Saxophone and Piano. The file contains the Tenor Saxophone part plus the separate Piano score with added chord symbols.20 Favourite Carols for Solo Tenor Saxophone and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements.· There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church.· The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period.The carols are in alphabetical order and are as follows· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Scheherazade for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Diego Marani
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Scheherazade for Alto Saxophon
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1148542 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructio...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1148542 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 13 pages. Diego Marani #748708. Published by Diego Marani (A0.1148542). Scheherazade, also commonly Sheherazade Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name Scheherazade refers to the main character Scheherazade of the One Thousand and One Nights. It is one of Rimsky-Korsakov's most popular works. This arrangement for alto sax (or baritone sax) with piano accompaniment of the most famous themes of the suite is suitable for classroom, repertoire and recital.
$9.99
Don't Let Me Be Lonely Tonight
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
#
James Taylor
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John Fries
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Don't Let Me Be Lonely Tonight
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John Fries
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1466706 By James Taylor. By James Taylor. Arranged by John Fries. 20th Century,Pop,Standards. Score and part. 4 pages...
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Piano,Trombone - Level 4 - SKU: A0.1466706 By James Taylor. By James Taylor. Arranged by John Fries. 20th Century,Pop,Standards. Score and part. 4 pages. John Fries #1045264. Published by John Fries (A0.1466706). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Don't Let Me Be Lonely Tonight is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog.
$5.99
The Lion Sleeps Tonight
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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The Tokens
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Sean Sullivan
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The Lion Sleeps Tonight
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1453549 By The Tokens. By Ge...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1453549 By The Tokens. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 14 pages. Sean Sullivan #1032774. Published by Sean Sullivan (A0.1453549). Get ready to embark on a wild adventure with the rhythmic roar of 'The Lion Sleeps Tonight'! This iconic song, originally made famous by The Tokens, has been reimagined in a unique and thrilling arrangement for saxophone quintet. Imagine the warmth of the jungle sun beating down on your skin as you play the smooth, soulful lines of the saxophones. The sounds of the rainforest come alive in this arrangement, with intricate rhythms and harmonies that will transport you to the heart of the African savannah. This arrangement is perfect for saxophone enthusiasts looking to spice up their repertoire with something fresh and exciting. The five-part harmony adds depth and complexity to the music, making it a great choice for advanced players or groups looking to showcase their skills. Order now and get ready to make your performance stand out from the crowd!
$14.99
This Holy Night (Christmas carol for mixed brass quartet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Noël
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Traditional
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Peter A
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This Holy Night
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MusicPAD Music Publications
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - SKU: A0.872889 Composed by Traditional. Arranged by Peter A. Drahozal. Christian,Christmas,Romantic Per...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - SKU: A0.872889 Composed by Traditional. Arranged by Peter A. Drahozal. Christian,Christmas,Romantic Period,Sacred,World. Score and parts. 7 pages. MusicPAD Music Publications #1591. Published by MusicPAD Music Publications (A0.872889). This Holy Night - an obscure Christmas carol set for mixed brass quartet (two trumpets, one trombone, one tuba). The melody twists and turns through many apparent keys in a very unique way. The brief high register trumpet phrase (high C) is preceded by adequate rests for preparation. This is a great, ear-turning addition to the standard Christmas repertoire and is brief enough to fit nicely into your Christmas program.
$5.00
Night Train
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2 Trombones (duo)
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INTERMÉDIAIRE
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Buddy Morrlow
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P
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Night Train
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P. R. Frederick
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.1285288 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by P. R. Freder...
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Trombone Duet Trombone - Level 3 - SKU: A0.1285288 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by P. R. Frederick. Blues,Jazz,Pop. Score. 7 pages. P. R. Frederick #876404. Published by P. R. Frederick (A0.1285288). Night Train is a twelve-bar blues instrumental standard first recorded by Jimmy Forrest in 1951. The timeless nature of Night Train and its ability to be adapted to different musical styles have contributed to its continued popularity. The song has been covered by numerous artists over the years, ensuring its place in music history. Here it’s arranged as a trombone duet. A score and separate parts are provided.
$10.00
Silent Night (for Brass Quintet and Organ)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Craig Garner
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Silent Night
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.740279 Composed by Franz Xaver Gruber. Arranged by Craig Garner. Christian,Christmas,Romantic Period,Sacred. Score an...
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Brass Ensemble - Level 3 - SKU: A0.740279 Composed by Franz Xaver Gruber. Arranged by Craig Garner. Christian,Christmas,Romantic Period,Sacred. Score and parts. 29 pages. Dorm 40 Music #4850595. Published by Dorm 40 Music (A0.740279). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series.This stylized arrangement of Silent Night is in 4/4 time, rather than the standard 3/4 time. The harmony is rich and colorful, but does not stray far from the original. Also, during the second verse, as the brass plays the melody to Silent Night, the organ plays the melody to The First Noel as a descant over the brass. This arrangement is appropriate for any Christmas concert or church service.Arranged for 2 B-flat trumpets, horn in F, trombone, tuba, organ and optional percussion. The percussion part, designed to be played by one performer, includes 2 timpani, tubular bells (C & B-flat) and suspended cymbal. Performance time, about 5:00. Published by Dorm 40 Music, www.dorm40music.com
$15.00
Crisantemi for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Giacomo Puccini
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Diego Marani
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Crisantemi for Saxophone Quart
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528715 Composed by Giacomo Pu...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528715 Composed by Giacomo Puccini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 15 pages. Diego Marani #6365033. Published by Diego Marani (A0.528715). Crisantemi, elegy for string quartet, is one of the few chamber music pages composed by Giacomo Puccini. This short and little known page, written in 1890 in a single night, is dedicated to the memory of Amedeo di Savoia, Duke of Aosta.This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.
$9.99
Walter the Weary Werewolf, Halloween Duet for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Walter the Weary Werewolf, Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.592400 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Sco...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.592400 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358919. Published by David McKeown (A0.592400). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Trumpet and one Trombone. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Wendy the Wonky Witch, Halloween Duet for Trumpet and Trombone
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Wendy the Wonky Witch, Hallowe
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592440 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,S...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592440 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6359359. Published by David McKeown (A0.592440). Wendy the Wonky Witch is a spooky and original duet written by David McKeown for one Trumpet and one Trombone. Wendy the Wonky Witch is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Wendy tries her best, but she’s a bit of a failure at witching. She developed a fear of flying after her broomstick started chasing seagulls, and her tadpole stew, (which tastes of chocolate cake), explodes if left overnight.Wendy the Wonky Witch is suitable for players at an advanced intermediate level and above. The main melody in 6/8 is medium fast with chromatic passages, while the slower middle section is a lyrical waltz. The range is accessible for both players. With a playing-time of around three minutes, Wendy the Wonky Witch is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Walter the Weary Werewolf, Halloween Duet for Clarinet and Tenor Saxophone
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Saxophone, Clarinette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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David McKeown
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Walter the Weary Werewolf, Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 4 - SKU: A0.592371 Composed by David McKeown. Contemporary,Standards. Score and par...
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Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 4 - SKU: A0.592371 Composed by David McKeown. Contemporary,Standards. Score and parts. 4 pages. David McKeown #6358857. Published by David McKeown (A0.592371). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Clarinet and one Tenor Saxophone. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Tenor Saxophone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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In a One Night Stand
