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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here with Me
Non classifié
844
Piano & claviers
Piano seul
602
Piano, Voix
234
Piano, Voix et Guitare
198
Instruments en Do
94
Piano Facile
79
Orgue
38
2 Pianos, 4 mains
32
Piano grosses notes
16
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
9
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon
2
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Basse electrique
295
Guitare notes et tablatures
47
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
21
Paroles et Accords
7
Ukulele
5
Mandoline
4
2 Guitares (duo)
3
Dulcimer
2
Banjo
1
4 Guitares (Quatuor)
1
Guitare, Orchestre
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
360
Chorale 3 parties
87
Chorale TTBB
48
Chorale 2 parties
43
Chorale Unison
28
Chorale SSAA
23
Voix duo, Piano
16
Voix haute
10
Voix duo
8
Voix seule
7
Voix Soprano, Piano
7
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix Alto, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
59
Clarinette et Piano
47
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
33
Saxophone Tenor et Piano
32
2 Saxophones (duo)
30
Flûte traversière
29
Quatuor de Saxophones: 4 saxophones
28
2 Flûtes traversières (duo)
23
Ensemble de Flûtes
20
Flûte, Hautbois, Clarinette, Basson
20
Clarinette
19
2 Clarinettes (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone, Clarinette (duo)
14
Clarinette, Violon (duo)
14
Saxophone Alto
13
Saxophone Baryton, Piano
12
Quatuor de Flûtes : 4 flûtes
11
Cor anglais, Piano
10
3 Clarinettes (trio)
10
Clarinette, Trompette (duo)
10
Hautbois (partie séparée)
8
Saxophone (partie séparée)
8
Flûte, Violon
7
Flûte, Clarinette (duo)
7
2 Hautbois (duo)
7
Saxophone Soprano et Piano
7
Ensemble de Clarinettes
6
Trio de Flûtes: 3 flûtes
6
Flûte et Guitare
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Hautbois, Basson (duo)
5
Hautbois, Flûte
4
Clarinette, Harpe (duo)
4
2 Flûtes traversières, Piano
4
Saxophone et Orgue
4
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
4
Flute (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon, Piano
3
Clarinette, Guitare (duo)
3
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Ensemble de saxophones
3
Saxophone
3
Flûte à bec Alto, Piano
3
3 Saxophones (trio)
2
2 Clarinettes, Piano
2
Cor anglais, Guitare (duo)
2
Flûte irlandaise
2
Hautbois
2
Flûte, Clarinette et Basson
2
Clarinette, Orgue
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, trombone et piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
2 Flûte à bec (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
2 Saxophones, Piano
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Quatuor de cuivres: 4 trombones
40
Trompette, Piano
32
Trombone et Piano
31
Trompette
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Cor et Piano
18
Trompette, Trombone (duo)
11
Trombone
11
Cor anglais, Piano
10
Trompette, Saxophone (duo)
9
Euphonium, Piano (duo)
6
2 Trombones (duo)
6
Tuba et Piano
6
Trompette (partie séparée)
6
Quatuor de Cuivres
5
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Violoncelle et Piano
3
Trombone (partie séparée)
3
Tuba
3
2 Trompettes (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
Cor anglais, Guitare (duo)
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trompettes
1
2 Cors (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
3 Trombones (trio)
1
Trombone, Violon (duo)
1
4 Tubas
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
268
Violon
163
Violon, Violoncelle (duo)
156
Trio à Cordes: violon, alto, violoncelle
126
Violon et Piano
74
Harpe
48
Violoncelle, Piano
35
Alto, Piano
32
Violoncelle
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violons (duo)
21
Violon, Alto (duo)
19
Alto seul
16
2 Altos (duo)
12
2 Violoncelles (duo)
9
Trio à cordes: 3 violins
7
Trio à Cordes: 2 violons, violoncelle
6
Alto, Violoncelle (duo)
5
Harpe, Flûte (duo)
5
Harpe, Voix
4
2 Violons, Piano
3
Violoncelle , Guitare (duo)
3
Contrebasse, Piano (duo)
3
Harpe, Violoncelle (duo)
3
Alto et Harpe
3
Harpe, Violon (duo)
3
Contre Basse
2
Alto (partie séparée)
2
2 Harpes (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
180
Orchestre à Cordes
139
Orchestre
87
Ensemble Jazz
73
Orchestre de chambre
33
Ensemble de cuivres
31
Jazz combo
17
Cloches
15
Fanfare
6
Ensemble de Percussions
5
Batterie
3
Percussion (partie séparée)
1
Marimba
1
Piano et Orchestre
1
Percussion
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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PIANO
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Vous avez sélectionné:
Here with Me
Partitions à imprimer
5 979 partitions trouvées
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5976
Here With Me
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Guitare notes et tablatures
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FACILE
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Pop musique
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Marshmello Feat
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Arr
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Here With Me
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Ed.CAL
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1099889 By Marshmello Feat. Chvrches. By Chris Comstock, Iain Cook, Lauren Mayberry, Martin Doherty, and Steve Mac. Arranged ...
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Guitar - Level 2 - SKU: A0.1099889 By Marshmello Feat. Chvrches. By Chris Comstock, Iain Cook, Lauren Mayberry, Martin Doherty, and Steve Mac. Arranged by Arr. Ed.CAL. Pop. Guitar Tab. 3 pages. Ed.CAL #703770. Published by Ed.CAL (A0.1099889). Here with me by Marshmello ft CHVRCHES in G major - simplified key Guitar sheet music with Chords, Lyrics and Tablature.
$4.99
Here With Me
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Piano seul
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FACILE
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Marshmello Feat
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Marshmello Feat
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Here With Me
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1415327 By Marshmello Feat. Chvrches. By Chris Comstock, Iain Cook, Lauren Mayberry, Martin Doherty, and Steve Mac. Arran...
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Piano Solo - Level 2 - SKU: A0.1415327 By Marshmello Feat. Chvrches. By Chris Comstock, Iain Cook, Lauren Mayberry, Martin Doherty, and Steve Mac. Arranged by Marshmello Feat. Chvrches. Multicultural,World. Score. 3 pages. Mr. Lu Lai #997063. Published by Mr. Lu Lai (A0.1415327). Here With Me Piano score.
$4.99
Here With Me
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Piano seul
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INTERMÉDIAIRE
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Dido
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Laura Poblete
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Here With Me
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Laura Poblete
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.898268 By Dido. By Dido Armstrong, Pascal Gabriel, and Paul Statham. Arranged by Laura Poblete. Contemporary,Pop. Score. ...
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Piano Solo - Level 3 - SKU: A0.898268 By Dido. By Dido Armstrong, Pascal Gabriel, and Paul Statham. Arranged by Laura Poblete. Contemporary,Pop. Score. 5 pages. Laura Poblete #5290195. Published by Laura Poblete (A0.898268). This is a 4-page solo piano arrangement of Here With Me by Dido.View a tutorial of this arrangement on YouTube: https://youtu.be/dcaHxhajElYVisit http://thebrokenpiano.com for more information about the arranger.
$4.99
Here With Me
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Contemporain
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Marshmello Feat
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Ed
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Here With Me
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Ed.CAL
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SheetMusicPlus
Small Ensemble C Instrument - Level 2 - SKU: A0.924997 By Marshmello Feat. Chvrches. By Chris Comstock, Iain Cook, Lauren Mayberry, Martin Doherty, and ...
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Small Ensemble C Instrument - Level 2 - SKU: A0.924997 By Marshmello Feat. Chvrches. By Chris Comstock, Iain Cook, Lauren Mayberry, Martin Doherty, and Steve Mac. Arranged by Ed.CAL. Contemporary. Lead Sheet / Fake Book. 2 pages. Ed.CAL #6788743. Published by Ed.CAL (A0.924997). Here With Me - Marshmello in Eb (Original Key) for Instrument Solo
$4.99
Here With Me
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Paroles et Accords
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FACILE
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Dido
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Vincent Frank
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Here With Me
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Vincent Frank Music
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1256907 By Dido. By Dido Armstrong, Pascal Gabriel, and Paul Statham. Arranged by Vincent Frank. Film/TV,New Age,Pop,Rock,Sin...
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Guitar - Level 2 - SKU: A0.1256907 By Dido. By Dido Armstrong, Pascal Gabriel, and Paul Statham. Arranged by Vincent Frank. Film/TV,New Age,Pop,Rock,Singer/Songwriter. Chords/Lyrics. 2 pages. Vincent Frank Music #850284. Published by Vincent Frank Music (A0.1256907). Chord Sheet arrangement of Dido's Here With Me, from 1999 album No Angel. Featured in television show Roswell. Includes fretboard diagrams, strum patter, chord symbols, and lyrics. Original key of Bm, 2 pages.
$2.49
Improv in E-Flat Major (Stay Here With Me)
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Piano seul
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FACILE
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New Age
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Contemporain
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Tim Neumark
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Improv in E-Flat Major
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Tim Neumark
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1073162 By Tim Neumark. By Tim Neumark. Classical,Contemporary,New Age. Score. 2 pages. Tim Neumark #677423. Published by...
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Piano Solo - Level 2 - SKU: A0.1073162 By Tim Neumark. By Tim Neumark. Classical,Contemporary,New Age. Score. 2 pages. Tim Neumark #677423. Published by Tim Neumark (A0.1073162). Improv in E-Flat Major (Stay Here With Me)Â is a track from Tim's album 24 Improvs. For beginner to early intermediate pianists.
$5.50
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50
Create In Me a Clean Heart ~ Psalm 51 (for SA or 2-Part Choir with Piano accompaniment)
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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ALTO ~ B3 to B4
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Create In Me a Clean Heart ~ P
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Sharon Wilson
#
SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.565171 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sac...
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Choral Choir (2-Part) - Level 2 - SKU: A0.565171 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred,Wedding. Octavo. 12 pages. Sharon Wilson #3512531. Published by Sharon Wilson (A0.565171). his original Scripture song based on Psalm 51 verses 10-12 is formatted for a SOPRANO-ALTO or 2-part Choir with piano accompaniment. This 2-part choir arrangement is in the key of G with vocal ranges as follows: SOPRANO ~ D4 to D5; ALTO ~ B3 to B4. This is a straight-forward arrangement with the SOPRANO carrying the melody throughout and the ALTO adding a non-complex harmony.This Psalm is a prayer of King David and presented here for meditation and reflection, drawing the listeners into an atmosphere of prayer and re-commitment. The simplicity of the melody and harmony allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically ~ makes an excellent prayer response.The purchase price includes the 6-page combined score with both vocal and piano parts on each page plus a separate VOCALS only score (2 pages) and a PIANO only score (3 pages). For duet use where only one copy is needed, this arrangement is also available as a single purchase. Duration 2:30The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Restore unto me the joy of Thy salvation;And uphold me with Thy willing spirit.Then will I teach transgressors Thy ways’And sinners shall be converted unto Thee.Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Create in me a clean heart, O God.
$2.99
You Are There with Me - SATB choir, piano, opt. flute, opt. handbells
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Chorale SATB
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FACILE
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Ron Mallory
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You Are There with Me - SATB c
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Paraboloid Press
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1015415 Composed by Ron Mallory. Christian,Contemporary,Sacred,Spiritual. Octavo. 12 pages. Paraboloid Press #66...
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Choral Choir (SATB) - Level 2 - SKU: A0.1015415 Composed by Ron Mallory. Christian,Contemporary,Sacred,Spiritual. Octavo. 12 pages. Paraboloid Press #6669019. Published by Paraboloid Press (A0.1015415). Ron Mallory's simple yet lovely original composition, with a text based on Psalm 139, reminds us of God's presence with us no matter what our circumstances may be. Optional flute/C-instrument and optional handbells enhance the performance. Appropriate for general worship or concert use. Also available in a version for unison/2-part treble choir (PACH016U).For more information about Paraboloid Press, visit http://www.paraboloidpress.com.
$1.99
You Are There with Me - unison/2-part treble choir, piano, opt. flute, opt. handbells
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Chorale Unison
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FACILE
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Ron Mallory
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You Are There with Me - unison
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Paraboloid Press
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.1015414 Composed by Ron Mallory. Christian,Contemporary,Sacred,Spiritual. Octavo. 12 pages. Paraboloid Press #...
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Choral Choir (Unison) - Level 2 - SKU: A0.1015414 Composed by Ron Mallory. Christian,Contemporary,Sacred,Spiritual. Octavo. 12 pages. Paraboloid Press #6669031. Published by Paraboloid Press (A0.1015414). Ron Mallory's simple yet lovely original composition, with a text based on Psalm 139, reminds us of God's presence with us no matter what our circumstances may be. Optional flute/C-instrument and optional handbells enhance the performance. Appropriate for general worship or concert use. Also available in a version for SATB choir (PACH016S).For more information about Paraboloid Press, visit http://www.paraboloidpress.com.
$1.99
Be With Me Today
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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God is spirit
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Be With Me Today
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.818201 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise...
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Piano,Vocal,Voice - Level 2 - SKU: A0.818201 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 20 pages. Stephen R Dalrymple #3070435. Published by Stephen R Dalrymple (A0.818201). Be With Me Today - original song by Stephen R Dalrymple (Worship Team Edition) CCLI Song # 7142179 music © 2005 (copyright registered in 'Sacred Songs 2000-2005’ collection) recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer based on Colossians 1:26-27 and Galatians 5:23-23 ♫ I was driving to school to begin a new job teaching in a public school in a new town. I was praying to be aware of God’s presence as I began my day. As I meditated on God’s presence, the words of this song began to come to mind. I pulled to the side of the road, found an old envelop, drew a staff and began writing. ♫ We are told the heavens cannot contain God; God is spirit; and there is nowhere we can go to escape His presence. Thus, every inhabitant on earth is continually within God’s physical presence. On the other hand, we are urged to ‘come into His presence.’ Also, Christ’s presence is continuously available to us through the presence of the Holy Spirit. Experiencing the presence of God is an act of the will, an act of faith. Remembering and experiencing His presence is life changing for everyday life. We are in His presence at work and school, at the market and while we are driving, in sorrow and in pleasure, in danger and in peace. ♫ I think of God’s presence when I lap swim. I cannot float in the air, but I can float in water. Just as the water of the swimming pool surrounds me and holds me afloat, so God’s presence is constantly surrounding and supporting me every moment of every day. ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
Abide With Me SSAA plus SOLO a cappella
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Chorale SSAA
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INTERMÉDIAIRE
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Traditional
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Julie Gaulke
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Abide With Me SSAA plus SOLO a
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Julie Gaulke
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.742800 By Traditional. By Traditional. Arranged by Julie Gaulke. A Cappella,Classical,Sacred,Spiritual. Octavo. ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.742800 By Traditional. By Traditional. Arranged by Julie Gaulke. A Cappella,Classical,Sacred,Spiritual. Octavo. 4 pages. Julie Gaulke #350924. Published by Julie Gaulke (A0.742800). This is Julie Gaulke's original arrangement of the traditional hymn Abide With Me, scored for SSAA plus SOLO a cappella. View full performance video here: https://youtu.be/cMZmOZRfGsE LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://www.juliegaulketracks.com/store/p258/abidewithme.html Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/
$2.99
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Here With Me
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Guitare notes et tablatures
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Pop musique
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Marshmello Feat
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Daniel Roberts
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Here With Me
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Daniel D- Rob Roberts
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SheetMusicPlus
Guitar Tab - By Marshmello Feat. Chvrches. Arranged by Daniel Roberts. 4 pages. Published by Daniel D- Rob Roberts ...
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Guitar Tab - By Marshmello Feat. Chvrches. Arranged by Daniel Roberts. 4 pages. Published by Daniel D- Rob Roberts
Can I tell you something just between you and me?
When I hear your voice, I know I'm finally free
Every single word is perfect as it can be
And I need you here with me
When you lift me up, I know that I'll never fall
I can speak to you by saying nothing at all
Every single time, I find it harder to breathe
'Cause I need you here with me
Every day
You're saying the words that I want you to say
There's a pain in my heart and it won't go away
Now I know I'm falling in deep
'Cause I need you here with me
Every day
You're saying the words that I want you to say
There's a pain in my heart and it won't go away
Now I know I'm falling in deep
'Cause I need you here with me
I think I see your face in every place that I go
I try to hide it, but I know that it's gonna show
Every single night, I find it harder to sleep
'Cause I need you here with me
Everyday
You're saying the words that I want you to say
There's a pain in my heart and it won't go away
Now I know I'm falling in deep
'Cause I need you here with me
Every day
You're saying the words that I want you to say
There's a pain in my heart and it won't go away
Now I know I'm falling in deep
'Cause I need you here with me
Can I tell you something just between you and me?
When I hear your voice, I know I'm finally free
Every single word is perfect as it can be
'Cause I need you here with me
$4.99
Abide with Me (Eventide) & The Last Post - Clarinet Quintet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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W H Monk and Traditional
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Hugh Levey
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Abide with Me
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woodwindly.com
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1176345 Composed by W H Monk and Traditional. Arranged by Hugh Levey. Christian,Patriotic,Praise ...
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Clarinet Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1176345 Composed by W H Monk and Traditional. Arranged by Hugh Levey. Christian,Patriotic,Praise & Worship,Romantic Period,Sacred. 11 pages. Woodwindly.com #776472. Published by woodwindly.com (A0.1176345). Clarinet Quartet - 3 x Bb Clarinets and Bass Clarinet This publication is also available as a Clarinet Quintet (Clarinet Quartet as above plus Bb Soloist e.g. clarinet or trumpet).This arrangement combines two emotionally charged pieces of music. The 19th century hymn Abide with Me, set to the tune Eventide, is often used for funerals. The 18th century bugle call The Last Post is often played to commemorate those who have lost their lives in armed conflict and is played at annual Remembrance Day services in much of the English speaking world. Here the come together in a lovely arrangement where the soloist plays the bugle call while the clarinet quartet play the hymn. In the version without soloist, clarinet 1 plays a hymn line as well as the bugle call. This work is suitable for funerals, other solemn occasions, military events and recitals.Note that the audio and scrolling score video is of the Clarinet Quintet version. The quartet is the same arrangement but the solo part is embedded in the 1st clarinet part.
$10.50
Abide with Me (Eventide) & The Last Post - Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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FACILE
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W H Monk and Traditional
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Hugh Levey
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Abide with Me
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woodwindly.com
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.937268 Composed by W H Monk and Traditional. Arranged by Hugh Levey. Contemporary,P...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.937268 Composed by W H Monk and Traditional. Arranged by Hugh Levey. Contemporary,Patriotic,Praise & Worship,Romantic Period,Sacred. 19 pages. Woodwindly.com #6255461. Published by woodwindly.com (A0.937268). Clarinet Quintet - 4 x Bb Clarinets and Bass Clarinet (Clarinet 1 as a soloist can be replaced by Bb Cornet or Trumpet) This publication is also available as a Clarinet Quartet (3 x Bb Clarinets and Bass Clarinet). This arrangement combines two emotionally charged pieces of music. The 19th century hymn Abide with Me, set to the tune Eventide, is often used for funerals. The 18th century bugle call The Last Post is often played to commemorate those who have lost their lives in armed conflict and is played at annual Remembrance Day services in much of the English speaking world. Here the come together in a lovely arrangement where the soloist plays the bugle call while the clarinet quartet play the hymn. In the version without soloist, clarinet 1 plays a hymn line as well as the bugle call. This work is suitable for funerals, other solemn occasions, military events and recitals.
$10.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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