English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2 644
Partitions
Numériques
40 709
Librairie
Musicale
23 245
Matériel
de Musique
764
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
6141
PIANO & CLAVIERS
Piano seul
2498
Piano, Voix
1256
Piano Facile
913
Piano, Voix et Guitare
866
Instruments en Do
393
Accompagnement Piano
233
1 Piano, 4 mains
141
Orgue
133
Accordéon
59
Piano grosses notes
36
2 Pianos, 4 mains
23
Piano Trio: piano, violon, violoncelle
16
Orgue, Trompette (duo)
13
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
5
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Ligne De Mélodie, Piano
2
Clavier
1
Accordéon, Voix
1
2 Accordéons
1
Instrument seul et Orgue
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
392
Basse electrique
335
Guitare
243
Ligne De Mélodie, (Paroles) et Accords
192
Ukulele
94
Paroles et Accords
81
2 Guitares (duo)
32
4 Guitares (Quatuor)
25
Ukulele Baryton
17
3 Guitares (trio)
14
Guitare (partie séparée)
12
Mandoline, Piano (duo)
10
Mandoline
6
Ensemble de guitares
6
Guitare Pedal Steel
6
Piano, Guitare (duo)
6
Banjo
6
Dulcimer
5
Mandoline, Guitare (duo)
3
2 Ukuleles
2
2 Dulcimers (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1265
Chorale TTBB
331
Chorale 3 parties
315
Chorale 2 parties
254
Chorale SSAA
175
Pack Instrumental pour Chorale
101
Chorale Unison
80
Voix duo, Piano
73
Voix Baryton, Piano
63
Voix duo
47
Voix seule
28
Voix Soprano, Piano
21
Voix haute
19
Voix Alto, Piano
10
Chorale
10
Voix moyenne, Piano
9
Voix Tenor, Piano
8
Chorale SSAATTBB
6
Voix Soprano
4
Chorale SSATTB
3
Voix Tenor
3
Voix Baryton
2
Voix basse, Piano
2
Voix basse
2
Chorale SSATB
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
1893
Saxophone Alto et Piano
798
2 Saxophones (duo)
666
Saxophone Alto
661
Flûte, Hautbois, Clarinette, Basson
649
Saxophone Tenor
578
Saxophone (partie séparée)
544
Saxophone Tenor et Piano
494
Saxophone
472
Quintette de Saxophone: 5 saxophones
367
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
361
Saxophone Soprano et Piano
323
Flûte traversière et Piano
261
Saxophone Baryton, Piano
208
Flûte traversière
166
3 Saxophones (trio)
165
Clarinette et Piano
161
2 Flûtes traversières (duo)
148
Ensemble de saxophones
147
Clarinette
141
Hautbois, Piano (duo)
139
2 Clarinettes (duo)
112
Quatuor de Clarinettes: 4 clarinettes
100
Saxophone Soprano
83
Hautbois (partie séparée)
62
Flûte et Guitare
52
Ensemble de Flûtes
50
Ensemble de Clarinettes
50
Flûte, Clarinette (duo)
38
Quatuor de Flûtes : 4 flûtes
35
3 Clarinettes (trio)
33
Saxophone et Guitare
32
2 Flûte à bec (duo)
31
Saxophone, Clarinette (duo)
31
2 Hautbois (duo)
31
Hautbois
29
Saxophone Baryton
28
Flûte, Trombone (duo)
27
Trio de Flûtes: 3 flûtes
25
Clarinette, Violon (duo)
24
Clarinette Basse, Piano
23
Hautbois, Clarinette (duo)
21
Quintette de Clarinettes: 5 clarinettes
20
Flûte à bec Soprano
17
Flûte, Saxophone (duo)
16
Hautbois, Guitare (duo)
16
Hautbois, Basson (duo)
16
Clarinette, Guitare (duo)
15
Cor anglais, Piano
15
Hautbois, trombone (duo)
14
Flute (partie séparée)
14
Clarinette, Trompette (duo)
12
Ocarina
12
Clarinette, Trombone (duo)
12
Quintette de Flûte : 5 flûtes
12
2 Saxophones, Piano
11
Clarinette et Alto
11
Saxophone et Piano
11
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte à bec Alto
10
Quatuor de Flûtes à bec
10
Clarinette (partie séparée)
10
Flûte, Violon
10
Hautbois, Flûte
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Instruments en Mib
9
Flûte, Hautbois (duo)
8
Flûte, Violon, Piano
8
Flûte, Alto (duo)
8
Flûte à Bec
8
Cor anglais, Guitare (duo)
6
Flûte, Clarinette et Basson
6
Flûte, Trompette (duo)
6
Ensemble De Flûte à bec
5
Flûte à bec Soprano, Piano
5
Clarinette, Harpe (duo)
4
Flûte à bec Alto, Piano
4
Clarinette, Basson (duo)
4
Saxophone, Violon (duo)
3
Cor Anglais
3
Flûte, Hautbois, Basson
3
5 Flûtes à bec
3
Flûte, Violoncelle
3
Saxophone et Orgue
3
Clarinette, Violoncelle (duo)
2
Saxophone et Harpe
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Alto et Piano
1
2 Flûtes traversières, Piano
1
Flûte à Bec, Piano
1
Flûte à bec Tenor
1
Harmonica
1
Saxophone, Basson (duo)
1
Flute, harpe et violon
1
3 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Ensemble à vent
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Orchestre
1
Flûte et Trio à cordes
1
3 Flûtes à bec (trio)
1
Piccolo
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
957
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
839
Trombone
692
Trombone et Piano
596
Quatuor de Cuivres
382
Trombone (partie séparée)
289
Quatuor de Cuivres: 2 trompettes, Cor, trombone
226
2 Trombones (duo)
198
Trompette
185
Trompette, Piano
167
Cor et Piano
151
Quatuor de cuivres: 4 trombones
141
Trompette, Trombone (duo)
111
Trio de Cuivres
68
Tuba
67
Cor
66
Tuba et Piano
52
2 Trompettes (duo)
52
Trompette (partie séparée)
38
Trompette, Saxophone (duo)
36
Ensemble de Trombones
33
Ensemble de Trompettes
31
3 Trombones (trio)
27
2 Cors (duo)
26
Euphonium, Piano (duo)
24
Trombone, Violon (duo)
21
2 Tubas (duo)
18
Bass Clef Instruments
15
Cor anglais, Piano
15
Trompette, Cor (duo)
13
Euphonium
11
Instruments en Sib
10
Quatuor de cuivres: 2 trompettes, 2 trombones
9
Cor (partie séparée)
9
Trombone basse et Piano
8
Quatuor de cuivres: 4 cors
7
Cor anglais, Guitare (duo)
6
2 Euphoniums et 2 Tubas
6
Trombone, Tuba (duo)
6
Tuba (partie séparée)
5
Trombone, Orgue
5
Ensemble de Cors
4
Cor Anglais
3
Trompette, Basson (duo)
3
3 Trompettes (trio)
3
Trombone basse
3
Tuba ou Euphonium ou Saxhorn
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
Ensemble de Tubas
1
Trompette et Guitare
1
2 Cors, Piano
1
4 Tubas
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
2 Trombones, Piano
1
Cor, Trompette, Trombone (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
2 Euphoniums (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, violon (duo)
1
Trombone, violoncelle (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1345
Violon
473
Harpe
376
Violon, Violoncelle (duo)
297
Trio à Cordes: violon, alto, violoncelle
230
Violon et Piano
205
Quintette à cordes: 2 violons, alto, violoncelle, basse
171
Violoncelle, Piano
166
Violoncelle
141
Alto, Piano
107
Alto seul
103
2 Violons (duo)
97
Violon, Alto (duo)
66
Contre Basse
64
2 Violoncelles (duo)
57
Contrebasse, Piano (duo)
50
2 Altos (duo)
45
Trio à Cordes: 2 violons, violoncelle
26
Alto (partie séparée)
24
4 Violoncelles
23
Harpe, Flûte (duo)
21
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Violon, Guitare (duo)
15
Alto, Violoncelle (duo)
15
Violon (partie séparée)
14
2 Harpes (duo)
14
Contrebasse (partie séparée)
14
2 Contrebasses (duo)
13
Trio à cordes: 3 violins
12
Ensemble de Violons
10
Ensemble d'Altos
10
Harpe et mandoline
9
Trio à cordes
6
Trio à Cordes: 3 violoncelles
6
Alto et Harpe
5
Harpe, Voix
5
Violoncelle, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Trio à cordes: 3 altos
4
Violoncelle (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
3
Harpe et Piano
3
Quatuor à cordes: 4 violons
3
Alto, Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
4 Contrebasses
2
Harpe (partie séparée)
1
Violoncelle, Orchestre
1
2 Violons, Piano
1
Violoncelle, Orgue
1
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1108
Ensemble Jazz
378
Orchestre
252
Ensemble de cuivres
243
Orchestre à Cordes
210
Fanfare
117
Orchestre de chambre
103
Jazz combo
89
Cloches
77
Ensemble de Percussions
42
Batterie
33
Marimba
26
Xylophone, Piano
21
Xylophone
11
Batterie (partie séparée)
8
Percussion (partie séparée)
5
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
2
2 Xylophones
2
Ensemble d'École
2
Xylophone (partie séparée)
1
Orchestre, Violon
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Timbales
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
My one
Partitions à imprimer
40 709 partitions trouvées
<
1
26
51
....
9976
Three Studies for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881…
(+)
Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.<br> <br> Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.<br> <br> Here is a description of the Three Studies by arranger Karl Lynden:<br> <br> "The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.<br> <br> Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.<br> <br> No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.<br> <br> Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.<br> <br> Here is a description of the Three Studies by arranger Karl Lynden:<br> <br> "The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.<br> <br> Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.<br> <br> No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."
$32.50
29.81 €
#
Quatuor de cuivres: 4 trombones
#
Vladislav Blazhevich
#
Karl Lyden
#
Three Studies for Trombone Quartet
#
Cherry Classics Music
#
SheetMusicPlus
Twelve Duos for Trombones based on Armenian Folk Songs
2 Trombones (duo)
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. …
(+)
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.
$22.50
20.64 €
#
2 Trombones (duo)
#
Petros Shoujounian
#
Twelve Duos for Trombones based on Armenian Folk Songs
#
Cherry Classics Music
#
SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.29 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
English Folk Song by way of American Appalachians
#
F
#
I Gave My Love a Cherry
#
Sweetwater Brass Press
#
SheetMusicPlus
Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
Trompette, Trombone (duo)
Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077
(+)
Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sacred. Score and parts. 5 pages. Joshua Popovici #4616399. Published by Joshua Popovici (A0.1029077). Here’s the thing… There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangement clean and simple for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony. Not complexity. This song is an arrangement of Blessed Assurance for a brass quartet. 2 Trumpets & 2 Trombones (or any low brass instrument). Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the parts interact with one another. Every instrument clearly cutting through. It’s a rich and satisfying arrangement. Not only will you enjoy playing this, but listeners will also experience something unforgettable. Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. If you want the music arranged in differently (ex. instrumentation, keys, clefs, etc...). Just let me know! I'll respond ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
$3.98
3.65 €
#
Trompette, Trombone (duo)
#
Joshua Popovici
#
Blessed Assurance - Brass Quartet For Trumpet and Trombone
#
Joshua Popovici
#
SheetMusicPlus
MY SWEET LYDIA
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.58 €
#
Saxophone Tenor et Piano
#
Joe Procopio
#
the vocalist/bassist I
#
MY SWEET LYDIA
#
JoeCopio Music LLC
#
SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
(+)
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50
20.64 €
#
Trombone basse et Piano
#
Pierce, Alan
#
Romanza and Scherzo for solo Bass Trombone and Piano
#
Cherry Classics Music
#
SheetMusicPlus
My One And Only Love
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1318443 By Oscar Pete…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1318443 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 6 pages. Standard Time #907109. Published by Standard Time (A0.1318443). This well-known standard is arranged as a bari sax solo with piano accompaniment, including a brief piano solo. Please note that the audio uses the soprano sax version of this arrangement, which is in a different key.
$7.99
7.33 €
#
Saxophone Baryton, Piano
#
Oscar Peterson Trio
#
Debra E
#
My One And Only Love
#
Standard Time
#
SheetMusicPlus
Dimensión [trombone octet]
Ensemble de Trombones
Trombone, trombone octet - Advanced Intermediate - Digital Download Composed by Juan …
(+)
Trombone, trombone octet - Advanced Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoire, Latin. Score, Set of Parts. 32 pages. Published by Juan Maria Solare
Dimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.<br> <br> Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it. <br> <br> About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.<br> <br> In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.<br> <br> Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.<br> <br> <br> <br> Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPIDimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.<br> <br> Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it. <br> <br> About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.<br> <br> In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.<br> <br> Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.<br> <br> <br> <br> Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI
$10.00
9.17 €
#
Ensemble de Trombones
#
Juan María Solare
#
Dimensión [trombone octet]
#
Juan Maria Solare
#
SheetMusicPlus
Can't Take My Eyes Off You - trombone quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download By Frankie Valli. Arranged by Austin R…
(+)
Trombone Quartet - Advanced - Digital Download By Frankie Valli. Arranged by Austin Ralphson. Score, Set of Parts. 15 pages. Published by Austin Ralphson
An arrangement of this popular song which has been covered countless times. It is a favourite to play and to listen to, particularly at weddings. Everyone sings along!An arrangement of this popular song which has been covered countless times. It is a favourite to play and to listen to, particularly at weddings. Everyone sings along!
$14.99
13.75 €
#
Quatuor de cuivres: 4 trombones
#
Frankie Valli
#
Austin Ralphson
#
Can't Take My Eyes Off You - trombone quartet
#
SheetMusicPlus
The Progressive Warm Up-Trombone Edition
Trombone
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exe…
(+)
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.55 €
#
Trombone
#
The Progressive Warm Up-Trombone Edition
#
SheetMusicPlus
Someone Like You
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.738933 By Adele. By Adele Adkins and Dan Wilson. Arranged by Kayleigh Huelin. Film/TV. 23 pages. Kayleigh Huelin #6444139. Published by Kayleigh Huelin (A0.738933). One of the biggest pop acts on the planet, Adele has made a name for herself with her emotive songwriting, and none more so than with Someone Like You, the heartfelt ballad from her album 21. This huge pop hit is sure to be well received by an audience in any setting. Arranged for SATTB/AATTB saxophone quintet.Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk
$24.99
22.92 €
#
Quintette de Saxophone: 5 saxophones
#
Adele
#
Kayleigh Huelin
#
Someone Like You
#
Kayleigh Huelin
#
SheetMusicPlus
Someone Like You
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.738932 By Adele. By Adele Adkins and Dan Wilson. Arranged by Kayleigh Huelin. Film/TV. 20 pages. Kayleigh Huelin #6444135. Published by Kayleigh Huelin (A0.738932). One of the biggest pop acts on the planet, Adele has made a name for herself with her emotive songwriting, and none more so than with Someone Like You, the heartfelt ballad from her album 21. This huge pop hit is sure to be well received by an audience in any setting. Arranged for SAATB saxophone quintet.Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk
$24.99
22.92 €
#
Quintette de Saxophone: 5 saxophones
#
Adele
#
Kayleigh Huelin
#
Someone Like You
#
Kayleigh Huelin
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Jos…
(+)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
#
Saxophone (partie séparée)
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
#
Slide Ride
#
SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.46 €
#
Saxophone Alto et Piano
#
Colin Kirkpatrick
#
Lazy Days
(No 4)
#
My Saxophone and Me
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
(+)
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.46 €
#
Saxophone Tenor et Piano
#
Colin Kirkpatrick
#
Island Song
(No 3)
#
My Saxophone and Me
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari) (Tenor lead)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-…
(+)
Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Regis Bookshar. 20th Century, General Worship, Repertoire, Wedding, Funeral. Score, Set of Parts. 9 pages. Published by Regis Bookshar
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones (one of which has the lead) and 1 Baritone Saxophone, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones (one of which has the lead) and 1 Baritone Saxophone, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
9.17 €
#
Quintette de Saxophone: 5 saxophones
#
Gustav Holst (1874-1934)
#
Regis Bookshar
#
O God, Beyond All Praising
#
SheetMusicPlus
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
(+)
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.76 €
#
Saxophone et Orgue
#
Judith Cloud
#
What Would Nina Simone Say? For Soprano Sax & Organ
#
Judith Cloud
#
SheetMusicPlus
You Rock My World
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.837470 By Michael Jackson.…
(+)
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.837470 By Michael Jackson. By Fred Jerkins III, Lashawn Ameen Daniels, Michael Jackson, Nora Payne, and Rodney Jerkins. Arranged by Nathan Allen. Pop. Individual part. 4 pages. Nathan Martin Allen #4833383. Published by Nathan Martin Allen (A0.837470). This is my saxophone remix of the song You Rock My World by Michael Jackson. Use this sheet music as a guide for your own practice or performance. If you like this song, groove along and share this one with some friends!Subscribe on YouTube for Weekly saxophone videos HERE: http://bit.ly/AllenMusic.
$4.99
4.58 €
#
Saxophone Alto
#
Michael Jackson
#
Nathan Allen
#
You Rock My World
#
Nathan Martin Allen
#
SheetMusicPlus
Somewhere Over The Rainbow for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Intermediate - Digital Download By Judy Garland. Arranged by And…
(+)
Trombone Quartet - Intermediate - Digital Download By Judy Garland. Arranged by Andy Derrick. Score, Set of Parts. 6 pages. Published by Andy Derrick
A charming and timeless melody that seemingly everyone knows. Arranged in a straightforward for Trombone quartet with score and parts, this is a superior version with different harmonisations and a little more in it for an advancing quartet. Check out my other trombone quartets and duets here: https://www.sheetmusicplus.com/publishers/andy-derrick/6773.A charming and timeless melody that seemingly everyone knows. Arranged in a straightforward for Trombone quartet with score and parts, this is a superior version with different harmonisations and a little more in it for an advancing quartet. Check out my other trombone quartets and duets here: https://www.sheetmusicplus.com/publishers/andy-derrick/6773.
$15.99
14.67 €
#
Quatuor de cuivres: 4 trombones
#
Judy Garland
#
Andy Derrick
#
Somewhere Over The Rainbow for Trombone Quartet
#
Andy Derrick
#
SheetMusicPlus
Symphonie Fantastique for Trombone Octet
Ensemble de Trombones
Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.955720 Composed b…
(+)
Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts. 56 pages. Phil Thrift #5322013. Published by Phil Thrift (A0.955720). This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. The Witches’ Round Dance, a sort of fugue, comes next, and leads to the dies irae – played in four octaves here, but in this octet version heard together with the Witches’ Round Dance. The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed – during longer breaks – to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets won’t have any problems, of course.
$8.99
8.25 €
#
Ensemble de Trombones
#
Hector Berlioz
#
Phil Thrift
#
Symphonie Fantastique for Trombone Octet
#
Phil Thrift
#
SheetMusicPlus
My One And Only Love
Trombone
Trombone Solo - Interactive Download SKU: HX.342067 By Robert Mellin. This edition:…
(+)
Trombone Solo - Interactive Download SKU: HX.342067 By Robert Mellin. This edition: Interactive Download,scorch. Love,Standards. Individual part. 1 pages. Hal Leonard - Digital #576680. Published by Hal Leonard - Digital (HX.342067).
$2.99
2.74 €
#
Trombone
#
Robert Mellin
#
My One And Only Love
#
Hal Leonard - Digital
#
SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Bass Trombones
2 Trombones (duo)
Trombone Duet Trombone - Digital Download SKU: A0.784313 Composed by Joshua Hauser.…
(+)
Trombone Duet Trombone - Digital Download SKU: A0.784313 Composed by Joshua Hauser. Instructional. Score. 41 pages. Slide Ride #3570011. Published by Slide Ride (A0.784313).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.17 €
#
2 Trombones (duo)
#
Joshua Hauser
#
Donut Etudes v5 - Scale Duets for 2 Bass Trombones
#
Slide Ride
#
SheetMusicPlus
My One And Only Love
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1318417 By Oscar Peterso…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1318417 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 6 pages. Standard Time #907078. Published by Standard Time (A0.1318417). This well-known standard is arranged as a tenor sax solo with piano accompaniment, including a brief piano solo. Please note that the audio uses the soprano sax version of this arrangement.
$7.99
7.33 €
#
Saxophone Tenor et Piano
#
Oscar Peterson Trio
#
Debra E
#
My One And Only Love
#
Standard Time
#
SheetMusicPlus
My One And Only Love
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1318439 By Oscar Peterson…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1318439 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 6 pages. Standard Time #907103. Published by Standard Time (A0.1318439). This well-known standard is arranged as an alto sax solo with piano accompaniment, including a brief piano solo. Please note that the audio uses the soprano sax version of this arrangement, which is in a different key.
$7.99
7.33 €
#
Saxophone Alto et Piano
#
Oscar Peterson Trio
#
Debra E
#
My One And Only Love
#
Standard Time
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
