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Look He Comes
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Vous avez sélectionné:
Look He Comes
Partitions à imprimer
99 partitions trouvées
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He Stumbled Across a House in the Forest
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Classique
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Damien Gauci
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He Stumbled Across a House in
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1495482 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071999. Published by Dam...
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Piano Solo - Level 3 - SKU: A0.1495482 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071999. Published by Damien Gauci (A0.1495482). Now Whiskers has come across this mysterious house in the forest, he approaches it with curiosity and cautiousness. This is reflected in the start of the piece where the chords are slow and cautious but they eventually turn into quaver broken chords as Whiskers begins to have a look around the house, taking care in every step he takes. As Whiskers explores the outside of the house, he finds smashed windows, broken doors, rotting wood, and a once loved and alive home, abandoned and forgotten, left to rot and fall apart.He comes back around to the front of the house now that he has had a good look around it and has a decision to make. Does his curious nature take him inside to explore the unknown, with a possibility of finding food or a safe place to live or does he go back and find his way back home? Of course, Whiskers can’t help himself and he decides to venture into the house to find out what lies inside.
$6.00
Looking Forward
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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Looking Forward
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1078617 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop,Spiritual. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1078617 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop,Spiritual. Score. 7 pages. Andrew Mc Donald (Macka Records) #682843. Published by Andrew Mc Donald (Macka Records) (A0.1078617). Looking Forward is a song about the second coming of Jesus. I am looking forward to when the trumpet sounds and He will rapture the saints. I cannot wait til He comes again and I want to see it happen. This is a pop song for piano and vocals.
$4.99
He Will Lead Me Home
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
Because He Was A Bonny Lad
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Traditional Fiddle Tunes
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Heather M Music
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Because He Was A Bonny Lad
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340354 By Traditional Fiddle Tunes. Arranged by Heather M Music. Thi...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340354 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 72. Heather Mueller Music #5fwfv60k3hWZCRdc02BIm2. Published by Heather Mueller Music (A0.1340354). Key: A major.Because He Was A Bonny Lad - A Major Folk Tune Sheet Music Indulge in the timeless charm of Because He Was A Bonny Lad with our meticulously crafted sheet music. Set in the uplifting key of A Major, this traditional folk tune comes to life with a delightful melody, harmonies, a dynamic bassline, and convenient chord symbols. Tailored for fiddle players, this sheet music also offers versatility for melodic instruments tuned to the brilliance of A Major or accompaniment instruments. Key Features: Authentic transcription of Because He Was A Bonny Lad in the joyful key of A Major. Melody, harmonies, and a lively bassline thoughtfully arranged. Chord symbols for seamless accompaniment. Suited for fiddle players and adaptable to various melodic instruments. Celebrate the uplifting spirit of Because He Was A Bonny Lad as you explore its melodic richness in A Major. Whether you're a fiddler looking to add a lively piece to your repertoire or a musician on a melodic instrument seeking a joyful tune, this sheet music invites you to embrace the essence of this cherished composition. Elevate your performance and share the joy of Because He Was A Bonny Lad with this expertly crafted arrangement.
$3.99
Urban Arboretum for Solo Oboe
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Yuta Tanaka
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Urban Arboretum for Solo Oboe
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YUTATANAKASOUND PUBLISHING
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1016849 Composed by Yuta Tanaka. 20th Century,Contemporary,World. Individual part. 7 pages. YUTATANAKASOUND PUBLISHING #59...
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Oboe Solo - Level 3 - SKU: A0.1016849 Composed by Yuta Tanaka. 20th Century,Contemporary,World. Individual part. 7 pages. YUTATANAKASOUND PUBLISHING #5996951. Published by YUTATANAKASOUND PUBLISHING (A0.1016849). Urban Arboretum was written for Online Summer Composition Workshop with Jenni Brandon in July 2020 with oboist Lindabeth Binkley as the resident artist. Duration: 5 minutes Program notes: Kew Gardens in Queens, New York, is where the composer settles, which offers a delicate balance between the city and nature. Each piece portrays the impression of the specific trees in the park, which the composer grew over time getting acquainted with them. Solitary Yew stands alone in the park, planted by the park planner not too long ago. The evergreen tree looks like it does not belong there but still maintaining a straight, symmetrical posture. Later in the summer, its seed cones develop into a berry-like red structure. Twin Japanese Maples welcomes the composer every time he comes home. In spring, it grows beautiful bright-green leaves, with 5 or 7 pointed lobes. From autumn to winter, its leaves grow into burning red color for a while, then fall. Triangular Oaks are probably the oldest of the park. Three oak's layout creates vast shadow areas on the lawn where kids play with balls, kicking or throwing it back and forth. Contact: WWW.YUTATANAKASOUND.COM
$12.00
Gratitude, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Gratitude, sacred music for SA
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1155602 Composed by Kevin G. Pace (ASCAP), Richard H. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritu...
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Choral Choir (SATB) - Level 4 - SKU: A0.1155602 Composed by Kevin G. Pace (ASCAP), Richard H. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #755902. Published by Kevin G. Pace (A0.1155602). Wonderful, sacred music for SATB choir with music by Kevin G. Pace and text by Richard H. Hales. Text: I looked and saw my God above. He gives me life free with His love. He gives me breath from day to day. He gives me will to do and say. He gives me agency to choose A plan to accept or to refuse. I know He loves me sev'n times seven. He is my very own Father in Heaven. I looked and saw the Christ below. He comes to earth, good deeds to sow. He died and lived again for me, That I may have Immortality. He suffered untold pain and strife, That I might choose Eternal Life. I know He loves me, this I savor. He is my Lord, Redeemer, and Savior.
$1.99
The Cantankerous Conquistador
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Sean A
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The Cantankerous Conquistador
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Sean A. Ryan
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1503656 Composed by Sean A. Ryan. 21st Century,Classical,Comedy,Contemporary,March. 71 pages. Sean A. Ryan #1079139. Pu...
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Concert Band - Level 4 - SKU: A0.1503656 Composed by Sean A. Ryan. 21st Century,Classical,Comedy,Contemporary,March. 71 pages. Sean A. Ryan #1079139. Published by Sean A. Ryan (A0.1503656). This piece tells the ficticious story of an inept, incompitant, yet quite pompous prefect conquistador and his poor attempt to colonize an indigenous village. The natives keep out smarting him, and sabotaging his plans. Things get so out of hand, that he can't even keep his own people in line. This makes the Prefect irate and ill-tempered, more so to his own company, than to the natives! What am I to tell the queen?!. I can't have my name soiled like this!. Upon hearing that the Prefect's superior officer, the Legate of Iberia, will be coming to check up on his progress, he comes up with a plan. He'll make a deal with the natives to make it look like he's been kidnapped and murdered. Dressed as conquistadors, the natives won't say a word and the Prefect's second in command will say that he's been killed. To the Prefect's surprise, this actually worked and the Legate was fooled. Upon the Legate returning back to Iberia, the now defunct Prefect conquistador has made arrangements with the natives in exchange for food and supplies to fool the Legate each time he visits.This rousing march is a great opener or closer for any concert. Perfect for high school, college, or municiple/adult continuing level community band! The music here perfectly encapsulates this swashbuckling, yet haphazardous story!
$24.99
March of the Rubber Duckies (Dave's Theme)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Anne Britt
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March of the Rubber Duckies
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Anne Britt
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.741157 Composed by Anne Britt. Children,Contemporary. Score. 5 pages. Anne Britt #3381935. Published by Anne Britt (A0.74...
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Piano Solo - Level 4 - SKU: A0.741157 Composed by Anne Britt. Children,Contemporary. Score. 5 pages. Anne Britt #3381935. Published by Anne Britt (A0.741157). This playful, energetic song was written as part of the Family Suite My husband Dave is such a kid at heart – I think that’s one reason why he gets along so easily with kids of all ages and kids enjoy being around him. I know he brings out my playful side and I love how the energy level in a room increases noticeably when he comes in. When we reserved a romantic room overlooking the beach for our anniversary last year, the rubber ducky waiting for us in the whirlpool tub alongside the rose petals was the perfect touch, and we had to get our own little rubber ducky when we got home. So this piece is dedicated to my eternal companion – may we grow old together but never grow up! 5 pages. Family Suite songbook: https://www.sheetmusicplus.com/title/20667272Visit the composer's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
Went on a Curious Adventure.
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Piano seul
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AVANCÉ
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Contemporain
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Classique
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Damien Gauci
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Went on a Curious Adventure.
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1495481 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071998. Published by Dam...
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Piano Solo - Level 5 - SKU: A0.1495481 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071998. Published by Damien Gauci (A0.1495481). Whiskers now begins on his curious adventure into the unknown. He begins carefully stepping through the forest with caution into unfamiliar territory, his ear pricked to listen out for any sounds that might be someone or something else. As he makes his way through the forest looking for something to explore, the wind begins to pick up. The trees move in the wind and the leaves rustle and fly around Whiskers which causes him to panic.As the piece moves to a more active section with the use of semiquavers, Whiskers begins to run further into the forest, losing his sense of direction from the confusion caused by the wind and all the leaves about. Whiskers frantically tries to find his way back home but the wind grows stronger blowing more leaves around which makes it even harder to see where he’s going.Eventually the leaves settle back on the ground as the wind dies down and comes to a rest. Whiskers has stumbled across something he has never seen before in this forest, a house. It looks abandoned and like someone used to live there many decades ago. He stops in his tracks to take a good long look at the mysterious looking house that towers before him.
$6.00
The Lord Shall Return
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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The Lord Shall Return
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842084 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #42682...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842084 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #4268235. Published by Andrew Mc Donald (Macka Records) (A0.842084). The Lord Shall Return is a song about the second coming of Jesus. When He comes every eye will see Him and we will all be in awe. Look for the signs and the events of the end times for this will take place.
$4.99
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Sally in our Alley - Henry Carey arr. GH Farnell (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Henry Carey
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GH Farnell & Peet du Toit
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Sally in our Alley - Henry Car
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802628 Composed by Henry Carey. Arranged by GH Farnell & Peet du Toit. Contemporary. Score...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802628 Composed by Henry Carey. Arranged by GH Farnell & Peet du Toit. Contemporary. Score and parts. 7 pages. Peet du Toit #6051569. Published by Peet du Toit (A0.802628). Sally in Our Alley is a 1931 British romantic comedy drama film directed by Maurice Elvey and starring Gracie Fields, Ian Hunter, and Florence Desmond.A British soldier (Ian Hunter) goes off to fight in World War I, with his girlfriend (Gracie Fields) waiting and worried at home. He is soon wounded in battle and crippled. He comes to the conclusion that she would be better off believing that he has been killed so she can get on with her life. She gets the news and is devastated. Several years later she is still grieving for him, but he has now been cured and goes looking for her. The film incorporated Fields' hugely popular signature song, Sally, itself a reference to Henry Carey's 1725 song, Sally in Our Alley, which had long been a traditional English country dance.Here's a rendition of Sally in our Alley for Brass Quintet. Enjoy!
$13.00
I'm Not Afraid
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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I'm Not Afraid
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842202 Composed by Andrew Mc Donald. Christian,Contemporary,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Mack...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842202 Composed by Andrew Mc Donald. Christian,Contemporary,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #5723167. Published by Andrew Mc Donald (Macka Records) (A0.842202). I'm Not Afraid is a song about being scared of the devil. In my experience when he comes we can feel terrified. I have learnt that we can fight back because we have Jesus on our side. I reckon we can make him pay by winning souls for Jesus. We can tell him to take a hike. We will be okay no matter what with Jesus looking after us.
$4.99
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
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Violon
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Look He Comes
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Piano, Voix et Guitare
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Gospel Spirituel
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Musique Sacrée
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Andrew Mc Donald
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Look He Comes
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Andrew Mc Donald
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SheetMusicPlus
Composed by Andrew Mc Donald. Contemporary Christian, Gospel, Pop. Score. 5 pages. Published by Andrew Mc Donald (Macka Records) (S0.332955). - Score - Contempo...
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Composed by Andrew Mc Donald. Contemporary Christian, Gospel, Pop. Score. 5 pages. Published by Andrew Mc Donald (Macka Records) (S0.332955). - Score - Contemporary Christian,Gospel,Pop - Andrew Mc Donald (Macka Records)
$4.99
Rosenkavalier Suite
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Orchestre d'harmonie
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AVANCÉ
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Richard Strauss
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Steven Nunes
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Rosenkavalier Suite
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #...
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Concert Band - Level 5 - SKU: A0.1472273 Composed by Richard Strauss. Arranged by Steven Nunes. Opera,Romantic Period. 391 pages. Nagamon Publications #1049975. Published by Nagamon Publications (A0.1472273). Richard Georg Strauss (11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac.In 1945 Strauss allowed an orchestral Rosenkavalier Suite to be published, but apparently was not involved in creating it. It is likely that conductor Artur Rodziński arranged it, as he conducted the suite's first performance, in October 1944 by the New York Philharmonic.The suite begins with the opera's orchestral prelude, depicting the Marschallin's and Octavian's night of passion (vividly portrayed by whooping horns and saxophones). Next comes the appearance of Octavian as the Rosenkavalier, depicted in tender music; the sight of him looking so young makes the Marschallin realise that he will soon leave her for a younger woman. There follows the duet between Octavian and Sophie – in which their love for each other becomes ever more obvious, but this is abruptly interrupted by the discordant music associated with Ochs's clumsy arrival. Next the violins tentatively introduce the first waltz, followed by another given out by the solo violin, before the whole orchestra settles into waltz mode. A general pause and a violin solo leads into the nostalgic music where the Marschallin sadly realises she has lost Octavian. Then comes its ecstatic climax. The work closes with a singularly robust waltz, depicting Ochs at his most pompous, and a boisterous coda newly composed for the suite.The PDF contains the Full Score and a full set of parts.
$75.00
Love As Our Savior Loves, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Love As Our Savior Loves, a sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1255526 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1255526 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #849032. Published by Kevin G. Pace (A0.1255526). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text: Love as our Savior loves; Carry our brother.Walk in his chosen paths; Trust what’s in store.Follow each step He takes; Love one another.All burdens will be light as God opens doors.Love as our Savior loves; Weep with the dying.Shared tears transition pain to charity.As true compassion flows without our trying,All agony becomes love’s true rarity.Love as our Savior loves; Pray with the helpless.Bow low on bended knees; Answers will come.God’s true desires will give hope to the hopeless.All will be blessed to feel succor from above.Love as our Savior loves, with true devotion.Giving God’s grace to all comes as our gift.As we look up with faith, trusting each notion,All will receive His strength and his love to lift.
$1.99
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
Thank U, Next
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Piano, Voix
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FACILE
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Pop musique
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
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Look He Comes
