Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Last Tango
Non classifié
2
Piano & claviers
Piano seul
10
Instruments en Do
1
Piano, Voix
1
Guitares
Guitare
2
Voix
Vents
2 Saxophones (duo)
5
Saxophone, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
Flûte traversière et Piano
2
Clarinette, Trompette (duo)
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Saxophone (partie séparée)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois (duo)
1
Ensemble de Flûtes
1
Clarinette et Alto
1
2 Hautbois (duo)
1
2 Flûtes traversières (duo)
1
+ 11 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
2
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone et Piano
1
+ 1 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon, Violoncelle (duo)
1
Violon et Piano
1
4 Contrebasses
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre
4
Orchestre de chambre
2
Orchestre d'harmonie
2
Ensemble Jazz
1
Ensemble de cuivres
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
20
Partitions Numériques
75
Librairie Musicale
127
Matériel de Musique
9
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Last Tango
Partitions à imprimer
75 partitions trouvées
<
1
26
51
Morango ... almost a tango, full score
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Tango
#
Thomas Oboe Lee
#
Morango ... almost a tango, fu
#
Thomas Oboe Lee
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
Redención (Tango) - Piano solo
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Alfredo Gobbi
#
Andrés S
#
Redención
#
Andrés S. Orlando
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1176955 By Alfredo Gobbi. By Alfredo Gobbi. Arranged by Andrés S. Orlando (transcription). 20th Century,Latin,Multicul...
(+)
Piano Solo - Level 4 - SKU: A0.1176955 By Alfredo Gobbi. By Alfredo Gobbi. Arranged by Andrés S. Orlando (transcription). 20th Century,Latin,Multicultural,World. Score. 5 pages. Andrés S. Orlando #776961. Published by Andrés S. Orlando (A0.1176955). Gobbi was known as a great violinist, but he was also a gifted pianist.  This score is a transcription of his composition from the only record left of him playing the piano in Radio El Mundo in the last years of his life. The tango is dedicated to Jesus of Nazareth as can be heard in the voice of Gobbi himself on the recording.Redención became one of Gobbi's most famous tangos, perhaps partly to the version played by A. Piazzolla and his quintet, but surely also because of the beauty and depth of its music.Alfredo Gobbi was a great forgiven in tango history. His work as composer, conductor, arranger and violinist was admired by great tango musicians. As Piazzola said Alfredo was the father of all of us, those of us who make modern tango.
$7.99
Camandulaje (Tango) - Piano solo
#
Piano seul
#
INTERMÉDIAIRE
#
Tango
#
Alfredo Gobbi
#
Andrés S
#
Camandulaje
#
Andrés S. Orlando
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1199406 By Alfredo Gobbi. By Alfredo Gobbi. Arranged by Andrés S. Orlando (transcription). 20th Century,Latin,Multicul...
(+)
Piano Solo - Level 3 - SKU: A0.1199406 By Alfredo Gobbi. By Alfredo Gobbi. Arranged by Andrés S. Orlando (transcription). 20th Century,Latin,Multicultural,World. Score. 5 pages. Andrés S. Orlando #798474. Published by Andrés S. Orlando (A0.1199406). Gobbi was known as a great violinist, but he was also a gifted pianist.  This score is a transcription of his composition from the only record left of him playing the piano in Radio El Mundo in the last years of his life. Camandulaje is a lunfardo word that means A group of individuals who come together to break the law.Alfredo Gobbi was a great forgiven in tango history. His work as composer, conductor, arranger and violinist was admired by great tango musicians. As Piazzola said Alfredo was the father of all of us, those of us who make modern tango.
$14.99
Last Tango in Leicester Square
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Latin/Musique du monde
#
Jazz
#
Barbara Arens
#
Last Tango in Leicester Square
#
Barbara Arens
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.764009 Composed by Barbara Arens. Concert,Contemporary,Jazz,Latin,Standards. Score and part. 5 pages. Barbara Arens #641...
(+)
Flute,Piano - Level 3 - SKU: A0.764009 Composed by Barbara Arens. Concert,Contemporary,Jazz,Latin,Standards. Score and part. 5 pages. Barbara Arens #6417289. Published by Barbara Arens (A0.764009). Last Tango in Leicester Square I think you’ll have fun with this one! You might want to watch some tangos on YouTube, so you get a feel for the very strict time, the importance of the accents, the tiny ritardandos...
$3.50
Appassionatango
#
Guitare
#
AVANCÉ
#
Tango
#
Patrick Roux
#
Appassionatango
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4286 Composed by Patrick Roux. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4286. Published by Les Productions d'O...
(+)
Guitar - Advanced - SKU: ZZ.DZ-4286 Composed by Patrick Roux. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4286. Published by Les Productions d'OZ - Digital (ZZ.DZ-4286). Appassionatango is a work written in the style of tango nuevo. It lasts approximately 8'30 and consists of 4 interconnected episodes that reflect the various passionate characteristics of this music: fiery and rhythmic (episode 1), fast-paced and captivating (episode 2), nostalgic and melancholic (episode 3), a synthesis and amalgamation of themes explored throughout the piece culminating in a virtuosic and explosive finale (episode 4). It's a piece filled with emotion, energy, and changes in character that wonderfully capture the essence of tango nuevo passion!Appassionatango est une œuvre écrite dans le style du tango nuevo. D'environ 8'30, elle traverse 4 épisodes enchainés qui reflètent les différents caractères passionnés de cette musique, soit fougueux et rythmique (épisode 1), rapide et enlevant (épisode 2), nostalgique et mélancolique (épisode 3), synthèse et amalgame des thèmes exploités tout au long de la pièce avec finale virtuose et explosive (épisode 4). Une œuvre avec beaucoup d'émotion, d'énergie et de changement de caractères qui traduit à merveille toute la passion du tango nuevo!
$7.95
Tango 41
#
Quintette à cordes: 2 violons, alto, violoncelle, basse
#
INTERMÉDIAIRE/AVANCÉ
#
Tango
#
Adrian Varela
#
Tango 41
#
Adrian Varela
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1198846 Composed by Adrian Varela. Chamber,Classical,Contest,Festival,Latin,Multicultu...
(+)
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1198846 Composed by Adrian Varela. Chamber,Classical,Contest,Festival,Latin,Multicultural,World. 28 pages. Adrian Varela #797934. Published by Adrian Varela (A0.1198846). 'Tango 41' is a tango double-fugue & groove incorporating motifs from the last movement of Mozart's symphony no.41 in C, 'Jupiter'. Mozart's work is famous for its rotating canon at the end. This tango goes one better: it is a tango fugue, and at the recap does a double fugue piling the tango theme and Mozart's on top of each other. The body of the track is a tango groove in the 'nuevo tango' style. The coda builds to a Mahler-evoking frightening climax, unwinding, and surprising to the nasty end. The middle section is a 'Gato', an Argentine folk-music which is, like much Latin American folk music, both in 6/8 and 3/4 simultaneously.'Tango 41' was originally composed as the first movement of 'Danzas Fantasticas', a 3-movement work for large orchestra and female voice.
$12.99
TANGO NIGHT
#
Instruments en Do
#
Tango
#
Helene Alter-Dyche
#
TANGO NIGHT
#
Silver Rose Publications
#
SheetMusicPlus
C Instrument - SKU: A0.483249 Composed by Helene Alter-Dyche. Film/TV,Latin,Multicultural,Pop,Standards,World. Lead Sheet / Fake Book. 2 pages. Publishe...
(+)
C Instrument - SKU: A0.483249 Composed by Helene Alter-Dyche. Film/TV,Latin,Multicultural,Pop,Standards,World. Lead Sheet / Fake Book. 2 pages. Published by Silver Rose Publications (A0.483249). A Tango,in minor key, from flickering beginning, through a sweet melancholy in major thirds, to the last ember of flame, as music and dancers fade away, with the last hope of eternal love!
$5.00
Tango Para Trompeta (Trumpet Solo and Concert Band)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Tango
#
Raymond Fenech
#
Tango Para Trompeta
#
Raymond Fenech
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.759799 Composed by Raymond Fenech. Contemporary,Contest,Easter,Festival,Multicultural,Standards,World. Score and parts....
(+)
Concert Band - Level 3 - SKU: A0.759799 Composed by Raymond Fenech. Contemporary,Contest,Easter,Festival,Multicultural,Standards,World. Score and parts. 45 pages. Raymond Fenech #2002929. Published by Raymond Fenech (A0.759799). This is an original Tango for solo Trumpet and Concert Band, hence the name 'TANGO PARA TROMPETA'. It is in the form of a ternary with a trumpet cadence in the middle of the first and last part of the piece, to give it a unique style. The backing is quite simple although you will need a good trumpeter. The level is Intermediate.
$35.00
To Ostatnia Niedziela (The Last Sunday) Polish Tango
#
Piano seul
#
INTERMÉDIAIRE
#
Tango
#
Jerzy Petersburski
#
Leah Ginzburg
#
To Ostatnia Niedziela
#
Leah Ginzburg
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1308847 By Jerzy Petersburski. By Jerzy Petersburski. Arranged by Leah Ginzburg. 20th Century,Film/TV,Multicultural,Weddi...
(+)
Piano Solo - Level 3 - SKU: A0.1308847 By Jerzy Petersburski. By Jerzy Petersburski. Arranged by Leah Ginzburg. 20th Century,Film/TV,Multicultural,Wedding,World. Score. 3 pages. Leah Ginzburg #898099. Published by Leah Ginzburg (A0.1308847). To Ostatnia Niedziela (The Last Sunday; 1935) is one of the long-time hits of Jerzy Petersburski with lyrics by Zenon Friedwald.
$10.99
... und ein Tango
#
Violon et Piano
#
INTERMÉDIAIRE
#
Tango
#
Bertold Hummel
#
... und ein Tango
#
Schott Music - Digital
#
SheetMusicPlus
Violin and piano - intermediate - SKU: S9.Q6675 Four Easy Pieces. Composed by Bertold Hummel. This edition: Sheet music. Violin Library. Download...
(+)
Violin and piano - intermediate - SKU: S9.Q6675 Four Easy Pieces. Composed by Bertold Hummel. This edition: Sheet music. Violin Library. Downloadable. Schott Music - Digital #Q6675. Published by Schott Music - Digital (S9.Q6675). The composer Bertold Hummel used to give musical presents at birthdays. Thus, he created many pieces which are easy to play and could be performed ad hoc at family parties. The four violin pieces in the present edition were composed by Bertold Hummel in the last years of his life. Albumblatt, Arietta and Tango are dedicated to his wife Inken, who played the violin, and Ständchen was written for his granddaughter Johanna Marie, when she was born.
$11.99
One More Last Time for solo baritone saxophone
#
Saxophone (partie séparée)
#
Contemporain
#
Nicholas Russoniello
#
One More Last Time for solo ba
#
Nicholas Russoniello
#
SheetMusicPlus
Baritone Saxophone Solo - SKU: A0.921104 Composed by Nicholas Russoniello. Contemporary. Individual part. 5 pages. Nicholas Russoniello #2832587. Publis...
(+)
Baritone Saxophone Solo - SKU: A0.921104 Composed by Nicholas Russoniello. Contemporary. Individual part. 5 pages. Nicholas Russoniello #2832587. Published by Nicholas Russoniello (A0.921104). A sensual last tango for the solo baritone saxophone.
$15.00
The Last Time
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
K
#
The Last Time
#
Komar Kateryna
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.914227 Composed by K.Komar. 20th Century,World. Score and parts. 10 pages. Komar Kateryna #3667825. Pu...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.914227 Composed by K.Komar. 20th Century,World. Score and parts. 10 pages. Komar Kateryna #3667825. Published by Komar Kateryna (A0.914227). It's original fast and passion melody in tango style for string quartet. You also can find a part for third violin (if you don't have violist). .
$6.99
Milonga Insensitive (from Tango Suite) - Letter version
#
Orchestre de chambre
#
AVANCÉ
#
Jozsef Remenyi
#
Milonga Insensitive
#
Jozsef Remenyi
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.999108 Composed by Jozsef Remenyi. 20th Century,Latin,Multicultural,World. Score and parts. 28 pages. Jozsef Remen...
(+)
Chamber Orchestra - Level 5 - SKU: A0.999108 Composed by Jozsef Remenyi. 20th Century,Latin,Multicultural,World. Score and parts. 28 pages. Jozsef Remenyi #5986243. Published by Jozsef Remenyi (A0.999108). This is the sixth (last) movement of my Tango Suite. The style is close to Piazzolla's tangos. Duration: 4:44. Print size: Letter (check the A4 version in my catalog). The pdf contains the score and all parts.
$19.90
Cruising Down the Nile
#
Piano, Voix
#
FACILE
#
Lynne Cox
#
Cruising Down the Nile
#
Lynne Coc Publications
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.997617 By Lynne Cox. By Lynne Cox. Children,Instructional,Multicultural,World. Score. 4 pages. Lynne Coc Publicati...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.997617 By Lynne Cox. By Lynne Cox. Children,Instructional,Multicultural,World. Score. 4 pages. Lynne Coc Publications #603265. Published by Lynne Coc Publications (A0.997617). 'Cruising Down the Nile' is an easy intermediate piano solo w/lyrics. Explores the lovely exotic sound of Mid-eastern music. Lyrics depict Ancient Egypt and scenes along the Nile. Uses broken 5ths in LH accompaniment with syncopation to depict the plodding of camels through the desert, while melodically the RH plays along the upper tetrachord (last 4 notes) of G harmonic minor scale. I included a mordant and turn to mimic the shake of the tambourine used in Ancient Egyptian music. I chose the title because of a song I dearly loved to sing as a child, 'Cruising Down the River', by Beadell and Tollerton. Animals from this region such as hippos and crocodiles are the guides from Noahs Ark. My 'Noah's Ark Series' was created to introduce piano students to different musical styles and to global music. For the student what more fun guides could there be besides animals? Different animals in various locales introduce the student to numerous styles-in this piece, the lovely exotic Mid-eastern music with camels, crocodiles, and hippos in the lyrics being the guides. Try other pieces with lyrics in this series: 'Koala Lullaby' (lullaby); 'Iguana' (tango) 'Sam the Lamb' (Celtic/Strophic); and 'Joey the Wallabee Kangarro' (waltz). This series makes a great recital theme and is contest material.
$3.40
New Tango No. 5: Audaciousness
#
Ensemble Jazz
#
Tango
#
Roger Aldridge
#
New Tango No. 5: Audaciousness
#
Roger Aldridge
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.979635 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432165. Published by Roge...
(+)
Jazz Ensemble Jazz Ensemble - SKU: A0.979635 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432165. Published by Roger Aldridge (A0.979635). This piece is part of a series of tango-jazz compositions. Each one explores a particular quality of the tango. Number 5 is about laying aside feelings of hesitation and being bold (or audacious) in the spirit of tango. Structurally, the piece has a 24-bar form: The A section is 14 bars and the B section is 10 bars. There is quite a bit of shifting time in this piece. Time becomes elastic. Phrases expand and contract. This gives a fluid movement to the music. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 2012 PERFORMANCE: Besides violin and jazz combo, this piece can be performed on solo guitar as heard on the demo recording.
$3.00
Piano Suite of the award-winning score to the film 'Tortoise in Love'
#
Piano seul
#
INTERMÉDIAIRE
#
Geoffrey Cottrell
#
Piano Suite of the award-winni
#
Geoffrey Cottrell
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.866298 Composed by Geoffrey Cottrell. 20th Century,Children,Contemporary,Film/TV,Romantic Period. Score. 23 pages. Geoffr...
(+)
Piano Solo - Level 3 - SKU: A0.866298 Composed by Geoffrey Cottrell. 20th Century,Children,Contemporary,Film/TV,Romantic Period. Score. 23 pages. Geoffrey Cottrell #7919. Published by Geoffrey Cottrell (A0.866298). This fun Piano Suite of the award-winning score to the 2012 romantic comedy feature film 'Tortoise in Love' (Dir. Guy Browning) has been arranged by the composer. It combines light-hearted, feel-good, picturesque English communal village activity music with some melodic and poignantly heartfelt romantic numbers - all which are a pleasure to play. There are nine movements lasting a total of about 18 minutes. The contents are: 1. Title Theme, 2. Harry's Theme, 3. Anya's Theme, 4. Pantomime Horse Polka, 5. Tortoise Tango, 6. Autumn Montage, 7. The Husband Obedience Trials, 8. Tree House Kiss and 9. Finale: The Red Barrows. The demo sound clip features samples of five of the movements only. The music won the 'best original score' award at the 2013 Idyllwild Cinemafest, California.
$7.99
"Tango" (from Sax Quartet Suite)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Tango
#
Steve David Marlow
#
"Tango"
#
Steven David Marlow
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1026159 Composed by Steve Dav...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1026159 Composed by Steve David Marlow. Concert,Contemporary,Latin,World. 21 pages. Steven David Marlow #6532975. Published by Steven David Marlow (A0.1026159). Tango is the second movement of my Suite in 4 movements for Saxophone Quartet. The music lasts around 2 minutes.For more information please visit https://sdmarlowmusic.net/sax-quartet/The PDF file contains the score plus all four parts.The youtube link contains my own home recording with all four parts are played on Alto Sax, but with audio editing used to achieve transpositions for soprano, tenor and baritone parts.
$4.99
String Quartet No. 6 (Lochrian) (score)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Colin Bayliss
#
String Quartet No. 6
#
Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss ...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00
String Quartet No. 6 (Lochrian) (parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Colin Bayliss
#
String Quartet No. 6
#
Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss ...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Orchestre
#
AVANCÉ
#
Thierry Pélicant
#
Thierry Pélicant: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
(+)
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Orchestre
#
AVANCÉ
#
Thierry Pélicant
#
Thierry Pélicant: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
(+)
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
School Holiday!
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Latin/Musique du monde
#
Jazz
#
Ng Jun Ling
#
Tay Cher Siang
#
School Holiday!
#
Ng Jun Ling
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1014891 Composed by Ng Jun Ling. Arranged by Tay Cher Siang. Contemporary,Jazz,Latin,Standards. Score. 6 pages. Ng Jun Li...
(+)
Piano Solo - Level 4 - SKU: A0.1014891 Composed by Ng Jun Ling. Arranged by Tay Cher Siang. Contemporary,Jazz,Latin,Standards. Score. 6 pages. Ng Jun Ling #4622995. Published by Ng Jun Ling (A0.1014891). Here is a piano composition written for advanced level. My students and teacher said it sounds like playing video games and driving a car. I thought these two activities are the most we do for holiday so I named this composition School Holiday! This piece has four sections. The first and the last are the same. The music open with excitement and it has pedal-point throughout the first section. In the middle, one section features tango bass pattern and another section is written in the style of bossa nova. The key changes are a tone apart: from B-flat major to C major to D major then back to C major again.Student learn about: 1. pedal-point (a note sustained below changing harmonies)2. direct modulation (immediately begin the next phrase with a new key)3. chromatic modulation (change to another key chromatically)4. tango bass pattern5. bossa novaCheck out this Youtube Link for the video recording.https://www.youtube.com/watch?v=utyIn5Cfk5U&list=PLeeUMgkdKKX0kLjmJPGftFZ8RUyMfOtIB&index=5&.....Thank you for your support!
$3.00
String Quartet No 4 (Score)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Colin Bayliss
#
String Quartet No 4
#
Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss ...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss #6135. Published by Colin Bayliss (A0.938385). This work was written between January and March 1997. It has thirteen short continuous movements, one for each note of the tone row and a resolution of the row into an adagio movement in C major. The movements are written in a time signature beginning with one beat to a bar and ending in 13 beats to a bar until the final section of the last movement. The number of bars for each movement is in multiples of 13, then 14 and onwards to 25. The harmonic language is dictated by the combinations of notes in the original row combining with a row with its inversions and retrogrades begun from the first note of each new section. The sections may be briefly summarised as follows:- 1. Adagio A basic statement of the row with its inversion and retrograde 2. Con brio A rhythmic miniature scherzo and trio 3. Allegretto Dynamic contrasts using pizzicato and glissando 4. Andante piacevole e mesto Aduet between the violins with accompaniment from the viola and 'cello 5. Agitato An atmospheric spiccato section interrupted by foot-stamping 6. Andante languido A barcarolle-like section with passages of col legno 7. Allegro A rhythmic section contrasted by passages in harmonics 8. Tempo di tango presto The tango is apt to slip into many of the composer's pieces, even where nominally 12-tone, and is never remotely serious! 9. Andante pastorale Another atmospheric section but more relaxed 10. Allegro molto A scherzando section using rhythmic retrogrades 11. Allegretto The music begins to pull into feeling of tonality around C 12. Allegro moderato This process continues with tremolandi and glissandi searching for the way to a diatonic C major 13. Molto adagio - adagietto The last traces of atonality are wiped away and the work ends in an unashamed sense of quiet triumph The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ For this 4th quartet see: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id585288847.
$8.00
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Last Tango
