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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
second parts
Non classifié
3 048
Piano & claviers
1 Piano, 4 mains
247
Piano seul
80
Piano Trio: piano, violon, violoncelle
61
Accompagnement Piano
60
Piano Facile
42
Piano, Voix
39
Piano, Voix et Guitare
30
Orgue
24
2 Pianos, 4 mains
20
Orgue, Piano (duo)
11
Instruments en Do
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Trompette (duo)
5
Piano (partie séparée)
5
2 Pianos, 8 mains
2
2 Accordéons
1
Clavier
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
2 Guitares (duo)
29
Guitare notes et tablatures
20
Guitare
19
Ukulele
16
Guitare (partie séparée)
10
4 Guitares (Quatuor)
9
Basse electrique
6
2 Dulcimers (duo)
5
Mandoline, Guitare (duo)
4
2 Ukuleles
4
3 Guitares (trio)
3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Dulcimer
1
Mandoline
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
203
Chorale TTBB
56
Chorale SSAA
44
Chorale 2 parties
33
Chorale 3 parties
31
Chorale Unison
25
Voix duo
5
Voix Soprano, Piano
2
Chorale
2
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix et basse continue
1
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSATB
1
Voix duo, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Quatuor de Clarinettes: 4 clarinettes
98
Saxophone Alto et Piano
75
Quatuor de Saxophones: 4 saxophones
69
Flûte traversière et Piano
59
2 Flûtes traversières (duo)
58
Hautbois, Piano (duo)
57
2 Saxophones (duo)
55
Quintette de Saxophone: 5 saxophones
45
Flûte, Hautbois, Clarinette, Basson
44
2 Clarinettes (duo)
43
Clarinette
43
Quatuor de Flûtes : 4 flûtes
43
Clarinette et Piano
40
Saxophone Tenor et Piano
38
Quintette de Clarinettes: 5 clarinettes
34
Flûte et Guitare
33
Saxophone, Clarinette (duo)
29
Ensemble de Clarinettes
28
Flûte, Clarinette (duo)
25
Trio de Flûtes: 3 flûtes
24
Saxophone (partie séparée)
24
Flûte traversière
21
Ensemble de Flûtes
21
3 Saxophones (trio)
19
3 Clarinettes (trio)
19
Hautbois, Basson (duo)
18
Clarinette, Violon (duo)
16
Hautbois, Flûte
14
Clarinette, Trompette (duo)
13
Hautbois, Clarinette (duo)
13
2 Hautbois (duo)
13
Flûte, Violon, Piano
13
Flûte, Violon et Violoncelle
12
Flûte, Violon
12
Saxophone Soprano et Piano
11
2 Flûte à bec (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Saxophone (duo)
11
Clarinette, Basson (duo)
10
Ensemble de saxophones
9
Clarinette et Alto
9
Flûte, Trompette (duo)
8
Flûte, Clarinette et Basson
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Alto (duo)
6
Clarinette Basse, Piano
5
Quatuor de Flûtes à bec
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violoncelle
4
Clarinette, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Cor anglais, Piano
4
Flûte, Clarinette, Piano (trio)
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Basson
3
Hautbois, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Quatuor à cordes
3
Hautbois
3
Flûte à Bec, Piano
3
Hautbois (partie séparée)
3
2 Saxophones, Piano
3
Flûte, Hautbois (duo)
3
Flute (partie séparée)
3
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Basson et Piano
2
Saxophone et Guitare
2
Ensemble à vent
2
Hautbois, Harpe
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Basson, Piano (trio)
2
Clarinette, Violoncelle (duo)
1
Piccolo
1
Flûte à bec, Harpe
1
Flûte, Harpe et Violoncelle
1
Saxophone Soprano
1
Clarinette (partie séparée)
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Alto
1
Flûte à bec Soprano
1
2 Flûtes traversières, Piano
1
2 clarinettes, 2 bassons
1
Flûte à bec Alto
1
Flûte, Alto et Piano
1
5 Flûtes à bec
1
Clarinette, Trombone (duo)
1
Cor Anglais
1
Flûte et Quatuor à Cordes
1
Flûte, alto et harpe
1
3 Hautbois
1
Saxophone et Harpe
1
Flûte à bec Tenor
1
Flute, harpe et violon
1
Cor anglais, Guitare (duo)
1
Saxophone et Piano
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
262
Quatuor de Cuivres : 2 trompettes, trombone, tuba
156
Quatuor de cuivres: 4 trombones
50
Trombone (partie séparée)
41
Trompette, Piano
29
Quatuor de Cuivres
27
Trombone et Piano
26
Trompette
26
Trompette, Trombone (duo)
25
2 Cors (duo)
24
Quatuor de cuivres: 4 cors
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trompette, Saxophone (duo)
19
Ensemble de Trombones
18
Cor et Piano
17
Trompette (partie séparée)
16
2 Trombones (duo)
15
2 Trompettes (duo)
14
3 Trombones (trio)
12
Trio de Cuivres
12
Cornet et Piano
11
Tuba et Piano
10
Euphonium, Piano (duo)
8
Trompette, Cor (duo)
7
Trombone
7
3 Tubas (trio)
6
Quatuor de cuivres: 4 trompettes
6
3 Trompettes (trio)
6
2 Tubas (duo)
6
Ensemble de Trompettes
5
Ensemble de Cors
5
Tuba
5
Euphonium, Tuba (duo)
5
2 Euphoniums et 2 Tubas
5
2 Cors Anglais Et Pianoforte
4
Cor anglais, Piano
4
Cor (partie séparée)
3
3 Cors (trio)
3
Cor
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Clarinette, Cor (duo)
2
4 Tubas
2
Trombone, Orgue
2
Tuba (partie séparée)
2
Cor, Tuba (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
Trombone basse
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
Euphonium
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
632
Trio à Cordes: violon, alto, violoncelle
270
Violon, Violoncelle (duo)
243
Violon et Piano
157
Violon
127
Violoncelle, Piano
83
Alto, Piano
55
2 Violons (duo)
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Alto, Violoncelle (duo)
44
Violon, Alto (duo)
41
2 Violoncelles (duo)
31
Trio à Cordes: 2 violons, violoncelle
24
Violoncelle
24
Harpe
18
Trio à cordes
17
Trio à Cordes: 3 violoncelles
16
2 Harpes (duo)
13
4 Violoncelles
13
Piano Trio: Violon, Alto, Piano
12
2 Altos (duo)
11
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
9
Violon, Guitare (duo)
9
Violon (partie séparée)
8
Alto seul
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 violins
7
Contrebasse (partie séparée)
6
Harpe, Violon (duo)
6
Quatuor à cordes: 4 violons
6
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
4
Ensemble de Violons
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
2 Violons, Piano
3
3 Harpes
2
5 Harpes
2
Alto, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Contre Basse
2
Harpe et Piano
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
519
Orchestre à Cordes
376
Orchestre
277
Ensemble de cuivres
254
Orchestre de chambre
122
Ensemble Jazz
117
Ensemble de Percussions
61
Jazz combo
38
Fanfare
31
Cloches
20
Quintette à Vent
5
Batterie
5
Batterie (partie séparée)
4
Vibraphone
2
Piano et Orchestre
2
Orchestre, Violon
2
Marimba
1
Big band
1
Quatuor à Vent : 4 instruments à vents
1
Ensemble d'École
1
Percussion (partie séparée)
1
Percussion
1
Xylophone, Piano
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
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VIOLON
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FUNK
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Partitions à imprimer
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9976
Niel Gow's Lament (For the Death of His Second Wife)
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2 Guitares (duo)
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INTERMÉDIAIRE
#
Contemporain
#
Niel Gow
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Dan Jones (www
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Niel Gow's Lament
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danjonesguitarist.com
#
SheetMusicPlus
Guitar Duet - Intermediate - Composed by Niel Gow. Arranged by Dan Jones (www.danjonesguitarist.com). World, Folk, European, Celtic. Score, Set of P...
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Guitar Duet - Intermediate - Composed by Niel Gow. Arranged by Dan Jones (www.danjonesguitarist.com). World, Folk, European, Celtic. Score, Set of Parts. 8 pages. Published by danjonesguitarist.com
NielGow?s Lament (For the Death of His Second Wife) is a beautifulpiece of fiddle music that is a staple of the Scottish fiddle repertoire. Itsmodal style and scope for ornamentation make it ideal for arrangement for twoguitars. The piece is suitable for intermediate/advanced players.
This download supplies you with a score, parts in notes and parts in TAB.
Niel Gowwas born in Perthshire in 1727 and is the composer of many fine fiddle tunes.His name is sometimes spelt as ?Neil? or even ?Neal?. His first wife wasMargaret Wiseman and following her death, Gow married Margaret Urquhart in 1768.This lament was composed on her death in 1805.
The piece can be simplified by omitting the ornamentation or made more substantial by performing a complete repeat which works very well musically.
A recording can be heard here: https://soundcloud.com/user-115466245/lament-for-the-death-of-his-second-wife
You can watch a YouTube performance via this page.
Dan hasa wealth of music for solo guitar and ensembles of all levels available forimmediate download. For videos and recordings please visit www.danjonesguitarist.com.
$6.95
March from Second Suite in F for Trombone Quintet
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Ensemble de Trombones
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AVANCÉ
#
Classique
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Gustav Holst
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Poirier, Andrew
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March from Second Suite in F f
#
Cherry Classics Music
#
SheetMusicPlus
Trombone Quintet Ensemble - Advanced - Composed by Gustav Holst (1874-1934). Arranged by Poirier, Andrew. 20th Century, Romantic Period. Score, Set ...
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Trombone Quintet Ensemble - Advanced - Composed by Gustav Holst (1874-1934). Arranged by Poirier, Andrew. 20th Century, Romantic Period. Score, Set of Parts. 34 pages. Published by Cherry Classics Music
The March from the Second Suite in F for Military Band (Op. 28, No. 2) by Gustav Holst is a staple of the concert band repertoire. Andrew Poirier has masterfully arranged this band classic for trombone quintet (alto, 3 tenor, bass), complete with optional euphonium solo as in Holst?s original. This English folk song laden gem of about 4 1/2 minutes is sure to delight audiences and is suitable for advanced performers. This arrangement of the Holst March can be heard below and in its entirety on iTromboni?s recently released third album: ?T?Anguish?.
$27.50
Lie To Me by 5 Seconds of Summer for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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5 Seconds Of Summer, 5Sos
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Deena Corkindale
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Lie To Me by 5 Seconds of Summ
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Deena Corkindale
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SheetMusicPlus
By 5 Seconds Of Summer, 5Sos. Arranged by Deena Corkindale. Score, Set of Parts. 18 pages. Published by Deena Corkindale...
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By 5 Seconds Of Summer, 5Sos. Arranged by Deena Corkindale. Score, Set of Parts. 18 pages. Published by Deena Corkindale
String quartet arrangement of 5 Seconds of Summer and Julia Michaels' "Lie to Me". Full score and parts (2 violins, viola, cello).
$12.99
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
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INTERMÉDIAIRE
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Opera
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Classique
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual pa...
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Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Second Way for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tapio Sayppo
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Second Way for piano quartet
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MSTS Music Studio
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1201355 Composed by Tapio Sayppo. Chamber,Classical. 37 pages. MSTS Music Studio #800010. Pub...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1201355 Composed by Tapio Sayppo. Chamber,Classical. 37 pages. MSTS Music Studio #800010. Published by MSTS Music Studio (A0.1201355). Second Way for piano quartet – Second Way per quartetto di pianoforte – Second Way pianokvartetilleTonal, melodic, light and easy to listen to music.The sheet music PDF contains BOTH the full score AND all the instrument parts. There are two piano parts with the exactly same music, but the first one (5 pages) is with chord symbols, the second one (4 pages) without chord symbols.37 pages, duration 3 minutes 5 seconds.ISMN 979-0-9001735-2-2 (PDF) – Registered internationally by The National Library of Finland, which stores quite a lot of Tapio Sayppo's music in its vast collections.
$15.00
Piano Part for Violin Friends Violin Method Book 2: 33 Simplified Piano Parts
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Violon et Piano
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FACILE
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Traditional
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Lauri Hamalainen
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Piano Part for Violin Friends
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Suomi Music
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1318508 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Ed...
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Piano,Violin - Level 2 - SKU: A0.1318508 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Educational Method. 64 pages. Suomi Music #907178. Published by Suomi Music (A0.1318508). Piano Part for Violin Friends Violin Method Book 2: 33 Simplified Piano Parts33 Simplified Piano PartsViolin Friends Method Book Volume 2 is a fun and colorful collection of great music for the intermediate violin player presenting music from F.Wohlfart, J.S.Bach, A.Vivaldi, J.Kalliwoda, H.Purcell, L.van Beethoven, W.A.Mozart, D.Kabalevsky, S.Saroyan, P.Tchaikovsky, F.Alday, J.Strauss, C.Dancla, O.Sevcik, J.Trott, A.Carse, E.Spiess, and L.Hämäläinen, as well as folk music from Finland.Violin Friends 2 is the second part of the Violin Friends family of music books.All Violin Friends music is easily learnable with the help of simplified piano parts, Youtube play- along videos on the Violin Friends Youtube channel, and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$24.90
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
SECOND SUITE FOR TRUMPET AND HORN
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Ensemble de cuivres
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AVANCÉ
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Rosemary Sugden Waltzer
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SECOND SUITE FOR TRUMPET AND H
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New City Music
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.904616 Composed by Rosemary Sugden Waltzer. 20th Century,Concert,Contemporary,Standards. Score and parts. 28 pages. N...
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Brass Ensemble - Level 5 - SKU: A0.904616 Composed by Rosemary Sugden Waltzer. 20th Century,Concert,Contemporary,Standards. Score and parts. 28 pages. New City Music #4855131. Published by New City Music (A0.904616). Second Suite for Trumpet and Horn (subtitle Ethical Duets), like the first suite, is a set unaccompanied duets. Duration 10 minutes 6 seconds. The movements are: 1. Opening Day, 2. September, 3. Tease Tag (with exaggerated rests during which players give meaningful looks- a 'performance piece', 4. Waltzer, 5. Fanfare and Romp. Formatted for convenient page turns, double side printing and binding. Appropriate for college to professional level. Melodic with fresh harmonies. Two copies with both parts on each, one for Trumpet in B flat, one for Trumpet in C, both Horn in F. Concert, senior recital or just to play for fun!
$16.00
Op 111 Sinfonia n 2 secondo movimento Largo
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Contemporain
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Enrico Bolgan
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Op 111 Sinfonia n 2 secondo mo
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Enrico Bolgan
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SheetMusicPlus
Large Ensemble B-Flat Clarinet,Bassoon,Cello,English Horn,Flute,Guitar,Oboe,Piccolo,Timpani,Viola,Violin - Level 5 - SKU: A0.1021484 Composed by Enrico ...
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Large Ensemble B-Flat Clarinet,Bassoon,Cello,English Horn,Flute,Guitar,Oboe,Piccolo,Timpani,Viola,Violin - Level 5 - SKU: A0.1021484 Composed by Enrico Bolgan. Contemporary. Score and parts. 25 pages. Enrico Bolgan #6050127. Published by Enrico Bolgan (A0.1021484). E' la mia seconda sinfonia in onore e memoria del Primo Maestro di musica Egidio Santinon
$4.99
Elsa's Procession to the Cathedral 2 minutes and 30 seconds version for Brass Trio, Quartet, or Quin
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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Ben Mulholland
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Elsa's Procession to the Cathe
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Benjamin D Mulholland
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.934870 Composed by Richard Wagner. Arranged by Ben Mulholland. Romantic Period,Wedding. Score and parts. 5 pages. Ben...
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Brass Ensemble - Level 3 - SKU: A0.934870 Composed by Richard Wagner. Arranged by Ben Mulholland. Romantic Period,Wedding. Score and parts. 5 pages. Benjamin D Mulholland #6427991. Published by Benjamin D Mulholland (A0.934870). 2 minutes and 30 seconds Elsa's Procession to the Cathedral for modular brass ensemble. Parts included for standard brass trio, quartet, or quintet. This version was arranged for a brides procession that was much faster than the existing versions would support. If needed the players can start from the key change for a 1:30 second version.
$15.99
100 30-Second Pieces for 2 Pianos
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Evan Ziporyn
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100 30-Second Pieces for 2 Pia
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1013067 Composed by Evan Ziporyn. 20th Century,Contemporary,Standards. Score and parts. 12...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1013067 Composed by Evan Ziporyn. 20th Century,Contemporary,Standards. Score and parts. 126 pages. Airplane Ears Music #5808621. Published by Airplane Ears Music (A0.1013067). 100 pieces for two pianos (four hands), each precisely 30 seconds long. The set can be performed in its entirety, mixed-and-match into smaller suites, or performed as individual movements. A companion set by Christine Southworth - of the same title and same length, and written at the same time, in early 2011 - is also available.Composed in 2011 by Evan Ziporyn, .
$10.00
"Quartet for Flute, Clarinet, Bassoon and Harp" [Set of Parts]
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Lior Navok
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Clarinet
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"Quartet for Flute, Clari
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Harp - Level 4 - SKU: A0.976039 Composed by Lior Navok. 20th Century,Contemporary,World. Score and parts. 110 page...
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Small Ensemble Bassoon,Clarinet,Flute,Harp - Level 4 - SKU: A0.976039 Composed by Lior Navok. 20th Century,Contemporary,World. Score and parts. 110 pages. Lior Navok Music #4725313. Published by Lior Navok Music (A0.976039). QUARTET FOR FLUTE, CLARINET, BASSOON AND HARP (1994) Set of PartsDURATION: 27 minutes MOVEMENTS: 4 movements INSTRUMENTATION: Flute/Piccolo; Clarinet; Bassoon; Harp PROGRAM NOTES: The composer writes about his work: The Quartet for flute, clarinet bassoon and harp is influenced by impressionistic French music and Jazz, which was my main influence at the time. The first movement starts with a pastoral character, somewhat naive, but soon starts to raise some concerned thoughts, and so, ends dark. The second movement is a light flowing movement built on pentatonic scale theme. A Bassoon cadenza bridges between the second and the third movement, which is a long Passacaglia with lamento character. In the last movement, piccolo is used instead of flute. This movement opens with a fugue between the four instruments, which leads to a lyrical second theme followed by harp solo and ends with a Grand Finale. INFO: Item: Set of Parts (scan) Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 102 Ink: Black & White Paper Size: DIN A4 / Letter *** IMPORTAT NOTE *** The parts are engraved, with some handwritten corrections / erases.
$36.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Sergei Rachmaninoff: Symphony No. 2, Second Movement Arranged for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Sergei Rachmaninoff
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Sergei Rachmaninoff: Symphony
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String Play for All
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.859959 Composed by Sergei Rachmaninoff. Arranged by Steven Kruse, Penny Thompson Kruse. 20th Century,Romantic Perio...
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String Orchestra - Level 4 - SKU: A0.859959 Composed by Sergei Rachmaninoff. Arranged by Steven Kruse, Penny Thompson Kruse. 20th Century,Romantic Period,Standards,World. Score and parts. 162 pages. String Play for All #6189581. Published by String Play for All (A0.859959). Expose your students to the lush melodies, chromaticism, and technical challenges of Sergei Rachmaninoff. His second symphony is one of his most beloved works, and the second movement contains all these wonderful elements listed above.The parts contain chromaticism, long bows, and spiccato passages. The range of the first violin extends to fourth position while the second violin and viola do not go beyond third position. The chromatic fingerings, rhythm, and bow control make this a challenging arrangement, but well worth the effort. The piece is five minutes in length.
$18.99
Goin' Home (Complete Second Movement from Dvorak's Symphony 9) for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonin Dvorak
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Joel Jacklich (ASCAP)
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Goin' Home
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Joel Jacklich
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.723180 Composed by Antonin Dvorak. Arranged by Joel Jacklich (ASCAP). Folk,Patriotic,Romantic Period. ...
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String Quartet String Quartet - Level 4 - SKU: A0.723180 Composed by Antonin Dvorak. Arranged by Joel Jacklich (ASCAP). Folk,Patriotic,Romantic Period. Score and parts. 21 pages. Joel Jacklich #6717751. Published by Joel Jacklich (A0.723180). The complete second movement of Dvorak's Symphony No. 9, From the New World, is here presented as arranged for string quartet by Joel Jacklich. In the easier string key of D Major (transposed from the original D-flar Major), not only the familiar Goin' Home theme, but the entire second movement with all the melodies and harmonies of the full orchestra is condensed into an arrangement playable by the string quartet. Except for the key transposition, most of the string parts contain the complete contents of Dvorak's original with the necessary wind parts written into the strings as needed. A challenging work for string quartet.
$12.99
Adagio (from Concerto in D minor, BWV 974) - arr for 2 Violins and Piano ("I'll Second This" Series)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Pietro Prugna
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Adagio
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Pietro Prugna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1162720 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1162720 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Traditional. Score and parts. 11 pages. Pietro Prugna #763090. Published by Pietro Prugna (A0.1162720). JS Bach arranged Alessandro Marcello's Oboe Concerto in D minor for keyboard. This is an arrangement of the second movement, Adagio, for Organ for Violin (melody) and Piano (accompaniment). I'll Second This is a series of arrangements for Violin (melody) and Piano (accompaniment). An optional Violin II is added to harmonise the melody. The arrangements can also be played without Violin II, with just melody and accompaniment. The PDF contains Full Score and Set of Parts (Violin I, Violin II and Piano).
$1.99
Monteverdi Second Book of Madrigals - No 2 E dicea l'una sospirando
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Ensemble de cuivres
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi Second Book of Madr
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - SKU: A0.767167 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 22 pages. Lyons Music Serv...
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Brass Ensemble - SKU: A0.767167 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 22 pages. Lyons Music Services #3066095. Published by Lyons Music Services (A0.767167). The second song from the second book of madrigals of 1590. These love songs are exquisite and show Monteverdi's growing mastery of the genre. The title roughly translates as And said a sighFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$5.99
Nocturne in C#min (Op. post, No. 20) - arr. for 2 Violins and Piano ("I'll Second This" Series)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Pietro Prugna
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Nocturne in C#min
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Pietro Prugna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1150619 Composed by Frederic Chopin. Arranged by Pietro Prugna. Classical,Fil...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1150619 Composed by Frederic Chopin. Arranged by Pietro Prugna. Classical,Film/TV,Romantic Period,Traditional. Score and parts. 17 pages. Pietro Prugna #750794. Published by Pietro Prugna (A0.1150619). This heart wrenching piece by Chopin was originally written for solo piano. In this arrangement, the melody is played by Violin I. Violin II provides harmonisation to the melody. Piano accompaniment is from the original piece. However, it is played with 2 hands, instead of the left hand only. This is easier for beginners. There are some parts with optional octave higher for the Violins. It is technically challenging on the violin and can be enjoyed without playing 1 octave higher also. The F# after those parts are only if the octave higher option is chosen. I'll Second This is a series of arrangements where Violin II is added to harmonise the melody. The arrangements can be played without Violin II; with just melody and accompaniment. The pdf contains Full Score and Set of Parts (Violin I, Violin II, Piano).
$1.99
Opus 96, Second Israeli Suite for Orchestra (Parts)
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Orchestre de chambre
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AVANCÉ
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Henry Pool
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Opus 96, Second Israeli Suite
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Viola Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.976272 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 103 pages. Viola Editions #285923...
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Chamber Orchestra - Level 5 - SKU: A0.976272 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 103 pages. Viola Editions #2859233. Published by Viola Editions (A0.976272). These are the parts for the beautiful second suite of Israeli dances.
$15.30
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
The Second Day - Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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The Second Day - Orchestra Sco
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750966 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 67 pages. BJE Music #5733237. Published b...
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Full Orchestra - Level 3 - SKU: A0.750966 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 67 pages. BJE Music #5733237. Published by BJE Music (A0.750966). This original composition started out as a round for 4 clarinets in 1982 and has now ( in 2020) been expanded into an arrangement for full Orchestra. Parts include Harp, Glockenspiel, and Timpani. There are still elements of the original theme and the round - There are interludes with a peaceful feel and a building up to a final climax! The composition was finished on 2nd May 2020 (my birthday) - hence the name The Second Day.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 5:25 mins
$25.00
"Moonlight Sonata" - Op. 27, No. 2 (arr for 2 Violins & Piano) (Part of "I'll Second This" Series)
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2 Violons, Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Pietro Prugna
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"Moonlight Sonata" -
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Pietro Prugna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.750631 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Pietro P...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.750631 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Pietro Prugna. Classical,Romantic Period,Standards,Traditional. Score and parts. 14 pages. Pietro Prugna #358475. Published by Pietro Prugna (A0.750631). This is an arrangement of the popular Moonlight Sonata, for 2 violins and piano. The melody is played by Violin I and harmonised by Violin II. The piano accompanies them and plays the bass parts. I'll Second This is a series of arrangements where Violin II is added to harmonise the melody. The arrangements can be played without Violin II, with just melody and accompaniment. The PDF contains the Full Score and Set of Parts (Violin I, Violin II and Piano).
$1.99
Forty-Second Street (from the musical Forty-Second Street)
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Chorale SATB
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Harry Warren
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Larry Shackley
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Recorded Acc. Available.
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Forty-Second Street
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003165 Forty-Second Street (from the musical Forty-Second Street) - SATB. Composed by Harry Warren. Arranged by La...
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Chorus - SKU: AX.00-PO-0003165 Forty-Second Street (from the musical Forty-Second Street) - SATB. Composed by Harry Warren. Arranged by Larry Shackley. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003165. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003165). UPC: 038081338941. Al Dubin.Here's a dynamic new arrangement of the title song from the often revived musical hit, 42nd Street. Offered in true-to-form Broadway style, just the way you want to sing it---and hear it!Inst. Parts Available (choral); Recorded Acc. Available.
$2.10
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