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--INSTRUMENTS--
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For My Sake
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Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.03 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
All My Longing: Psalm 138:9-11, 21-22
Chorale 2 parties
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1317598 Composed …
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1317598 Composed by Karen Beaumont. Christian,Classical,Contemporary,Lent. 3 pages. Karen Beaumont #906268. Published by Karen Beaumont (A0.1317598). Short work for two part, unacommpanied choir. Text:Lord, all my longing is known to thee,my sighing is not hdden from three.My heart throbs, my strength fails me;and the light of my eyes -- it also has gone from me.My friends and compsnions stand aloof form my plague,and my kinsmen stand afar off.Do not forsake me, O Lord!O my God, be not far from me!Make hast toe help me,O Lord, my salvation!
$1.99
1.83 €
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Chorale 2 parties
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Karen Beaumont
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All My Longing: Psalm 138:9-11, 21-22
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Karen Beaumont
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SheetMusicPlus
Trio fo the Sake of Art
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.786188
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.786188 Composed by Bill Malcolm. Contemporary. 9 pages. Bill Malcolm #4895155. Published by Bill Malcolm (A0.786188). This trio was written for my sister-in-law's father-in-law who was an avid clarinet player. He died a few years ago at the age of 101. His musical tastes were conventional so it is written for easy access, and not too difficult, as he was an amateur. The playing time is 2:17. .
$10.00
9.2 €
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3 Clarinettes (trio)
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Bill Malcolm
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Trio fo the Sake of Art
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Bill Malcolm
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 13 (Songs 325-351)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153431 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153431 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 41 pages. Socrates Arvanitakis #753692. Published by Socrates Arvanitakis (A0.1153431). This is the thirteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 13 (Songs 325-351)Flowers in the Valley [The Red, The Green and the Yellow]Flowers O’ the ForestFoggy Dew (the)Football CrazyFor I am a Maid that’s Deep in LoveForsaken Maiden - A Maiden Sat A-WeepingForty MilesFour in a BoatFour Maries (the)Four Pence a DayFox 1 (THE)Fox 2 (THE)Fox 3 (THE)Fox Hunt (the)Frenet Ha’Friendly Beasts (THE)Frog and the Mouse (THE)Fum, Fum Fum!Gabriel’s MessageGarden Gate (THE)Garden where the Praties Grow (THE)Gathering PeascodsGentlemen of High RenownGently Johnny my Jingalo (different key)GeordieGeorge CollinsGeorgie.
$25.00
23.01 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 13
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Socrates Arvanitakis
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SheetMusicPlus
A Mission for Every One
Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken…
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Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken Litton. 20th Century,Christian,Contemporary,Religious,Sacred. Accompaniment. Duration 140. Artist of Note, Inc. #1078881. Published by Artist of Note, Inc. (A0.1503432). A Mission for Every OneAudio accompaniment/demo MP3A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testifyAvailable where you go for the best in downloadable resources, including:Sheet Music PlusSheet Music DirectAnd via your local Hal Leonard InStore music dealerAlso…check out other titles from East of the Altar/Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$2.99
2.75 €
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Ken Litton
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Ken Litton
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and shall deceive many
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A Mission for Every One
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Artist of Note, Inc.
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SheetMusicPlus
A Mission for Every One
Chorale Unison
Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1503195 Comp…
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Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1503195 Composed by Ken Litton. Arranged by Ken Litton. Christian,Contemporary,Praise & Worship,Religious. 4 pages. Artist of Note, Inc. #1078723. Published by Artist of Note, Inc. (A0.1503195). A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testify.
$2.99
2.75 €
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Chorale Unison
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Ken Litton
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Ken Litton
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and shall deceive many
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A Mission for Every One
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Artist of Note, Inc.
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SheetMusicPlus
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
1.83 €
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Chorale SATB
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Changing Seasons (an etude for piano)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1031280 Composed by Adam R. Hass. A…
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Piano Solo - Level 1 - Digital Download SKU: A0.1031280 Composed by Adam R. Hass. Arranged by Adam R. Hass. Concert,Instructional,Standards. Score. 4 pages. Adam R. Hass #6073933. Published by Adam R. Hass (A0.1031280). This is my first original composition with PDF sheet music upload. The piece is a beginner's level variation on my theme, Changing Seasons, which I composed originally in October of 2008. Eventually this piece will be published for a large ensemble but for now, I am sticking with humble beginings. This version of the song is meant to serve as an etude for piano. The song is a fun study of arpeggiation, intriguing chordal movement including secondary dominants, repeats with 1st and 2nd endings, classic piano technique, dexterity, and a small homage to Pachelbel's Canon (although not in D, in this case.) This etude is written in the key of C Major for ease of learning's sake. The original composition was written in the key of D Major. I used PreSonus' Notion 6 for this project. However, I ran into a plethora of difficulties when I transferred the file over to PDF format. Some text was lost as well as the majority of all my performance and technique notes in the score. I will try to correct this ASAP and get the score reloaded. I really just need to get something posted on here because I AM a composer and I have never actually shared a composition in musical score form for others to purchase, play or peruse. This is my first ever. I hope whoever selects this piece enjoys it and might offer some constructive criticism or insight. Have fun! (Note, the piece is intended to be played at approximately 120 bpm but I encourage playing it slowly several times at first to figure out a way through the printing errors for now).
$2.50
2.3 €
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Piano seul
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Adam R
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Adam R
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Changing Seasons
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Adam R. Hass
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SheetMusicPlus
My Suffering Savior, sacred music for SATB choir
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1446651 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1446651 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 11 pages. Kevin G. Pace #1026415. Published by Kevin G. Pace (A0.1446651). An elegant, sacred choral arrangement. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:He suffered pain for my pains, tears for my weeping, So I can feel his love ever deep'ning. Then stricken with grief and crimson sore bleeding, I know He'll succor more for my needing.He felt forsaken and lone, even with scourging, So I can gain forgiveness and purging. Then crowned with thick thorns and soldiers converging, My gratitude keeps humbly emerging.He tripped and fell with his cross ever reeling, So I can sense his abundant healing. Then fin'lly I bow in covenant kneeling. He died to grant me eternal sealing.Chorus:My suff'ring Savior died for my soul; Now I rejoice for I can be whole. My suff'ring Savior lives now to see All that his life and love mean to me.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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My Suffering Savior, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
My Suffering Savior, a sacred hymn
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1442824 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1442824 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1022760. Published by Kevin G. Pace (A0.1442824). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:He suffered pain for my pains, tears for my weeping, So I can feel his love ever deep'ning. Then stricken with grief and crimson sore bleeding, I know He'll succor more for my needing.He felt forsaken and lone, even with scourging, So I can gain forgiveness and purging. Then crowned with thick thorns and soldiers converging, My gratitude keeps humbly emerging.He tripped and fell with his cross ever reeling, So I can sense his abundant healing. Then fin'lly I bow in covenant kneeling. He died to grant me eternal sealing.Chorus:My suff'ring Savior died for my soul; Now I rejoice for I can be whole. My suff'ring Savior lives now to see All that his life and love mean to me.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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My Suffering Savior, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Forsaken
Marimba
Marimba Solo - Level 3 - Digital Download SKU: A0.1017231 Composed by Jessica Willi…
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Marimba Solo - Level 3 - Digital Download SKU: A0.1017231 Composed by Jessica Williams. Contemporary. Individual part. 5 pages. Jessica Williams #6082449. Published by Jessica Williams (A0.1017231). Forsaken is a 5-octave, unaccompanied marimba solo. The piece draws its inspiration from the biblical verse, Psalms 22:1 My God, my God, why have you forsaken me? and the same verse quoted by Jesus while he was on the cross in both Matthew and Mark-Eli, Eli, lama sabachthani?. This is one of the last seven sayings of Christ before his death on the cross. Some will interpret this saying as words of Abandonment of the Son by the Father. God has left his son to die in pain at the hands of humanity as a sacrifice for their sins.
$10.00
9.2 €
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Marimba
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Jessica Williams
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Forsaken
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Jessica Williams
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SheetMusicPlus
You Are My King
Chorale SATB
Choral SATB choir - Digital Download SKU: H1.C5387DP Composed by Billy James Foote.…
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Choral SATB choir - Digital Download SKU: H1.C5387DP Composed by Billy James Foote. Arranged by Larry Shackley. Contemporary, Lent, General Worship, Commitment, Love, Sacrifice. Octavo. 8 pages. Hope Publishing - Digital #C5387DP. Published by Hope Publishing - Digital (H1.C5387DP). By Billy James Foote. Matthew 18:21 - Matthew 18:22 - Matthew 18:23 - Matthew 18:24 - Matthew 18:25 - Matthew 18:26 - Matthew 18:27 - Matthew 18:28 - Matthew 18:29 - Matthew 18:30 - Matthew 18:31 - Matthew 18:32 - Matthew 18:33 - Matthew 18:34 - Matthew 1.Contemporary worship song by Billy James Foote Billy James Foote's popular contemporary worship song revisits the familiar territory of Charles Wesley's beloved text And Can It Be? The verse quietly meditates on the contradictions of Christ's sacrifice: I'm forgiven because You were forsaken/I'm accepted, You were condemned. The chorus provides the joyful response: Amazing love! This sensitive yet powerful setting from arranger, Larry Shackley, is suitable for Holy Week or any time of the year.
$3.25
2.99 €
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Chorale SATB
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Billy James Foote
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Billy James Foote
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Larry Shackley
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You Are My King
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Hope Publishing - Digital
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SheetMusicPlus
You Are My King
Rhythm instruments - Digital Download SKU: H1.C5387RDP Composed by Billy James Foot…
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Rhythm instruments - Digital Download SKU: H1.C5387RDP Composed by Billy James Foote. Arranged by Larry Shackley. Contemporary, Lent, General Worship, Commitment, Love, Sacrifice. Rhythm Parts. 13 pages. Hope Publishing - Digital #C5387RDP. Published by Hope Publishing - Digital (H1.C5387RDP). By Billy James Foote. Matthew 18:21 - Matthew 18:22 - Matthew 18:23 - Matthew 18:24 - Matthew 18:25 - Matthew 18:26 - Matthew 18:27 - Matthew 18:28 - Matthew 18:29 - Matthew 18:30 - Matthew 18:31 - Matthew 18:32 - Matthew 18:33 - Matthew 18:34 - Matthew 1.Contemporary worship song by Billy James Foote Billy James Foote's popular contemporary worship song revisits the familiar territory of Charles Wesley's beloved text And Can It Be? The verse quietly meditates on the contradictions of Christ's sacrifice: I'm forgiven because You were forsaken/I'm accepted, You were condemned. The chorus provides the joyful response: Amazing love! This sensitive yet powerful setting from arranger, Larry Shackley, is suitable for Holy Week or any time of the year.
$34.95
32.16 €
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Billy James Foote
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Billy James Foote
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Larry Shackley
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You Are My King
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Hope Publishing - Digital
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SheetMusicPlus
He Comforts Me, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1043823 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1043823 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #648505. Published by Kevin G. Pace (A0.1043823). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Walk with me. When my trek through life seems barren, walk with me. When my soul is parched and arid, walk with me. When my drought has brought on thirst, when my God is not placed first, when I sense the very worst, Oh, walk with me. Weep with me. When all happiness escapes me, weep with me. When my peaceful heart forsakes me, weep with me. When I’m broken past repair, when no one is there to care, when a friend is very rare, Oh, weep with me. Mourn with me. When my heart is full of sorrow, mourn with me. When it’s hard to face tomorrow, mourn with me. When I’m crying all alone, when I feel less love is shown, when I doubt if I am known, Oh, mourn with me. Comfort me. Now I feel God coming closer. He comforts me When I feel I love Him most, He comforts me. When I trust his holy word, when I follow truths I’ve heard, when I feel so God-assured, He comforts me.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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He Comforts Me, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.32 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Du är min klippa
Chorale SATB
SATB divisi chorus a cappella - Digital Download SKU: BJ.1378 Composed by Mikael Ca…
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SATB divisi chorus a cappella - Digital Download SKU: BJ.1378 Composed by Mikael Carlsson. Christian. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1378. Published by Bo Ejeby Forlag - Digital (BJ.1378). 8.27 x 11.7 inches.Motett with lyrics from Book of Psalms 31:3-6: You are my rock. Since you are my rock and my fortress, for the sake of your name lead and guide me..
$3.20
2.94 €
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Chorale SATB
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Mikael Carlsson
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Du är min klippa
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
The Lord Is My Shepherd (FORSAKEN)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.564996 By Sharon Wilson. By Thomas …
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Piano Solo - Level 3 - Digital Download SKU: A0.564996 By Sharon Wilson. By Thomas Koschat. Arranged by Sharon Wilson and Sharon Wilson Music. Folk,Praise & Worship,Romantic Period,Sacred,Wedding. Score. 5 pages. Sharon Wilson #3098553. Published by Sharon Wilson (A0.564996). This piano solo arrangement of the well-known hymn tune FORSAKEN by Thomas Koschat flows peacefully throughout with soothing harmonies. The idyllic setting creates visions of grassy hillsides where sheep quietly graze, always under the watchful eye of the Shepherd. The piece progresses through two verses of the song interspersed with complimentary interludes. This meditative, yet graceful arrangement is one of three in the collection Psalm 23 Trilogy.Performance Tip: For a more relaxed sound or to make it easier to play the 16th note runs (beginning in measure 23), play these runs slower than at tempo, even as slow as 8th notes. This slowed pace sounds natural, is easier to play smoothly, and retains the calm, peaceful feeling. Â
$4.99
4.59 €
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Piano seul
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Sharon Wilson
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The Lord Is My Shepherd
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Sharon Wilson
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SheetMusicPlus
Broken for You (In Remembrance of Me)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.919553 By Jenny Laine. By Jenny Lai…
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Piano Solo - Level 3 - Digital Download SKU: A0.919553 By Jenny Laine. By Jenny Laine. Christian,Classical,Easter,Lent,Sacred. Score. 6 pages. Melted Melodies #4359197. Published by Melted Melodies (A0.919553). Though your sins are like scarlet, they shall be as white as snow; though they are red as crimson, they shall be like wool. - Isaiah 1:18--Jesus is present with us and understands the deepest suffering of any person. The dissonance in the opening theme is meant to bring to mind that pain, suffering, and the cross. But as it resolves in the subsequent themes, I hope that it reminds you of the love that Jesus has for you and fills you with comfort and warmth. He is with you and he will never leave you or forsake you, if you believe in him as your Lord and Savior. Play this intermediate piano solo for silent prayer during communion for Sunday worship services. This is a suitable piece to program for Lent and Easter. This is from my album, Tranquility by Jenny Laine. iTunesOfficial YouTube Channel-- Find my music on: SpotifyApple MusicAmazon MusicSoundCloudDeezerBandcampPond5
$5.00
4.6 €
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Piano seul
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Jenny Laine
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Broken for You
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Melted Melodies
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SheetMusicPlus
Trust in Him for SATB Voices
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.956029 Composed by Teresa …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.956029 Composed by Teresa O'Connell (BMI). A Cappella,Christian,Praise & Worship,Sacred. Octavo. 11 pages. Teresa O'Connell (BMI) #5712255. Published by Teresa O'Connell (BMI) (A0.956029). Trust in Him for SATB Voices and Piano is an uptempo sacred original that begins with a short a cappella gospel-flavored intro before changing into a driving beat. Easy to learn and fun to sing, this exciting piece implores the listener to Trust in the Lord and He will not forsake you...when I'm afraid, He's always there to guide me...Open your heart and He will save you...For He is my Hope, my Rock, my Strength. I put my trust in Him. Your singers will exhibit exciting energy when singing Trust in Him.
$2.75
2.53 €
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Chorale SATB
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Teresa O'Connell
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Trust in Him for SATB Voices
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Teresa O'Connell
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SheetMusicPlus
For My Sake
Guitare notes et tablatures
By Shinedown. Metal; Pop; Rock. Guitar TAB. 11 pages. Published by Hal Leonard - Digital S…
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By Shinedown. Metal; Pop; Rock. Guitar TAB. 11 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.59 €
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Guitare notes et tablatures
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Shinedown
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Pop
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For My Sake
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Break My Soul
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1377964 By Beyonce.…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1377964 By Beyonce. By Adam Pigott, Allen George, Beyoncé Knowles, Chrstopher Stewart, Fred McFarlane, Freddie Ross, Gordon Brown, Jens Isaken, Shawn Carter, and Terius Gesteelde-Diamant. Arranged by Charles Beale. 21st Century,Disco,Hip-Hop,Pop,R & B. 28 pages. Charliebmusic #962585. Published by charliebmusic (A0.1377964). 'Break My Soul' was the first single from 'Renaissance', Beyoncé's triumphant 7th album, which re-established her as one of the most influential and commercially successful artists of her generation. The textures of the single version are derivative of '90s house music, and the vocal textures and voicings are uniquely Beyoncé, while gospel-tinged in places. That said, the story of the song could not be more contemporary to the 2020s, referencing social division, the exploitation of gig workers and, of course, race. Its empowering, defiant yet joyous lyric makes the song perfect for any concert closer. This TTBB arrangement sticks to the complex phrasing and rhythmic complexity of the Beyoncé vocal, with some simplifications for choral use. Intended as a spectacular finale with dancers and live band, it also features some elements from her live touring version, and includes a solo part that would suit an MC, and/or and singer versed in Beyoncé's vocal stylings. The YouTube video link is therefore of a live performance.
$1.99
1.83 €
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Chorale TTBB
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Beyonce
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Charles Beale
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Break My Soul
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charliebmusic
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SheetMusicPlus
Psalm 22: Why Hast Thou Forsaken Me
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.881192 Composed by Denise…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.881192 Composed by Denise M. Owen. Baroque,Christian,Easter,Sacred. Octavo. 3 pages. Denise M. Owen #13451. Published by Denise M. Owen (A0.881192). A solo setting of the Good Friday Psalm 22, the words Jesus spoke from the Cross: My God, my God, why hast Thou forsaken me? This Psalm setting would be perfect for Good Friday services or for use during Lent or other penitential seasons. It can be sung by a treble soloist, unison choir, soprano or tenor soloist. The accompaniment can be played on piano or organ (organ preferred) and is written in Baroque-style four parts which are distinct from the solo part. The melody uses the descending-second sighing technique to indicate the strong emotions of questioning and pleading with God. This would be a very effective solo or unison choir piece for Tenebrae or Good Friday.
$3.99
3.67 €
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Chorale SATB
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Denise M
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Psalm 22: Why Hast Thou Forsaken Me
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Denise M. Owen
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SheetMusicPlus
My God, My God, Why Have You Forsaken Me? (for SAB)
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.620961 Composed by Stephen …
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.620961 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #3500819. Published by Exultet Music (A0.620961). Contemplative and meditative song for Holy Week or Good Friday that is scored for SAB, Solo, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the musical service: The Seven Last Words From The Cross which is available on this site.
$3.99
3.67 €
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Chorale 3 parties
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Stephen DeCesare
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My God, My God, Why Have You Forsaken Me?
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Exultet Music
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SheetMusicPlus
My God, My God, Why Have You Forsaken Me? (for SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620960 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620960 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #3500817. Published by Exultet Music (A0.620960). Contemplative and meditative song for Holy Week or Good Friday that is scored for SATB, Solo, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the musical service: The Seven Last Words From The Cross which is available on this site.
$3.99
3.67 €
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Chorale SATB
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Stephen DeCesare
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My God, My God, Why Have You Forsaken Me?
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Exultet Music
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SheetMusicPlus
The forsaken on
Piano, Voix
Voice and piano - Digital Download SKU: LV.95 Composed by Mrs. William H. Dishrow. …
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Voice and piano - Digital Download SKU: LV.95 Composed by Mrs. William H. Dishrow. Portraits, Death, Immigrants--Spain. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.95). The forsaken on. Composed by Mrs. Wm. H. Dishrow; Poetry by Alfred Wheeler, Esq. Published 1848 by C. Holt, Jr., 156 Fulton St. in New York. Composition of ballad with voice and piano instrumentation. Subject headings for this piece include Portraits, Death, Immigrants--Spain Call number. First line reads Nay ask not why my heart is sad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.51 €
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Piano, Voix
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Mrs
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Poetry by Alfred Wheeler, Esq
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The forsaken on
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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