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--INSTRUMENTS--
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It\'s Not Over Yet
Non classifié
49
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18
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2
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9
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1
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1
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15
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7
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4
2 Violons (duo)
2
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2
Harpe
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
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Contre Basse
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1
Violoncelle
1
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9
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6
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
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Crtitères actifs :
It\'s Not Over Yet
Partitions à imprimer
387 partitions trouvées
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376
It's Not Over Yet
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Ben Glover, Joel Smallbone, Ky
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Matthew Udland
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It's Not Over Yet
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Midwest A Cappella
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1380687 Composed by Ben Glover, Joel Smallbone, Kyle Rictor, Luke Smallbone, and Tedd Tjornhom. Ar...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1380687 Composed by Ben Glover, Joel Smallbone, Kyle Rictor, Luke Smallbone, and Tedd Tjornhom. Arranged by Matthew Udland. 21st Century,A Cappella,Christian,Contemporary,Praise & Worship. 7 pages. Midwest A Cappella #965468. Published by Midwest A Cappella (A0.1380687). Made popular by for King + COUNTRY SSAATBB plus duet Arrangement by Matthew Udland This song has a great message and with a fast tempo, it makes a great set closer or opener!*Though scored for an ensemble of 10 voices, more could easily double lines and the harmonies on the S2 line could be removed.*The Vocal Percussion line is optional and intended for the performer to expand upon as appropriate. *This arrangement intentionally shortened the song to 1 minute and 45 seconds to make it more manageable for an ensemble to put together. The original second verse fit nicely with the harmonies and a repeat could be added by the performing group to include the removed section.*All recordings were produced via Sibelius and Synthezier V AI tools.
$2.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
Lovers' Whisper
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Piano seul
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INTERMÉDIAIRE
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Jazz
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Virginia Tsoi
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Lovers' Whisper
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Virginia Tsoi
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1127785 Composed by Virginia Tsoi. Jazz. Score. 3 pages. Virginia Tsoi #728384. Published by Virginia Tsoi (A0.1127785). ...
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Piano Solo - Level 3 - SKU: A0.1127785 Composed by Virginia Tsoi. Jazz. Score. 3 pages. Virginia Tsoi #728384. Published by Virginia Tsoi (A0.1127785). Intermediate slow (well, mostly) jazz piece. **************** It's a love story. It's about a man fell in love with a woman at first sight, how his heart beats in the rhythm of the tune. It's like there is an untold story in her eyes - something dark and smooth, something mysterious and alluring, like a riddle hidden in the shadow of the night. Something enchanting and exquisite, something intimate, like she's the apple that was forbidden in Eden's garden. Something bewitching and hypnotizing, like alcohol is not the only thing that would make one drunk. She is a stranger, and yet, she's like a soulmate that he has since the past life. She is the secret that only lovers' would whisper to each other at night.
$5.50
It's Not Over Yet
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Guitare notes et tablatures
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Rock
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Klaxons
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It's Not Over Yet
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Klaxons. By Robert Davis, Michael Wyzgowski, and Paul Oakenfold. For guitar. Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Klaxons. By Robert Davis, Michael Wyzgowski, and Paul Oakenfold. For guitar. Rock. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Michael Wyzgowski: It's Not Over Yet for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Michael Wyzgowski
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Virtualsheetmusic
Instantly printable sheet music by Klaxons for guitar (tablature) of MEDIUM skill level. / rock
Instantly printable sheet music by Klaxons for guitar (tablature) of MEDIUM skill level. / rock
$6.97
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
Contrapunctus 19 from ' The Art of Fugue' By J.S.Bach BWV1080 For Clarinet Quartet.
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Contrapunctus 19 from ' The Ar
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.891916 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 47 pages....
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.891916 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 47 pages. Stephen Davies #3480163. Published by Stephen Davies (A0.891916). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close!
$14.99
'Contrapunctus 19' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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'Contrapunctus 19' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.891915 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 49 pages. Stephen Davies #3480611. Published by Stephen Davies (A0.891915). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close! This Saxophone version is particularly LOUD!!, so, go make some noise!!
$14.99
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
The Monk's Turned Topsy-Turvy
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764956 Composed by Lori Archer Sutherland. Conte...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804...
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Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
Overture to the Wreckers
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dame Ethel Mary Smyth
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Steven Nunes
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Overture to the Wreckers
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1292281 Composed by Dame Ethel Mary Smyth. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and ...
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Concert Band - Level 4 - SKU: A0.1292281 Composed by Dame Ethel Mary Smyth. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and Parts. 253 pages. Nagamon Publications #882900. Published by Nagamon Publications (A0.1292281). Dame Ethel Mary Smyth DBE (22 April 1858 – 8 May 1944) was an English composer and a member of the women's suffrage movement. Her compositions include songs, works for piano, chamber music, orchestral works, choral works and operas.Smyth tended to be marginalised as a ‘woman composer’ as though her work could not be accepted as mainstream. Yet when she produced more delicate compositions, they were criticised for not measuring up to the standard of her male competitors. Nevertheless, she was granted a damehood, the first female composer to be so honoured.The Wreckers is an opera in three acts, composed by Dame Ethel Smyth to a libretto in French by Henry Brewster. After spending considerable energy in trying to get the work performed in French, the first performance took place in a German translation by John Bernhoff, under the title of Strandrecht, at the Neues Theater, Leipzig on 11 November 1906. Smyth persisted in her attempts to see it staged elsewhere, but it was not until the conductor Thomas Beecham championed the work that a complete, staged performance was achieved in England in 1909 with funding support from her friend Mary Dodge.  The Overture has been arranged for wind band, and the PDF contains the full score and a full set of parts.
$65.00
It Might As Well Be Spring
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Chorale SATB
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FACILE
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Oscar Hammerstein and Richard
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Scott S
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It Might As Well Be Spring
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1087040 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Scott S. Stewart. 20th Century,A Cappella...
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Choral Choir (SATB) - Level 2 - SKU: A0.1087040 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Scott S. Stewart. 20th Century,A Cappella,Broadway,Film/TV,Musical/Show. Octavo. 6 pages. Scott S. Stewart #691235. Published by Scott S. Stewart (A0.1087040). “It Might as Well Be Spring†was written by Rodgers and Hammerstein for their one film musical, State Fair (1945), and won the Academy Award for Best Original Song that year. It’s a song not set during the spring, yet it’s one that captures the sense of anticipation we associate with the season. It’s a simple, sincere – from the heart ballad – sung by one uneasy with life and looking for a change; apt for youthful performers and ensembles. “It Might As Well Be Spring†is an American standard that has been covered by countless legendary artists of varying degrees. This arrangement is for a 4-part SATB ensemble to be performed a cappella. Performance time: 2:30+.
$2.99
The Dream Maker
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Latin/Musique du monde
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Bob Marshall
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The Dream Maker
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Bob Marshall
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.827144 Composed by Bob Marshall. Jazz,Latin. Score and parts. 75 pages. Bob Marshall #2920511. Published...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.827144 Composed by Bob Marshall. Jazz,Latin. Score and parts. 75 pages. Bob Marshall #2920511. Published by Bob Marshall (A0.827144). Transport your audience back to the psychedelic, hippiest Age of Aquarius with this Jazz Band original by Bob Marshall. Reminiscent of Woody Herman's The Herd, Don Ellis Big Band, Thad Jones-Mel Lewis Band and others, Marshall perfectly captures the style and drive of those bands in that era with The Dream Maker. After a rhythmic, full ensemble intro, the piece settles into a fluid melody featuring Flugelhorn (a la Chuck Mangione). The melody restates with a soli of 2 trumpets and 2 trombones before going into a driving soprano sax lead section soli. But wait, it's not over yet: the ensemble breaks down to just the rhythm section in unison. Adding sections one at a time the chart continues to build to a roaring climax before a D.S. that features a wailing tenor sax solo. Restating the melody once more and a big outro The Dream Maker ends the journey and all is well! Written for a standard 17-piece jazz ensemble: 5 saxes (Tenor 1 doubling Soprano Sax), 4 trumpets (2nd doubling Flugelhorn), 4 trombones, guitar (acoustic), electric bass, piano, drums. Key of Ab.
$24.00
It's Not Over Yet by for KING & COUNTRY - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Christian contemporain
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for KING & COUNTRY
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It's Not Over Yet
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Musicnotes
Performed by: for KING & COUNTRY: It's Not Over Yet Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal...
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Performed by: for KING & COUNTRY: It's Not Over Yet Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- CCM~~Christian Rock~~Christian~~Alternative CCM
$5.50
It's Not Over Yet by for KING & COUNTRY - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Christian contemporain
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for KING & COUNTRY
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It's Not Over Yet
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Musicnotes
Performed by: For King & Country: It's Not Over Yet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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Performed by: For King & Country: It's Not Over Yet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 4 pages -- CCM~~Christian Rock~~Christian~~Alternative CCM
$3.25
It's Not Over Yet by for KING & COUNTRY - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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for KING & COUNTRY
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It's Not Over Yet
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Musicnotes
Performed by: For King & Country: It's Not Over Yet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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Performed by: For King & Country: It's Not Over Yet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 7 pages -- CCM~~Christian Rock~~Christian~~Alternative CCM~~Praise & Worship
$5.50
5 Valentine's Hymns - Boundless Love
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Piano seul
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FACILE
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Musique Sacrée
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Adoniram J
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Amanda Tero
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5 Valentine's Hymns - Boundles
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Ter...
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Piano Solo - Level 2 - SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Tero. Christian,Holiday,Religious,Sacred,Traditional. Score. 29 pages. Amanda Tero #957915. Published by Amanda Tero (A0.1373611). Do you need Valentine's Hymns for church services in February? These 5 hymns cover God's love to us, Jesus's love to us, and our love to Him.Written in the key of C, these 5 early intermediate piano solos have simple patterns that are easy for the intermediate pianist to sightread.These early intermediate hymn solos are equivalent to most Level 2 and 3 curricula.Ideal for church services (especially in February), Valentine’s banquets, conferences, recitals, and more!Arranged to be simple yet tasteful in style.Here is all the information you’ll need to decide if this collection of early intermediate sheet music is the level you’re looking for:·     All in the Key of C (What Wondrous Love is This? is in A Dorian—no accidentals in key signature)·     No key changes·     Basic format: intro, verse/chorus, interlude, verse/chorus, ending·     2 verses each·     Single-note melody in the right hand (brief LH melody in The Love of God)·     Mostly broken 5ths and triads in the left hand·     Repetitive patterns for easy learning·     Similar chords between verses·     Note reading up to 2 ledger lines·     Rhythm not faster than eighth notes·     Just 1 page turn each (exception: Oh, How I Love Jesus has 2) Jesus Loves Me is an old favorite, often seen as a “children’s song.†However, the words to this hymn of love are just as important for adults as for children. While a simple arrangement, this is not a childish sounding arrangement.·     Features an “echo†melody written 8va·     Left hand in treble clef for portions·     Ends with hand crossing My Jesus, I Love Thee begins unexpectedly with colorful chords that finally release tension into a calm first verse. There are slight jazz textures in this arrangement but also classical elements with scales and Alberti bass.·     Rich chord textures (just a hint of jazz/dissonance)·     Accidentals·     Right hand scales (ascending & descending) Oh, How I Love Jesus is a cheerful arrangement with just a hint of cinematic-style melodies. The chords are very similar between verse 1 and 2 in this arrangement, making it especially easy for the pianist to learn.·     6/8 meter·     Cinematic elements·     Chords repeat: open 5ths and 6ths or filled in triads/chords The Love of God starts with left hand melody, making this different from all the other arrangements. The goal is for this to be a seamless melody transition between the hands while the non-melody hand supports at a slightly lower volume.·     Left hand melody for part·     Right hand chords for part·     Left hand repeats in different octaves for broader sound What Wondrous Love is This? is a haunting conclusion to the collection. It is predominantly arranged with open 5ths in the left hand and repeating patterns in the right hand. It ends with slow, four-note chords that are very hymn-like.·     A Dorian mode·     Very easy left hand (repeating open 5ths)·     Sounds harder than it really is.
$14.99
Hanover Cove (from Tales from the Cornish Coast) Flute & Piano. By Keri Degg
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Keri Degg
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Hanover Cove
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Masquerade Music
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1247375 Composed by Keri Degg. 21st Century,Celtic,Film/TV,Folk,Irish. Score and part. 3 pages. Masquerade Music #842010...
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Flute,Piano - Level 3 - SKU: A0.1247375 Composed by Keri Degg. 21st Century,Celtic,Film/TV,Folk,Irish. Score and part. 3 pages. Masquerade Music #842010. Published by Masquerade Music (A0.1247375). Hanover Cove by Keri Degg is a piece from a collection of six ambient original soundscapes for flute and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 and aimed at grades 2-5.Hanover Cove is suitable for Flute (Standard C flute) and the difficulty level of the piece is around grade 4-5 (approximately).A full Youtube playlist is also available if you'd like to hear each separate piece in its entirety (with sheet music samples shown) here: https://www.youtube.com/watch?v=hyAj-0RktQoYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above)Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Bb clarinet edition and Alto saxophone edition.
$3.99
Hanover Cove (from Tales from the Cornish Coast) Bb Clarinet & Piano. By Keri Degg
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Clarinette et Piano
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FACILE
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Keri Degg
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Hanover Cove
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Masquerade Music
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.1247856 Composed by Keri Degg. 21st Century,Celtic,Film/TV,Folk,Irish,New Age. Score and part. 4 pages. Masquerade Mu...
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Clarinet,Piano - Level 2 - SKU: A0.1247856 Composed by Keri Degg. 21st Century,Celtic,Film/TV,Folk,Irish,New Age. Score and part. 4 pages. Masquerade Music #842412. Published by Masquerade Music (A0.1247856). Hanover Cove by Keri Degg is a piece from a collection of six ambient original soundscapes for Bb clarinet and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023.Hanover Cove is suitable for Bb clarinet and piano and the difficulty level of the piece is around grade 4-5 (approximately).A full Youtube video available if you'd like to hear excerpts of each separate piece from the Tales from the Cornish Coast clarinet book (with sheet music samples shown) here: https://youtu.be/JlhxUwjTWhIYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above)Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download audio tracks) and is also available in flute edition and Alto saxophone edition.
$3.99
Souvenirs des Huguenots - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Louise Farrenc
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Robert Debbaut
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Souvenirs des Huguenots - Scor
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ROBERT DEBBAUT
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT ...
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Concert Band - Level 5 - SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT #781763. Published by ROBERT DEBBAUT (A0.1182001). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century.  They would only allow her to teach piano, not composition, because she was undeniably a virtuoso pianist.  During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. She wrote no works for wind band of any kind, yet she lived in a golden age of especially French band music. As such, I felt a new generation of music students should hear the music of this incredibly talented composer who had the misfortunate of being born female in the 19th Century. This work is certainly characteristic of the Romantic Era and would make a lovely concert overture. the main sub ject of her variations is Martin Luther's A Mighty Fortress is Our God. If you purchase this score (and like it), please write to me at debbaut@gmail.com, subject Farrenc and I will send you a copy of the wav file as well as a link to her original piano work (I;'ve not taken too many liberties). If you still like it, parts may be had for $100 via Venmo or personal check. Write to debbaut@gmail.com, subject Farrenc..
$9.99
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It\'s Not Over Yet