English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Light music
Non classifié
5 407
Piano & claviers
Piano seul
4 424
Piano, Voix et Guitare
1 817
Piano, Voix
1 261
Piano Facile
1 125
Orgue
331
1 Piano, 4 mains
172
Instruments en Do
151
Piano grosses notes
111
Piano (partie séparée)
67
Accompagnement Piano
63
Piano Trio: piano, violon, violoncelle
54
Accordéon
48
2 Pianos, 4 mains
33
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Trompette (duo)
8
1 Piano, 6 mains
5
Orgue, Piano (duo)
5
Accordéon, Voix
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Voix
2
Clavecin
2
2 Pianos, 8 mains
1
Clavier
1
Ligne De Mélodie, Piano
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
857
Guitare
439
Ligne De Mélodie, (Paroles) et Accords
419
Ukulele
298
Paroles et Accords
207
Basse electrique
94
Guitare (partie séparée)
62
2 Guitares (duo)
29
Banjo
13
4 Guitares (Quatuor)
11
Partitions De Groupes
11
Dulcimer
10
Basse électrique (partie séparée)
9
Mandoline
8
Piano, Guitare (duo)
8
Ensemble de guitares
7
3 Guitares (trio)
6
Mandoline, Guitare (duo)
4
2 Ukuleles
4
2 Dulcimers (duo)
3
Ukulele Baryton
2
2 Mandolines (duo)
1
Guitare Tab, Voix, Basse, Batterie
1
Orchestre à Plectres
1
Guitare, Flûte, Clarinette
1
Guitare, Violon, Violoncelle (trio)
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
1 856
Chorale 3 parties
883
Chorale 2 parties
604
Chorale
258
Chorale TTBB
202
Chorale Unison
169
Pack Instrumental pour Chorale
126
Chorale SSAA
100
Voix duo, Piano
85
Voix Soprano, Piano
32
Voix seule
28
Voix duo
26
Voix Alto, Piano
22
Voix haute
15
Chorale SSATB
10
Voix moyenne, Piano
8
Voix Tenor, Piano
7
Voix Baryton, Piano
7
Voix Mezzo-Soprano, Piano
5
Chorale SSAATTBB
5
Voix Tenor
3
Soli, choeur mixte et accompagnement
3
Voix, Guitare
2
Chorale SSAB, Piano
2
Voix Soprano
2
Voix basse, Piano
2
Voix basse
1
Chorale SSAATB
1
Chorale SSAB a cappella
1
Voix haute, Piano
1
+ 25 instrumentations
Retracter
Vents
Saxophone (partie séparée)
619
Clarinette (partie séparée)
454
Flûte traversière et Piano
367
Clarinette et Piano
358
Hautbois, Piano (duo)
297
Quatuor de Saxophones: 4 saxophones
285
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
257
Flûte traversière
250
Clarinette
240
Flûte, Hautbois, Clarinette, Basson
229
2 Saxophones (duo)
221
Saxophone Alto et Piano
205
Flute (partie séparée)
185
2 Flûtes traversières (duo)
168
Hautbois (partie séparée)
167
Saxophone Alto
156
Saxophone Tenor
148
Saxophone Tenor et Piano
142
Quintette de Saxophone: 5 saxophones
137
Saxophone Soprano et Piano
134
Quatuor de Clarinettes: 4 clarinettes
112
2 Clarinettes (duo)
107
Hautbois
101
Quatuor de Flûtes : 4 flûtes
94
Saxophone Baryton, Piano
87
Saxophone
80
Flûte, Clarinette (duo)
66
3 Saxophones (trio)
59
3 Clarinettes (trio)
56
2 Hautbois (duo)
54
Ensemble de Clarinettes
52
Hautbois, Basson (duo)
52
Clarinette, Harpe (duo)
52
Quintette de Clarinettes: 5 clarinettes
50
Clarinette, Violon (duo)
49
Flûte, Violoncelle
44
Hautbois, Clarinette (duo)
43
Clarinette, Basson (duo)
39
Hautbois, Violoncelle
39
Trio de Flûtes: 3 flûtes
39
Saxophone Soprano
38
Flûte, Violon
35
Clarinette, Violoncelle (duo)
35
Ensemble de Flûtes
32
Saxophone, Clarinette (duo)
32
Ensemble de saxophones
29
Saxophone Baryton
29
Flûte, Alto (duo)
28
Cor anglais, Piano
28
Flûte, Hautbois, Clarinette (trio)
26
Clarinette et Alto
26
Clarinette Basse, Piano
25
Quintette de Flûte : 5 flûtes
24
Flûte à bec Soprano
23
Flûte, Violon, Piano
23
Flûte, Clarinette et Basson
20
Clarinette, Trompette (duo)
20
Flûte, Hautbois (duo)
19
Hautbois, violon (duo)
19
Flûte à Bec
19
2 Flûte à bec (duo)
18
Hautbois et alto (duo)
16
Clarinette Basse
16
Flûte et Guitare
16
Hautbois, Clarinette, Basson (trio d'anches)
16
Flûte, Saxophone (duo)
14
Flûte, Trompette (duo)
14
Flûte à Bec, Piano
13
Flûte, Hautbois, Basson
13
Quatuor de Flûtes à bec
13
Flûte, Basson et Piano
12
Instruments en Mib
12
Flûte, Clarinette, Piano (trio)
11
Clarinette, Violoncelle, Piano (trio)
11
Hautbois, Flûte
11
Flûte, Violoncelle, Piano (trio)
10
Piccolo
9
Flûte, Alto et Piano
9
Flûte à bec Alto
9
Harmonica
8
Flûte, Violon et Violoncelle
8
Clarinette, Guitare (duo)
8
3 Flûtes à bec (trio)
8
2 Flûtes traversières, Piano
8
5 Flûtes à bec
7
Flûte, Trombone (duo)
6
Flûte, Violon, Violoncelle et Piano
6
Flûte à bec Alto, Piano
6
Hautbois, trombone (duo)
6
Saxophone et Harpe
6
Cor Anglais
5
Clarinette, Contrebasse (duo)
5
2 Clarinettes, Piano
5
Hautbois, Violon, Piano
5
Flûte, Tuba (duo)
5
Clarinette, Tuba
5
Clarinette, Trombone (duo)
4
Flûte à bec Tenor
4
Hautbois, Harpe
4
Hautbois, Trompette (duo)
4
Clarinette, Alto et Piano (trio)
4
Clarinette, Basson, Piano (trio)
4
Saxophone et Guitare
3
Flute, harpe et violon
3
Flûte, trombone et piano
3
Hautbois, Basson et Piano
3
Ocarina
2
Clarinette, trompette et piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Harpe et Violoncelle
2
Saxophone et Orgue
2
2 Saxophones, Piano
2
Flûte et Trio à cordes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Hautbois, Piano (trio)
2
2 Hautbois, Piano
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
3 Hautbois
1
Cornemuse
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Basson
1
Flûte, Violon, Guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Orgue
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Saxophone et Piano
1
+ 126 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
453
Trompette (partie séparée)
452
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
275
Trompette, Piano
230
Cor (partie séparée)
210
Trompette
209
Trombone et Piano
202
Cor et Piano
184
Trombone
174
Cor
157
Tuba (partie séparée)
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
116
Tuba et Piano
113
Tuba
98
2 Trombones (duo)
74
2 Trompettes (duo)
71
Quatuor de Cuivres: 2 trompettes, Cor, trombone
70
Trompette, Trombone (duo)
54
Quatuor de Cuivres
45
2 Cors (duo)
43
Euphonium, Piano (duo)
38
Quatuor de cuivres: 4 trombones
29
Cor anglais, Piano
28
Trompette, Saxophone (duo)
25
Trompette, Cor (duo)
25
Tuba ou Euphonium ou Saxhorn
19
Cor, Violoncelle (duo)
18
2 Tubas (duo)
17
Trompette, Basson (duo)
15
Trompette, Violoncelle (duo)
15
Trio de Cuivres
14
2 Euphoniums et 2 Tubas
14
Bass Clef Instruments
13
Ensemble de Trombones
13
Cor et Basson (duo)
12
Instruments en Sib
11
Euphonium
11
Quatuor de cuivres: 4 cors
10
Trompette, Tuba (duo)
9
Ensemble de Cors
9
Ensemble de Trompettes
8
4 Tubas
6
Tuba et Orgue
6
Trompette, Harpe
5
Cor Anglais
5
Cor et Harpe
5
3 Trompettes (trio)
5
3 Trombones (trio)
5
G Instruments
4
Trompette, Trombone, Piano
4
Trombone, Tuba (duo)
4
3 Cors (trio)
4
Trompette, violon (duo)
4
Ensemble de Tubas
3
Instruments en Fa
3
Trompette et Guitare
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trombone, Violon (duo)
3
3 Euphoniums
2
Cornet A Pistons
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse
2
2 Cors, Piano
1
Euphonium, Tuba (duo)
1
Trombone, Orgue
1
Trombone, Cor (duo)
1
Trompette, Violoncelle et Piano
1
3 Tubas (trio)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
683
Violon et Piano
483
Violon
320
Violoncelle, Piano
291
Alto, Piano
274
Violon (partie séparée)
251
Violoncelle
224
Alto seul
191
Contrebasse (partie séparée)
187
Harpe
161
Violon, Violoncelle (duo)
144
Quintette à cordes: 2 violons, alto, violoncelle, basse
115
2 Violons (duo)
114
Contre Basse
108
Trio à Cordes: violon, alto, violoncelle
103
Contrebasse, Piano (duo)
100
2 Violoncelles (duo)
92
Alto (partie séparée)
88
Violoncelle (partie séparée)
80
Violon, Alto (duo)
78
2 Altos (duo)
65
Harpe, Flûte (duo)
64
Violon, Basson (duo)
43
Trio à Cordes: 2 violons, violoncelle
38
Alto, Violoncelle (duo)
37
Alto et Basson
24
Violon, Guitare (duo)
22
Trio à cordes: 3 violins
19
Piano Trio: Violon, Alto, Piano
17
2 Harpes (duo)
16
Harpe, Violon (duo)
15
Violon, Clarinette, Piano (trio)
12
2 Contrebasses (duo)
12
Harpe, Voix
11
Trio à Cordes: 3 violoncelles
11
Violoncelle, Contrebasse (duo)
10
Trio à cordes
8
Quatuor à cordes: 4 violons
7
Trio à cordes: 3 altos
6
Flûte, Contrebasse (duo)
6
4 Violoncelles
6
Harpe, Violoncelle (duo)
5
Trio à Cordes: 2 violons, alto
5
Harpe, Violon, Violoncelle
5
Alto et Harpe
4
Ensemble de Violoncelles
3
2 Altos, Piano
3
Violon, Violoncelle, Clarinette
3
Violon, Tuba (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle , Guitare (duo)
2
Harpe, Trombone (duo)
2
4 Contrebasses
2
Harpe (partie séparée)
2
Alto, Guitare (duo)
2
2 Violoncelles, Piano
2
Quatuor à cordes : 4 altos
2
Violoncelle, Orchestre
1
Alto, Orgue
1
Ensemble de Violons
1
Violoncelle, Orgue
1
3 Harpes
1
Harpe et mandoline
1
2 Violons, Piano
1
4 Harpes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble d'Altos
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 819
Orchestre
589
Orchestre à Cordes
522
Percussion (partie séparée)
291
Ensemble Jazz
202
Cloches
169
Ensemble de cuivres
129
Batterie
100
Fanfare
99
Orchestre de chambre
78
Batterie (partie séparée)
61
Timbales (partie séparée)
58
Percussion
51
Jazz combo
39
Timbales
34
Marimba
25
Ensemble de Percussions
24
Xylophone
16
Xylophone, Piano
10
Vibraphone
7
Piano et Orchestre
3
2 Marimbas
2
Caisse Claire
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Percussions
1
Orchestre, Violon
1
2 Xylophones
1
Xylophone (partie séparée)
1
+ 23 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
1 111
Partitions Numériques
44 708
Librairie Musicale
21 389
Matériel de Musique
1 814
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Light music
Partitions à imprimer
44 708 partitions trouvées
<
1
26
51
....
9976
Carriers of the Light-A Children's Christmas Musical
Choir Sacred - Digital Download SKU: JX.00-16077 Director's Score. Composed …
(+)
Choir Sacred - Digital Download SKU: JX.00-16077 Director's Score. Composed by Anna Laura Page and Jean Anne Shafferman. This edition: Director's Score. Christian Elementary Musical; Church Musicals; Performance Music Ensemble; Worship Resources. Children; Christmas; Sacred; Winter. Score. 38 pages. Jubilate Music Group - Digital #00-16077. Published by Jubilate Music Group - Digital (JX.00-16077). English.This creative story line is inspired by scriptural passages celebrating Jesus as the Light of Salvation and culminates with a beautiful candlelighting ceremony for cast and audience, challenging all people to become Carriers of God's Light. Reproducible program, costuming and staging suggestions included in director's Score. Fully-orchestrated recordings by Alan Billingsley. Grades K-8, approx. 20 minutes.
$19.95
18.36 €
#
Anna Laura Page and Jean Anne Shafferman
#
Church Musicals
#
Carriers of the Light-A Children's Christmas Musical
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Light the Candle (Downloadable)
Chorale Unison
Unison voices, congregation, organ - Easy - Digital Download SKU: MQ.50-0006-E Comp…
(+)
Unison voices, congregation, organ - Easy - Digital Download SKU: MQ.50-0006-E Composed by Carl Schalk. Advent, Advent Candlelighting. 3 pages. MorningStar Music Publishers - Digital Sheet Music #50-0006-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0006-E). Part of series. Jaroslav Vajda text. Specifically for observance/ritual of lighting Advent wreath. Ideal for all choirs and ages and/or congregational singing.
$2.15
1.98 €
#
Chorale Unison
#
Carl Schalk
#
Light the Candle
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Victorian Lights, Victorian Light Music for Harmonium or American Reed Organ
Small Ensemble Harmonium,Organ,Piano - Level 3 - Digital Download SKU: A0.842554 Co…
(+)
Small Ensemble Harmonium,Organ,Piano - Level 3 - Digital Download SKU: A0.842554 Composed by Various. Arranged by B. Brennan. Folk,Instructional,Standards,Traditional,World. Score and parts. 42 pages. Bl_music #5791221. Published by bl_music (A0.842554). „Victorian Lights, 15 pieces for Harmonium/American Reed Organ A charming new collection of Victorian and early Edwardian entertainment music. Victorian Lights is result of my journey into the past. I have spent the past three years researching, collecting and editing Victorian and Edwardian music suitable for harmonium or American reed organ. My aim has been to show the lighter side of reed organ music. Most people expect hymns and sacred songs, but little is known about the every day use of the reed organ. American reed organs were well integrated in the daily life of the Victorians/Edwardians, since listening to the latest top of the pops was not a question of turning on the radio/MP3/streaming but quite a hands-on business. The pieces in this collection are medium to medium difficult and require a sound command of the reed organ. Some of the titles included in this edition: The Camels’ Parade The Royal Wedding March Princess Margaret Waltz Orange Blossoms Rêve de Jeunesse The Floral Schottische Fun to play. Also highly suitable for piano or keyboard. Victorian Lights is produced to modern standards. .
$16.99
15.64 €
#
Various
#
B
#
Victorian Lights, Victorian Light Music for Harmonium or American Reed Organ
#
bl_music
#
SheetMusicPlus
Light the Candle: A Collection of Advent Candlelighting Resources
Congregation, cantor/choir, and organ - Easy - Digital Download SKU: MQ.80-120-E Co…
(+)
Congregation, cantor/choir, and organ - Easy - Digital Download SKU: MQ.80-120-E Composed by Michael Burkhardt. Advent, Christmas, Advent Candlelighting. 46 pages. MorningStar Music Publishers - Digital Sheet Music #80-120-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-120-E). English.A thoughtful and comprehensive source of Advent resources. Structured under five varied themes, each having a candlelighting song and some sort of specific litany or responses, this comes from the creative brain of Michael Burkhardt, an expert at aligning music and liturgy.
$12.00
11.04 €
#
Michael Burkhardt
#
Light the Candle: A Collection of Advent Candlelighting Resources
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
A Night of Lights
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Shoshana Michel. …
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Shoshana Michel. 21st Century, Neo-Classical, Hanukkah, Recital, New Age. Sheet Music Single. 4 pages. Published by Shoshana Music Music
A Night of Lights is a light, music box-like piano solo. It was originally composed with the holiday, Hanukkah, in mind.<br> Level: 5 – Late Intermediate<br> Key Signature: F#m <br> Length: 4 pages<br> From the solo piano album, Dancing on the Wind. Nominated for 2016 Best Piano Album by Whisperings Solo Piano Radio.<br> More info at www.ShoshanaMusic.comA Night of Lights is a light, music box-like piano solo. It was originally composed with the holiday, Hanukkah, in mind.<br> Level: 5 – Late Intermediate<br> Key Signature: F#m <br> Length: 4 pages<br> From the solo piano album, Dancing on the Wind. Nominated for 2016 Best Piano Album by Whisperings Solo Piano Radio.<br> More info at www.ShoshanaMusic.com
$5.99
5.51 €
#
Piano seul
#
Shoshana Michel
#
A Night of Lights
#
Shoshana Music Music
#
SheetMusicPlus
Pools Of Light
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Brian Kelly. 21st Century, C…
(+)
Piano Solo - Intermediate - Digital Download Composed by Brian Kelly. 21st Century, Contemporary Classical, Modern, Neo- Classical, New Age. Sheet Music Single. 6 pages. Published by Brian Kelly
“Pools of Light” is a piano piece from Pools of Light, a contemporary instrumental album by award-winning composer/pianist Brian Kelly. This piece is for intermediate players, in the key of E Major, 6 pages, duration: 3:43, published by Brian Kelly / Skylight Music (BMI).<br> <br> Please do not share, distribute or otherwise copy this sheet music without the express permission from Brian Kelly. http://www.briankelly.com“Pools of Light” is a piano piece from Pools of Light, a contemporary instrumental album by award-winning composer/pianist Brian Kelly. This piece is for intermediate players, in the key of E Major, 6 pages, duration: 3:43, published by Brian Kelly / Skylight Music (BMI).<br> <br> Please do not share, distribute or otherwise copy this sheet music without the express permission from Brian Kelly. http://www.briankelly.com
$4.99
4.59 €
#
Piano seul
#
Brian Kelly
#
Pools Of Light
#
Brian Kelly
#
SheetMusicPlus
The Incredible Lightness of Flight
Vocal, Piano, Guitar - Advanced - Digital Download SKU: GN.100 Composed by Gordon T…
(+)
Vocal, Piano, Guitar - Advanced - Digital Download SKU: GN.100 Composed by Gordon Tayler. Adult contemporary. Vocal Score and Parts. 7 pages. Gtmusic #100. Published by gtmusic (GN.100).
$6.00
5.52 €
#
Gordon Tayler
#
The Incredible Lightness of Flight
#
gtmusic
#
SheetMusicPlus
Starlight on Aspen
Piano seul
Piano Solo - Intermediate - Digital Download SKU: F0.S4090 Composed by W.T. Skye Ga…
(+)
Piano Solo - Intermediate - Digital Download SKU: F0.S4090 Composed by W.T. Skye Garcia. Sheet Music. Spotlight Solo Sheets. This dreamy solo is perfect for intimate recitals. With its melodic bass line and light arpeggios in the right hand, a wondrously impressionistic solo is created. American Gallery. Solo Sheet. 5 pages. The FJH Music Company - Digital #S4090. Published by The FJH Music Company - Digital (F0.S4090). UPC: 674398209392.This dreamy solo is perfect for intimate recitals. With its melodic bass line and light arpeggios in the right hand, a wondrously impressionistic solo is created. About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$3.50
3.22 €
#
Piano seul
#
W
#
Starlight on Aspen
#
The FJH Music Company - Digital
#
SheetMusicPlus
The Dying of the Light: Musical Settings of the Poetry of Dylan Thomas (Downloadable String Quartet Score)
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - Moderately Easy - Digital Download SKU: MQ.8330-E Composed by Gwyn…
(+)
String quartet - Moderately Easy - Digital Download SKU: MQ.8330-E Composed by Gwyneth W. Walker. Score. 25 pages. E. C. Schirmer Music Company - Digital #8330-E. Published by E. C. Schirmer Music Company - Digital (MQ.8330-E). UPC: 600313483301.
$22.00
20.25 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Gwyneth W
#
The Dying of the Light: Musical Settings of the Poetry of Dylan Thomas
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
The Dying of the Light: Musical Settings of the Poetry of Dylan Thomas (Downloadable String Quartet Parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet parts - Moderately Easy - Digital Download SKU: MQ.8331-E Composed b…
(+)
String quartet parts - Moderately Easy - Digital Download SKU: MQ.8331-E Composed by Gwyneth W. Walker. Instrument parts. 32 pages. E. C. Schirmer Music Company - Digital #8331-E. Published by E. C. Schirmer Music Company - Digital (MQ.8331-E). UPC: 600313483318.
$25.00
23.01 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Gwyneth W
#
The Dying of the Light: Musical Settings of the Poetry of Dylan Thomas
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
It's Curtain Time! (Unison w/Flashlights or Finger Lights)
Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1516024 Comp…
(+)
Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1516024 Composed by Carol Troutman Wiggins. Broadway,Children,Film/TV,Instructional,Musical/Show. 4 pages. Carol Troutman Wiggins #1090270. Published by Carol Troutman Wiggins (A0.1516024). Light up the stage with a smile with this fun, Broadway-style song! Add flashlights or finger lights for an exciting opening song for your concert! Unison with call & response lyrics Great for early & upper elementary Flashlight cues in score Intermediate level piao accompaniment (Track available) Chords included
$2.99
2.75 €
#
Carol Troutman Wiggins
#
It's Curtain Time!
#
Carol Troutman Wiggins
#
SheetMusicPlus
Light the Advent Candle
Chorale Unison
Choir Sacred Opt. Flute (2-Part choir; Unison choir) - Grade 1 - Digital Download SKU: …
(+)
Choir Sacred Opt. Flute (2-Part choir; Unison choir) - Grade 1 - Digital Download SKU: JX.00-20004 Arranged by Ruth Elaine Schram. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Advent; Children; Christmas; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-20004. Published by Jubilate Music Group - Digital (JX.00-20004). English. Psalm 146:5-10; Isaiah 9:1-6; Isaiah 11:1-9; Isaiah 61:10-11; Luke 1:47-55; Psalm 31:2-25; Psalm 72:1-14; Zephaniah 3:17-20.Practical yet inspiring, this new Advent offering from Ruth Schram incorporates O Come, O Come, Emmanuel and Let All Mortal Flesh Keep Silence. With narration (opt.) for each Sunday in Advent, it is a splendid choice for Advent candlelighting observances. Easily prepared, great for both treble and mixed choirs, it also features flute obbligato and congregational singing (opt., parts included).
$2.25
2.07 €
#
Chorale Unison
#
Ruth Elaine Schram
#
Light the Advent Candle
#
Jubilate Music Group - Digital
#
SheetMusicPlus
You Are the Light
Chorale SATB
SATB choir - Intermediate SKU: LO.S505 Composed by Lee Dengler. Choral. SC Series. …
(+)
SATB choir - Intermediate SKU: LO.S505 Composed by Lee Dengler. Choral. SC Series. Sacred Anthem. Octavo. Sacred Music Press #S505. Published by Sacred Music Press (LO.S505). UPC: 000308003680.SATB/ General. Medium. A warm and expressive work filled with dramatic contrasts. The text is from the Sermon on the Mount: Let your light shine that they may see your good works.ö.
Song List: You Are The Light
Song List
: You Are The Light
$2.75
2.53 €
#
Chorale SATB
#
Lee Dengler
#
You Are the Light
#
Sacred Music Press
#
SheetMusicPlus
The Light of the World
Chorale SATB
SATB choir - Moderately Advanced - Digital Download SKU: LX.65-1048L A Christmas…
(+)
SATB choir - Moderately Advanced - Digital Download SKU: LX.65-1048L A Christmas Cantata for SAB Choir & Narrator. Arranged by Lani Smith. Choral Cantatas. Christmas. 60 pages. Lorenz Publishing - Digital Sheet Music #e65/1048L. Published by Lorenz Publishing - Digital Sheet Music (LX.65-1048L). UPC: 000308032833. Narrated by William H Privette.Narration by Rev Wm H. Privette.
Song List: Child Of Light Comfort Comfort Ye My People Hark the Glad Sound Light Of The World O Come O Come Emmanuel Still Still Still What Star Is This While Shepherds Watched Their Flocks
Song List
: Child Of Light Comfort Comfort Ye My People Hark the Glad Sound Light Of The World O Come O Come Emmanuel Still Still Still What Star Is This While Shepherds Watched Their Flocks
$9.95
9.16 €
#
Chorale SATB
#
Lani Smith
#
The Light of the World
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.08 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Light & Love
Chorale TTBB
Men's choir (TTBB) a cappella - difficult - Digital Download Composed by Alwin M…
(+)
Men's choir (TTBB) a cappella - difficult - Digital Download Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable. Duration 4 minutes 10 seconds. Schott Music - Digital #Q16952. Published by Schott Music - Digital
English.<br> <br> In this sonorous and colourful composition for male choir, commissioned for the award-winning male-voice choir of Chorknaben Uetersen who recorded the piece on CD under the direction of Hans-Joachim Lustig (product number RPO6075 on the label 'Rondeau'), Alwin M. Schronen paints a tonal picture of the poem by Charles Anthony Silvestri. Listen to shades of light, shining stars, explosions ... and ... love!English.<br> <br> In this sonorous and colourful composition for male choir, commissioned for the award-winning male-voice choir of Chorknaben Uetersen who recorded the piece on CD under the direction of Hans-Joachim Lustig (product number RPO6075 on the label 'Rondeau'), Alwin M. Schronen paints a tonal picture of the poem by Charles Anthony Silvestri. Listen to shades of light, shining stars, explosions ... and ... love!
$3.99
3.67 €
#
Chorale TTBB
#
Alwin Michael Schronen
#
Light & Love
#
Schott Music - Digital
#
SheetMusicPlus
Classical Highlights
Cor et Piano
Arranged for Horn and Piano. This edition: Sheet music. Wedding Music, funeral, inst…
(+)
Arranged for Horn and Piano. This edition: Sheet music. Wedding Music, funeral, instrumental, sheet Music. Classical Highlights. Downloadable. Schott Music - Digital #Q41197. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes.'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes.
$19.99
18.4 €
#
Cor et Piano
#
Classical Highlights
#
Schott Music - Digital
#
SheetMusicPlus
Classical Highlights
Trompette, Piano
Arranged for Trumpet and Piano. This edition: Sheet music. Wedding songs, instrument…
(+)
Arranged for Trumpet and Piano. This edition: Sheet music. Wedding songs, instrumental, funeral, sheet music, trumpet. Classical Highlights. Downloadable. Schott Music - Digital #Q19177. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for trumpet and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach through to Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any trumpet player who is looking for a popular classical work for teaching or performing purposes.'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for trumpet and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach through to Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any trumpet player who is looking for a popular classical work for teaching or performing purposes.
$19.99
18.4 €
#
Trompette, Piano
#
Classical Highlights
#
Schott Music - Digital
#
SheetMusicPlus
I Am Light, I Am Life, I Am Love
Chorale SATB
SATB chorus - Digital Download Composed by Mary McDonald. Christian. Choral Score. 8 …
(+)
SATB chorus - Digital Download Composed by Mary McDonald. Christian. Choral Score. 8 pages. Jubilate Music Group #JMG1070. Published by Jubilate Music Group
This gentle 3/4 communion anthem flows with smooth beauty and profound simplicity. Mary McDonald's words and music are deeply heartfelt and encourage the listener to engage in the solemn remembrance of Christ's ultimate sacrifice. It closes with a hushed, moving setting of the beloved Let Us Break Bread Together.This gentle 3/4 communion anthem flows with smooth beauty and profound simplicity. Mary McDonald's words and music are deeply heartfelt and encourage the listener to engage in the solemn remembrance of Christ's ultimate sacrifice. It closes with a hushed, moving setting of the beloved Let Us Break Bread Together.
$2.40
2.21 €
#
Chorale SATB
#
Mary McDonald
#
I Am Light, I Am Life, I Am Love
#
Jubilate Music Group
#
SheetMusicPlus
Darkness into Light
Choir Sacred - Digital Download SKU: JX.00-44259 A Christmas Musical Journey (Ch…
(+)
Choir Sacred - Digital Download SKU: JX.00-44259 A Christmas Musical Journey (Chamber Orchestration InstruPax). Composed by Mary McDonald. This edition: Brass Parts InstruPax on CD-ROM. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Christmas; Sacred; Winter. Part(s); Score. 49 pages. Jubilate Music Group - Digital #00-44259. Published by Jubilate Music Group - Digital (JX.00-44259). English.Just as Mary and Joseph moved from darkness into light, so do all when accepting the One True Light. This new 40-minute adult Christmas musical from Mary McDonald features fresh settings of carols along with beautiful new songs, and celebrates the Light of Christ. An optional candlelight moment is included, along with inspired narration and lighting suggestions to heighten the darkness into light theme. This CD-ROM includes the Brass parts for convenient printing at home or church.
$20.00
18.41 €
#
Mary McDonald
#
Choral Worship Cantata
#
Darkness into Light
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Ludwig van Beethoven: Adagio from Sonata Op. 27 No.2 "Moonlight" instantly for guitar solo
Guitare
Instantly downloadable sheet music by Ludwig van Beethoven for guitar solo of HIGH skill l…
(+)
Instantly downloadable sheet music by Ludwig van Beethoven for guitar solo of HIGH skill level. Contents: monlight, moon light, op. 27 no. 2, op.27 no.2, opus 27 number 2, no.14, no. 14, number 14, moonlight sonata / classical
$3.99
3.67 €
#
Guitare
#
Ludwig van Beethoven
#
Virtualsheetmusic
Ludwig Van Beethoven: Adagio from Sonata Op. 27 No.2 "Moonlight" for violin & piano
Violon et Piano
This is an exclusive transcription for violin & piano of MEDIUM skill level from the o…
(+)
This is an exclusive transcription for violin & piano of MEDIUM skill level from the original composition by Ludwig van Beethoven. This title is available as instant sheet music download. Contents: monlight, moon light, op. 27 no. 2, op.27 no.2, opus 27 number 2, no.14, no. 14, number 14, moonlight sonata / classical
$7.99
7.35 €
#
Violon et Piano
#
Ludwig Van Beethoven
#
Virtualsheetmusic
Ludwig Van Beethoven: Sonata Op.27 No.2 "Moonlight" for piano solo
Piano seul
Instantly downloadable sheet music by Ludwig van Beethoven for piano solo of HIGH skill le…
(+)
Instantly downloadable sheet music by Ludwig van Beethoven for piano solo of HIGH skill level. Contents: monlight, moon light, op. 27 no. 2, op.27 no.2, opus 27 number 2, no.14, no. 14, number 14, moonlight sonata / classical
$4.99
4.59 €
#
Piano seul
#
Ludwig Van Beethoven
#
Virtualsheetmusic
The Legend of Zelda(tm): Twilight Princess Hyrule Field Main Theme
Piano Facile
Easy Piano - Digital Download The Legend of Zeldaâ„¢: Twilight Princess - …
(+)
Easy Piano - Digital Download The Legend of Zelda™: Twilight Princess - Hyrule Field Main Theme. By Nintendo®. By Toru Minegishi. Arranged by Shinobu Amayake. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015409. Published by Alfred Music - Digital Sheet Music
ISBN 9780739083246.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of the Blue Maiden Restored * The Legend of Ze.ISBN 9780739083246.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of the Blue Maiden Restored * The Legend of Ze.
$3.99
3.67 €
#
Piano Facile
#
Nintendo®
#
Shinobu Amayake
#
The Legend of Zelda(tm): Twilight Princess Hyrule Field Main Theme
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The Legend of Zelda(tm): Twilight Princess Midnas Lament
Piano seul
Piano - Digital Download The Legend of Zeldaâ„¢: Twilight Princess - Midna…
(+)
Piano - Digital Download The Legend of Zelda™: Twilight Princess - Midnas Lament. By Nintendo®. By Toru Minegishi. Arranged by Shinobu Amayake. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015312. Published by Alfred Music - Digital Sheet Music
ISBN 9780739082966.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this intermediate-advanced piano edition are note-for-note transcriptions of instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of th.ISBN 9780739082966.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this intermediate-advanced piano edition are note-for-note transcriptions of instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of th.
$3.99
3.67 €
#
Piano seul
#
Nintendo®
#
Shinobu Amayake
#
The Legend of Zelda(tm): Twilight Princess Midnas Lament
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
