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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The First Of Forever
Non classifié
27
Piano & claviers
Piano seul
51
Piano, Voix
27
Piano, Voix et Guitare
9
1 Piano, 4 mains
6
Piano Facile
4
Piano grosses notes
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Accordéon
2
Orgue
2
+ 5 instrumentations
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Ukulele
5
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5
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4
Basse electrique
1
Voix
Chorale SATB
23
Chorale 3 parties
5
Chorale Unison
3
Chorale 2 parties
2
Chorale TTBB
1
Vents
Quatuor de Saxophones: 4 saxophones
5
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5
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4
Flûte à Bec
2
Clarinette
2
Ocarina
2
Saxophone Tenor
2
Saxophone Alto
2
2 Saxophones (duo)
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière et Piano
2
Hautbois, Piano (duo)
1
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1
Saxophone Tenor et Piano
1
Ensemble de Flûtes
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1
2 Clarinettes (duo)
1
Ensemble de saxophones
1
2 Flûtes traversières (duo)
1
+ 17 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
2
Trombone
2
Cor
2
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
+ 6 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle
3
Violon
3
Alto seul
2
Violon et Piano
2
Violoncelle, Piano
2
Violon, Violoncelle (duo)
2
2 Violons (duo)
1
Alto, Piano
1
2 Violoncelles (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
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4
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2
Ensemble Jazz
1
Orchestre à Cordes
1
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1
Ensemble de Percussions
1
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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LIVRES
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MANDOLINE
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The First Of Forever
Partitions à imprimer
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
With A Shout (1 Thessalonians 4.16-18 WEB)
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Musique Sacrée
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Chris Monteiro
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With A Shout
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Christopher M. Monteiro
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SheetMusicPlus
Small Ensemble Choir,High Voice,Trumpet - Level 2 - SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pag...
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Small Ensemble Choir,High Voice,Trumpet - Level 2 - SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99
The First Of Forever (Symphony)
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Orchestre
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INTERMÉDIAIRE
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Joseph Pugh
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The First Of Forever
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Joseph Pugh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.855078 Composed by Joseph Pugh. 20th Century,Pop,Standards,World. Score and parts. 33 pages. Joseph Pugh #6121159. Pu...
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Full Orchestra - Level 3 - SKU: A0.855078 Composed by Joseph Pugh. 20th Century,Pop,Standards,World. Score and parts. 33 pages. Joseph Pugh #6121159. Published by Joseph Pugh (A0.855078). An original work arranged for the symphony orchestra by Joseph Pugh.
$45.00
From a Diary of a Child
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Piano seul
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FACILE
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Panagiotis Theodossiou
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From a Diary of a Child
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Panagiotis Theodossiou
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.886642 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Standards. Score. 51 pages. Panagiotis Theodossi...
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Piano Solo - Level 2 - SKU: A0.886642 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Standards. Score. 51 pages. Panagiotis Theodossiou #2914377. Published by Panagiotis Theodossiou (A0.886642). 30 Short Children Pieces for Piano Solo (2007)The life of a child reveals and hides inside images and sentiments, sounds and experiences, questions and concerns. Parts of a world lost forever but treasured in the adult soul.From First Day, First Page of the diary and Sunday’s Joybells to the Bittersweet morning dances and the Calm of a Sunny Afternoon, from A Sudden Absence and a Strange Question to the Loneliness and Dream, from the imaginary Indian Dance to the Walkin’ on a Rainy Day and from March of the Goose to the Flowers’ Waltz, Lullaby and Farewell Song, these Diary of a Child pages unfold the thread of a very well known memory, a memory of us all.These 30 short piano pieces were composed between 2003 and 2007. Some of them are compositions of inspired children, composer’s pupils, like Orsaki Roussetou and Plato Tsoukatos-Pontikis.This collection is dedicated to all composer’s pupils and especially toy Nikos Karidis, the grown up child who gave me the opportunity to write most of the pieces presented. The work was recorded by Dimitra Mane on cd for the upcoming edition.. The artist performed parts of the work in composer's personal Portrait organized by Greek Composers Union at Hellenic Conservatory in Maroussi in 2010 and the whole collection at Mikros Horos Tehnis (Little Hall of Arts) in Glyfada, Attiki, in 2015. Parts of the work had been performed also by Eleni Papaspyrou students, from Herakleion Music School, in Theatrical Station, Herakleion, Crete and at Lillian Voudouri Library Hall in Athens Concert Hall in 2015.39. Jeux pour Deux for two pianos (2007)A work of neoclassical character with influences from jazz idiom. It is dedicated to the piano duo Dimitra Mane – Andy Miliory and to Maurice Ravel in the musical style of whom there are intentional references - by which was performed at Athenaeum Concert Hall Athens in 2008. The work have been secondly performed by Ting Ke and Chenshayang Huang at Boston University Concert Hall under Spring 14 Piano Ensemble Juries (K. Papadakis piano class) in 2014 and by Effie Agrafioti and Giorgos Kontrafouris in D. Mitropoulos Hall, Athens Concrt Hall in 2015.https://www.youtube.com/watch?v=jI62IN0xdA0
$12.99
Together Forever
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jimmy Fallon
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Russell Ward
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Together Forever
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Russell Ward
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.999560 By Jimmy Fallon. By Ma...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.999560 By Jimmy Fallon. By Matthew Aitken, Michael Stock, Pete Waterman, and Peter Alan Waterman. Arranged by Russell Ward. Contemporary. 16 pages. Russell Ward #6047155. Published by Russell Ward (A0.999560). This is the 4th and final Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
Love In The First Degree
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sushi
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Russell Ward
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Love In The First Degree
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Russell Ward
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.999556 By Sushi. By Keren Woo...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.999556 By Sushi. By Keren Woodward, Matt Aitken, Matthew Aitken, Michael Stock, Mike Stock, Pete Waterman, Peter Alan Waterman, Peter Waterman, Sarah Dallin, Siobhan Fahey, and Siobhan Maire Deirdre Fahey. Arranged by Russell Ward. Contemporary. 8 pages. Russell Ward #6047135. Published by Russell Ward (A0.999556). This is the First Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The opening movement here features the Bananarama hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
America, the Land of Liberty
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Chorale SATB
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Michael Francis Smith
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America, the Land of Liberty
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW2211 Composed by Michael Francis Smith. Octavo. 14 pages. Imagine Music - Digital #VMW2211. Published by Imagine Music ...
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SATB Chorus & Piano - SKU: IZ.VMW2211 Composed by Michael Francis Smith. Octavo. 14 pages. Imagine Music - Digital #VMW2211. Published by Imagine Music - Digital (IZ.VMW2211). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25
How Beautiful on the Mountain
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Chorale SATB
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Robert M
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How Beautiful on the Mountain
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus, Piano, Flute, Oboe - SKU: IZ.VMW221V Composed by Robert M. Shearn. Octavo. 15 pages. Imagine Music - Digital #VMW221V. Published by Imagine...
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SATB Chorus, Piano, Flute, Oboe - SKU: IZ.VMW221V Composed by Robert M. Shearn. Octavo. 15 pages. Imagine Music - Digital #VMW221V. Published by Imagine Music - Digital (IZ.VMW221V). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25
Together forever
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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Together forever
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952785. Published by Circlesquare Music (A0.1368439). Introducing Together Forever, a deeply moving and soulful piano composition that embodies the unwavering commitment and enduring bond of a lifelong partnership. This emotive piece, from the touching album A Celebration of Love, and Life by the acclaimed artist and composer Jose Valladares, is a musical representation of the promise and dedication inherent in the words together forever.With a gentle and steady tempo of 60, Together Forever unfolds with a tenderness and depth that speak directly to the heart. Each note and chord progression in this composition weaves a narrative of love's journey – from its first, tentative steps to the confident strides of a bond that has stood the test of time. The melody is both a comforting embrace and a joyful celebration, encapsulating the beauty and resilience of a love that grows stronger and more profound with each passing day.Together Forever is not just a piece of music; it's a testament to the enduring nature of true love. It invites listeners to reflect on the cherished moments shared with a partner, the trials overcome together, and the shared dreams for the future. This composition is perfect for those who wish to express their deep commitment through the timeless language of music, for pianists looking to convey the richness of a lifelong bond, and for anyone who cherishes the promise of being together forever.Let Together Forever be the soundtrack to your most treasured memories, echoing the steadfast promise of a love that knows no end. Allow this piece to accompany you in moments of reflection and celebration, serving as a musical reminder of the love that binds you to another, through all of life's ebb and flow.
$8.99
The Fightin' 55th (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Http...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
Moon Over The Rising Sun
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contem...
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
On That Night (from "Rising from the Ashes: Stories of Lahaina")
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Chorale SATB
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INTERMÉDIAIRE
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Christopher Alexander
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On That Night
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510472 By Christopher Alexander. By Christopher Alexander and Safirah Ladore. A Cappella,Con...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510472 By Christopher Alexander. By Christopher Alexander and Safirah Ladore. A Cappella,Contest,Festival,Multicultural,World. 24 pages. Christopher Alexander #1085666. Published by Christopher Alexander (A0.1510472). This is the first movement from the extended choral work Rising from the Ashes: Stories of Lahaina.Depicting the devastation and horror incurred in the Maui wildfires of August 2023, the choir and drums establish a powerful and unrelenting rhythmic drive without slowing down. The text of the melody gets further illustrated with texture painting (wind blowing) and chord clusters (sirens), culminating in the cacophony of all these sounds along with a small ensemble from the choir making shouts and shrieks. As the music fades away, so does the hope of the Lahaina residents as their homeland is burned away forever.Full score and other movements (Forever Anew, Finding Strength in Shadows, Kama'aina) also available for purchase.
$2.99
I'm Forever Blowing Bubbles
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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I'm Forever Blowing Bubbles
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musica...
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Piano Solo - Level 4 - SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #1031803. Published by Timothy Stapay (A0.1452471). Here is George Gershwin's version of I'm Forever Blowing Bubbles, which I arranged based on a Gershwin piano roll from the early 20th century. It was held in a private collection for decades. Here for the first time is my sheet music arrangement for this classic from long ago. Before he was famous, George was what was known as a song plugger. He would play newly composed songs to help generate record sales. In the early 20th century, many homes had player pianos. George's performance was preserved on such a roll and is only now available to the general public.Composed in 1918 by John W. Collette. The phrase “blowing bubbles” symbolizes the act of chasing dreams, hopes, and aspirations. Just like soap bubbles that float away and disappear, dreams can be elusive, fleeting, and transient. Famously covered by Doris Day.Lyrics:[Verse 1]I'm dreaming dreamsI'm scheming schemesI'm building castles highThey're born anewTheir days are fewJust like a sweet butterflyAnd as the daylight is dawningThey come again in the morning[Chorus]I'm forever blowing bubblesPretty bubbles in the airThey fly so highNearly reach the skyThen like my dreams.
$6.99
The City of Our God (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Sharon Wilson
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CELLO ~ B2 to D4
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The City of Our God
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1262685 By Sharon Wilson. By B. Ogden, G W Bethune, George Washington Bethune, W A Ogden, and William ...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1262685 By Sharon Wilson. By B. Ogden, G W Bethune, George Washington Bethune, W A Ogden, and William Augustine Ogden. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Multicultural,Sacred,World. 23 pages. Sharon Wilson #855694. Published by Sharon Wilson (A0.1262685). Here is a flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of a beautiful hymn from the late 1800's titled The City of Our God when associated with the lyrics by George Washington Bethune. The tune was composed by William Augustine Ogden. This hymn may be better known by its Spanish title Jerusalén Mi Amado Hogar (Jerusalem My Beloved Home) when used with contemporary lyrics by Nicolás Samojluk. The original lyrics by G. W. Bethune are shown below.Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN plays the melody for the first verse and then the CELLO leads with the melody for the second verse. The song begins in the key of G major for the first verse, then transitions to the key of C major during the piano interlude between verses.The range for each part is as follows: VIOLIN ~ A4 to A5; CELLO ~ B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.  Duration 2:50.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by G. W. Bethune O city of the jasper wall,And of the pearly gate,For thee amid the storms of life,Our weary spirits wait,O may we walk the streets of gold,No mortal feet have trod;O may we worship at the shrine,The temple of our God.Chorus:O land of bliss!O land of light!O city of the jasper wall!O land forever bright!
$5.99
Stars and Stripes Forever for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Yoel Epstein
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John Philip Sousa (composer)
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Stars and Stripes Forever for
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Yoel Epstein
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.773250 Composed by Yoel Epstein (arranger). Arranged by John Philip Sousa (composer). Folk,Holiday,Jazz,Patrioti...
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String Quartet String Quartet - SKU: A0.773250 Composed by Yoel Epstein (arranger). Arranged by John Philip Sousa (composer). Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 18 pages. Yoel Epstein #35769. Published by Yoel Epstein (A0.773250). John Philip Sousa's classic American march, Stars and Stripes Forever, arranged for string quartet. No 4th of July should go by without playing this great American classic! This arrangement is not easy - advanced intermediate, I would say, with some challenging stuff in the first violin part. When we play it, our violist stands up when he plays his solo. Lots of fun. If you enjoy this arrangement, you are welcome to try some of my other arrangements. You can see them by clicking here ), I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate
$7.99
Strangers In The Night
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Piano seul
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AVANCÉ
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Frank Sinatra
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Timothy Stapay/Liberace
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Br...
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Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #927698. Published by Timothy Stapay (A0.1342176). Strangers In The Night is here arranged as performed by famous piano artist, Liberace. He played this in concerts around the world and on his piano albums. This piano solo arrangement has all of the sparkle and fiery improvisations that made Liberace famous. Now for the first time, here is the sheet music as played by Liberace.On a personal note: I saw Liberace perform this live at a concert in Chicago, when I was a very, very young piano student. My parents were both Liberace fans and took me to one of his concerts. The memory stayed with me for a lifetime!Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$8.99
Wisconsin Forward Forever
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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Wisconsin Forward Forever
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1372029 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1372029 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #956232. Published by Matthew Nunes Music (A0.1372029). Dedicated to the faculty, students, and alumni of the University of Wisconsin.This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Wisconsin Forward Forever was composed in 1917, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 80.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99
Forever Yours
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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Forever Yours
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368418 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368418 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952765. Published by Circlesquare Music (A0.1368418). Introducing Forever Yours, a profoundly touching piano composition that whispers tales of unwavering commitment and heartfelt devotion. This enchanting piece, from the beloved album A Celebration of Love, and Life by the renowned artist and composer Jose Valladares, is an intimate serenade to the everlasting bond between souls.With a soothing tempo of 60, Forever Yours gently unfolds like the first light of dawn, ushering in a day filled with promise and affection. The composition is a tender narrative of love's enduring vows, a melody that flows like a timeless river through the landscapes of the heart. Each note is a delicate touch, a soft word of assurance, and a steadfast step side by side on life's journey.Forever Yours is not merely a piece of music; it's a heartfelt covenant set to the rhythm of life's most profound emotions. It invites listeners to delve into the depths of fidelity, to reminisce on moments of deep connection, and to celebrate the promise of a love that stands unwavering against the test of time. This piece is ideal for those who cherish the bonds of love, for pianists seeking to express the depth of their loyalty through the keys, and for anyone who treasures the beauty of a commitment that knows no end.Allow Forever Yours to cradle you in its gentle embrace, surrounding you with melodies that speak of a love that is steadfast, pure, and true. This composition is a testament to the bonds that flourish over time, a soothing lullaby for the heart, and a celebration of the constancy that true love brings.
$10.99
There Is a Happy Land (Easy Piano Duet; 1 Piano, 4-Hands)
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1 Piano, 4 mains
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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There Is a Happy Land
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Sharon Wilson
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.565119 By Sharon Wilson. By Andrew Young. Arranged by Sharon Wilson. Children,Praise & Worship,Sacred,Tra...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.565119 By Sharon Wilson. By Andrew Young. Arranged by Sharon Wilson. Children,Praise & Worship,Sacred,Traditional. Score. 9 pages. Sharon Wilson #3435121. Published by Sharon Wilson (A0.565119). This mixed level, 1 piano, 4-hands duet arrangement of the cheerful hymn tune HAPPY LAND is designed for a beginning student to play the PRIMO while an intermediate player (teacher, parent, friend, sibling) plays the SECONDO. All notes in the PRIMO are played singly with the hands in one position centered around middle C and then played one octave higher. The PRIMO can also be played as a solo when played as written. Lyrics are included on the PRIMO for sing-along enjoyment.The first verse speaks about the saints singing as described in Revelation 7:9-10. This upbeat, cheerful arrangement echoes the joy that will be experienced when the prophecies of Revelation are fulfilled and sin and death are no more. What a joyous day that will be when in heaven with Jesus we will sing Worthy is our Savior King! The last phrase of the song uses the word aye which may be unfamiliar to many. This word from long ago simply means forever or always.The purchase price includes a 4-page combined score with both piano parts on each page plus the alternate format with the PRIMO and SECONDO on separate pages (2 pages each). Duration 1:30. This arrangement is one of the 10 songs included in the Easy Piano Duets collection titled What Heavenly Music.
$4.99
Strawberry Fields Forever
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Hautbois, Clarinette, Basson (trio d'anches)
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FACILE
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Rock
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The Beatles
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Ray Thompson
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Strawberry Fields Forever
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.745061 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ra...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.745061 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. 6 pages. RayThompsonMusic #353060. Published by RayThompsonMusic (A0.745061). Strawberry Fields ForeverThe song was the first track recorded during the sessions for the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967),and was intended for inclusion on the album.Instead, with the group under record-company pressure to release a single, it was issued in February 1967 as a double A-side with Penny Lane.The combination reached number two in the United Kingdom, breaking the band's four-year run of chart-topping singles there, while Strawberry Fields Forever peaked at number eight on the Billboard Hot 100 in America. Strawberry Fields Forever is one of the defining works of the psychedelic rock genre and has been covered by many artists. The Beatles made a promotional film clip for the song that is similarly recognised for its influence in the medium of music video.The Strawberry Fields memorial in New York's Central Park is named after the song.It is arranged here for woodwind trio: Flute, Clarinet, Bassoon.The flute part could also be played by oboe. Check out all of my Beatles wind trios:Because, Blackbird, Hey Jude, In my life, Ob-la-di, Strawberry Fields Forever.
$14.95
Our Country Forever. A National Air, With Chorus
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Piano, Voix
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John Seltzer
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Edmund S
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Our Country Forever. A Nationa
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22312 Composed by John Seltzer. Arranged by Edmund S. Mattoon. National Emblems, Eagles, Flags, Civil War--Union, Patriotism. ...
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Piano and voice - SKU: LV.22312 Composed by John Seltzer. Arranged by Edmund S. Mattoon. National Emblems, Eagles, Flags, Civil War--Union, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22312). Our Country Forever. A National Air, With Chorus. Arranged for the Piano-Forte by Edmund Mattoon. Words from the Philadelphia Press. Melody by John Seltzer. Published 1861 by Seltzer & Webster in Columbus, O. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include National Emblems, Eagles, Flags, Civil War--Union, Patriotism. First line reads Our country forever, on the folds of her flag this motto of freemen is blazoned full high.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Holy Forever
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Piano seul
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Chris Tomlin
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Brian Buda
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F
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Holy Forever
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budaful music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1300267 By Chris Tomlin. By Brian Johnson, Chris Tomlin, Jason Ingram, Jenn Johnson, and Phil Wickham. Arranged by Brian ...
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Piano Solo - Level 3 - SKU: A0.1300267 By Chris Tomlin. By Brian Johnson, Chris Tomlin, Jason Ingram, Jenn Johnson, and Phil Wickham. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 43 pages. Budaful music #890009. Published by budaful music (A0.1300267). This is a piano arrangement of Holy Forever. This arr. functions as a transcription of the Chris Tomlin recording, creating a worshipful and reverent atmosphere with well thoughtout, pianistic techniques. This is not a lead sheet, this arrangement is completely written out from beginning to end. A few performance options are provided as well, see them at the bottom of the first page of music. It is presented in Chris Tomlin's original performance key of Db, though 5 alternate keys are provided: C, Bb, A, G, & F. All 7-page charts are included in the same PDF download. Chris Tomlin sings it in Db, Phil Wickham sings it in C, Jenn Jonson sings it in F, I'd prefer playing it in Bb or Db.
$6.99
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The First Of Forever
