The Day - Partitions musicales à imprimer - Mondial de la partition numérique

The Day

Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompanimentÂ on Intermediate Level. Â It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ----Â Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together. Â Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others. Â Another child joins. Â They introduce themselves and begin to talk to each other. Â A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter. Â After the introductions and lively conversations, they pause to decide what to do next. Â As would be expected, they decide to just play. Â They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone. Â Settling down, and wondering what to do next, one child begins singing a tune that is familiar. Â â€¦but not to all of them. Â So, itâ€™s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in. Â Before itâ€™s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance. Â They twist and spin, jump and swing, making up their moves as they go along. Â But, as before, their energy wanes. Â This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant â€” a prayer.Some join his prayer, as others add a familiar religious tune. Â They pray and sing, and their separate experiences combine to produce a stirring, blended chorale. Â As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them. Â Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette. Â Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals. Â The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration. Â It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together. Â â€¦who are grateful for the time and experiences they share.

Piano - Digital Download SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUTRAS #5214063. Published by THEMIS KOUTRAS (A0.1066792). This song is about what happened in a dream GOD gave me i thought at that time i understood it and i did but not as much as when the dream actually took place after i wrote the song i end up passing away and taken in spirit by the holy spirit i was taken back in time to the days of JESUS CHRIST at the very old cross i saw him die i was in spirit joined to the holy spirit as 1 i followed him to his berrieal and it was i who prayed and the stone roled away and it was i who prayed again and my father JESUS CHRIST was risen alive he walked in my body and brought me to heaven where i saw him control the universe he bought me back here in our time the year around 2000 AD after praying i said what dose this all mean LORD he repplies he spent 3 days and nights of mans time in the grave then risen alive GOD said to me that in his time 1000 years is = to 1 day and 1 day is = to 1000 years thus it was the year 2000 and 2 or so in GODS time that i was sent back for the above mision JESUS CHRIST is here now in the return he is right in my heart so as GOD and the holy spirit as i can comunicate with him as offten as i like to or he likes to comunicate with me he said to me the kingdom of his has now been past on to me and appeared to me as he anointed me himself with a sword as KING ye true as i then saw lightning stuck from the east to the west in a perfectly straight line. ye bible prophesies points out to me all others saying they are the return are liers and no bible prophecy point to them I have four field most of its prophecy concerning the Christ in written in the book of revelation GOD says to me in due time I will four field the rest of it.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense â€“ like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head â€“ I was at the end of a 4 year period of separation from my parents owing to the fact that Iâ€™m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll.Â One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing â€œBeyond the Seaâ€ over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasnâ€™t seen Finding Nemo?) but the lyrics didnâ€™t mean what I thought they meantâ€¦ Theyâ€™re NOT about the ocean, they are about my dad!!! Well, kind ofâ€¦ I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them.Â Somewhere beyond the seaSheâ€™s there watching for meâ€¦Itâ€™s far beyond the starsItâ€™s near beyond the moonÂ And the lyrics end with them meeting, â€œWeâ€™ll meet beyond the shore, weâ€™ll kiss just like before,â€ and the song ends with: â€œand never again Iâ€™ll go sailing.â€ Itâ€™s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan.Â Performance Suggestions:Â The improvisation solo in the middle should be free of any traditional â€œscat syllablesâ€ and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tearsâ€¦). All solo sections do not have to be sung as written â€“ soloists can take liberties with the melody as the spirit moves.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT*Â This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense â€“ like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head â€“ I was at the end of a 4 year period of separation from my parents owing to the fact that Iâ€™m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll.Â One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing â€œBeyond the Seaâ€ over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasnâ€™t seen Finding Nemo?) but the lyrics didnâ€™t mean what I thought they meantâ€¦ Theyâ€™re NOT about the ocean, they are about my dad!!! Well, kind ofâ€¦ I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them.Â Somewhere beyond the seaSheâ€™s there watching for meâ€¦Itâ€™s far beyond the starsItâ€™s near beyond the moonÂ And the lyrics end with them meeting, â€œWeâ€™ll meet beyond the shore, weâ€™ll kiss just like before,â€ and the song ends with: â€œand never again Iâ€™ll go sailing.â€ Itâ€™s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan.Â Performance Suggestions:Â The improvisation solo in the middle should be free of any traditional â€œscat syllablesâ€ and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tearsâ€¦). All solo sections do not have to be sung as written â€“ soloists can take liberties with the melody as the spirit moves.

Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 110 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is the second in a series of five! Selections are geared toward smaller lever harps with a bass range to the G one and ½ octaves below middle C. Lever changes are indicated with diamond shaped notes.<br> Table of Contents:O Worship the King, God the Omnipotent, O God of Earth and Altar, God is Love, I Will Sing the Wondrous Story, Arise, My Soul, Arise, Sweet Hour of Prayer, Jesus, My Lord, My God, My All, He Giveth More Grace, Rock of Ages, Cleft for Me, All My Hope on God Is Founded, There’s a Wilderness in God’s Mercy, Jesus, Lover of My Soul, O Thou in All Thy Might So Far, I Know Whom I Have Believed, Jesus, What a Friend for Sinners, Ye Servants of God, My Hope Is Built on Nothing Less, Jesus, Thy Blood and Righteousness, God, Be Merciful to Me, Stand Up and Bless the Lord, Jesus, the Name, High Over All, Jesus, the Very Thought of Thee, We Praise Thee, O God, Praise to the Lord, the Almighty, Of the Father’s Love Begotten, Lord of All Being, Throned Afar, When Morning Gilds the Skies, Joyful, Joyful, We Adore Thee, Lo! He Comes With Clouds Descending, O Love Divine, That Stooped to Share, Before Thy Throne, O God, We Kneel, Grace! ‘Tis a Charming Sound, Day Is Dying in the West, Happy the Home When God Is There, All Praise to Our Redeeming Lord, Where Cross the Crowded Ways of Life, O Word of God Incarnate, Almighty God, Thy Word Is Cast, Jesus, Thy Boundless Love to Me, I Love Thy Kingdom, Lord, Blest Be the Dear Uniting Love, The Church’s One Foundation, Blest Be the Tie That Binds, Love Divine, All Loves Excelling, O to Be Like Thee!, We Give Thee But Thine Own, Lord, It Belongs Not to My Care, Come, Ye Sinners, Poor and Needy, Christ Is Made the Sure Foundation, Breathe on Me, Breath of God, O for a Heart to Praise My God, Art Thou Weary, Art Thou Languid, More about Jesus, Holy Bible, Book Divine, We Gather Together, My Jesus, I Love Thee, Come, Ye Disconsolate, Children of the Heavenly King, The Wise May Bring Their Learning, Fight the Good Fight, Speak, Lord, in the Stillness, I’ve Found a Friend, O Such a Friend, Approach, My Soul, the Mercy Seat, Now the Day Is Over, A Hymn of Glory, Let us Sing, I Sing the Mighty Power of God, Hail the Day That Sees Him Rise, Alleluia! Sing to Jesus, ‘Tis So Sweet to Trust in Jesus, Peace, Perfect Peace, Lord, Speak to MeThis valuable collection of hymns is the second in a series of five! Selections are geared toward smaller lever harps with a bass range to the G one and ½ octaves below middle C. Lever changes are indicated with diamond shaped notes.<br> Table of Contents:O Worship the King, God the Omnipotent, O God of Earth and Altar, God is Love, I Will Sing the Wondrous Story, Arise, My Soul, Arise, Sweet Hour of Prayer, Jesus, My Lord, My God, My All, He Giveth More Grace, Rock of Ages, Cleft for Me, All My Hope on God Is Founded, There’s a Wilderness in God’s Mercy, Jesus, Lover of My Soul, O Thou in All Thy Might So Far, I Know Whom I Have Believed, Jesus, What a Friend for Sinners, Ye Servants of God, My Hope Is Built on Nothing Less, Jesus, Thy Blood and Righteousness, God, Be Merciful to Me, Stand Up and Bless the Lord, Jesus, the Name, High Over All, Jesus, the Very Thought of Thee, We Praise Thee, O God, Praise to the Lord, the Almighty, Of the Father’s Love Begotten, Lord of All Being, Throned Afar, When Morning Gilds the Skies, Joyful, Joyful, We Adore Thee, Lo! He Comes With Clouds Descending, O Love Divine, That Stooped to Share, Before Thy Throne, O God, We Kneel, Grace! ‘Tis a Charming Sound, Day Is Dying in the West, Happy the Home When God Is There, All Praise to Our Redeeming Lord, Where Cross the Crowded Ways of Life, O Word of God Incarnate, Almighty God, Thy Word Is Cast, Jesus, Thy Boundless Love to Me, I Love Thy Kingdom, Lord, Blest Be the Dear Uniting Love, The Church’s One Foundation, Blest Be the Tie That Binds, Love Divine, All Loves Excelling, O to Be Like Thee!, We Give Thee But Thine Own, Lord, It Belongs Not to My Care, Come, Ye Sinners, Poor and Needy, Christ Is Made the Sure Foundation, Breathe on Me, Breath of God, O for a Heart to Praise My God, Art Thou Weary, Art Thou Languid, More about Jesus, Holy Bible, Book Divine, We Gather Together, My Jesus, I Love Thee, Come, Ye Disconsolate, Children of the Heavenly King, The Wise May Bring Their Learning, Fight the Good Fight, Speak, Lord, in the Stillness, I’ve Found a Friend, O Such a Friend, Approach, My Soul, the Mercy Seat, Now the Day Is Over, A Hymn of Glory, Let us Sing, I Sing the Mighty Power of God, Hail the Day That Sees Him Rise, Alleluia! Sing to Jesus, ‘Tis So Sweet to Trust in Jesus, Peace, Perfect Peace, Lord, Speak to Me

Piano Solo - Level 3 - Digital Download SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThereâ€™s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposerâ€™s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front! Â It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.Thereâ€™s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: â€˜I wish it would come againâ€™.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each otherâ€™s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witchâ€™s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottageâ€™. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.

Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp
The fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and ½ octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.<br> Table of Contents:<br> In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy MorningThe fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and ½ octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.<br> Table of Contents:<br> In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy Morning

The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …(+)

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00 1.83 € #Trio à Cordes: violon, alto, violoncelle #Matthew Scott Phillips #The Sundials: II; Pereunt et Imputantur #Matthew Scott Phillips #SheetMusicPlus

Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Lovely Day" by Bill Withers on piano!<br> <br> With this piano sheet music, you can play Bill Withers' famous song "Lovely Day".<br> It's a beautiful and accurate piano arrangement which is not too hard to play, and sounds fantastic!<br> <br> The whole melody is included in the piano part, so it sounds great as an instrumental (piano solo) version. However, you can also use these sheets to accompany a singer, or sing along yourself - the full lyrics and chords are included!<br> <br> "Lovely Day" was written by Bill Withers and Skip Scarborough, released as a single in 1977, and later included on Withers' album "Menagerie".<br> <br> Over the years, it has been covered by countless other artists, including Kirk Franklin, Luther Vandross, Diana Ross, Jill Scott, Justin Timberlake, and Maroon 5.<br> <br> Here are the full lyrics to "Lovely Day":<br> <br> When I wake up in the morning, love<br> And the sunlight hurts my eyes<br> And something without warning, love<br> Bears heavy on my mind<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely dayHere's how to play "Lovely Day" by Bill Withers on piano!<br> <br> With this piano sheet music, you can play Bill Withers' famous song "Lovely Day".<br> It's a beautiful and accurate piano arrangement which is not too hard to play, and sounds fantastic!<br> <br> The whole melody is included in the piano part, so it sounds great as an instrumental (piano solo) version. However, you can also use these sheets to accompany a singer, or sing along yourself - the full lyrics and chords are included!<br> <br> "Lovely Day" was written by Bill Withers and Skip Scarborough, released as a single in 1977, and later included on Withers' album "Menagerie".<br> <br> Over the years, it has been covered by countless other artists, including Kirk Franklin, Luther Vandross, Diana Ross, Jill Scott, Justin Timberlake, and Maroon 5.<br> <br> Here are the full lyrics to "Lovely Day":<br> <br> When I wake up in the morning, love<br> And the sunlight hurts my eyes<br> And something without warning, love<br> Bears heavy on my mind<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day

Rosary Sonatas: The Crucifixion
Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his motherâ€™s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witnessâ€”his testimony is true, and he knows that he tells the truthâ€”that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99 31.99 € #Orchestre #Heinrich Ignaz Franz von Biber #Joshua Choe #Rosary Sonatas: The Crucifixion #JMJ Arrangements #SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Damien Gauci (A0.1495488). Whiskers and Pippin had left the abandoned house behind, but they carried with them something far more valuable than anything they could have found within its dusty walls—a new friendship. As they journeyed through the woods, they discovered that they had more in common than just their fur colour. Their shared curiosity led them to explore new paths, while their cautious natures kept them safe from danger. Every rustle of the leaves, every flicker of movement in the underbrush, became an adventure when they were together.Day after day, Whiskers and Pippin would meet at the edge of the forest, eager to explore each other’s favourite spots. Whether it was a hidden grove full of the sweetest acorns or a quiet stream perfect for reflection, they found joy in sharing these special places with each other. The once lonely woods now felt alive with the warmth of their companionship. They would chase each other up trees, playfully darting between branches, and when the day grew late, they would sit side by side, watching the sun dip below the horizon.The fear and hesitation that once filled their first encounter was now just a distant memory. In its place was a deep bond, forged through shared experiences and a mutual understanding. Whiskers and Pippin might have been cautious, but together, they found the courage to explore a world that felt much less daunting with a friend by their side. And so, from that day on, they were inseparable—two squirrels who had found in each other a lifelong companion, proving that sometimes, the best adventures begin when you least expect them.