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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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XYLOPHONE
Theme from Ant-Man - Bb Trumpet 1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Theme from Ant-Man - Bb Trumpet 1
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70 Easy Classical Pieces For Trumpet and Piano
Trompette, Piano
Piano Accompaniment, Trumpet - Easy/Beginner - Digital Download Composed by Various. Arr…
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Piano Accompaniment, Trumpet - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Period. 101 pages. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar 2. Andante (Surprise Symphony) Franz Joseph Haydn 3. Arioso Daniel Gottlob Turk 4. Lullaby Johannes Brahms 5. Melody Robert Schumann 6. Sarabande George Frideric Handel 7. Silent Night Franz Xaver Gruber 8. A Little Piece Robert Schumann 9. Carnival Of Venice Julius Benedict 10. La Donna E Mobile Giuseppe Verdi 11. Largo (The New World) Antonin Dvorak 12. Old French Song Peter Ilyich Tchaikovsky 13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky 14. We Wish You A Merry Christmas EnglishFolk Song 15. Air Henry Purcell 16. Ode To Joy LudwigVan Beethoven 17. Italian Polka SergeiRachmaninoff 18. Minuet (In F Major) Wolfgang Amadeus Mozart 19. Solveig`s Song EdvardGrieg 20. Sonatina (In C Major) Muzio Clementi 21. Waltz DmitriKabalevsky 22. Alouette FrenchFolk Song 23. Gaudeamus Igitur Johannes Brahms 24. Green Sleeves English Folk Song 25. Hongroise Adolphe-Charles Adam 26. Minuet (In F Major) Franz Joseph Haydn 27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart 28. Soldier\'s March Robert Schumann 29. Arietta MuzioClementi 30. Emperor Waltz JohannStrauss Jr. 31. Grand March (Aida) Giuseppe Verdi 32. Happy Birthday To You Patty and Mildred J. Hill 33. Minuet (In D Minor) Johann Sebastian Bach 34. Santa Lucia Italian Folk Song 35. The Emperor\'s Hymn Franz Joseph Haydn 36. La Paloma Sebastian Yradier 37. Dance Of The Hours Amilcare Ponchielli 38. Fur Elise Ludwig Van Beethoven 39. Humoresque Antonin Dvorak 40. Minuet (In G Major) Johann Sebastian Bach 41. Toreador Song Georges Bizet 42. Turkish March Wolfgang Amadeus Mozart 43. Ave Maria FranzSchubert 44. Barcarolle Jacques Offenbach 45. In The Hall Of The Mountain King Edvard Grieg 46. Melody In FAnton Rubinstein 47. None But The Lonely Heart Peter Ilyich Tchaikovsky 48. Polovtsian Dance Alexander Borodin 49. Spanish Romance 50. Liebestraum (Dream Of Love) Franz Liszt 51. Arioso George Frideric Handel 52. O Mio Babbino Caro Giacomo Puccini 53. O Sole Mio Eduardo Di Capua 54. To A Wild Rose EdwardMacDowell 55. Sobre Las Olas (Over The Waves) JuventinoRosas 56. Waltz (Op. 39 No. 15) Johannes Brahms 57. Blue Danube Waltz Johann Strauss Jr. 58. Bridal Chorus (Wedding March) Richard Wagner 59. Gavotte Jean-Baptiste Lully 60. Die Forelle FranzSchubert 61. Pavane Gabriel Faure 62. The Skaters Waltz Emile Waldteufel 63. Wedding March FelixBartholdy Mendelssohn 64. Adagio (In G Minor) Tomaso Giovanni Albinoni 65. Can Can Jacques Offenbach 66. Habanera GeorgesBizet 67. Passacaglia Handel-Halvorsen 68. Radetzky March JohannStrauss Sr. 69. Serenade FranzSchubert 70. Theme From Symphony No.40 Wolfgang Amadeus Mozart1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier\'s March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty and Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor\'s Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose EdwardMacDowell
55. Sobre Las Olas (Over The Waves) JuventinoRosas
56. Waltz (Op. 39 No. 15) Johannes Brahms
57. Blue Danube Waltz Johann Strauss Jr.
58. Bridal Chorus (Wedding March) Richard Wagner
59. Gavotte Jean-Baptiste Lully
60. Die Forelle FranzSchubert
61. Pavane Gabriel Faure
62. The Skaters Waltz Emile Waldteufel
63. Wedding March FelixBartholdy Mendelssohn
64. Adagio (In G Minor) Tomaso Giovanni Albinoni
65. Can Can Jacques Offenbach
66. Habanera GeorgesBizet
67. Passacaglia Handel-Halvorsen
68. Radetzky March JohannStrauss Sr.
69. Serenade FranzSchubert
70. Theme From Symphony No.40 Wolfgang Amadeus Mozart
$29.95
27.61 €
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Trompette, Piano
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Various
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70 Easy Classical Pieces For Trumpet and Piano
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Eugene Egorov
#
SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.44 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.83 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.83 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Roadside Inn - Schumann- Trumpet-Piano
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.844509 Composed by Robert Schuma…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.844509 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489053. Published by Phil Beaman (A0.844509). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.6 €
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Trompette
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Trumpet-Piano
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Phil Beaman
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SheetMusicPlus
3 1/4 Classics for Brass Quintet & Drum kit ''Jazz for 5 Brass Series''
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.746394 Composed by A.Vivaldi, J. Clarke & G.Ross…
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Level 3 - Digital Download SKU: A0.746394 Composed by A.Vivaldi, J. Clarke & G.Rossini, and Wolfgang Amadeus Mozart. Arranged by Keith Terrett. Baroque,Classical,Jazz,Romantic Period,World. 27 pages. Keith Terrett #1924949. Published by Keith Terrett (A0.746394). A fun arrangement for classical Brass Quintet of the main theme from ''Mozart 40'' (first mvt), Spring from the ''Four Seasons'' and ''Trumpet Voluntary' by J. Clarke. To conclude there is a snippet of William Tell! A great crowd pleaser, give it a go with your quintet; with this great chart to lighten your concert with. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$10.99
10.13 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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A
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Keith Terrett
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3 1/4 Classics for Brass Quintet & Drum kit ''Jazz for 5 Brass Series''
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Keith Terrett
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SheetMusicPlus
Petit Allegretto-Noskowski-Brass Quartet 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.845267 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.845267 Composed by Z Noskowski. Arranged by Phil Beaman. Romantic Period. Score and parts. 7 pages. Phil Beaman #6511961. Published by Phil Beaman (A0.845267). I have taken selected themes from Zygmunt Noskowski's piano Scherzo and created an Instrumental Quartet in three sections, with each section being a bit louder and fuller, yet always still petit or light (sempre leggiero). I have named it Petit Allegretto, both as a stylistic classical music descriptor, and also as a play on the ballet term since I have written it with many characteristics of that form. It is in 3/4 with 2 bar phrases. Each section is 8 bars, repeated. 3 page score, 1 page parts1:15 minutes
$6.99
6.44 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Z Noskowski
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Phil Beaman
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Petit Allegretto-Noskowski-Brass Quartet 1
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Phil Beaman
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SheetMusicPlus
Theme From "the A Team"
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
36.87 €
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Mike Post and Pete Carpenter
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Rob Bushnell
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Theme From "the A Team"
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RBMusic
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SheetMusicPlus
Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,T…
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B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - Digital Download SKU: A0.1255173 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Instructional,Standards. 43 pages. Last Resort Music Publishing #848738. Published by Last Resort Music Publishing (A0.1255173). Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music PublishingÂ
$20.00
18.44 €
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Various
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Daniel Kelley
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Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
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Last Resort Music Publishing
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SheetMusicPlus
Batman Theme
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1490266 By Markett…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1490266 By Marketts. By Neal Hefti. Arranged by Jan Berry and George Tipton. 20th Century,Film/TV,Pop,Rock. 47 pages. Fiji Printing #1067103. Published by Fiji Printing (A0.1490266). Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Neal Hefti's Batman Theme for the Jan & Dean Meet Batman LP in 1966. This arrangement pays homage to Nelson Riddle, the well-known composer and bandleader who wrote the music for the first two seasons of the Batman television series in 1966.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Perfect for high school, college, or local ensembles that want to tackle this contemporary take on the television classic from 1966.Studio Recording Arrangement (1966):BRASS: Trumpet 1-2; French Horn; Trombone 1-2.RHYTHM: Guitar 1; Guitar 2 (Danelectro 6-String Bass); Guitar 3 (Bass Guitar); Bass 1 (Fender); Bass 2 (upright); Drums, Percussion (Triangle); Organ.Note: This arrangement is classified as Jazz Ensemble because it is the closest classification offered by the ArrangeMe platform.Publication includes:(1) Illustrated cover page; (2) Introductory text with commentary on the music and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.47 Pages10 x 14.
$49.99
46.09 €
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Ensemble Jazz
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Marketts
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Jan Berry and George Tipton
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Batman Theme
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Fiji Printing
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SheetMusicPlus
Ensemble Classics For Brass Quartet - Volume 1
Brass Quartet, Brass Ensemble SKU: HL.4475329 For Two Cornets (Trumpets), F Horn…
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Brass Quartet, Brass Ensemble SKU: HL.4475329 For Two Cornets (Trumpets), F Horn and Trombone (Baritone B.C.). Composed by Various. Edited by H. Voxman. Ensemble Collection. Classical. 32 pages. Published by Rubank Publications (HL.4475329). UPC: 073999753295. 9.0x12.0x0.113 inches. Edited H. Voxman.Brass Quartets, Volume I.
Song List: Finlandia Somebody's Knockin At Your Door March Of Priests (Mozart) Autumn Song Theme (Borodin A) Chorale As Torrents In Summer(King Olav) Celebration Of Spring Chorus Of The Peasants(B.Bride) Divine Praise (Bortniansky) Dream,The (Schumann) Farewell Op 93a #4 (Brahms) Here Is A Fish Fat And Fine The Humpbacked Fiddler In Modo Religioso (Glazounow) Poor Mourner's Got A Home Rinaldo's Aria (Handel) Requiem, Theme From (Verdi) Which Is The Properest Day To Sing? O Worship The King
Song List
: Finlandia Somebody's Knockin At Your Door March Of Priests (Mozart) Autumn Song Theme (Borodin A) Chorale As Torrents In Summer(King Olav) Celebration Of Spring Chorus Of The Peasants(B.Bride) Divine Praise (Bortniansky) Dream,The (Schumann) Farewell Op 93a #4 (Brahms) Here Is A Fish Fat And Fine The Humpbacked Fiddler In Modo Religioso (Glazounow) Poor Mourner's Got A Home Rinaldo's Aria (Handel) Requiem, Theme From (Verdi) Which Is The Properest Day To Sing? O Worship The King
$6.99
6.44 €
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Various
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Ensemble Classics For Brass Quartet - Volume 1
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Rubank Publications
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549786 Composed by Peter …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536971. Published by jmsgu3 (A0.549786). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.38 €
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Trompette
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.83 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
13.83 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
13.83 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.83 €
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Quintette de Saxophone: 5 saxophones
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504679. Published by jmsgu3 (A0.549523). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.38 €
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Trompette
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
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