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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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1
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1
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33
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24
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18
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18
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13
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13
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11
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11
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11
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11
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9
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9
3 Saxophones (trio)
8
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8
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7
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7
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7
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6
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4
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3
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1
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Flûte à bec Alto
1
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1
2 Hautbois (duo)
1
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1
Clarinette, Trompette (duo)
1
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1
Flûte traversière, Basse continue
1
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1
Flûte à bec Soprano, Piano
1
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1
Flûte à bec Soprano
1
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1
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1
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1
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CUIVRES
Trompette
19
Trompette, Piano
17
Trombone et Piano
13
Trombone
12
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12
Cor
11
Tuba
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette (partie séparée)
8
Quatuor de Cuivres
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
6
Tuba et Piano
5
Trombone (partie séparée)
5
Quatuor de cuivres: 4 trompettes
4
2 Trompettes (duo)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
Trompette, Harpe
1
2 Trombones (duo)
1
Cor (partie séparée)
1
Ensemble de Trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Harpe
1
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CORDES
Violon et Piano
40
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violoncelle
26
Violon
25
Violoncelle, Piano
20
Harpe
15
Violon (partie séparée)
14
Alto, Piano
13
Alto seul
11
Contre Basse
9
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
8
2 Harpes (duo)
7
Alto (partie séparée)
6
Contrebasse, Piano (duo)
6
Contrebasse (partie séparée)
5
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 violins
4
Violon, Violoncelle (duo)
4
Violoncelle (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Violon (duo)
2
4 Violoncelles
1
Violon, Alto (duo)
1
2 Contrebasses (duo)
1
Alto et Harpe
1
2 Violoncelles (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
375
Orchestre à Cordes
62
Cloches
46
Orchestre
23
Batterie
18
Ensemble de cuivres
11
Orchestre de chambre
11
Ensemble Jazz
7
Percussion (partie séparée)
5
Fanfare
3
Batterie (partie séparée)
1
Piano et Orchestre
1
Jazz combo
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The Christmas Wish (Vocal Solo)
Chorale Unison
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol…
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95
5.42 €
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Chorale Unison
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Carol Troutman Wiggins [ASCAP], Mary White Pustrom
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The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Believe There Is Good
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1488763 Compose…
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1488763 Composed by Teresa O'Connell (BMI). Arranged by Teresa OConnell (BMI). Contemporary,Contest,Festival,Instructional. 18 pages. Teresa O'Connell (BMI) #1065612. Published by Teresa O'Connell (BMI) (A0.1488763). Believe There Is Good (3-pt mixed). Also available for SSA. A beautifully orchestrated backing track is also available separately.Your singers will love this piece! These inspirational, optimistic lyrics encourage your singers and audience to Believe There Is Good in everyone. Looking for the positive in others, rather than their flaws and showing empathy to people who may be struggling...this is the message of Believe There Is Good. This piece is in a jazzy 3/4 and is very fun to sing for all voice parts. Don't miss this one, and be sure to use the spectacular backing track (sold separately).Believe there is good, in the midst of the darkness. There is good, beneath the hate and the pain. See the light, see the spark, see the good in every heart. Believe there is good in everyone.Part One range C4-E5. Part Two range is B3-Bb4. Part Three (bass clef) is F3-D4.
$2.99
2.72 €
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Teresa O'Connell
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Teresa OConnell (BMI)
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Believe There Is Good
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Teresa O'Connell
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SheetMusicPlus
Believe There Is Good (SSA or 3-pt Treble Voices)
Chorale 3 parties
Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1488768 Compose…
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Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1488768 Composed by Teresa O'Connell (BMI). Arranged by Teresa O'Connell (BMI). Contemporary,Contest,Festival,Instructional. 23 pages. Teresa O'Connell (BMI) #1065617. Published by Teresa O'Connell (BMI) (A0.1488768). Believe There is Good (SSA or 3-pt Treble Voices). Also available for 3-pt Mixed Voices. A beautifully orchestrated backing track is available (sold separately.Your singers will love this piece! These inspirational, optimistic lyrics encourage your singers and audience to Believe There Is Good in everyone. Looking for the positive in others, rather than their flaws and showing empathy to people who may be struggling...this is the message of Believe There is Good. This piece is in a jazzy 3/4 and is very fun to sing for all voice parts. Don't miss this one, and be sure to use the spectacular backing track (sold separately).Believe there is good, in the midst of the darkness. This is good, beneath the hate and the pain. See the light, see the spark, see the good in every heart. Believe there is good in everyone.Part One range is C4-E5. Part Two range is C3-Bb4. Part Three range is B3-Bb4.
$2.99
2.72 €
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Chorale 3 parties
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Teresa O'Connell
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Teresa O'Connell (BMI)
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Believe There Is Good
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Teresa O'Connell
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SheetMusicPlus
My Baby (A Mother's Lullaby) - solo and piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801629 Composed by Co…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801629 Composed by Connie Boss. Children,Country,Folk,Holiday,Pop. Score. 4 pages. Connie Boss #6329711. Published by Connie Boss (A0.801629). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did. There is a piano accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby (A Mother’s Lullaby) Composed by Connie Boss Refrain: My baby, your eyes, twinkle and they sparkle My baby, just like sunlight on the water Verses: I fell in Love with you when I saw your face You are my baby, no one can take your place Refrain: I count your fingers and then your little toes Each time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resist To kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-boo These are all the things that you love to do We snuggle close. Rock you to sleep And lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.55 €
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Piano, Voix et Guitare
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - violin duet and piano
String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss…
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String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331181. Published by Connie Boss (A0.801631). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.55 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - duet and piano
Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Compo…
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Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Composed by Connie Boss. Children,Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6330861. Published by Connie Boss (A0.801630). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is a piano accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.55 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - cello and violin duet and piano
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331183. Published by Connie Boss (A0.801632). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.55 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
They Who Decide Fate
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99
81.94 €
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Flûte, Hautbois, Clarinette, Basson
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Brandon Nelson
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They Who Decide Fate
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Brandon Nelson
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SheetMusicPlus
In the Dark Pine-Wood (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.73 €
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strings in the Earth and Air (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.73 €
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Heart and the Fountain (SATB)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.944041 Composed by Ofer Ben-Amots, c…
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Choral Choir (SATB) - Digital Download SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799263. Published by The Composer's Own Press (A0.944041). Composer’s Notes: The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$9.90
9.01 €
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Chorale SATB
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Ofer Ben-Amots, composer and librettist
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
The Heart and the Fountain (SSAA)
Chorale 2 parties
Choral Choir (SA) - Digital Download SKU: A0.944042 Composed by Ofer Ben-Amots, com…
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Choral Choir (SA) - Digital Download SKU: A0.944042 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799915. Published by The Composer's Own Press (A0.944042). Composer’s Notes:The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com.
$9.90
9.01 €
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Chorale 2 parties
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Ofer Ben-Amots, composer and librettist
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
Do Unto Others (The Golden Rule)
Chorale Unison
Unison chorus - Digital Download SKU: C7.CGA1091 Composed by Vicki Hancock Wright. …
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Unison chorus - Digital Download SKU: C7.CGA1091 Composed by Vicki Hancock Wright. General. Rote to Note. With Small Perc. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1091. Published by Chorister's Guild - Digital (C7.CGA1091). UPC: 749193011881.Children of all ages easily understand the words of Christ found in Matthew 7:12: Do unto others as you would have them do unto you. In this charming anthem lifted from the popular Choristers Guild collection Let All the World Sing Praise (CGA842), these timeless words are coupled with additional text from Ephesians 4:32 that teach a lifelong lesson on how to live and interact with others. Use of rhythm sticks and a light, bouncy piano accompaniment nicely compliment the sparkling melody written especially with younger children in mind. Lectionary use: Proper 14 [19] B.
$1.95
1.78 €
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Chorale Unison
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Vicki Hancock Wright
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Do Unto Others
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Chorister's Guild - Digital
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SheetMusicPlus
Spark of Creation
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1308110 Composed by Ann Ruane. New …
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Piano Solo - Level 5 - Digital Download SKU: A0.1308110 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897383. Published by Ann Ruane-Lux Eterna Healing (A0.1308110). The bold color changes in the verses symbolize the spark, be it an idea, a project, a dream, or a sense of creating your own self. The bridge brings to life the expansiveness that follows the spark, all tied together with a graceful motive in the refrain. From the collection, “Inner Mosaic,†by Ann Ruane. Perfect for meditation, healing therapies, service prelude/interlude, reflection, and more.
$3.50
3.19 €
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Piano seul
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Ann Ruane
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Spark of Creation
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.93 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
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Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.39 €
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Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
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Alastair Lodge
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Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Wold Meridian
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SheetMusicPlus
The Gold Rush, vocal solo
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.
$3.99
3.63 €
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Piano, Voix
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seeking a life, eternal and pure,
Seeking for Jesus, who gives gold that endures
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Kevin G
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The Gold Rush, vocal solo
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Kevin G. Pace
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SheetMusicPlus
Deb and Ben's Theme: Ground Rules
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1486553 By Marion Abbott. By Marion…
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Piano Solo - Level 4 - Digital Download SKU: A0.1486553 By Marion Abbott. By Marion Abbott. Contemporary,Film/TV. Score. 6 pages. Marion Abbott #1063616. Published by Marion Abbott (A0.1486553). This is the theme song for Silver Shores Book One, Ground Rules, the second chance love story of Deb and Ben, written by Marion AbbottFind out more about the book, including where to purchase it, here: www.marionabbott.com/booksA broken leg leads to a second chance at love in this sweet romance set in the colourful world of summer theatre.Ground Rules: Deb & Ben's StoryArtistic Director Deborah Monassen has planned the perfect summer season for the Silver Shores Theatre Company, and she has a three-day weekend to celebrate her success before rehearsals begin.Actor Benjamin Chase Greer has just finished shooting another season of his hit TV show, but for the first time in years, he doesn’t have a theatre contract lined up for the summer. To heighten his gloom, he can’t stop thinking about Deborah Monassen, the woman who made his heart happiest but who told him never to contact her.Then Deb discovers that the actor she had cast in her seasons' biggest shows has broken his femur bone, and everyone capable of taking over his contract is already working elsewhere. Except for Benjamin Chase Greer -the man she had vowed never to speak to again. To deal with working together, Ben and Deb create some Ground Rules. But instead of keeping things on an even keel, romantic sparks fly higher and hotter as the two spend more and more time together. Are their Ground Rules the key to securing their second chance at love?
$9.99
9.1 €
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Piano seul
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Marion Abbott
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Deb and Ben's Theme: Ground Rules
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Marion Abbott
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SheetMusicPlus
The Sparkler (A Ragtime Two-Step)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.762230 Composed by Scott Powell. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.762230 Composed by Scott Powell. Concert,Ragtime,Traditional. Score. 3 pages. Scott Powell Music #3908173. Published by Scott Powell Music (A0.762230). With soaring melodies and haunting chords, this rag sparkles. Some of the themes were adapted from Scarlatti's Sonata K 314.
$1.99
1.81 €
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Piano seul
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Scott Powell
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The Sparkler
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Scott Powell Music
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SheetMusicPlus
The Spark Of Creation
Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Percussion,Piano,Synthesizer,Ten…
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Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Percussion,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1212923 Composed by Stephen Schwartz. Arranged by Anita Cracauer. Broadway,Musical/Show. 49 pages. Custom Arrangements, LLC #810119. Published by Custom Arrangements, LLC (A0.1212923). This is the full score and all instrumental parts for the choral arrangement of Spark Of Creation. The instrumentation is for piano, synth, guitar, bass, drum set, percussion, 2 trumpets, 2 trombones, alto saxophone, tenor saxophone, and baritone saxophone.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
$80.00
72.85 €
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Stephen Schwartz
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Anita Cracauer
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The Spark Of Creation
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Custom Arrangements, LLC
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SheetMusicPlus
Come to the Fountain - an original hymn
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.701660 Composed by Kevin G. Pace (AS…
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Choral Choir (SATB) - Digital Download SKU: A0.701660 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3242911. Published by Kevin G. Pace (A0.701660). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/VNBnN3F9N10 When your well is dry, your life seems in a drought, When problems loom large, and nothing works out, When your soul is parched, you’re weary and tired, There’s no spark in the coals that once flowed with fire. Then…Come to the fountain. (Chorus) The Fountain of Life that never runs dry, The source of all hope wipes all tears from the eye, God’s Living Water, always clean and pure, Will quench your thirst; His promise is sure. Without Living Water the soul shrivels and withers, Heed the Lord’s call: Come to Me, Hither. Without Living Water problems keep growing, So come to the artesian. It’s peace ever flowing. So…Come to the fountain Repeat chorus
$1.99
1.81 €
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Chorale SATB
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Kevin G
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His promise is sure
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Come to the Fountain - an original hymn
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Kevin G. Pace
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.37 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
The Spark Of Creation
Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.883008 Composed by Stephen Schwartz. Arranged by Jeremy Landig. Contemporary. Score and parts. 58 pages. Landig Music Productions #6684331. Published by Landig Music Productions (A0.883008). Show band / combo parts for my pops choir arrangement of Spark of Creation.2 trumpets, 3 saxes (alto, tenor, bass), 1 trombone, piano, guitar, synth, bass, drum set, auxiliary percussion.Doesn't quite match your band roster? Contact the arranger at jeremy@landigmusic.com for information on having an alternative instrumentation added to Sheet Music Plus!
$40.00
36.42 €
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Stephen Schwartz
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Jeremy Landig
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The Spark Of Creation
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Landig Music Productions
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.46 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
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