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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Pai
Non classifié
1 957
Piano & claviers
Piano seul
1 489
Piano, Voix
728
Piano, Voix et Guitare
506
Piano Facile
287
Instruments en Do
103
Orgue
93
Accompagnement Piano
75
1 Piano, 4 mains
25
Piano Trio: piano, violon, violoncelle
23
Accordéon
22
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano grosses notes
9
Orgue, Trompette (duo)
5
Piano (partie séparée)
4
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Ligne De Mélodie, Piano
2
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
358
Guitare
140
Ligne De Mélodie, (Paroles) et Accords
119
Paroles et Accords
48
Basse electrique
35
Ukulele
34
2 Guitares (duo)
28
Guitare (partie séparée)
9
Dulcimer
7
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
5
Banjo
5
Mandoline
3
Basse électrique (partie séparée)
3
Ensemble de guitares
3
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 242
Chorale 3 parties
319
Chorale 2 parties
187
Pack Instrumental pour Chorale
125
Chorale TTBB
111
Chorale Unison
77
Chorale SSAA
53
Voix Tenor, Piano
51
Voix duo, Piano
50
Voix Soprano, Piano
48
Voix Alto, Piano
48
Voix Baryton, Piano
37
Voix seule
33
Voix duo
22
Chorale
21
Voix haute
11
Voix basse, Piano
6
Chorale SSATB
4
Voix Soprano
4
Voix Tenor
4
Voix moyenne, Piano
3
Voix basse
2
Chorale SATBB
2
Chorale SSATTB
1
Voix Moyenne
1
Soli, choeur mixte et accompagnement
1
Male Voice
1
Voix Mezzo-Soprano, Piano
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
119
Flûte traversière
101
Clarinette et Piano
86
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
Saxophone (partie séparée)
82
Hautbois, Piano (duo)
79
Quatuor de Saxophones: 4 saxophones
74
Saxophone Alto
71
Saxophone Alto et Piano
68
Clarinette
65
Flûte, Hautbois, Clarinette, Basson
58
Saxophone Tenor et Piano
55
2 Flûtes traversières (duo)
51
2 Saxophones (duo)
45
Hautbois (partie séparée)
43
Quatuor de Clarinettes: 4 clarinettes
41
Saxophone Tenor
41
2 Clarinettes (duo)
31
Clarinette (partie séparée)
31
Flute (partie séparée)
30
Ensemble de Clarinettes
26
Saxophone Soprano et Piano
25
Flûte, Clarinette (duo)
20
Quintette de Saxophone: 5 saxophones
18
3 Saxophones (trio)
17
Saxophone Baryton, Piano
16
Flûte et Guitare
15
2 Hautbois (duo)
14
Flûte, Trombone (duo)
13
3 Clarinettes (trio)
12
Quintette de Clarinettes: 5 clarinettes
12
Ensemble de saxophones
12
2 Flûte à bec (duo)
12
Cor anglais, Piano
12
Hautbois
12
Saxophone Soprano
12
Clarinette, Guitare (duo)
11
Trio de Flûtes: 3 flûtes
10
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Flûtes
10
Flûte, Clarinette, Piano (trio)
9
Clarinette Basse, Piano
9
Hautbois, Violoncelle
7
Clarinette, Basson (duo)
7
Hautbois, Basson (duo)
7
2 Saxophones, Piano
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette, Violoncelle (duo)
6
Flûte, Violoncelle
6
Saxophone
5
Saxophone et Guitare
4
Hautbois, Clarinette (duo)
4
Flûte à Bec
4
Instruments en Mib
4
Saxophone, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violon
4
Clarinette, Trompette (duo)
3
Flûte, Hautbois (duo)
3
Flûte à bec Alto, Piano
3
Hautbois, Flûte
3
Clarinette, Trombone (duo)
3
Ensemble De Flûte à bec
3
Clarinette, Violon (duo)
3
Quatuor de Flûtes à bec
3
Flûte à bec Soprano
3
Flûte, Violon, Piano
2
Cornemuse
2
Ensemble à vent
2
Flûte à bec, Guitare (duo)
2
Saxophone et Harpe
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette et Basson
2
2 Clarinettes, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Cor anglais, Guitare (duo)
2
Cor Anglais
2
Flûte, Hautbois, Basson
2
Cor anglais et Harpe (duo)
1
Hautbois, Basson et Piano
1
Saxophone et Piano
1
Flûte, Hautbois, Piano (trio)
1
4 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Flûte et Trio à cordes
1
Clarinette, Basson, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte, trombone et piano
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Flute, Cor (duo)
1
Flûte, Basson et Piano
1
Flûte, Trompette (duo)
1
Piccolo
1
Harmonica
1
Flûte à bec Soprano, Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette et Alto
1
Hautbois, Harpe
1
3 Flûtes à bec (trio)
1
+ 98 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Trompette
78
Trombone et Piano
71
Trombone (partie séparée)
68
Trompette, Piano
68
Trompette (partie séparée)
67
Trombone
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Cor et Piano
42
Cor
39
2 Trombones (duo)
27
Tuba et Piano
26
Tuba
22
2 Trompettes (duo)
20
Cor (partie séparée)
19
Trompette, Trombone (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Cors (duo)
16
Euphonium, Piano (duo)
15
Quatuor de Cuivres
14
Tuba (partie séparée)
13
Cor anglais, Piano
12
Ensemble de Trompettes
9
Quatuor de cuivres: 4 cors
8
Trompette, Cor (duo)
8
Cor, Violoncelle (duo)
6
Quatuor de cuivres: 4 trombones
6
Instruments en Sib
6
2 Euphoniums et 2 Tubas
5
Trombone, Cor (duo)
4
Quatuor de cuivres: 4 trompettes
4
2 Tubas (duo)
4
Ensemble de Cors
4
Trombone, Tuba (duo)
3
Bass Clef Instruments
3
Trompette, Violoncelle (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Tuba (duo)
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor anglais, Guitare (duo)
2
Ensemble de Trombones
2
Cor Anglais
2
Trompette, Trombone, Piano
2
4 Tubas
2
Trombone, violoncelle (duo)
2
Cor, Tuba (duo)
2
Cor anglais et Harpe (duo)
1
Clarinette, Cor (duo)
1
Cor et Harpe
1
Tuba ou Euphonium ou Saxhorn
1
Euphonium
1
Tuba et Orgue
1
Instruments en Fa
1
Euphonium, Tuba (duo)
1
Cor et Basson (duo)
1
Trompette, Harpe
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
242
Violon et Piano
157
Violon
143
Violoncelle
104
Violoncelle, Piano
101
Alto, Piano
80
Harpe
73
Alto seul
48
Violon, Violoncelle (duo)
48
2 Violons (duo)
43
Trio à Cordes: violon, alto, violoncelle
36
2 Violoncelles (duo)
32
Violon, Alto (duo)
29
2 Altos (duo)
24
Violon (partie séparée)
21
Contre Basse
20
Contrebasse (partie séparée)
20
Alto (partie séparée)
19
Alto, Violoncelle (duo)
18
Contrebasse, Piano (duo)
16
Trio à Cordes: 2 violons, violoncelle
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Guitare (duo)
12
Violoncelle , Guitare (duo)
9
Piano Trio: Violon, Alto, Piano
8
2 Contrebasses (duo)
6
Harpe, Flûte (duo)
5
Alto, Guitare (duo)
5
Violoncelle (partie séparée)
5
Violon, Basson (duo)
4
Alto et Basson
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Harpe, Voix
2
2 Violons, Piano
1
4 Violoncelles
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
606
Orchestre
231
Fanfare
115
Orchestre à Cordes
111
Batterie
78
Cloches
73
Ensemble Jazz
68
Orchestre de chambre
64
Ensemble de cuivres
64
Jazz combo
40
Ensemble de Percussions
19
Percussion (partie séparée)
19
Batterie (partie séparée)
11
Percussion
8
Timbales (partie séparée)
5
Marimba
4
Vibraphone
3
Xylophone
2
Xylophone, Piano
2
Timbales
2
Piano et Orchestre
1
2 Xylophones
1
2 Caisses Claires (duo)
1
Orchestre, Violon
1
Quintette à Vent
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
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VIOLONCELLE
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Pai
Partitions à imprimer
14 317 partitions trouvées
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9976
Querido pai Opus 12
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Ivan Lyran
#
Querido pai Opus 12
#
Publicado por Ivan Lyran
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1019684 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. 15 pages...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1019684 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. 15 pages. Publicado por Ivan Lyran #4363534. Published by Publicado por Ivan Lyran (A0.1019684). Composta em 2013, a peça Querida pai Opus 12 é uma homenagem ao meu pai, que morreu em 2012 por causa de um câncer no intestino. Uma peça foi criada em 15/06/2017 pelo Quinteto Lorenzo Fernandez na Primeira Mostra Impulso de Composição Clássica. Local: TribOz - Centro Cultural Brasil-Austrália Rua Conde de Lages, 19 - Lapa, Rio de Janeiro / RJ. Composto em 2013, uma peça Caro Opus 12 é uma homenagem ao pai, que em 2012 por causa de um câncer no intestino. Uma peça foi criada em 15/06/2017 por Quinteto Lorenzo Fernandez no Primeiro Show de Impulso da Composição Clássica. Localização: TribOz - Centro Cultural Brasil-Austrália Rua Conde de Lages, 19 - Lapa, Rio de Janeiro / RJ.
$15.00
Um Pife pro Pai
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David Ganc
#
David Ganc
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Um Pife pro Pai
#
David Ganc
#
SheetMusicPlus
Cello,Double Bass,Soprano Flute,Viola,Violin - Level 3 - SKU: A0.1489327 By David Ganc. By Daniel Ganc / David Ganc. Arranged by David Ganc. Multicultur...
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Cello,Double Bass,Soprano Flute,Viola,Violin - Level 3 - SKU: A0.1489327 By David Ganc. By Daniel Ganc / David Ganc. Arranged by David Ganc. Multicultural,World. 41 pages. David Ganc #1066187. Published by David Ganc (A0.1489327). Um Pife pro Pai. Original tune written by Daniel Ganc and David Ganc. Son and father composed together this music. Daniel gave a Pife - a bamboo flute typical from the northeast region from Brazil – as a present to me. I immediately improvised some phrases and sent them to Daniel, who harmonized it to complete and organize the song. After that I wrote this arrangement for 2 C Flutes and String Orchestra. The result is a very cheerful forró that we dedicated to the luthier of the pife, the virtuoso Alexandre Rodrigues. It was premiered in Manaus at the XX International Flute Festival by ABRAF - 2024, accompanied by the Amazonas Chamber Orchestra. The piece has an interactive improvisation section for the 2 soloists.Score and parts included (2 flutes, violin, viola, cello and double bass).
$25.99
Ser Pai 1º movimento Alegre
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Marcelo Torca
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Marcelo Torca
#
Ser Pai 1º movimento Aleg
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Marcelo Torca
#
SheetMusicPlus
SKU: A0.1064719 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 312. Marcelo Torca #55799. Published by Ma...
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SKU: A0.1064719 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 312. Marcelo Torca #55799. Published by Marcelo Torca (A0.1064719). O primeiro movimento da música Ser Pai, andamento Alegre. Para Orquestra Grupo Instrumental.
$4.00
Kia Pai TÅ RÄ (No 2. from "Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People)".
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Piano, Voix
#
FACILE
#
Leon Gray
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Leon Gray
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Kia Pai TÅ RÄ
#
Leon Gray
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1331926 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Children,Instructional,Jazz,Multicultural,...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1331926 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Children,Instructional,Jazz,Multicultural,World. Score. 8 pages. Leon Gray #918697. Published by Leon Gray (A0.1331926). Explore how beautiful it is to sing in Maori, the language of the indigenous people of New Zealand, known as Te Reo, with Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People).Leon Gray writes funny, moving, silly and creative songs, perfect for young people learning singing technique. Included in each of the five songs are verses sung in English, transliterating the text for audiences.In the humorous piece, Kia Pai TÅ RÄ (Have a Happy Day) the singer recalls a strange dream about a happy man in bright colours who wished them a happy day.With rich piano accompaniments, this collection is suitable for all ages, and teachers, students and pianist will love performing them.
$2.00
Pai Nosso
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Chorale SATB
#
FACILE
#
Fernando Britto
#
Pai Nosso
#
Fernando Britto
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1151090 Composed by Fernando Britto. Chamber,Christian,Christmas,Classical,Contemporary. Octavo. 4 pages. Fernan...
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Choral Choir (SATB) - Level 2 - SKU: A0.1151090 Composed by Fernando Britto. Chamber,Christian,Christmas,Classical,Contemporary. Octavo. 4 pages. Fernando Britto #751275. Published by Fernando Britto (A0.1151090). Pai Nosso. The prayer, in Brazilian portuguese. For translations and adaptations, send me an email to brittostudio.music@gmail.com.
$12.99
Foi Pai Miguel Quem Me Chamou by Anderson Quevedo for flute, 2 tenor sax, baritone sax and congas
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Jazz
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Latin/Musique du monde
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Anderson Quevedo
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Foi Pai Miguel Quem Me Chamou
#
The Sheet Music Library
#
SheetMusicPlus
Small Ensemble Baritone Saxophone,Flute,Hand Percussion,Tenor Saxophone - Level 2 - SKU: A0.825833 Composed by Anderson Quevedo. Concert,Jazz,Latin. Sco...
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Small Ensemble Baritone Saxophone,Flute,Hand Percussion,Tenor Saxophone - Level 2 - SKU: A0.825833 Composed by Anderson Quevedo. Concert,Jazz,Latin. Score and parts. 12 pages. The Sheet Music Library #6658887. Published by The Sheet Music Library (A0.825833). Foi Pai Miguel Quem Me Chamou is a original composition by brazilian saxophonist Anderson Quevedo that resembles the sound of afro-brazilian Umbanda chants and percussion must play a style called samba-duro as basic groove.
$12.99
Ser Pai 2º movimento Triste
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Marcelo Torca
#
Marcelo Torca
#
Ser Pai 2º movimento Tris
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Marcelo Torca
#
SheetMusicPlus
SKU: A0.1064720 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 273. Marcelo Torca #55801. Published by Ma...
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SKU: A0.1064720 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 273. Marcelo Torca #55801. Published by Marcelo Torca (A0.1064720). Música para o Dia dos Pais, para Orquestra Grupo Instrumental, interpretado pela Orquestra Grupo Instrumental MACRISAN.
$4.00
Ser Pai 3º movimento Muito Alegre
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Marcelo Torca
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Marcelo Torca
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Ser Pai 3º movimento Muit
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Marcelo Torca
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SheetMusicPlus
SKU: A0.1064721 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 181. Marcelo Torca #55803. Published by Ma...
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SKU: A0.1064721 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 181. Marcelo Torca #55803. Published by Marcelo Torca (A0.1064721). Música para o Dia dos Pais, para Orquestra Grupo Instrumental, interpretado pela Orquestra Grupo Instrumental MACRISAN.
$4.00
Ser Pai 5º movimento Alegre
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Marcelo Torca
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Marcelo Torca
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Ser Pai 5º movimento Aleg
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Marcelo Torca
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SheetMusicPlus
SKU: A0.1064723 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 441. Marcelo Torca #55807. Published by Ma...
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SKU: A0.1064723 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 441. Marcelo Torca #55807. Published by Marcelo Torca (A0.1064723). Música para o Dia dos Pais, para Orquestra Grupo Instrumental, interpretado pela Orquestra Grupo Instrumental MACRISAN.
$4.00
Anzen Pai
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Motoki Ohmori
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Mopianic
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Anzen Pai
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Mopianic
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1336612 Composed by Motoki Ohmori. Arranged by Mopianic. Pop. Score. 5 pages. Mopianic #922383. Published b...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1336612 Composed by Motoki Ohmori. Arranged by Mopianic. Pop. Score. 5 pages. Mopianic #922383. Published by Mopianic (A0.1336612). Anzenpai Mrs. GREEN APPLE  Transcription for piano solo intermediate level Twitter https://twitter.com/MopianicYm​アンゼンパイ Mrs. GREEN APPLE  ピアノソãƒã‚¢ãƒ¬ãƒ³ã‚¸ã€€ä¸ç´š.
$4.99
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) (8-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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George Frideric Handel
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Jon Paige
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The Royal Welcome
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.451673 Composed by George Frideric Handel. Arranged by Jon Paige. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Durat...
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Choral - SKU: HX.451673 Composed by George Frideric Handel. Arranged by Jon Paige. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 190. Hal Leonard - Digital #309891. Published by Hal Leonard - Digital (HX.451673).
Digital Pack includes
:
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Full Score
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Flute 1
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Cello
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Flute 2
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Violin 1
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Violin 2
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Piano or Harpsichord
The Royal Welcome (An Introit For Palm Sunday) (arr. John Paige) - Viola
$40.00
Dot by dot Julia patiently paints a peacock Op. 14 No. 3 from the book Paintings by my pupils
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Piano seul
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INTERMÉDIAIRE
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Sally Wave
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Sally Wave
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Dot by dot Julia patiently pai
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Sally Wave
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1443675 By Sally Wave. By Sally Wave. Arranged by Sally Wave. 21st Century,Classical,Contemporary,Multicultural,World. Sc...
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Piano Solo - Level 3 - SKU: A0.1443675 By Sally Wave. By Sally Wave. Arranged by Sally Wave. 21st Century,Classical,Contemporary,Multicultural,World. Score. 4 pages. Sally Wave #1023616. Published by Sally Wave (A0.1443675). A charming piece for lower intermediate level. The painting is included.
$2.50
Fanfare And Concertato On "Blessed Assurance" (arr. Brad Nix and Jon Paige) (6-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Brad Nix and Jon Paige
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Fanfare And Concertato On "Ble
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.446663 Arranged by Brad Nix and Jon Paige. This edition: pdf, scorch, streaming. Sacred. Choral Instrumental Pack. 2 pages. Duration 26...
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Choral - SKU: HX.446663 Arranged by Brad Nix and Jon Paige. This edition: pdf, scorch, streaming. Sacred. Choral Instrumental Pack. 2 pages. Duration 265. Hal Leonard - Digital #307723. Published by Hal Leonard - Digital (HX.446663).
Digital Pack includes
:
Fanfare and Concertato on andquot;Blessed Assuranceandquot; (arr. Brad Nix andamp; Jon Paige) - Full Score
Fanfare and Concertato on andquot;Blessed Assuranceandquot; (arr. Brad Nix andamp; Jon Paige) - Bb Trumpet 1
Fanfare and Concertato on andquot;Blessed Assuranceandquot; (arr. Brad Nix andamp; Jon Paige) - Bb Trumpet 2
Fanfare and Concertato on andquot;Blessed Assuranceandquot; (arr. Brad Nix andamp; Jon Paige) - Trombone 1
Fanfare and Concertato on andquot;Blessed Assuranceandquot; (arr. Brad Nix andamp; Jon Paige) - Trombone 2
Fanfare and Concertato on andquot;Blessed Assuranceandquot; (arr. Brad Nix andamp; Jon Paige) - Timpani
$42.00
Fanfare And Concertato On "I Stand Amazed In The Presence" (Orch.) (arr. Jon Paige and Brad Nix) (6-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Charles H
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Brad Nix and Jon Paige
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Fanfare And Concertato On "I S
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.475736 Composed by Charles H. Gabriel. Arranged by Brad Nix and Jon Paige. This edition: pdf, scorch, streaming. Sacred. Choral Instrum...
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Choral - SKU: HX.475736 Composed by Charles H. Gabriel. Arranged by Brad Nix and Jon Paige. This edition: pdf, scorch, streaming. Sacred. Choral Instrumental Pack. 1 pages. Duration 275. Hal Leonard - Digital #314302. Published by Hal Leonard - Digital (HX.475736).
Digital Pack includes
:
Fanfare And Concertato On andquot;I Stand Amazed In The Presenceandquot; (arr Jon Paige andamp; Brad Nix) - Trombone 1
Fanfare And Concertato On andquot;I Stand Amazed In The Presenceandquot; (arr Jon Paige andamp; Brad Nix) - Full Score
Fanfare And Concertato On andquot;I Stand Amazed In The Presenceandquot; (arr Jon Paige andamp; Brad Nix) - Bb Trumpet 2
Fanfare And Concertato On andquot;I Stand Amazed In The Presenceandquot; (arr Jon Paige andamp; Brad Nix) - Trombone 2
Fanfare And Concertato On andquot;I Stand Amazed In The Presenceandquot; (arr Jon Paige andamp; Brad Nix) - Bb Trumpet 1
Fanfare And Concertato On andquot;I Stand Amazed In The Presenceandquot; (arr Jon Paige andamp; Brad Nix) - Timpani
$42.00
Fanfare and Concertato on "I Love Thy Kingdom, Lord" (Brass and Timpani) (arr. Jon Paige and Brad Nix) (6-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Brad Nix and Jon Paige
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Fanfare and Concertato on "I L
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.474382 Arranged by Brad Nix and Jon Paige. This edition: pdf, scorch, streaming. Sacred. Choral Instrumental Pack. 1 pages. Duration 23...
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Choral - SKU: HX.474382 Arranged by Brad Nix and Jon Paige. This edition: pdf, scorch, streaming. Sacred. Choral Instrumental Pack. 1 pages. Duration 230. Hal Leonard - Digital #314313. Published by Hal Leonard - Digital (HX.474382).
Digital Pack includes
:
Fanfare and Concertato on andquot;I Love Thy Kingdom, Lordandquot; (arr. Jon Paige and Brad Nix) - Full Score
Fanfare and Concertato on andquot;I Love Thy Kingdom, Lordandquot; (arr. Jon Paige and Brad Nix) - Bb Trumpet 1
Fanfare and Concertato on andquot;I Love Thy Kingdom, Lordandquot; (arr. Jon Paige and Brad Nix) - Bb Trumpet 2
Fanfare and Concertato on andquot;I Love Thy Kingdom, Lordandquot; (arr. Jon Paige and Brad Nix) - Trombone 1
Fanfare and Concertato on andquot;I Love Thy Kingdom, Lordandquot; (arr. Jon Paige and Brad Nix) - Trombone 2
Fanfare and Concertato on andquot;I Love Thy Kingdom, Lordandquot; (arr. Jon Paige and Brad Nix) - Timpani
$42.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
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Alto seul
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Pub...
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Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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