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118
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7
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7
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VOIX
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24
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10
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9
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5
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4
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3
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2
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1
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1
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1
Chorale SSATB
1
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96
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72
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66
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62
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62
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46
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39
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35
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32
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28
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26
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25
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Hautbois
23
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18
Ensemble de Clarinettes
15
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12
Saxophone Alto
12
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11
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10
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8
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8
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7
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7
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7
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6
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6
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4
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1
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1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trompette
46
Trombone
41
Trompette, Piano
35
Trombone et Piano
32
Cor
27
Tuba et Piano
26
Tuba
23
Cor et Piano
22
Quatuor de Cuivres
15
2 Trompettes (duo)
13
2 Trombones (duo)
13
Trompette, Trombone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Cors (duo)
8
2 Tubas (duo)
7
3 Trompettes (trio)
4
Cor, Tuba (duo)
4
Trombone, Cor (duo)
4
Euphonium, Piano (duo)
4
Trompette (partie séparée)
4
Cor anglais, Piano
4
Trombone, Tuba (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Tuba (duo)
3
Trompette, Cor (duo)
2
Trompette, Saxophone (duo)
2
3 Trombones (trio)
2
Trombone (partie séparée)
2
Trio de Cuivres
2
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Ensemble de Trombones
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
396
Violon
280
Violon, Violoncelle (duo)
245
Trio à Cordes: violon, alto, violoncelle
205
Quintette à cordes: 2 violons, alto, violoncelle, basse
111
Violon et Piano
57
Alto seul
49
Violoncelle, Piano
42
Violoncelle
39
2 Violons (duo)
38
Alto, Piano
37
Violon, Alto (duo)
29
Contre Basse
24
Contrebasse, Piano (duo)
20
Alto, Violoncelle (duo)
17
2 Violoncelles (duo)
14
Harpe
13
2 Altos (duo)
10
Trio à Cordes: 2 violons, violoncelle
6
Alto (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
2 Contrebasses (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon (partie séparée)
3
4 Violoncelles
3
Trio à cordes: 3 altos
2
3 Contrebasses
2
Contrebasse (partie séparée)
2
Harpe, Voix
2
Violon, Basson (duo)
2
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
2 Altos, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Alto et Basson
1
Violoncelle , Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Guitare (duo)
1
2 Violoncelles, Piano
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Flûte, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
245
Orchestre d'harmonie
83
Ensemble de cuivres
32
Ensemble de Percussions
29
Ensemble Jazz
27
Orchestre
26
Cloches
10
Fanfare
9
Batterie
8
Orchestre de chambre
8
Jazz combo
8
Percussion (partie séparée)
2
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette à Vent
1
Vibraphone
1
Marimba
1
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AUTRES
Vous avez sélectionné:
Thank You for the Music
Partitions à imprimer
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Thank You For The Music
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809392 By ABBA. By Be…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809392 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Unimusic Group. Contemporary. Score. 10 pages. Unimusic Academy (Academia Unimusica) #6013531. Published by Unimusic Academy (Academia Unimusica) (A0.809392). ABBA (/ˈæbÉ™/, Swedish pronunciation: [ˈabËa]) is a Swedish pop supergroup formed in Stockholm in 1972 by Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. The group's name is an acronym of the first letters of their first names. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974, giving Sweden its first triumph in the contest. They are the most successful group to have taken part in the competition.
$8.00
7.33 €
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Piano, Voix et Guitare
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ABBA
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Unimusic Group
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Thank You For The Music
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Unimusic Academy
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SheetMusicPlus
Thank You For The Music
Ensemble de Flûtes
By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Pop. 16 pages.…
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By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Pop. 16 pages. Thomas Graf - the-hit- factory.com #3575223. Published by Thomas Graf - the-hit-factory.com
ABBA - still unbeaten. This is the perfect song to finish your upcoming concerts. Instrumentation: Flute 1/2, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Please don\'t forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?Ns=releaseDate%7C1&recsPerPage=100 Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/t-N09vdO2Sc.ABBA - still unbeaten. This is the perfect song to finish your upcoming concerts. Instrumentation: Flute 1/2, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Please don\'t forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?Ns=releaseDate%7C1&recsPerPage=100 Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/t-N09vdO2Sc.
$14.99
13.73 €
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Ensemble de Flûtes
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ABBA
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Thomas Graf
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Thank You For The Music
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.07 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Thank You For The Music
Piano seul
Piano - Level 2 - Digital Download SKU: A0.1140477 By ABBA. By Benny Andersson and …
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Piano - Level 2 - Digital Download SKU: A0.1140477 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Unimusic Academy (Academia Unimusica). Contemporary,Pop,Rock,Singer/Songwriter. Score (Chords/Lyrics). 8 pages. Unimusic Academy (Academia Unimusica) #740673. Published by Unimusic Academy (Academia Unimusica) (A0.1140477). Thank You for the Music is a song by the Swedish pop group ABBA. It was originally featured on the group's fifth studio album, The Album (1977), and was released as a double-A sided single with Eagle in May 1978 in limited territories, namely Belgium, the Netherlands, Germany, France, Austria, Switzerland and Australia. In South Africa where it peaked at number 2 in August 1978 and became the eighteenth best-selling single of that year. Gracias por la Música is the Spanish-language recording of Thank You for the Music, with lyrics by Buddy and Mary McCluskey. The B-side was the Spanish-language version of Gimme! Gimme! Gimme! (A Man After Midnight) entitled ¡Dame! ¡Dame! ¡Dame!. The song was released in 1980 to promote the band's Spanish-language album/compilation Gracias Por La Música. It was the group's seventh best-selling Spanish single, and also peaked at number 4 in Argentina.
$8.00
7.33 €
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Piano seul
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ABBA
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Thank You For The Music
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Unimusic Academy
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.07 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Thank You For The Music
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.568613
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.568613 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Dance,Pop. Score and parts. 33 pages. Thomas Graf - the-hit-factory.com #3000555. Published by Thomas Graf - the-hit-factory.com (A0.568613). ABBA - still unbeaten. This is the perfect song to finish your upcoming concerts. Instrumentation: Part I (Tpt in C/Bb), Part II (Tpt in C/Bb/Horn in F), Part III (Horn in F/Eb/Bb, Trombone), Part IV (Trombone/Tuba/Bass in Bb) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/CUQ53qQotRU.
$14.99
13.73 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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ABBA
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Thomas Graf
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Thank You For The Music
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Thank You For The Music
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.569093 By ABBA…
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.569093 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Pop. 12 pages. Thomas Graf - the-hit-factory.com #3575103. Published by Thomas Graf - the-hit-factory.com (A0.569093). ABBA - still unbeaten. This is the perfect song to finish your upcoming concerts. Instrumentation: Clarinet 1/2/3 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?Ns=releaseDate%7C1&recsPerPage=100 Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/PNBmWkvhlAg.
$13.99
12.82 €
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ABBA
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Thomas Graf
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Thank You For The Music
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Thank You For The Music
Quintette de Flûte : 5 flûtes
Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - Digital Download SKU: A0.569095
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Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - Digital Download SKU: A0.569095 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Dance,Pop. 22 pages. Thomas Graf - the-hit-factory.com #3575225. Published by Thomas Graf - the-hit-factory.com (A0.569095). ABBA - still unbeaten. This is the perfect song to finish your upcoming concerts. Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/NWHR5fzx_QY .
$14.99
13.73 €
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Quintette de Flûte : 5 flûtes
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ABBA
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Thomas Graf
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Thank You For The Music
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Melody: Sequences educational pack - Perform Compose Understand PCU Series
Large Ensemble - Level 3 - Digital Download SKU: A0.569828 Composed by Austin Ralph…
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Large Ensemble - Level 3 - Digital Download SKU: A0.569828 Composed by Austin Ralphson. Instructional. Score and parts. 50 pages. Austin Ralphson #4596427. Published by Austin Ralphson (A0.569828). Melody: Sequences - Perform, Compose, Understand Series. This pack comprises a piece called Thanks, Ludwig, worksheets and questions which relate to the piece. It is all about understanding melodic sequences.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top. How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$5.99
5.49 €
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Austin Ralphson
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Melody: Sequences educational pack - Perform Compose Understand PCU Series
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Austin Ralphson
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SheetMusicPlus
Thank You For The Music
Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1126485 By ABB…
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Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1126485 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Sean Sullivan. 20th Century,Broadway,Musical/Show,Pop. 9 pages. Sean Sullivan #727160. Published by Sean Sullivan (A0.1126485). Experience the infectious melody of ABBA's iconic hit Thank You for the Music like never before, with this beautiful arrangement for clarinet quintet. The soaring, heartfelt notes of the clarinet blend with the warm, resonant tones of the rest of the quintet to create a truly captivating performance. It's impossible not to tap your toes and sing along to the timeless lyrics while enjoying this fresh take on the beloved classic. Whether you're a lifelong ABBA fan or discovering the song for the first time, this arrangement is sure to leave you with a smile on your face and a spring in your step.
$12.99
11.9 €
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ABBA
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Sean Sullivan
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Thank You For The Music
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Sean Sullivan
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.11 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.99 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.99 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
#
SheetMusicPlus
Thank You For The Music
Strings Bass Clef Instrument,Bass Voice,Choir,Clarinet,Digital Keyboard,Double Bass,Electr…
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Strings Bass Clef Instrument,Bass Voice,Choir,Clarinet,Digital Keyboard,Double Bass,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,High Instrument,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Piano Accompaniment,Piccolo,Recorder,String Synthesizer,Treble Clef Instrument,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1205345 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Amphibia Cultural Legacy. Broadway,Contemporary,Film/TV,Musical/Show,New Age,Pop. 8 pages. Amphibia Cultural Legacy #803534. Published by Amphibia Cultural Legacy (A0.1205345). The iconic song Thank You For The Music by ABBA has been remixed with an orchestra and additional instruments by Amphibia Cultural Legacy, bringing a fresh new sound to this classic hit. This updated version of the song is featured in the end credits of the popular musical movie Mamma Mia!, adding to its popularity and appeal to fans, old and new.The original song was already a timeless classic, but adding an orchestra and other instruments takes it to a new level of sophistication. The lush arrangement highlights each device, from strings to woodwinds, bringing out their unique qualities while maintaining the original music's integrity. Listening to this rendition is like experiencing Thank You For The Music for the first time.Thanks to Amphibia Cultural Legacy's expert remixing skills, Thank You For The Music now sounds richer.
$100.00
91.62 €
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ABBA
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Amphibia Cultural Legacy
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Thank You For The Music
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Amphibia Cultural Legacy
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.9 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
ABBA : Thank You for the Music (niveau difficile, piano solo)
Piano seul
Téléchargez la partition Piano Thank You for the Music (niveau difficile, pi…
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Téléchargez la partition Piano Thank You for the Music (niveau difficile, piano solo) de ABBA. Partition pour Piano seul -- Pop/rock
5.99 €
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Piano seul
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ABBA
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Thank You for the Music
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Tomplay
ABBA : Thank You for the Music (niveau intermédiaire, piano solo)
Piano seul
Téléchargez la partition Piano Thank You for the Music (niveau intermé…
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Téléchargez la partition Piano Thank You for the Music (niveau intermédiaire, piano solo) de ABBA. Partition pour Piano seul -- Pop/rock
5.99 €
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Piano seul
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ABBA
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Thank You for the Music
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Tomplay
ABBA : Thank You for the Music
Voix seule
Téléchargez la partition Chant Thank You for the Music de ABBA. Partition po…
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Téléchargez la partition Chant Thank You for the Music de ABBA. Partition pour Avec accompagnement orchestre -- Pop/rock
5.99 €
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Voix seule
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ABBA
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Thank You for the Music
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Tomplay
ABBA : Mamma Mia! - Thank You for the Music
Voix seule
Téléchargez la partition Chant Mamma Mia! - Thank You for the Music de ABBA.…
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Téléchargez la partition Chant Mamma Mia! - Thank You for the Music de ABBA. Partition pour Avec accompagnement orchestre -- Musique de film
5.99 €
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Voix seule
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ABBA
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Mamma Mia!
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Tomplay
ABBA : Thank You for the Music (niveau facile, piano solo)
Piano seul
Téléchargez la partition Piano Thank You for the Music (niveau facile, piano…
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Téléchargez la partition Piano Thank You for the Music (niveau facile, piano solo) de ABBA. Partition pour Piano seul -- Pop/rock
5.99 €
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Piano seul
#
ABBA
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Thank You for the Music
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Tomplay
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