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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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Let\\\'s begin again
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Cor et Piano
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Vous avez sélectionné:
Let\\\'s begin again
Partitions à imprimer
101 partitions trouvées
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Let's begin again
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Chorale SATB
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John Rutter
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Let's begin again
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Oxford University Press Digital
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SheetMusicPlus
SATB choir and piano or orchestra - SKU: OX.9780193537620 From The Reluctant Dragon. Composed by John Rutter. Sheet music. Octavo. 7 pages. Oxfor...
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SATB choir and piano or orchestra - SKU: OX.9780193537620 From The Reluctant Dragon. Composed by John Rutter. Sheet music. Octavo. 7 pages. Oxford University Press Digital #9780193537620. Published by Oxford University Press Digital (OX.9780193537620). ISBN 9780193537620.For SATB and piano or orchestra. Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choirs 1.
$3.25
Let's Twist Again
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Chubby Checker
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Lionel Horncastle
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Let's Twist Again
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fleXmusic for school
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SheetMusicPlus
Level 1 - SKU: A0.1304960 By Chubby Checker. By Dave Appell and Kal Mann. Arranged by Lionel Horncastle. 20th Century,Blues,Rock. 51 pages. FleXmusic fo...
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Level 1 - SKU: A0.1304960 By Chubby Checker. By Dave Appell and Kal Mann. Arranged by Lionel Horncastle. 20th Century,Blues,Rock. 51 pages. FleXmusic for school #894385. Published by fleXmusic for school (A0.1304960). This historical song by singer Chubby Cheker is presented in format FLEX 1 + 3, in which there is a main line with the theme (instrument 1) and 3 accompaniment lines (3 backgroud line : first, tenor, bass).The Booklet presents the detached parts for each type of instrument. In this way it will be possibile to play it with any School Orchestra or School Ensemble (from duo to quartet). The piece is very easy to perform ad the difficulty of the parts does not exceed level 1 difficulty (for beginner).
$40.00
The Complete Nutcracker Ballet for Beginner Piano
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Piano Facile
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DÉBUTANT
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Classique
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Peter Ilyich Tchaikovsky
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SilverTonalities
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The Complete Nutcracker Ballet
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1297386 Composed by Peter Ilyich Tchaikovsky. Arranged by SilverTonalities. Christmas,Classical,Instructional,Romantic Pe...
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Easy Piano - Level 1 - SKU: A0.1297386 Composed by Peter Ilyich Tchaikovsky. Arranged by SilverTonalities. Christmas,Classical,Instructional,Romantic Period. Score. 75 pages. SilverTonalities #887462. Published by SilverTonalities (A0.1297386). The Complete Nutcracker Ballet for Beginner PianoSelections from Tchaikovsky’s Nutcracker Ballet for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads for Quick and Easy ReadingGet ready to channel your inner Tchaikovsky with an introduction to the magic of Classical Music for aspiring Pianists of all ages!Preview, pages 1-2Miniature Overture, pages 3-5The Decoration of the Christmas Tree, pages 6-8March, pages 9-11Children’s Gallop and the Dance of the Parents, pages 12-15Arrival of Drosselmeyer, pages 16-18Grandfather’s Waltz, pages 19-21Clara and the Nutcracker, pages 22-24The Battle Against the Mouse King, pages 25-27A Pine Forest In Winter, pages 28-29Waltz of the Snowflakes, pages 30-33The Magic Castle In the Land of Sweets, pages 34-36Chocolate the Spanish Dance, pages 37-41Arabian Dance (Coffee), pages 42-44Chinese Dance (Tea), pages 45-47Russian Dance (Trepak), pages 48-51Dance of the Reed Flutes, pages 52-55Mother Ginger and Her Children, pages 56-57Dance of the Sugar Plum Fairy, pages 58-60Waltz of the Flowers, pages 61-64Pas de Deux for the Fairy and the Prince, pages 65-67Apotheosis, pages 68-70Final Waltz, pages 71-73.
$14.99
Take Me To Your Heart Again
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Piano Facile
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DÉBUTANT
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Edith Piaf
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Maria Colletti
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Take Me To Your Heart Again
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Maria Colletti
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.902817 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Maria Colletti. French,Pop. Score. 2 pages. Maria Colletti #...
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Easy Piano - Level 1 - SKU: A0.902817 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Maria Colletti. French,Pop. Score. 2 pages. Maria Colletti #6496543. Published by Maria Colletti (A0.902817). This is a big note/beginner arrangement of the Take Me to Your Heart Again/La Vie en Rose intended for students who are fairly advanced in Level 2 piano, or just starting Level 3. All Maria Colletti’s arrangements are carefully edited to be accessible for young students who have been playing piano for approximately six months to two years. ---
$4.99
Let Me Try Again (Laisse Moi Le Temps)
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Piano grosses notes
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DÉBUTANT
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Frank Sinatra
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Let Me Try Again
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.447857 By Frank Sinatra. Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.447857). About Hal...
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SKU: HX.447857 By Frank Sinatra. Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.447857). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Ode to My Savior Beginner Trumpet Trio
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Eddie Lewis
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Ode to My Savior Beginner Trum
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Tiger Music
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SheetMusicPlus
Brass Ensemble Trumpet - Level 1 - SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #68392...
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Brass Ensemble Trumpet - Level 1 - SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down†and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
Star of the East and the Carols of Christmas for Beginner Piano
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Piano Facile
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DÉBUTANT
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Noël
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Traditional Christmas Carols
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SilverTonalities
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Star of the East and the Carol
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1320857 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructiona...
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Easy Piano - Level 1 - SKU: A0.1320857 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 54 pages. SilverTonalities #909294. Published by SilverTonalities (A0.1320857). Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.- ANGELS FROM THE REALMS OF GLORY, is a Scottish Hymn first published in 1816 and is an invitation to “Come Unto Christâ€, pages 1-2AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 3-5BOARS HEAD CAROL, is a 15th Century English Carol, also known as “The Boars Head in Hand Bear I†which represents the Yuletide feast, 6-7CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 8-10DRIVE THE COLD WINTER AWAY, is a 17th Century English Carol, also known as “All Hail to the Days†and/or, “The Praise of Christmasâ€, pages 11-13FIRST NOEL, is a traditional English Carol for Epiphany possibly dating back to the 13th Century, pages 14-16GATHER AROUND THE CHRISTMAS TREE, is an American Carol by the clergyman John Henry Hopkins Jr ,who also wrote the modern lyrics for the “The First Noelâ€, pages 17-19GOLDEN CAROL, is an Old English Carol, representing the Three Wisemen of the Magi on their way to Bethlehem, pages 20-22HOLLY AND THE IVY, is an English Carol representing the Christmas custom of decking houses and churches with Evergreen, pages 23-25IT CAME UPON A MIDNIGHT CLEAR, is a Carol and Poem written in 1849 by the American Pastor, Edmund Sears, pages 26-28JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 29-31O CHRISTMAS TREE, is a traditional German Carol, also known as “O Tannenbaumâ€, pages 32-33ONCE IN ROYAL DAVID’S CITY, is an English Anglican Carol, representing that Christ has ascended once again to glory, pages 34-35PAT A PAN, also known as “Willie Take Your Little Drumâ€, is a Carol originating from the Burgundy region of France, pages 36-37SANS DAY CAROL, is similar to the Holly and the Ivy, in which the holly is used as a symbol of Jesus, pages 38-39SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 40-41SKATER’S WALTZ, or “Les Patineurs†Opus 183, written by the French Composer, Emile Waldteufel in 1882, pages 42-43STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Ispired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 44-46WATCHMAN TELL US OF THE NIGHT, is an American Carol composed by Lowell Mason, reflecting Isaiah 21:11, pages 47-49WHILE SHEPHERDS WATCHED THEIR FLOCKS BY NIGHT, also known as the “Song of the Angels at the Nativity of our Blessed Saviourâ€, pages 50-52
$9.99
Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Let's Begin Again by Ray Boltz - Piano/Vocal/Chords
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Piano, Voix
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Christian contemporain
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Ray Boltz
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Let's Begin Again
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Musicnotes
Performed by: Ray Boltz: Let's Begin Again Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fi...
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Performed by: Ray Boltz: Let's Begin Again Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 5 pages -- CCM~~Christian
$5.50
Due South (Complete Collection) (Downloadable)
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Chorale SATB
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Stephen Chatman
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Due South
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - D...
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SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - Digital #7.0720-E. Published by Galaxy Music Corporation - Digital (MQ.7.0720-E). English.Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman’s choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West.1. Arise is the short opening of this suite of five pieces, and is set to glorious homophonic music with rising motives in the lower voices.2. What's Cookin'? takes its sweet time tantalizing the listener with all the menu items of a truly Southern feast. Music, set to a slow tempo in swing eighths, makes the recitation tempting, if not downright sultry.3. Bugs is a soundscape of insects and their songs. Precise vocal effects make this challenging but also whimsical, and the result is pure fun.4. Love, O Love recalls an old-fashioned love letter in which the writer compares the beloved to the moon and the sun and pledges eternal love. The music begins with lush chords sung together, moves to an over-arching soprano line with gentle undulations in the lower parts, and finishes with the choir singing together again, Love shines on you, my only one.5. A perfectly apt finale to this choral suite, Kentucky Derby begins with a nod to My Old Kentucky Home, and then it's off to the races, literally. The text of the suite is declaimed rapidly in patter-song format, almost as if the chorus is calling race as it progresses. A tour de force, and truly, ..a wild ride!
$4.50
From the Shadow's Edge (for Brass Quintet & Optional Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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From the Shadow's Edge
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. Https://gildedmusicpress.com/ #758453. Published by https://gildedmusicpress.com/ (A0.1158148). From the Shadow's Edge was commissioned by horn player in the US Air Force Bands, SSgt Alena Zidlicky, to honor her grandmother Beluse Urlich Zidlicky (Babi), who escaped the oppressive Nazi occupation of Czechoslovakia during WWII. For brass quintet and percussion, the horn is featured. The music of this composition begins in aural darkness, as if immersed in an inescapable shadow. The tense harmonies and contrapuntal motions of the brass are accompanied by two heartbeat motifs, in the tuba and bass drum, conjuring sentiments of fear and uncertainty. Emotions swell as the solo horn enters with contrasting triplet rhythms that struggle against the complex mixture of duple strains throughout the other parts. This dark introduction serves as a prelude to the above storyline, which transitions quickly (and trepidatiously) out of the shadow. From rehearsal letter B through the remainder of the piece, hope permeates in the brightness, once escaped from the shadow’s ominous edge. The complex nature of the thematic overlapping and polyphonic texture of the quintet as a whole provide feelings of unrest, anticipation, hope, and yes, heroism. Nothing exudes heroism more than a soaring solo horn! This composition celebrates triumph over evil, whether during life or in death, and those who press on with a brightness of hope even in the darkest shadows that life can cast, as exemplified in the life of Beluse Ulrich Zidlicky.
$29.95
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Away in a Manger and the Carols of Christmas for Beginner Piano
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Piano Facile
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DÉBUTANT
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Noël
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Traditional Christmas Carols
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SilverTonalities
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Away in a Manger and the Carol
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1323092 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructiona...
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Easy Piano - Level 1 - SKU: A0.1323092 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 54 pages. SilverTonalities #911366. Published by SilverTonalities (A0.1323092). Away in a Manger and the Carols of Christmas for Beginner PianoTraditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.- ANGEL GABRIEL, is a traditional Basque Carol, also known as “Gabrielle’s Messageâ€, pages 1-2AS LATELY WE WATCHED, is a traditional Nativity Carol, originating from Austria, pages 3-4AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 5-7BELLS ARE RINGING GLAD AND SWEET, is an American Carol composed by Henry S. Perkins, with lyrics by Eben E. Rexford, pages 8-10CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 11-13COVENTRY CAROL, is an English Carol that dates back to the 16th Century, and is based on Chapter 2 of the Gospel of Matthew, pages 14-15FRIENDLY BEASTS, also known as the “Carol of the Animals†is a traditional Nativity Carol, possilby dating back to as early as the 12th Century, pages 16-17GENTLY FALLS THE WINTER SNOW, is an English Carol written by Herbert Stephan Irons, with lyrics by the Rev. Edward Caswall, pages 18-20GOOD CHRISTIAN MEN REJOICE, is an Old English Carol, translated from Latin to English, dating back to the 14th Century, pages 21-23HARK THE HERALD ANGELS SING, is an English Carol published in 1739 and based on Luke 2:14, with the Music adapted from the German Composer Felix Mendelssohn, pages 24-26IN A LITTLE STABLE, is a 17th Century German Carol written by Corona Elisabeth Wilhelmina Schroeter, pages 27-28JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 29-31JOY TO THE WORLD, is an English Carol, written by the Minister and Hymnwriter Isaac Watts in 1719, pages 32-33MASTERS IN THIS HALL, is an English Carol dated approximately in 1860, and is also known as “Nowell Sing We Clearâ€, pages 34-36O LITTLE TOWN OF BETHLEHEM, the most common version of this Carol written in 1868, is known as the “St. Louis†version, pages 37-38ONCE IN ROYAL DAVID’S CITY, is an English Anglican Carol, representing that Christ has ascended once again to glory, pages 39-40SEE THE MORNING STAR IS DWELLING, is a Sunday School hymn, written in 1867 by W. Wood, pages 41-43SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 44-45STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Ispired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 46-48THERE CAME THREE KINGS, is a Carol of Epiphany written by E. Poppen, also known as “There Came Three Kings Ere Break of Day, pages 49-51WINTER’S SNOW, first published in approximately 1857, is also known as “See Amid the Winter’s Snowâ€, pages 50-52-53.
$9.99
Never Gonna Fall In Love Again
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Eric Carmen and Sergei Rachman
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Douglas R
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Never Gonna Fall In Love Again
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Douglas R. Morrison
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1518737 Composed by Eric Carmen and Sergei Rachmaninoff. Arranged by Douglas R. Morrison. Pop,Rock,Standards. 18 pa...
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String Orchestra - Level 3 - SKU: A0.1518737 Composed by Eric Carmen and Sergei Rachmaninoff. Arranged by Douglas R. Morrison. Pop,Rock,Standards. 18 pages. Douglas R. Morrison #1092861. Published by Douglas R. Morrison (A0.1518737). A Rivendell String Orchestra Arrangement - The Pop Standards SeriesThe American pop rock artist Eric Carmen (1949-2024) had a great success with his ballad Never Gonna Fall In Love Again, which reached the No. 11 spot on the Billboard Hot 100 chart in June 1976, and then remained in the Top 40 for ten weeks. Carmen based the melody on the third movement (Adagio) of Sergei Rachmaninov's Symphony No. 2 in e minor, opus 27.This very recognizable piece will be a sure hit on your next pops concert, or as an encore on any program![The audio sample begins at Letter B (m .20)]Like us on Facebook: www.facebook.com/rivendellarrangements.
$49.99
Thunderstorms: Mallets
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Orchestre d'harmonie
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Methodes
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Michael Story
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Thunderstorms: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016611_M1 Mallets. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-...
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Concert Band - SKU: AX.00-PC-0016611_M1 Mallets. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016611_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016611_M1). UPC: 654979188537.An original musical depiction of one of nature's more violent events. Beginning with a serene introduction . . . the calm before the storm . . . the music quickly portrays the fury. After gradually building to an intense percussive climax, the storm quickly moves away. Peace and calm return once again. This is a very impressive composition. Highly recommended. (2:45).
$3.00
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Battle of the Primes: Mallets
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Orchestre d'harmonie
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Methodes
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Patrick Roszell
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Battle of the Primes: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017573_M1 Mallets. Composed by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #0...
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Concert Band - SKU: AX.00-PC-0017573_M1 Mallets. Composed by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017573_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017573_M1). UPC: 038081529288.Gigantic robotic beings are fighting the millennia for peace and against tyranny in Patrick Roszell's Battle of the Primes. This piece is accessible to students in the second half of their first year of instruction. Your beginners' imaginations will lead the battle! (2:00)Concert/Contest.
$3.00
Let's Twist Again
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Piano Facile
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DÉBUTANT
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Chubby Checker
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Cathy Stamegna
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Let's Twist Again
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Cathy Stamegna
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1430581 By Chubby Checker. By Dave Appell and Kal Mann. Arranged by Cathy Stamegna. Blues,Instructional,Pop,R & B,Rock. S...
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Easy Piano - Level 1 - SKU: A0.1430581 By Chubby Checker. By Dave Appell and Kal Mann. Arranged by Cathy Stamegna. Blues,Instructional,Pop,R & B,Rock. Score. 3 pages. Cathy Stamegna #1011138. Published by Cathy Stamegna (A0.1430581). This perennial rock and roll hit, made famous by Chubby Checker, appeals to young and old alike. With little syncopation, easy fingering changes, repeated melody and L. H. patterns, this piece is accessible for most late beginner students.
$4.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
"Joy" for Mixed Wind Octet, Piano and Marimba.
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Dan Cutchen and Dan Cutchen
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"Joy" for Mixed Wind
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Dan Cutchen Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - SKU: A0.844263 C...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - SKU: A0.844263 Composed by Dan Cutchen and Dan Cutchen. 20th Century,Contemporary,World. Score and parts. 54 pages. Dan Cutchen Music #2920627. Published by Dan Cutchen Music (A0.844263). For 4 to 8 of the following instruments: Flute, Soprano Sax, Bb Clarinet, Alto Sax, French Horn, Trombone, Bassoon, Baritone Saxophone PLUS, Marimba and Piano.https://www.youtube.com/watch?v=Sio4HdW28x4&feature=youtu.beSuggested arrangements of instrumentation (all parts are included in purchase, plus score):1. All 10 parts. 2. Flute, Bb Clarinet, Bassoon, Horn, Marimba, Piano. 3. Soprano Sax, Alto Sax, Bari Sax, Trombone, Marimba, PianoTime: Approximately 6:42The title came from the piece being dedicated to the composer’s wife. This composition reminded the composer of her delightful and kind character and her amazing and creative aptitude for organizing and resolving complicated issues. PianoThe composition process began with the opening piano motif. The harmonic and rhythmic foundation for this work is provided by the piano part. The piano serves a steady percussion with a repeating two-measure pattern of 8th notes. It also provides the harmonic foundation with an evolving arrangement of harmonies, which gradually change as the treble clef and bass clef harmonic progressions continually shift over time. The Wind Instruments This piece is comprised of three sections. Section A and C are similar in structure and harmony. In these two sections, the right hand of the piano part repeats a six-measure pattern composed of three triads: F, Edim and Dm. The left hand outlines a repeating eight-measure pattern of four triads: F, Dm, Cm and Bb. As these patterns repeat, the extra two measures in the bass clef cause the patterns to shift out of phase. This brings about a new set of harmonies for each repetition until the patterns begin again on the F major triad. The wind instruments are employed as a rhythmic and melodic counterpoint to the piano. Individually, and as a unit, they reinforce the harmony and rhythmic figures of the piano through echoing and syncopation. Section B utilizes the harmonic progressions of the other two sections but more notes to the triads to extend the harmony (examples: 9th, 11th and 13th chords.) There is also a clear contrast between the rhythms and harmony of the piano versus the wind instruments. The rhythmic and harmonic flow of this section decelerates until there is a complete stop. Section C begins abruptly with the wind instruments taking over the piano’s opening motif. This last section utilizes the same harmonic and rhythmic patterns as section A but the wind instruments become more active in their melodic and rhythmic counterpoint. The last part of this section is eventually dominated by the saxophone and low brass with a strong reiteration of the opening motif.
$20.00
Bohemian Rhapsody
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Queen
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Michael Bomier
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Bohemian Rhapsody
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862693 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Michael Bomier. Rock. Score and p...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862693 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Michael Bomier. Rock. Score and parts. 68 pages. Michael Butkus-Bomier #3926193. Published by Michael Butkus-Bomier (A0.862693). Bohemian Rhapsody, the Song of the Moment, the Film of the year, and the piece everyone wants to try and play! Here is a setting for a standard jazz ensemble with ONE main Idea: Let's NOT make this a guitar piece, but a Horn Piece. So, we have all the same structures as the original recording, right down to the time changes, and the shift from slow to fast and back again. The saxes are given the solo vocal line harmonized as a typical sax soli. The brass take Queen's vocal overdubs and operatic elements, and are given a jazz rather than a pop harmonic setting, with some extended and altered harmony, rather than just the triads and 7th chords of the Queen vocal. Sax ranges go to the top of the horn for lead alto, and go to a concert Ab just above the staff for the lead trpt. Trombone goes to a high Bb in the lead solo. First ending should appear at ms. 29 to the repeat. 2nd ending at ms. 35The guitar solos are given to either the piano, in octaves, or the brass, so that a guitar player is an option here, not a necessity. Revised version here, with ending placement errors all fixed up! This is NOT a jazz chart in the improvisational sense: it is a pop song set for a jazz ensemble. Our audio clip shows the opening trombone solo with the piano accomp, into the main vocal line harmonized with saxes. The score precedes the parts in the PDF file, with coverpage and a blank page, so print double-sided until pg. 27. Parts begin at pg. 28 and should be printed single-sided. MBB
$34.95
He Will Lead Me Home
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
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