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LA CUPIS from Pièces de Clavecin en Concerts for Piano (As played By Víkingur Ólafsson
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by FLAVIO REGIS CUNHA. Classical Period, Baroque Period, Wedding, Graduation, Recital. Score. 8 pages. Published by Flavio Regis Cunha
After an attentive and meticulous work of transcription and editing, we offer you this jewel of French Baroque music, in Ólafsson's interpretation.<br> <br> Víkingur Ólafsson describes Rameau's "La Cupis" as follows: The character pieces stem from Rameau’s 1741 chamber music collection Pièces de clavecin en concerts, also prepared by the composer for solo keyboard. Here, the passage of time has rendered the titles somewhat enigmatic. “La Cupis” may be yet another feminine portrait, its potential namesake being Marie-Anne Cupis, a well-known dancer. Why not? The work’s yearning, soulful melodies are surrounded by nimble, dance-like episodes. Watch Víkingur Ólafsson peform Jean-Philippe Rameau's Pieces de clavecin en concerts : II. La Cupis.<br> <br> "In any case, it is full of passion and zest." - Víkingur Ólafsson<br> <br> The score is unique. We at FRC Music have the joy of being able to offer this beautiful transcription for solo piano. You will love playing this piece and your audience will be delighted. Enjoy.After an attentive and meticulous work of transcription and editing, we offer you this jewel of French Baroque music, in Ólafsson's interpretation.<br> <br> Víkingur Ólafsson describes Rameau's "La Cupis" as follows: The character pieces stem from Rameau’s 1741 chamber music collection Pièces de clavecin en concerts, also prepared by the composer for solo keyboard. Here, the passage of time has rendered the titles somewhat enigmatic. “La Cupis” may be yet another feminine portrait, its potential namesake being Marie-Anne Cupis, a well-known dancer. Why not? The work’s yearning, soulful melodies are surrounded by nimble, dance-like episodes. Watch Víkingur Ólafsson peform Jean-Philippe Rameau's Pieces de clavecin en concerts : II. La Cupis.<br> <br> "In any case, it is full of passion and zest." - Víkingur Ólafsson<br> <br> The score is unique. We at FRC Music have the joy of being able to offer this beautiful transcription for solo piano. You will love playing this piece and your audience will be delighted. Enjoy.
$7.99
7.28 €
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Piano seul
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Jean-Philippe Rameau
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LA CUPIS from Pièces de Clavecin en Concerts for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Les tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Flavio Regis Cunha. Baroque Period, Repertoire, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Les tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson<br> <br> “For me, Rameau is up there with Handel, Scarlatti, and second only to Bach,” says Ólafsson. “It is simply genius keyboard writing.” His new album ‘Debussy Rameau’ juxtaposes Rameau’s music with that of Debussy, describing it as a “dialogue” between the two composers. He said that together they “defeat time and space with music”. What follows Debussy’s tender apologies on the album are Rameau’s tender complaints in ‘Les Tendres Plaintes’ from his Suite in D. In fact, tenderness was also the word evoked by Debussy to describe what he admired so deeply in Rameau – “Delicate and charming tenderness”, to be exact. Watch Víkingur Ólafsson performing Jean-Philippe Rameau’s ‘Les tendres plaintes’.“Ólafsson’s interpretations inhabit a unique, distinct and extraordinary world all their own.” – GramophoneLes tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson<br> <br> “For me, Rameau is up there with Handel, Scarlatti, and second only to Bach,” says Ólafsson. “It is simply genius keyboard writing.” His new album ‘Debussy Rameau’ juxtaposes Rameau’s music with that of Debussy, describing it as a “dialogue” between the two composers. He said that together they “defeat time and space with music”. What follows Debussy’s tender apologies on the album are Rameau’s tender complaints in ‘Les Tendres Plaintes’ from his Suite in D. In fact, tenderness was also the word evoked by Debussy to describe what he admired so deeply in Rameau – “Delicate and charming tenderness”, to be exact. Watch Víkingur Ólafsson performing Jean-Philippe Rameau’s ‘Les tendres plaintes’.“Ólafsson’s interpretations inhabit a unique, distinct and extraordinary world all their own.” – Gramophone
$6.99
6.36 €
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Piano seul
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Jean-Philippe Rameau
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Les tendres plaintes
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Musette en Rondeau (for piano) as played by Víkingur Ólafsson
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1354241 By Jean-Philippe Rameau and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1354241 By Jean-Philippe Rameau and VÃkingur Ólafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Early Music,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #938930. Published by Flavio Regis Cunha (A0.1354241). Rameau: Musette en Rondeau (for piano) as played by VÃkingur Ólafsson.IntermediateFormat: Concert, 9 x 12 inches6 pagesContent: Full ScorePLUS!!! Engraved with Urtext Kapellmeister Music FontUnlock the Magic of Rameau's Musette en Rondeau Calling all pianists, from beginners to maestros! Elevate your musical journey with the exquisite sheet music of Musette en Rondeau for piano, composed by the legendary Jean-Philippe Rameau and brilliantly played by the sensational Icelandic pianist, VÃkingur Ólafsson. Why Choose Our Sheet Music?1. Authenticity:Immerse yourself in the true essence of Rameau's masterpiece with meticulously transcribed sheet music that captures every nuance of VÃkingur Ólafsson's mesmerizing interpretation.2. **Precision:** Crafted with precision and care, our sheet music ensures an accurate representation of the intricate notes and dynamics, providing you with a faithful guide to recreate the magic in your own performance.3. **Emotional Connection:** Feel the emotional resonance of Musette en Rondeau with sheet music that reflects the passion and artistry of VÃkingur Ólafsson, allowing you to express yourself through every enchanting phrase.4. **Suitable for All Levels:** Whether you're a professional pianist seeking a challenging masterpiece or an amateur pianist aspiring to grow, this sheet music accommodates all skill levels, making the beauty of Rameau's composition accessible to everyone.  Let Your Fingers Dance to the Melody!Order now and embark on a musical journey that transcends time and space. Unleash the power of Musette en Rondeau and let your piano sing with the soul-stirring emotions inspired by VÃkingur Ólafsson's extraordinary rendition.Elevate Your Performance, Elevate Your Artistry! Don't miss this opportunity to own a piece of musical history. Order your sheet music today and bring the timeless brilliance of Rameau to life at your fingertips!
$7.99
7.28 €
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Piano seul
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Jean-Philippe Rameau and VÃkingur Ólafsson
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Flavio Regis Cunha
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Rameau: Musette en Rondeau
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Flavio Regis Cunha
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SheetMusicPlus
King Philip's Quick Step
Piano seul
Piano - Digital Download SKU: LV.9778 Arranged by Simon Knaebel. Portraits, Native …
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Piano - Digital Download SKU: LV.9778 Arranged by Simon Knaebel. Portraits, Native dress, Native Americans. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9778). The Indians. No. 1. King Philip's Quick Step. Arranged by S. Knaebel. Published 1843 by Henry Prentiss, 33 Court St. in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include Portraits, Native dress, Native Americans. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano seul
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Simon Knaebel
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King Philip's Quick Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
L'Entretien des Muses (for Piano) As played By Víkingur Ólafsson
Piano seul
Piano Solo, Harpsichord - Intermediate - Digital Download Composed by Jean-Philippe …
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Piano Solo, Harpsichord - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Flavio Regis Cunha. Baroque Period, Repertoire, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Rameau: L'entretien des Muses · Víkingur Ólafsson<br> <br> Debussy – RameauRameau: L'entretien des Muses · Víkingur Ólafsson<br> <br> Debussy – Rameau
$5.99
5.45 €
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Piano seul
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Jean-Philippe Rameau
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L'Entretien des Muses
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas. 'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.28 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2ClwLes Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2Clw
$7.99
7.28 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.28 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.28 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
The Riding of the Kings (Philip Lawson)
Choral Accompaniment Only - Digital Download SKU: HX.1250049 Composed by Philip Law…
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Choral Accompaniment Only - Digital Download SKU: HX.1250049 Composed by Philip Lawson. Carol,Christian,Christmas,Concert,Epiphany,Festival,Holiday,Poetry. Octavo. Duration 192. Hal Leonard - Digital #61482. Published by Hal Leonard - Digital (HX.1250049).
$19.99
18.2 €
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Philip Lawson
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The Riding of the Kings
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Hal Leonard - Digital
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SheetMusicPlus
The Riding of the Kings (Philip Lawson)
Choral - Digital Download SKU: HX.1250048 Composed by Philip Lawson. Carol,Christia…
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Choral - Digital Download SKU: HX.1250048 Composed by Philip Lawson. Carol,Christian,Christmas,Concert,Epiphany,Festival,Holiday,Poetry. Octavo. Duration 192. Hal Leonard - Digital #61482. Published by Hal Leonard - Digital (HX.1250048).
$1.99
1.81 €
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Philip Lawson
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The Riding of the Kings
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Hal Leonard - Digital
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SheetMusicPlus
Mozart Sonata in D, K. 448 for 2 Pianos (Complete) Arranged for 1 piano-4 hands by Philip Kim
1 Piano, 4 mains
Piano Duet - Advanced - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791)…
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Piano Duet - Advanced - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Philip Kim. Classical Period. 58 pages. Published by Philip Kim
This is my arrangement of Mozart's Sonata for 2 Pianos in D, K. 448, complete 3 movements, for 1 piano, 4 hands. Since it isn't so easy finding a hall or any place where there are 2 pianos laying around I decided to make my own arrangement of this marvelous composition for 1 piano, four hands. I tried to be faithful to the original music as much as possible. Each of the movements are also available separately as well. Enjoy. The score on the Youtube video may look strange but when you purchase the score they are very professional looking and does not look like the score on the video. https://youtu.be/8B5cibc92-0This is my arrangement of Mozart's Sonata for 2 Pianos in D, K. 448, complete 3 movements, for 1 piano, 4 hands. Since it isn't so easy finding a hall or any place where there are 2 pianos laying around I decided to make my own arrangement of this marvelous composition for 1 piano, four hands. I tried to be faithful to the original music as much as possible. Each of the movements are also available separately as well. Enjoy.
The score on the Youtube video may look strange but when you purchase the score they are very professional looking and does not look like the score on the video.
https://youtu.be/8B5cibc92-0
$35.00
31.87 €
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1 Piano, 4 mains
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Wolfgang Amadeus Mozart
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Mozart Sonata in D, K. 448 for 2 Pianos
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SheetMusicPlus
King Cotton (concert band arrangement)
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.913561 Composed by John Philip Sousa. Arran…
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Concert Band - Digital Download SKU: A0.913561 Composed by John Philip Sousa. Arranged by Michael James Daniel Robets. 20th Century,Contemporary. Score and parts. 84 pages. Mike Roberts #6039417. Published by Mike Roberts (A0.913561). An arrangement of a classic Sousa march. It's quite faithful to the original, with some instrumentation changes and a few tweaks here and there. It should be well within the capability of a school or college concert band. The dynamic markings are fairly unsubtle, but are crucial to making the piece work. Watch out for the sudden drops to 'p'!A note about the parts: trumpets 2-4 are combined on the score for ease of reference, but are separated on the parts. The other combined (doubled) instruments are NOT separated on the parts, but I will be happy to provide separated parts if desired - please get in touch at michael.roberts@ucl.ac.uk
$14.99
13.65 €
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Orchestre d'harmonie
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John Philip Sousa
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Michael James Daniel Robets
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King Cotton
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Mike Roberts
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SheetMusicPlus
Les Rappel des Oiseaux - As played by Víkingur Ólafsson
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1162098 By Jean-Philippe Rameau and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1162098 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Contest,Early Music,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #762470. Published by Flavio Regis Cunha (A0.1162098). During his studies in New York, VÃkingur Ólafsson became aware of the works of Jean-Philippe Rameau, which immediately fascinated him. Here the Icelandic pianist Rameaus interprets Le Rappel des Oiseaux, which is part of his album Debussy - Rameau.As the dreamy prélude comes to a close, the curtains are raised to reveal the dusky forest home of Rameau’s birds. What ensues are lively scenes from his extraordinarily inventive Suite in E minor. The birds are calling (Le Rappel des oiseaux). As extraordinary innovators of both harmony and form, with a unique ear for colour and a keen sense of the theatrical, both Rameau and Debussy wrote music which engages more senses than just that of hearing. - VÃkingur Ólafsson.Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$6.99
6.36 €
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Piano seul
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Jean-Philippe Rameau and Vikingur Olafsson
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Flavio Regis Cunha
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Les Rappel des Oiseaux - As played by Víkingur Ólafsson
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Flavio Regis Cunha
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SheetMusicPlus
Les Rappel des Oiseaux - As interpreted by Víkingur Ólafsson
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1162180 By Jean-Philippe Rameau and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1162180 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Contest,Early Music,Festival,Instructional. Score. 8 pages. FRC Music #762536. Published by FRC Music (A0.1162180). During his studies in New York, VÃkingur Ólafsson became aware of the works of Jean-Philippe Rameau, which immediately fascinated him. Here the Icelandic pianist Rameaus interprets Le Rappel des Oiseaux, which is part of his album Debussy - Rameau.As the dreamy prélude comes to a close, the curtains are raised to reveal the dusky forest home of Rameau’s birds. What ensues are lively scenes from his extraordinarily inventive Suite in E minor. The birds are calling (Le Rappel des oiseaux). As extraordinary innovators of both harmony and form, with a unique ear for colour and a keen sense of the theatrical, both Rameau and Debussy wrote music which engages more senses than just that of hearing. - VÃkingur Ólafsson.Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$6.99
6.36 €
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Piano seul
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Jean-Philippe Rameau and Vikingur Olafsson
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Flavio Regis Cunha
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Les Rappel des Oiseaux - As interpreted by Víkingur Ólafsson
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FRC Music
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SheetMusicPlus
Jean Philippe Bruttmann - Macadam Paseo - 7 - Esperanza
Guitare notes et tablatures
Guitar Tab - Advanced Intermediate - Digital Download Composed by Jean Philippe Bru…
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Guitar Tab - Advanced Intermediate - Digital Download Composed by Jean Philippe Bruttmann. Jazz, World, European, Pop. Individual Part. 10 pages. Published by Adrian Teodorov
Complete PDF score, 10 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.<br> Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.<br> (email me at teodorov[at]gmail.com for a quote). <br> Enjoy! .Complete PDF score, 10 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.<br> Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.<br> (email me at teodorov[at]gmail.com for a quote). <br> Enjoy! .
$33.00
30.05 €
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Guitare notes et tablatures
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Jean Philippe Bruttmann
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Jean Philippe Bruttmann - Macadam Paseo - 7 - Esperanza
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Adrian Teodorov
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SheetMusicPlus
Talking To The Moon
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1500685 By Bruno Mars…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1500685 By Bruno Mars. By Albert Winkler, Ari Levine, Bruno Mars, Jeff Bhasker, and Philip Lawrence. Arranged by Thec P. Contemporary,Pop,R & B,Soul. Score. 2 pages. Thec P #1076772. Published by Thec P (A0.1500685). I'm thrilled to share my latest transcription of the vocal melody for Bruno Mars' emotional hit Talking to the Moon. This transcription is perfect for singers and musicians who want to capture the heart and soul of this beautiful ballad. The sheet music includes the lyrics and chords, making it easy to perform and enjoy.Whether you're preparing for a performance, looking for a piece to study, or simply love Bruno Mars' music, this transcription is a must-have. It's available for purchase, allowing you to bring the magic of Talking to the Moon into your repertoire.
$5.99
5.45 €
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Piano, Voix et Guitare
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Bruno Mars
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Thec P
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Talking To The Moon
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Thec P
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SheetMusicPlus
King Cotton March Piano Duet
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1078051 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1078051 Composed by John Philip Sousa. Arranged by Christina Pepper. 20th Century,Classical,Patriotic,Traditional. Score. 10 pages. Christina Pepper #682258. Published by Christina Pepper (A0.1078051). The King Cotton March was composed in 1895 by John Philip Sousa for military band, and was written for the Cotton States and International Exposition. I've always enjoyed this particular march and found a couple different piano solo versions, but neither of them really packed the punch I was looking for. I wrote this arrangement for piano duet and then recorded both parts myself (as you can see in the video) and wanted to make it available for anyone else looking to play this great piece with a friend. Approximately an intermediate/advanced difficulty level.
$10.00
9.11 €
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1 Piano, 4 mains
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John Philip Sousa
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Christina Pepper
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King Cotton March Piano Duet
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Christina Pepper
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SheetMusicPlus
Rameau: Les Cyclopes (Rondeau) from Pièces de Clavecin - As played By Víkingur Ólafsson
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1162635 By Jean-Philippe Rameau and…
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Piano Solo - Level 4 - Digital Download SKU: A0.1162635 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Early Music,Festival,Instructional. Score. 12 pages. FRC Music #763004. Published by FRC Music (A0.1162635). Les Cyclopes (Rondeau) from Pièces de Clavecin - As played By VÃkingur Ólafsson - for Piano Solo.Advanced Intermediate Level. Format: Concert, 9 x 12 inches. 12 pages.
$6.99
6.36 €
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Piano seul
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Jean-Philippe Rameau and Vikingur Olafsson
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Flavio Regis Cunha
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Rameau: Les Cyclopes
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FRC Music
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SheetMusicPlus
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
7.28 €
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Ensemble de cuivres
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John Philip Sousa
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Alexander L Burden
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King Cotton by John Philip Sousa
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Alexander Burden
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" (as played by Víkingur Ólafsson) Db MAJOR (ORIGINAL)
Piano seul
By Vikingur Olafsson and Jean- Philippe Rameau. By Jean- Philippe Rameau (1683-1764). …
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By Vikingur Olafsson and Jean- Philippe Rameau. By Jean- Philippe Rameau (1683-1764). Arranged by Flavio Regis Cunha. Baroque, Classical, Film/TV, Instructional, Wedding. Score. 4 pages. Flavio Regis Cunha #255160. Published by Flavio Regis Cunha
$7.99
7.28 €
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Piano seul
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Vikingur Olafsson and Jean- Philippe Rameau
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Flavio Regis Cunha
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Rameau: Les Boréades: "The Arts and the Hours"
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Flavio Regis Cunha
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SheetMusicPlus
King Cotton
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1249101 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #843562. Published by Matthew Nunes Music (A0.1249101). Written for the Cotton States and International Exposition of 1895, an event in Atlanta held to show the south’s resurgence after the Civil War. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. King Cotton was composed in 1895, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 51.
$1.99
1.81 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Philip Sousa
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Matthew Nunes
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King Cotton
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Matthew Nunes Music
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SheetMusicPlus
For Fun Folio King Cotton
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drum Set,Flute,Hand …
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drum Set,Flute,Hand Percussion,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.982233 Composed by John Philip Sousa. Arranged by Shawn Postell. Concert,Folk,Holiday,Patriotic,Traditional. Score and parts. 30 pages. Encore Music LLC #6294127. Published by Encore Music LLC (A0.982233). The For Fun Folio is music for a flexible ensemble; arranged for meeting the music needs for a wide variety of purposes from pregame music to playing for a community group function. Easily accessible and flexible to meet your needs. John Philip Sousa wrote this when cotton was king in the early American industrial revolution and this arrangement will get everybody's toes tapping. Your musicians will have to dig in on this one a little but it will be worth it.
$18.00
16.39 €
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John Philip Sousa
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Shawn Postell
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For Fun Folio King Cotton
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Encore Music LLC
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SheetMusicPlus
King Cotton March for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.985673 Composed by John Philip …
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Brass Ensemble - Level 3 - Digital Download SKU: A0.985673 Composed by John Philip Sousa. Arranged by Ian Meacom. Contemporary. Score and parts. 15 pages. Ian Meacom #6340201. Published by Ian Meacom (A0.985673). This is an arrangement of John Philip Sousa's King Cotton March for Brass Quintet.This arrangement includes parts for 2 Trumpets, Horn, Trombone, and Tuba.
$9.99
9.1 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Philip Sousa
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Ian Meacom
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King Cotton March for Brass Quintet
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Ian Meacom
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SheetMusicPlus
King Cotton
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1358886
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1358886 Composed by John Philip Sousa. Arranged by Edition Maulwurf. 19th Century,March. 16 pages. Edition Maulwurf #943338. Published by Edition Maulwurf (A0.1358886). King CottonMarch (1895)Music by: John Philip Sousa (1854-1932)arrangement for brass quintet2 trumpets (Bb), horn (F), trombone, tubaduration: ca. 2:45 min.grade: intermediate score and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition
$12.99
11.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Philip Sousa
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Edition Maulwurf
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King Cotton
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Edition Maulwurf
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SheetMusicPlus
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