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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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VIOLONCELLE
XYLOPHONE
The Iron Rod
Non classifié
158
Piano & claviers
Piano seul
66
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33
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17
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14
Orgue
9
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2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
Piano grosses notes
1
+ 5 instrumentations
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10
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8
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6
Ukulele
2
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1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
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36
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11
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9
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5
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4
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2
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1
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix seule
1
Voix haute
1
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7
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7
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6
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6
Ensemble à vent
5
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5
Clarinette et Piano
5
Flûte traversière
5
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4
Saxophone Soprano et Piano
4
Saxophone Alto
4
Saxophone Tenor et Piano
4
Ensemble de Clarinettes
4
Clarinette, Guitare (duo)
3
2 Saxophones (duo)
3
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3
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
2 Flûtes traversières (duo)
2
Clarinette
2
Cor anglais, Piano
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette Basse, Piano
1
Ensemble de Flûtes
1
Flûte, Alto (duo)
1
Hautbois
1
3 Clarinettes (trio)
1
2 Clarinettes (duo)
1
Clarinette, Trompette (duo)
1
Saxophone, Clarinette (duo)
1
Saxophone Baryton, Piano
1
+ 28 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
6
Trompette
5
Trompette, Piano
4
Cor et Piano
4
Trombone
3
Cor
3
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
1
2 Trombones (duo)
1
Ensemble de Cors
1
Trompette, Trombone (duo)
1
Trompette, Saxophone (duo)
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres
1
Tuba et Piano
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Alto, Piano
8
Violon et Piano
7
Violoncelle
6
Violon
6
Violoncelle, Piano
5
Harpe
5
Violon, Violoncelle (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto seul
3
4 Violoncelles
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
2
Contre Basse
2
2 Violons (duo)
2
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Orchestre
20
Ensemble de cuivres
16
Orchestre à Cordes
8
Batterie
7
Orchestre de chambre
7
Ensemble Jazz
5
Fanfare
4
Ensemble de Percussions
2
Cloches
2
2 Marimbas
1
Jazz combo
1
Xylophone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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Crtitères actifs :
The Iron Rod
Partitions à imprimer
838 partitions trouvées
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826
Let Tyrants Shake Their Iron Rod (for 3-6 octave handbell ensemble) (site license)
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Cloches
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AVANCÉ
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William Billings
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Jason W
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Let Tyrants Shake Their Iron R
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Grassy Meadow Music
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SheetMusicPlus
Handbell - Level 5 - SKU: A0.1300713 Composed by William Billings. Arranged by Jason W. Krug. Christian,Contest,Festival,Religious,Sacred,Traditional. S...
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Handbell - Level 5 - SKU: A0.1300713 Composed by William Billings. Arranged by Jason W. Krug. Christian,Contest,Festival,Religious,Sacred,Traditional. Score. 16 pages. Grassy Meadow Music #890457. Published by Grassy Meadow Music (A0.1300713). 3-6 Octaves, Level 5Purchase of this item constitutes a site license -- permission is given to produce as many copies as needed for your ensemble only. This evocative setting of a hymntune by William Billings is a masterful tour de force that is not to be missed!  The different verses of this Revolutionary War anthem are given a wide variety of stylistically-diverse treatments, telling of life under tyranny, the struggle to gain independence, and a final joyous celebration of newfound freedom and liberty.  ·     Purchase of this PDF grants permission to broadcast or live stream performances.
$64.95
Let Tryants Shake Their Iron Rod (Chester)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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William Billings
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Charles A
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Let Tryants Shake Their Iron R
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CG Publications
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1103248 Composed by William Billings. Arranged by Charles A. Gravenhorst. Christian,Folk,Historic,Holiday,P...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1103248 Composed by William Billings. Arranged by Charles A. Gravenhorst. Christian,Folk,Historic,Holiday,Patriotic. Score. 3 pages. CG Publications #706526. Published by CG Publications (A0.1103248). New England’s unofficial anthem of the American Revolution is arranged here for Unison Voices with Piano Accompaniment and Optional Harmony. A rousing hymn of both praise to God and manly defiance to tyranny, this long-neglected patriotic song sits amiably beside Irving Berlin’s beloved “God Bless America†as emblematic of the American spirit of liberty. An inspiring addition to your holiday program.
$4.99
Chester - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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William Billings
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Joel Jacklich (ASCAP)
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Chester - Full Orchestra
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and p...
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Full Orchestra - Level 3 - SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and parts. 22 pages. Joel Jacklich #3111503. Published by Joel Jacklich (A0.723123). William Billings, the first native-born American composer, wrote Chester as a patriotic tune embracing the American disdain for their British overlords and espousing the need for freedom and self-determination. The title, merely reflects a common practice of the time of having hymn tunes named for the location of their composition, rather than for their content. The piece served as a sort of de facto national anthem in the early years of our nationhood. The original words are supposedly by Billings himself.Let tyrants shake their iron rod,And Slav'ry clank her galling chains,We fear them not, we trust in God,New England's God forever reigns.Howe and Burgoyne and Clinton too,With Prescot and Cornwallis join'd,Together plot our Overthrow,In one Infernal league combin'd.When God inspir'd us for the fight,Their ranks were broke, their lines were forc'd,Their ships were Shatter'd in our sight,Or swiftly driven from our Coast.The Foe comes on with haughty Stride;Our troops advance with martial noise,Their Vet'rans flee before our Youth,And Gen'rals yield to beardless Boys.What grateful Off'ring shall we bring?What shall we render to the Lord?Loud Halleluiahs let us Sing,And praise his name on ev'ry Chord.
$19.99
The Iron Rod
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Piano Facile
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Musique Sacrée
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William Clayson
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Kristi Joyce
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The Iron Rod
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Kristi Joyce
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SheetMusicPlus
Easy Piano - SKU: A0.988230 Composed by William Clayson. Arranged by Kristi Joyce. Christian,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Kristi J...
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Easy Piano - SKU: A0.988230 Composed by William Clayson. Arranged by Kristi Joyce. Christian,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Kristi Joyce #5896711. Published by Kristi Joyce (A0.988230). This is a beginner piano arrangement of the beloved hymn The Iron Rod. The melody is played with the right hand and the left hand uses your basic I, IV, V chords to help your beginning student. It also is conveniently transposed to the key of C-Major for your student. Enjoy!
$1.99
The Iron Rod SATB
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Chorale SATB
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FACILE
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Musique Sacrée
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William Clayson and Joseph L T
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Jason M Robison
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The Iron Rod SATB
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Jason M Robison
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1296109 Composed by William Clayson and Joseph L Townsend. Arranged by Jason M Robison. Christian,Praise ...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1296109 Composed by William Clayson and Joseph L Townsend. Arranged by Jason M Robison. Christian,Praise & Worship,Religious,Sacred. 10 pages. Jason M Robison #886361. Published by Jason M Robison (A0.1296109). This familiar LDS hymn has a beautiful message of hope through staying faithful to the teachings of Jesus Christ. Â This arrangement helps the music feel more accessible and relatable - particularly for the youth. Â One of my favorite ways to perform this piece is to have families bring their children to sing the melody along with the choir. Â It may become one of your new favorites.
$2.49
The Iron Rod (Vocal Solo - Medium)
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Musique Sacrée
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Joseph L
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Rebecca Belliston
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The Iron Rod
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Rebecca Belliston
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - SKU: A0.726923 Composed by Joseph L. Townsend and William Clayson. Arranged by Rebecca Belliston. Christian,Religiou...
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Medium Voice,Vocal Solo - Level 3 - SKU: A0.726923 Composed by Joseph L. Townsend and William Clayson. Arranged by Rebecca Belliston. Christian,Religious,Sacred,Spiritual. 7 pages. Rebecca Belliston #6037555. Published by Rebecca Belliston (A0.726923). â–º Vocal Solo Arrangement: The Iron Rodâ–º Also Available: Piano Solo https://www.sheetmusicplus.com/look_inside?R=21831571&aff_id=493245
$4.99
The Iron Rod
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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William Clayson
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Rebecca Belliston
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The Iron Rod
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Rebecca Belliston
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.726922 Composed by William Clayson. Arranged by Rebecca Belliston. Christian,Praise & Worship,Religious,Sacred,Spiritual....
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Piano Solo - Level 4 - SKU: A0.726922 Composed by William Clayson. Arranged by Rebecca Belliston. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 6 pages. Rebecca Belliston #5988205. Published by Rebecca Belliston (A0.726922). â–º Piano Solo Arrangement: The Iron Rod
$4.99
Let Thy Holy Spirit Guide, sacred music for SATB choir, 2023
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Mark R
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Let Thy Holy Spirit Guide, sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1219695 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1219695 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #816065. Published by Kevin G. Pace (A0.1219695). A stunning, sacred choral arrangement for SATB choir.  Music by Kevin G. Pace.  Text by Kevin G. Pace & Mark R. Fotheringham.Text:Let Thy Holy Spirit guide, throughout my journey on earth. Thou hast blessed me graciously from the very moment of birth. Let me hold the iron rod. Help me find the way. Lead me to the tree of life to rejoice while still it is the day.Let Thy Holy Spirit guide, May thy tender mercies mercies revealed Lead me to the tree of life. Let me serve Thee,  Thy love to love to  feel.Let Thy Holy Spirit guide, Though strait and narrow the way. Keep me on the path to Thee through the darkness lest I should stray. May I ever find joy in Thee, as my will meets Thine. Let me see Thy countenance, recognizing something there in mine. Let Thy Holy Spirit guide. May my place with Thee be assured.Lead me to the tree of life. Through repentance my ills be cured.Let Thy Holy Spirit guide when mortal life has an end.Let my soul be lifted up to behold Thy presence again. Guide my steps by faith in Thee. Lead me I implore. May I find my place with Thee, there abide to go out nevermore. Let Thy Holy Spirit guide. Neither stranger nor as a guest, Lead me to the tree of life. Let me there find eternal rest.
$1.99
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Four Favorite Hymns from the Movie - "Stars In My Crown"
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Musique Sacrée
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John R
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Ginny Saltzman
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Four Favorite Hymns from the M
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Ginny's House of Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robi...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
Listen to the Spirit for SATB Choir
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Piano, Voix
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DÉBUTANT
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Musique Sacrée
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KATHLEEN HOLYOAK
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Listen to the Spirit for SATB
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Kathleen Holyoak
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1198476 Composed by KATHLEEN HOLYOAK. Christian,Praise & Worship,Religious,Sacred. Score. 5 pages. Kathleen...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1198476 Composed by KATHLEEN HOLYOAK. Christian,Praise & Worship,Religious,Sacred. Score. 5 pages. Kathleen Holyoak #797592. Published by Kathleen Holyoak (A0.1198476). Listen to the Spirit, an original SATB title appropriate for church or any sacred devotional. Follow words by gifted and award-winning lyricist, Gary Croxall:Open your ears that ye may hearand your heart to understand.Open your eyes and turn to God,for ye shall see His hand.He will not leave you comfortless,His precious Son divineAsks God to shed the Spirit's lighton meek, enquiring minds.  Come now and learnof Christ the Lord;find access to God's pow'r.Search scriptures pure revealed to man;pray daily and each hour.The Spirit testifies of truthinstilling peace sublime.He will protect and guide the soulswho seek eternal life.Listen to the Spirit.The things He speaks are true.The messenger of Godunfolds deep mysteries to view.Like a fire burning,He dwells within the heart.From faithful souls who heed His voice,He never shall depart.He guides us to the iron rodand leads our souls to God, to God.
$2.49
Listen to the Spirit - SATB
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Chorale SATB
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DÉBUTANT
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KATHLEEN HOLYOAK
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Listen to the Spirit - SATB
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Kathleen Holyoak
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476632 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Religious,Sacred. 5 pages...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476632 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Religious,Sacred. 5 pages. Kathleen Holyoak #1054139. Published by Kathleen Holyoak (A0.1476632). Listen to the Spirit (SATB arrangement) was commissioned for a choir in San Diego for a cantata and appropriatefor any worship service. Some of the words by Gary Croxall are as follows: (Also available as a vocal solo.) First verse:Open your ears that ye may hearand your heart to understand.Open your eyes and turn to God,for ye shall see His hand.He will not leave you comfortless,His precious Son divineasks God to shed the Spiriti's light on meek,enquiring minds.Refrain:Listen to the Spirit.The things He speaks are true.The messenger of God unfolds deep mysteries to view.Like a fire burning,He dwells within the heart.From faithful soul who heed His voice,He never shall depart.He guides us to the iron rodand leads our souls to God.
$2.99
For the Love of Hymns 2 (LDS Hymns for Solo Piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Rebecca Belliston
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Rebecca Belliston
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For the Love of Hymns 2
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Rebecca Belliston
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.854195 By Rebecca Belliston. By Rebecca Belliston. Arranged by Rebecca Belliston. Christian,Easter,Religious,Sacred,Spiri...
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Piano Solo - Level 4 - SKU: A0.854195 By Rebecca Belliston. By Rebecca Belliston. Arranged by Rebecca Belliston. Christian,Easter,Religious,Sacred,Spiritual. Score. 35 pages. Rebecca Belliston #460740. Published by Rebecca Belliston (A0.854195). Piano Solo album of LDS hymns. Songs include: â–º For the Beauty of the Earth/Simple Gifts â–º The Iron Rod â–º Jesus Once of Humble Birth/Christ the Lord is Risen Today â–º Master, the Tempest is Raging â–º Moonlight Hie to Kolob â–º Teach Me to Walk in the Light â–º 'Tis Sweet to Sing/Jesus of Nazareth.
$11.99
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Banjo
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Classique
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Intermediate
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Cape Breton and Prince Edward
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Mus...
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Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On and Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light and Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange and Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver and Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, and Yet
$24.99
The Gathering, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Gathering, a sacred hymn
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SheetMusicPlus
Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian, Sacred, Praise &...
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Voice, Choir, SATB - Advanced Intermediate - Digital Download Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian, Sacred, Praise & Worship, Latter-Day Saints, General Worship. 2 pages. Published by Kevin G. Pace
A sacred hymn about the gathering of Israel on both sides of the veil. Music by Kevin G. Pace. Text by Mark R. Fotheringham. See text below:
The path that leads to covenant is open to mankind,
But people often need a friend, the path to help them find.
An invitation to the truth will serve each person well,
To join the work of gathering on both sides of the veil.
Oh may I seek my neighbors? good by pointing them to God,
And see the joy that comes to those who grasp the iron rod.
The missionary zeal I feel is not some holy grail,
But simple service to each friend on both sides of the veil.
To do the work of gathering needs little more than love
And listening to heaven's voice, the Spirit from above.
Expand my heart to care for all that I may never fail
To reach the ones who wait for me on both sides of the veil.
$1.99
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Piano seul
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INTERMÉDIAIRE
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Noël
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Nat Cole With N
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Thomas Gunther
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The Christmas Song
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1325497 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Thomas Gunther. Christmas,Holiday,Jaz...
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Piano Solo - Level 3 - SKU: A0.1325497 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Thomas Gunther. Christmas,Holiday,Jazz. Score. 4 pages. Thomas Gunther Music Productions #913724. Published by Thomas Gunther Music Productions (A0.1325497). Solo Piano Arrangement By Thomas GuntherThe Christmas Song is maybe the most popular Christmas Song in the USA. Some know it as Chestnuts Roasted On An Open Fire or Merry Christmas to You. The melody is absolutely beautiful, and the chord changes super interesting. I especially like Nat King Cole's version, which is in Db major. To make it easier for intermediate piano players I wrote my piano solo arrangement in C major instead. It is still challenging  enough.The sheet music will be available for purchase at 2pm Chicago time on Nov 27.About The ArrangementThe arrangement is written in jazz ballade style. It doesn't swing. I includes a fun double time improvisation section though which I made up on the spot during the second B section when I recorded the song. It is in latin style. The arrangement can be performed with or without improvisation. Should you be a jazz pianist you could use the included chord symbols to make up your own improvisation.About The Sheet MusicThe sheet music is the exact transcription of my recording, including the improvisation part. (You can listen to it and see me perform in the video below.)The sheet music contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. How This Arrangement Came AboutMay arrangement is heavily based on the Nat King Cole version. I love the ballade feel and the beautiful chord substitutions he uses in the orchestration. First I simply played along with his version in Db major. This helped me to figure out the harmony. Next I start thinking about the accompaniment. Now it is time to practice it. Once I have the arrangement figured out I start recording it a few times, listen to each version, iron out the edges. Now it is time to record the entire thing. Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. I always think about fingering and sustain pedal use at the same time when learning a song. Smart use of the sustain pedal can really make it much easier to play.Is This Arrangement For You?This solo piano arrangement is for every pianist who loves The Christmas Song. It doesn't matter would kind of pianist you are. The arrangement is certainly for intermediate pianists and up. It is also beneficial when you don't have very small hands. Some chords in the left hand require a hand span of a 10th. However, there are ways to get around that by simply rolling the notes with the help of the sustain pedal.
$5.99
The Number Of The Beast
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Chorale 3 parties
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INTERMÉDIAIRE
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Iron Maiden
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Karen Ivana
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The Number Of The Beast
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 3 - SKU: A0.1473302 By Iron Maiden. By Steve Harris. Arranged by Karen Ivana. 20th Century,Rock. 14 pages. Karen ...
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Choral Choir,Choral,SAB Chorus - Level 3 - SKU: A0.1473302 By Iron Maiden. By Steve Harris. Arranged by Karen Ivana. 20th Century,Rock. 14 pages. Karen Ivana #1051114. Published by Karen Ivana (A0.1473302). Hard rock song from Iron Maiden given a new twist - this arrangement starts much as the Iron Maiden version but becomes increasingly gentle, the last section is dolce and the ending as light as a feather. I see it as an affectionate tribute to a tongue-in-cheek song which was often taken far too seriously! This is a three part version suitable for any male voice and female voices. I also have available a version for SSA choir.
$2.99
The Number Of The Beast
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Iron Maiden
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Karen Ivana
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The Number Of The Beast
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral,SAT Chorus - Level 3 - SKU: A0.1473301 By Iron Maiden. By Steve Harris. Arranged by Karen Ivana. 20th Century,Rock. 14 pages. Karen ...
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Choral Choir,Choral,SAT Chorus - Level 3 - SKU: A0.1473301 By Iron Maiden. By Steve Harris. Arranged by Karen Ivana. 20th Century,Rock. 14 pages. Karen Ivana #1051113. Published by Karen Ivana (A0.1473301). Hard rock song from Iron Maiden given a new twist - this arrangement starts much as the Iron Maiden version but becomes increasingly gentle, the last section is dolce and the ending as light as a feather. I see it as an affectionate tribute to a tongue-in-cheek song which was often taken far too seriously! This is a three part version suitable for any male voice and female voices. I also have available a version for SSA choir.
$2.99
The Number Of The Beast
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Chorale 3 parties
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INTERMÉDIAIRE
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Iron Maiden
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Karen Ivana
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The Number Of The Beast
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1473296 By Iron Maiden. By Steve Harris. Arranged by Karen Ivana. 20th Century,Rock. 10 pages. Karen ...
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Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1473296 By Iron Maiden. By Steve Harris. Arranged by Karen Ivana. 20th Century,Rock. 10 pages. Karen Ivana #1051108. Published by Karen Ivana (A0.1473296). Hard rock song from Iron Maiden given a new twist - this arrangement starts much as the Iron Maiden version but becomes increasingly gentle, the last section is dolce and the ending as light as a feather. I see it as an affectionate tribute to a tongue-in-cheek song which was often taken far too seriously!
$2.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Bunker Hill: Fantasy for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Nathaniel Hontz
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Bunker Hill: Fantasy for Band
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TigerSong LLC
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1311957 Composed by Nathaniel Hontz. Classical,Contemporary,Contest,Festival,Historic,Patriotic. 46 pages. TigerSong LL...
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Concert Band - Level 4 - SKU: A0.1311957 Composed by Nathaniel Hontz. Classical,Contemporary,Contest,Festival,Historic,Patriotic. 46 pages. TigerSong LLC #900849. Published by TigerSong LLC (A0.1311957). Bunker Hill is a fantasy for Wind Band. It draws its musical themes from three colonial war tunes: Bunker Hill (Why Should Vain Mortals) by Nathaniel Niles; Chester (Let Tyrant Shake Their Iron Rods) by William Billings; and The British Grenadiers. The piece makes heavy use of less conventional modes (aeolian and lydian), and dissonance to convey impressions of the battle.
$24.99
Folk Songs For Classical Guitar - Volume 9 (Songs 217-243)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1152788 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1152788 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753026. Published by Socrates Arvanitakis (A0.1152788). This is the ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 9 (Songs 217-243)Crystal Spring (The)Cuckoo (the)Cumha MhicCupid’s GardenCutting Down the PinesDabbling in the DewDance to your DaddyDarby KellyDashing Away With the Smoothing IronDashing White Sergeant (the) continue hereDavy LowstonDean CadalanDeath and the LadyDeath of Admiral Benbow (the)Death of Queen Jane (the)Derby Ram (the)DerwentwaterDerwentwater’s FarewellDeserter (the) version ADeserter (the) version BDevil and the Farmer’s Wife (the)Dewy Dells of Yarrow (the)DiademDialogue between Jacob and Esau (A)Dicky of Tauton DeneDidn’t My Lord Deliver DanielDigger’s Song (the).
$25.00
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