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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Concerto No. 9
Non classifié
41
Piano & claviers
Piano seul
38
Piano Facile
6
1 Piano, 4 mains
3
Orgue
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Voix
Chorale 3 parties
1
Voix Soprano, Piano
1
Vents
Hautbois, Piano (duo)
13
Flûte traversière et Piano
12
Saxophone Soprano et Piano
9
Clarinette et Piano
7
Saxophone Baryton, Piano
6
Clarinette
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
5
2 Saxophones (duo)
4
Cor anglais, Piano
4
Clarinette Basse, Piano
4
Quintette de Clarinettes: 5 clarinettes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
2 Flûtes traversières (duo)
3
2 Hautbois (duo)
2
2 Clarinettes (duo)
2
Flûte à bec Alto
1
Quatuor de Flûtes à bec
1
Piccolo, Piano
1
Quatuor de Flûtes : 4 flûtes
1
+ 15 instrumentations
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Cuivres
Cor et Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Euphonium, Piano (duo)
5
Trombone et Piano
4
Cor anglais, Piano
4
Trompette, Piano
4
2 Euphoniums (duo)
2
2 Cors (duo)
2
2 Trombones (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trompettes (duo)
1
Trompette
1
4 Tubas
1
Tuba et Piano
1
+ 9 instrumentations
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Cordes
Violon et Piano
34
Alto, Piano
12
Violoncelle, Piano
8
Violon
7
Violoncelle
2
Alto seul
2
Quatuor à cordes: 2 violons, alto, violoncelle
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
5
Piano et Orchestre
3
Quintette de Cuivres: autres combinaisons
1
Orchestre de chambre
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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COR
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MANDOLINE
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Piano Concerto No. 9
Partitions à imprimer
313 partitions trouvées
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301
Mozart - Piano Concerto No.9 in E flat major - Jeunehomme - K 271 - Piano Version
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Santino Cara
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Santino Cara
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Mozart - Piano Concerto No.9 i
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1244924 By Santino Cara. By Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 43 pages. Santino Cara #...
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Piano Solo - Level 4 - SKU: A0.1244924 By Santino Cara. By Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 43 pages. Santino Cara #839847. Published by Santino Cara (A0.1244924). Complete score of the Piano Concerto No.9 in E flat major for Piano solo. Composed in Salzburg in 1777 by Wolfgang Amadeus Mozart. Transcribed and elaborated in Rome in 2019 by Santino Cara.3 Movements: 1. Allegro, 2. Andantino, 3. Rondo (Presto - Minuetto Cantabile - Presto).Source: The original version where we got the transcription for piano is for 2 oboes, 2 horns, solo piano and string orchestra. It is often called Concerto Jeunehomme because it was written for the pianist Victoire Jenamy, hence the spelling error in calling it Jeunehomme.Other concertos for solo piano:Mozart - Seven Complete Piano Concertos for Piano soloOther Mozart's works for piano:Mozart - 18 Piano Sonatas - Complete Scores
$20.40
Vivaldi - Piano Concerto No.9 in D major RV 230 Op.3 - Piano Version
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Santino Cara
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Santino Cara
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Vivaldi - Piano Concerto No.9
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1505064 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score. 10 pages. Santino Cara #1080469. P...
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Piano Solo - Level 4 - SKU: A0.1505064 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score. 10 pages. Santino Cara #1080469. Published by Santino Cara (A0.1505064). Complete score of the Concerto No,9 in D major RV 230. Transcribed for Solo Piano in Rome in 2019 by Santino Cara, from L'Estro Armonico Op.3 No.9 composed in Venice between 1710 and 1711 by Antonio Vivaldi.3 Movements: 1. Allegro, 2. Larghetto, 3. Allegro
$12.40
Mozart: Piano Concerto No. 9 in E flat Major, K. 271
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1 Piano, 4 mains
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Classique
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Wolfgang Amadeus Mozart
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Mozart: Piano Concerto No. 9 i
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Piano Concerto No. 9 in E flat Major, K. 271. Composed by Wolfgang Amadeus Mozart (1756- 1791). Classical. Part. 52 pages. Alfred Music - Digital Sheet...
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Piano Concerto No. 9 in E flat Major, K. 271. Composed by Wolfgang Amadeus Mozart (1756- 1791). Classical. Part. 52 pages. Alfred Music - Digital Sheet Music #00-PC-0008713. Published by Alfred Music - Digital Sheet Music
$10.95
Andante from piano concerto no. 21 (Elvira Madigan) for easy piano trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
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Andante from piano concerto no
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Amadeus Music
#
SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Klas Krantz. Classical. 9 pages. Amadeus Music #702642. Published by Amadeus Music ...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Klas Krantz. Classical. 9 pages. Amadeus Music #702642. Published by Amadeus Music
Andante (main theme) from Piano Concerto No. 21, KV.467 by W.A. Mozart (1756-1791). Often called Elvira Madigan from the 1967 swedish film by Bo Wideberg. The original key is F major.
$11.95
Vivaldi - 12 Concertos L'Estro Armonico Op.3 - Complete Piano Version
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Santino Cara
#
Santino Cara
#
Vivaldi - 12 Concertos L'Estro
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Santino Cara
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1509278 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score. 173 pages. Santino Cara #1084528. ...
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Piano Solo - Level 4 - SKU: A0.1509278 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score. 173 pages. Santino Cara #1084528. Published by Santino Cara (A0.1509278). Complete scores of 12 Concertos - L'Estro Armonico Op.3 Composed in Venice between 1710 and 1711 by Antonio Vivaldi for Solo Violins, Strings and Continuo. Transcribed for Piano solo in Rome in 2019 by Santino Cara.Single Concertos:Piano Concerto No.1 in D major Op.3 RV 549Piano Concerto No.2 in G minor Op.3 RV 578Piano Concerto No.3 in G major Op.3 RV 310Piano Concerto No.4 in E minor Op.3 RV 550Piano Concerto No.5 in A major Op.3 RV 519Piano Concerto No.6 in A minor Op.3 RV 356Piano Concerto No.7 in F major Op.3 RV 567Piano Concerto No.8 in A minor Op.3 RV 522Piano Concerto No.9 in D major Op.3 RV 230Piano Concerto No.10 in B minor Op.3 RV 580Piano Concerto No.11 in D minor Op.3 RV 565Piano Concerto No.12 in E major Op.3 RV 265
$48.60
Vivaldi - Violin Concerto No.9 in B flat major RV 373 Op.7 for Violin and Cembalo (or Piano)
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Violon et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
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Santino Cara
#
Vivaldi - Violin Concerto No.9
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Santino Cara
#
SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.517684 Composed by Antonio Vivaldi. Arranged by Santino Cara. Bar...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.517684 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 26 pages. Santino Cara #6430237. Published by Santino Cara (A0.517684). Complete score and part of the Violin Concerto No.9 in B falt major RV 373 for Violin and cembalo (or Piano). Composed in Venice in 1718 by Antonio Vivaldi. Transcribed in Rome in 2002 by Santino Cara from 12 Concertos Op.7.
$16.40
Albinoni - Oboe Concerto No.9 in F major Op.7 for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Classique
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Santino Cara
#
Santino Cara
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Albinoni - Oboe Concerto No.9
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Santino Cara
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1145368 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 18 pages. Santin...
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Oboe,Piano - Level 3 - SKU: A0.1145368 By Santino Cara. By Tomaso Giovanni Albinoni. Arranged by Santino Cara. Baroque. Score and part. 18 pages. Santino Cara #745605. Published by Santino Cara (A0.1145368). Complete score and parts of the Concerto No.9 in F major Op.7 for Oboe and Piano. Composed between 1713 and 1715 by Tomaso Albinoni. Published in Amsterdam in 1715 by Estienne Roger. Transcribed in Rome in 2019 by Santino Cara from 12 Concertos Op.7. 3 Movements: 1. Allegro, 2. Adagio, 3. Allegro.
$18.60
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Viol
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
(+)
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
(+)
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saens: The Swan for Violin and Piano
#
Violon et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,His...
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Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Opus # 7 In D Major (Concerto No. 9, 3rd movement)
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Piano seul
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FACILE
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Joseph Pugh
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Opus # 7 In D Major
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Joseph Pugh
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.855281 Composed by Joseph Pugh. 20th Century,Concert,Standards. Score. 1 pages. Joseph Pugh #6525773. Published by Joseph...
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Piano Solo - Level 2 - SKU: A0.855281 Composed by Joseph Pugh. 20th Century,Concert,Standards. Score. 1 pages. Joseph Pugh #6525773. Published by Joseph Pugh (A0.855281). This is from Joseph's Opus Series and is also the 3rd movement in his Concerto No. 9 Download it as a stand alone piece or, Get all 3 movements.1st movement, The Love Of God , in D Minor, with choir and mixed string ensemble.2nd movement, Opus 30 In G Minor, piano solo3rd movement is this piece, opus #7 In D Major.
$9.99
The Swan (Le Cygne) by Saint-Saens - Bb Trumpet and Piano (Full Score and Parts)
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Trompette, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.1204511 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,Children,Classical,Romantic...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.1204511 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding. Score and part. 9 pages. Sheet Music To Play Editions #802966. Published by Sheet Music To Play Editions (A0.1204511). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Bb Trumpet and Piano. With Full Score and Individual Parts. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
Concerto #9 "Opus #30 In G Minor" 2nd movement
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Piano seul
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INTERMÉDIAIRE
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Joseph Pugh
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Concerto #9 "Opus #30 In
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Joseph Pugh
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.855274 Composed by Joseph Pugh. 20th Century,Concert,Contemporary,Standards,Wedding. Score. 2 pages. Joseph Pugh #6520451...
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Piano Solo - Level 3 - SKU: A0.855274 Composed by Joseph Pugh. 20th Century,Concert,Contemporary,Standards,Wedding. Score. 2 pages. Joseph Pugh #6520451. Published by Joseph Pugh (A0.855274). From Joseph's Concerto No. 9 ,the 2nd movement. This light classical piece is great for intermediate players who want to stretch a little or, whose piano teachers who want them to stretch a little. Have fun either way and download it today at a reduced price.
$9.99
Piano Concerto No.27
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Classique
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Wolfgang Amadeus Mozart
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André Nusa
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Piano Concerto No.27
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 1 - SKU: A0.1229458 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 9 ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 1 - SKU: A0.1229458 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 9 pages. Andre_Nusa #825307. Published by Andre_Nusa (A0.1229458). This easy piano quartet arrangement of the second movement of Mozart's Piano Concerto No. 27 is a beautiful and enchanting piece that highlights the delicate and romantic side of Mozart's music. The arrangement begins with a gentle and flowing introduction that sets the tone for the piece played by the strings. The piano provides a beautiful harmonic accompaniment. The melody is simple yet beautiful, with a graceful and flowing quality that is characteristic of Mozart's music.Instrumentation: Piano, violin, viola and cello. The piece is suitable for begginer players.
$7.99
Piano Concerto No.27
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Wolfgang Amadeus Mozart
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André Nusa
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Piano Concerto No.27
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Andre_Nusa
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SheetMusicPlus
B-Flat Clarinet,Flute,Oboe,Piano - Level 1 - SKU: A0.1229459 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 9 pages....
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B-Flat Clarinet,Flute,Oboe,Piano - Level 1 - SKU: A0.1229459 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 9 pages. Andre_Nusa #825308. Published by Andre_Nusa (A0.1229459). This easy piano quartet arrangement of the second movement of Mozart's Piano Concerto No. 27 is a beautiful and enchanting piece that highlights the delicate and romantic side of Mozart's music. The arrangement begins with a gentle and flowing introduction that sets the tone for the piece played by the winds. The piano provides a beautiful harmonic accompaniment. The melody is simple yet beautiful, with a graceful and flowing quality that is characteristic of Mozart's music.Instrumentation: Piano, flute, oboe and clarinet. The piece is suitable for begginer players.
$7.99
Vivaldi - 12 Double Concertos for Two Violins and Cembalo (or Piano) - Scores and Parts
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - 12 Double Concertos
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - SKU: A0.1232342 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Car...
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - SKU: A0.1232342 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. 465 pages. Santino Cara #828028. Published by Santino Cara (A0.1232342). Complete scores and parts of 12 Double concertos for Two Violins and Cembalo or Piano. Composed in Venice between 1711 and 1720 by Antonio Vivaldi. Transcribed over the years by Santino Cara.12 Concertos:1.  Concerto No.3 in D major from Op.12   RV 1242.  Concerto in C major   RV 5053.  Concerto in C major   RV 5084.  Concerto in C minor   RV 5095.  Concerto in D major   RV 5116.  Concerto in D minor   RV 5147.  Concerto in G major   RV 5168.  Concerto in G minor   RV 5179.  Concerto in A major   RV 52110.Concerto in A minor   RV 52311. Concerto in B flat major RV 52912. Concerto No.9 in B flat major from “La Cetra†Op.9   RV 530Other Vivaldi's works for violin and harpsichord or piano:Vivaldi - 23 Concertos for Violin and PianoVivaldi - L'Estro Armonico Op.3 - 12 Concertos for 2 Violins and Piano - Scores and PartsVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin and PianoVivaldi - Six Violin Concertos for Violin and Piano Op.6 - Scores and violin partVivaldi - 10 Violin Concertos Op.7 for Violin and Cembalo (or Piano) - Scores and PartVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin and PianoVivaldi - La Cetra Op.9 - 12 Concertos for Violin and Piano - Full scores and Violin partVivaldi - Six Violin Concertos Op.11 for Violin and Cembalo (or Piano) - Full scores and partVivaldi - Six Concertos for Violin and Piano Op.12 - Complete scores and Part
$32.40
Piano Concerto No. 21 (Movement 2) (Simplified Solo with Music History Lesson)
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Piano seul
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INTERMÉDIAIRE
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Jennifer Eklund
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Jennifer Eklund
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Music songbook.
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Piano Concerto No. 21
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Jennifer Eklund
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1488146 By Jennifer Eklund. By Wolfgang Amadeus Mozart. Arranged by Jennifer Eklund. Classical,Instructional. Score. 9 pa...
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Piano Solo - Level 3 - SKU: A0.1488146 By Jennifer Eklund. By Wolfgang Amadeus Mozart. Arranged by Jennifer Eklund. Classical,Instructional. Score. 9 pages. Jennifer Eklund #1065028. Published by Jennifer Eklund (A0.1488146). The second movement theme from Mozart’s Piano Concerto No. 21, K. 467, arranged for intermediates by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Mozart: Exploring His Life & Music songbook.
$5.99
Hommages III. Sonata No. 1 'Gothic'
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968...
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Piano Solo - Level 5 - SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99
Concerto No. 9
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Saxhorn et Piano
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Vladislav Blazhevich
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Colette Mourey
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Concerto No. 9
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Editions Marc Reift - Digital
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SheetMusicPlus
Eb Horn & Piano - Grade 4 - SKU: R0.21477 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Eb Horn & Piano. Score and parts. 22 pages. Dura...
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Eb Horn & Piano - Grade 4 - SKU: R0.21477 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Eb Horn & Piano. Score and parts. 22 pages. Duration 9'36. Editions Marc Reift - Digital #21477. Published by Editions Marc Reift - Digital (R0.21477).
$13.95
Concerto No. 9
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Alto, Piano
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Vladislav Blazhevich
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Colette Mourey
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Concerto No. 9
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Editions Marc Reift - Digital
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SheetMusicPlus
Viola & Piano - Grade 4 - SKU: R0.21485 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Viola & Piano. Score and parts. 22 pages. Duration...
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Viola & Piano - Grade 4 - SKU: R0.21485 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Viola & Piano. Score and parts. 22 pages. Duration 9'36. Editions Marc Reift - Digital #21485. Published by Editions Marc Reift - Digital (R0.21485).
$13.95
Concerto No. 9
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Vladislav Blazhevich
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Colette Mourey
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Concerto No. 9
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Editions Marc Reift - Digital
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SheetMusicPlus
Violoncello & Piano - Grade 4 - SKU: R0.21486 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Violoncello & Piano. Score and parts. 22 pag...
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Violoncello & Piano - Grade 4 - SKU: R0.21486 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Violoncello & Piano. Score and parts. 22 pages. Duration 9'36. Editions Marc Reift - Digital #21486. Published by Editions Marc Reift - Digital (R0.21486).
$13.95
Concerto No. 9
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Vladislav Blazhevich
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Colette Mourey
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Concerto No. 9
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Editions Marc Reift - Digital
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SheetMusicPlus
Violin & Piano - Grade 4 - SKU: R0.21484 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Violin & Piano. Score and parts. 22 pages. Durati...
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Violin & Piano - Grade 4 - SKU: R0.21484 Composed by Vladislav Blazhevich. Arranged by Colette Mourey. Violin & Piano. Score and parts. 22 pages. Duration 9'36. Editions Marc Reift - Digital #21484. Published by Editions Marc Reift - Digital (R0.21484).
$13.95
Violin Concerto No.9 in G major, Op. 8 - Study Edition
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Violon et Piano
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Classique
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Chevalier de Saint-Georges
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Artaria Editions
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Violin Concerto No.9 in G majo
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Artaria Editions
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SheetMusicPlus
Piano,Violin - SKU: A0.961412 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. 46 pages. Artaria Editions #6135141. Publ...
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Piano,Violin - SKU: A0.961412 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. 46 pages. Artaria Editions #6135141. Published by Artaria Editions (A0.961412). Piano reduction and solo violin partArtaria Edition AE237/SEEdited by Allan Badley 28 + 13 pagesThis is a scholarly edition of a public domain work.
$30.00
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Piano Concerto No. 9