German.

The six-volume edition of 'Systematische Violintechnik' [Systematic Violin Technique] covers all aspects of violin playing, thus providing the comprehensive groundwork for learning, teaching and performing musicians. The volumes contain a wealth of suggestions of how to edit technically demanding passages in musical masterpieces in a reasonable and perfect way. The simple idea to base the violin technique on the combination of changes of bowing, strings, fingers and position is developed systematically and, like a 'medicine cabinet for violinists', provides a collection of exercises that can be used purposefully. At the same time, 'Systematische Violintechnik' provides a complete and indispensable overview of all technical elements and their connections. An elaborate and field-tested practising material by Prof. Helmut Zehetmair (Mozarteum Salzburg) and Prof. Benjamin Bergmann (Johannes Gutenberg University of Mainz).
Vol. 5 covers the coordination of two changes each (of bowing, strings, fingers and position).

Indie pop singer Ruelle began her career as a country rock artist, but ended up switching to a more cinematic electro-pop style of music. With her songs featured on dozens of TV shows and movies, she has become a cult favorite artist, and her song "I Get To Love You" is (so far!) her biggest hit on the Billboard charts. The song has since become a wedding-music staple - in fact, this arrangement was originally commissioned for a bride's processional. Perfect for wedding ceremonies, cocktail hours, and even proposals, this arrangement for string trio (two violins and cello) maintains the beautiful layered harmonies and string lines of the original song, with the underlying heartbeat of the piano line represented in the violin parts. Playable for students and sightreadable for professionals - rated advanced intermediate only for a handful of unusual rhythms and the left-hand stamina the violinists will need for the etude-like piano line! :)

"Falling Like The Stars" was released in 2019 as the third single from James Arthur's third album You. He described the song as "perfectly representing what I do best," and his fans agree -- the video has since been viewed over 25 million times! On its way to becoming a wedding classic, this love song describes falling hard for someone at the beginning of a relationship, but also looking forward to a future together as a family with children. This version for two-violin and cello trio was originally commissioned for a first dance, but it will also be perfect for weddings, receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to pull at your audience's heartstrings! Full of soaring melodies, dynamic passion, and an underlying driving rhythmic groove, this arrangement is just as much fun to listen to as it is to play. Rated advanced-intermediate only for a number of tricky rhythms that you might want to take a look at beforehand -- otherwise this chart will be playable for students and easily sightreadable for professionals.

The G Major Scale Book for Violin gives you 26 ways to learn, perfect, and use a 3-octave G major scale.

Perfect for students that have just started playing three-octave scales on the violin,this book uses shifting exercises, slur patterns, rhythms, and more to help you master this important scale.

Who this book can help: Intermediate and early-advanced violinists who are ready to perfect the G major scale.

How to use this book: Play one page a day as part of your practice regimen, after finger exercises.

Caprices No.?s 1 - 6 (for unaccompanied violin) MO112

Violin Solo

Music by Mark O?Connor

36 pages - 20:00 minutes in length



Caprice No. 1 In A Major - p. 1

Caprice No. 2 In G Minor - p. 7

Caprice No. 3 In A Major - p. 13

Caprice No. 4 In D Major - p. 19

Caprice No. 5 In F Major - p. 25

Caprice No. 6 In G Major - p. 31



Caprices No.?s 1 - 6 for unaccompanied violin are among Mark O?Connor?s most critically acclaimed works. Receiving great interest from performers, teachers and students of the violin, O?Connor has contributed music here which will challenge even the most gifted virtuoso. O?Connor?s caprices, like Nicolo Paganini?s and Pietre Locatelli?s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. ?Caprice?s No.?s 1 - 6? feature demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, broken chord arpeggios, two-handed pizzicato, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works? driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate.



Original music printed from the composer?s manuscripts.

Music editing, copying and engraving by Mark O?Connor

using ?Finale? on Apple Macintosh 1986 - 1994



Composed By Mark O?Connor

Caprices No.?s 1 - 6 can be heard on ?Midnight On The Water? Warner Bros. Records

Mark O?Connor - violin



Catalogue Number MO112

Copyright � 1986 by Mark O?Connor Music International

French.

The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.