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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music from Enchanted - Piano
Non classifié
30
Piano & claviers
Accordéon
3
Instruments en Do
1
Orgue
1
Guitares
Ligne De Mélodie, (Paroles) et Accords
17
Guitare
13
Guitare notes et tablatures
4
Ukulele
2
Partitions De Groupes
1
Voix
Chorale 3 parties
8
Voix seule
7
Chorale SATB
4
Chorale TTBB
1
Chorale Unison
1
Vents
Clarinette
15
Flûte à Bec
14
Flûte traversière
14
Saxophone Alto
10
Saxophone Tenor
10
Ocarina
6
Clarinette (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
2 Flûtes traversières (duo)
5
Saxophone (partie séparée)
4
Quintette de Saxophone: 5 saxophones
4
2 Clarinettes (duo)
4
2 Saxophones (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flute (partie séparée)
2
Quintette de Flûte : 5 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Clarinettes
1
5 Flûtes à bec
1
Ensemble de saxophones
1
Hautbois, Basson (duo)
1
Hautbois
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette, Basson
1
Piccolo
1
+ 21 instrumentations
Retracter
Cuivres
Trompette
11
Trombone
10
Cor
8
Trompette (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
2 Trombones (duo)
3
Trombone (partie séparée)
2
2 Trompettes (duo)
2
Cor (partie séparée)
2
Ensemble de Cors
1
Tuba ou Euphonium ou Saxhorn
1
2 Cors (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
+ 9 instrumentations
Retracter
Cordes
Violon
14
Violoncelle
14
Alto seul
7
Violon (partie séparée)
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
2 Violoncelles (duo)
3
Contrebasse (partie séparée)
2
Harpe
2
Alto (partie séparée)
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Violon, Alto (duo)
1
Contre Basse
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
9
Cloches
8
Orchestre
8
Percussion
3
Timbales
3
Percussion (partie séparée)
2
Ensemble de Percussions
2
Xylophone
2
Orchestre à Cordes
1
Orchestre de chambre
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
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COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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Crtitères actifs :
Music from Enchanted - Piano
Partitions à imprimer
359 partitions trouvées
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1
26
51
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351
Hebrew Slaves from Nabucco by Verdi for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Giuseppe Verdi
#
Ander
#
Hebrew Slaves from Nabucco by
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1378877 Composed by Giuseppe Verdi. Arranged by Ander. 19th Century,Chamber,Christian,Opera,Roman...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1378877 Composed by Giuseppe Verdi. Arranged by Ander. 19th Century,Chamber,Christian,Opera,Romantic Period. 16 pages. Woods Only, Arrangements #963593. Published by Woods Only, Arrangements (A0.1378877). Enjoy our arrangement of the famous song Hebrew Slaves Chorus, extracted from the acclaimed opera Nabucco by Giuseppe Verdi. This arrangement has been carefully adapted for a Woodwind Quintet, remaining faithful to the original composition of the maestro. This arrangement brings the grandeur of the opera to the unique environment of a chamber group. The beauty and complexity of this work are captured authentically, providing an enriching musical experience for both musicians and the audience. Ideal for teachers looking to expand their students’ didactic repertoire, this arrangement offers a unique opportunity to explore the depth and emotion of Verdi’s music. In addition, it is perfect for chamber groups wishing to present something special in their recitals or concerts. Verdi’s music has enchanted audiences for centuries, and this arrangement allows you to bring this experience to your audience in a new and exciting way. Don’t miss the chance to add this valuable piece to your musical repertoire. Get your arrangement of the Hebrew Slaves Chorus now and discover the magic of Verdi in its purest and most enchanting form.
$9.99
Some Enchanted Evening
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Chorale TTBB
#
INTERMÉDIAIRE
#
Richard Rodgers
#
Larry Wright
#
Some Enchanted Evening
#
Larry Wright
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.853869 Composed by Richard Rodgers. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wrig...
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Choral Choir (TTBB) - Level 3 - SKU: A0.853869 Composed by Richard Rodgers. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4725503. Published by Larry Wright (A0.853869). A MEN'S 4-part, a cappella, CONTESTABLE, barbershop arrangement of this beautiful and popular song from the Broadway Musical South Pacific. IMPORTANT NOTE: by first purchasing the $100 Arrmt/Trax COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for a low $1.89 per-each-copy price,... NOT the currently posted much higher $14.25 per-each-copy price,... PLUS you also get a second Arrmt/Trax COMBO of your choice from my website FREE!!!! Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
Some Enchanted Evening
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Quatuor de cuivres: 4 cors
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INTERMÉDIAIRE
#
Various Artists
#
Petey C
#
Some Enchanted Evening
#
Petey C.
#
SheetMusicPlus
French Horn Quartet Horn - Level 3 - SKU: A0.1252436 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Petey C. 20th Century,Bro...
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French Horn Quartet Horn - Level 3 - SKU: A0.1252436 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Petey C. 20th Century,Broadway,Musical/Show. 10 pages. Petey C. #846407. Published by Petey C. (A0.1252436). Hey Friends!As always, I have a couple public domain arrangements on my website, peteyc.com. Check them out, they're cheaper and support me more than what little percentage I get from here.The music from South Pacific is so beautiful. I've always loved this song in particular. It has a gorgeous melody and it suits the horn very well. Intermediate level. Thanks for checking it out!
$12.99
That's Amore (That's Love) (from Enchanted)
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Voix seule
#
Film Walt Disney
#
Enfant
#
James Marsden
#
That's Amore
#
Hal Leonard - Digital
#
SheetMusicPlus
Voice - SKU: HX.390193 By James Marsden. This edition: scorch. Pro Vocal. Children,Disney,Film/TV,Musical/Show. Score. 5 pages. Hal Leonard - Digital #8...
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Voice - SKU: HX.390193 By James Marsden. This edition: scorch. Pro Vocal. Children,Disney,Film/TV,Musical/Show. Score. 5 pages. Hal Leonard - Digital #822750. Published by Hal Leonard - Digital (HX.390193).
$4.99
Happy Working Song (from Enchanted)
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Voix seule
#
Film Walt Disney
#
Enfant
#
Amy Adams
#
Happy Working Song
#
Hal Leonard - Digital
#
SheetMusicPlus
Voice - SKU: HX.390196 By Amy Adams. This edition: scorch. Pro Vocal. Children,Disney,Film/TV,Musical/Show. Score. 4 pages. Hal Leonard - Digital #12920...
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Voice - SKU: HX.390196 By Amy Adams. This edition: scorch. Pro Vocal. Children,Disney,Film/TV,Musical/Show. Score. 4 pages. Hal Leonard - Digital #129206. Published by Hal Leonard - Digital (HX.390196).
$4.99
Badder (from Disenchanted) (arr. Mac Huff)
#
Alan Menken & Stephen Schwartz
#
Mac Huff
#
Badder
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Accompaniment Only,Choral - SKU: HX.1249597 Composed by Alan Menken & Stephen Schwartz. Arranged by Mac Huff. Comedy,Disney,Film/TV,Jazz,Light Co...
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Choral Accompaniment Only,Choral - SKU: HX.1249597 Composed by Alan Menken & Stephen Schwartz. Arranged by Mac Huff. Comedy,Disney,Film/TV,Jazz,Light Concert,Musical/Show. Duration 204. Hal Leonard - Digital #345661. Published by Hal Leonard - Digital (HX.1249597).
$26.99
Badder (from Disenchanted) (arr. Mac Huff)
#
Alan Menken & Stephen Schwartz
#
Mac Huff
#
Badder
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Choral - SKU: HX.1249596 Composed by Alan Menken & Stephen Schwartz. Arranged by Mac Huff. Comedy,Disney,Film/TV,Jazz,Light Concert,Musical/Show....
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Choral Choral - SKU: HX.1249596 Composed by Alan Menken & Stephen Schwartz. Arranged by Mac Huff. Comedy,Disney,Film/TV,Jazz,Light Concert,Musical/Show. Duration 204. Hal Leonard - Digital #345661. Published by Hal Leonard - Digital (HX.1249596).
$1.99
Some Enchanted Evening
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Richard Rodgers
#
Brendan Elliget MAGA 537
#
Some Enchanted Evening
#
BJE Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.751076 Composed by Richard Rodgers. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 56 pages. BJ...
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Full Orchestra - Level 3 - SKU: A0.751076 Composed by Richard Rodgers. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 56 pages. BJE Music #6570877. Published by BJE Music (A0.751076). An orchestral version of Some Enchanted Evening from South Pacific - a 1949 Rodgers and Hammerstein musical. A shimmering and mysterious beginning to this arrangement develops into a full exposition of this well-known tune from the stage and screen musical. The audio was recorded with NotePerformer 3.Grade = 4 Durations = 3:55 mins.
$59.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Ever Ever After For Solo Jazz Alto Sax From The Movie Enchanted Performed By Carrie Underwood
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz
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Bobby Hesch
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SheetMusicPlus
By Written By Alan Menkin & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. ...
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By Written By Alan Menkin & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
Ever Ever After For Solo Jazz Tenor Sax From The Movie Enchanted Performed By Carrie Underwood
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz
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Bobby Hesch
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SheetMusicPlus
By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. ...
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By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
Ever Ever After For Solo Jazz Flute From The Movie Enchanted Performed By Carrie Underwood
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz
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Bobby Hesch
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SheetMusicPlus
By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. ...
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By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
Ever Ever After For Solo Jazz Trumpet From The Movie Enchanted Performed By Carrie Underwood
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz
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Bobby Hesch
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SheetMusicPlus
By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. ...
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By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
Some Enchanted Evening
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Various Artists
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Wendy Loder, ASCAP
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Some Enchanted Evening
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LarkAngel Productions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1231784 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Wendy Loder, ASCAP....
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1231784 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Wendy Loder, ASCAP. Broadway,Chamber,Film/TV,Musical/Show,Standards,Wedding. 2 pages. LarkAngel Productions #827487. Published by LarkAngel Productions (A0.1231784). This romantic song from South Pacific is arranged here for String Trio. In score form to expedite sight reading cues, this arrangement passes the melody from voice to voice. Fun to play and beautiful!
$14.99
Some Enchanted Evening
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2 Clarinettes (duo)
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Contemporain
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
Clarinet Duet Clarinet - SKU: A0.985497 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 2 scores. 3 pages. Louise Braithwaite...
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Clarinet Duet Clarinet - SKU: A0.985497 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 2 scores. 3 pages. Louise Braithwaite #6302193. Published by Louise Braithwaite (A0.985497). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
Some Enchanted Evening
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2 Flûtes traversières (duo)
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Contemporain
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
Flute Duet Flute - SKU: A0.985494 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. Score. 4 pages. Louise Braithwaite #6302181...
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Flute Duet Flute - SKU: A0.985494 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. Score. 4 pages. Louise Braithwaite #6302181. Published by Louise Braithwaite (A0.985494). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
Some Enchanted Evening
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Contemporain
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
Woodwind Ensemble - SKU: A0.985496 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 3 pages. Louise Braithwaite #6302191. Publ...
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Woodwind Ensemble - SKU: A0.985496 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 3 pages. Louise Braithwaite #6302191. Published by Louise Braithwaite (A0.985496). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
Some Enchanted Evening
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Contemporain
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.985493 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 3 pages. Louise Braithwaite #630...
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Woodwind Ensemble - Level 4 - SKU: A0.985493 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 3 pages. Louise Braithwaite #6302179. Published by Louise Braithwaite (A0.985493). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
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Music from Enchanted - Piano