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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More
Non classifié
11 632
Piano & claviers
Piano, Voix
13 863
Piano seul
7 983
Piano Facile
3 532
Piano grosses notes
3 326
Piano, Voix et Guitare
2 032
Orgue
1 923
Instruments en Do
432
1 Piano, 4 mains
249
Accompagnement Piano
114
Piano Trio: piano, violon, violoncelle
109
Accordéon
108
2 Pianos, 4 mains
97
Clavier
66
Piano (partie séparée)
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Trompette (duo)
15
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavecin
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Piano (duo)
6
Ligne De Mélodie, Piano
4
2 Pianos, 8 mains
3
Orgue, Voix
3
1 Piano, 6 mains
2
Accordéon, Voix
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 473
Guitare
771
Ligne De Mélodie, (Paroles) et Accords
471
Ukulele
274
2 Guitares (duo)
165
Paroles et Accords
161
Basse electrique
145
Mandoline
58
Dulcimer
39
Banjo
35
Guitare (partie séparée)
34
4 Guitares (Quatuor)
28
Ensemble de guitares
26
Piano, Guitare (duo)
25
3 Guitares (trio)
15
2 Ukuleles
9
Ukulele Baryton
7
Dobro
4
Mandoline, Guitare (duo)
4
Guitare Pedal Steel
3
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
2
2 Dulcimers (duo)
1
Basse électrique (partie séparée)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
2 901
Chorale 3 parties
953
Chorale TTBB
706
Chorale SSAA
569
Chorale 2 parties
506
Chorale Unison
496
Pack Instrumental pour Chorale
366
Voix seule
203
Voix duo, Piano
87
Voix haute
60
Voix duo
50
Voix Soprano, Piano
48
Chorale
45
Voix Alto, Piano
32
Voix Baryton, Piano
27
Voix moyenne, Piano
19
Voix Tenor, Piano
19
Voix basse, Piano
13
Chorale SSAATTBB
10
Voix, Guitare
6
Voix Soprano
6
Voix Tenor
5
Voix Soprano, Orchestre
5
Voix basse
5
Chorale SSAB a cappella
4
Chorale SSATTB
4
Chorale SSAB, Piano
3
Chorale SSATB
3
Chorale SAATB A Cappella
2
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
2
Voix Baryton
1
Voix Moyenne
1
Voix et basse continue
1
Chorale SATTB
1
Chorale SSAATB
1
Chorale SATBB
1
+ 32 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 273
Flûte traversière et Piano
961
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
772
Quatuor de Saxophones: 4 saxophones
771
2 Clarinettes (duo)
645
Clarinette et Piano
630
Clarinette
609
2 Flûtes traversières (duo)
586
Hautbois, Piano (duo)
566
Saxophone Alto et Piano
566
Flûte traversière
549
Flûte, Hautbois, Clarinette, Basson
538
Quatuor de Clarinettes: 4 clarinettes
496
Saxophone, Clarinette (duo)
435
Saxophone Alto
433
Saxophone Tenor et Piano
396
Saxophone Soprano et Piano
367
Saxophone (partie séparée)
359
Quintette de Saxophone: 5 saxophones
355
Clarinette, Violon (duo)
347
Saxophone Tenor
333
Flûte, Clarinette (duo)
290
2 Hautbois (duo)
284
Clarinette, Trompette (duo)
266
Saxophone Baryton, Piano
239
Hautbois, Basson (duo)
224
Hautbois (partie séparée)
219
Hautbois, Clarinette (duo)
211
3 Saxophones (trio)
182
Flûte, Violon
181
Ensemble de saxophones
180
Clarinette et Alto
177
Flûte, Alto (duo)
168
Quatuor de Flûtes : 4 flûtes
159
Flûte, Saxophone (duo)
153
Hautbois
134
Hautbois, Flûte
132
Flûte, Trompette (duo)
123
3 Clarinettes (trio)
119
Cor anglais, Piano
116
Ensemble de Clarinettes
114
Quintette de Clarinettes: 5 clarinettes
113
Ensemble de Flûtes
112
Saxophone Soprano
97
2 Flûte à bec (duo)
95
Saxophone
95
Clarinette (partie séparée)
93
Trio de Flûtes: 3 flûtes
87
Quintette de Flûte : 5 flûtes
77
Clarinette Basse, Piano
75
Flûte à Bec
70
Clarinette, Basson (duo)
68
Flûte et Guitare
67
Flûte à bec Soprano
62
Flûte, Violoncelle
58
Hautbois, Clarinette, Basson (trio d'anches)
55
Flute (partie séparée)
51
Flûte à bec Tenor
43
Flûte, Clarinette et Basson
43
Hautbois, Violoncelle
43
Clarinette, Violoncelle (duo)
41
Saxophone Baryton
40
Flûte, Hautbois (duo)
39
2 Flûtes traversières, Piano
38
Ensemble De Flûte à bec
36
Flûte, Hautbois, Clarinette (trio)
34
Flûte à bec Alto
34
Hautbois et alto (duo)
33
Quatuor de Flûtes à bec
32
Hautbois, violon (duo)
30
Harmonica
29
Flûte, Violon, Piano
28
Cor Anglais
28
Flûte à bec Alto, Piano
28
Flûte à bec Soprano, Piano
27
Piccolo, Piano
25
Flûte à Bec, Piano
20
Clarinette, Guitare (duo)
19
3 Flûtes à bec (trio)
19
Flûte, Tuba (duo)
17
Flûte, Clarinette, Piano (trio)
17
Hautbois, trombone (duo)
14
Ocarina
14
Clarinette, Tuba
14
Clarinette, Trombone (duo)
14
Instruments en Mib
14
Flûte, Trombone (duo)
13
Flûte, Hautbois, Basson
12
Flûte, Violoncelle, Piano (trio)
12
Hautbois, Guitare (duo)
12
2 Clarinettes, Piano
11
Saxophone et Guitare
11
5 Flûtes à bec
11
3 Hautbois
10
Flûte, Basson et Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
2 Saxophones, Piano
8
Flûte, Hautbois, Piano (trio)
8
Flûte irlandaise
8
4 Hautbois
8
Flûte, Violon et Violoncelle
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
6
Saxophone et Orgue
5
Flûte et Trio à cordes
5
Clarinette Basse
4
Flûte, Alto et Piano
4
Hautbois, Basson et Piano
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Clarinette, Violoncelle, Piano (trio)
4
2 Cors Anglais Et Pianoforte
4
Piccolo
3
Ensemble à vent
3
Clarinette, Alto et Piano (trio)
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Harpe (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte traversière, Orgue (duo)
2
Flûte, Violoncelle, Guitare
2
Hautbois, Violoncelle et Piano
2
2 Clarinettes, Basson
2
2 Flûtes traversières, Guitare
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Cor anglais, Guitare (duo)
1
Flûte à bec Alto, Basse continue
1
Clarinette, Orchestre
1
Flûte à bec, Guitare (duo)
1
Hautbois et Orchestre
1
Flûte traversière, Orchestre
1
Flûte, trombone et piano
1
2 Hautbois, Piano
1
Saxophone, Basson (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Violon, Piano
1
Flute, harpe et violon
1
Flûte de Pan
1
Ensemble de Hautbois
1
Clarinette, Orgue
1
Cornemuse
1
Flute, Cor (duo)
1
+ 135 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
962
Trompette
549
Trombone et Piano
508
Trompette, Piano
427
Trombone
387
Cor et Piano
348
Quatuor de Cuivres : 2 trompettes, trombone, tuba
330
2 Trombones (duo)
321
Trompette, Saxophone (duo)
303
2 Trompettes (duo)
275
Cor
273
Quatuor de Cuivres: 2 trompettes, Cor, trombone
244
Tuba et Piano
236
Trompette, Trombone (duo)
228
Quatuor de cuivres: 4 cors
211
Trompette (partie séparée)
208
Trombone (partie séparée)
170
Tuba
159
Quatuor de Cuivres
141
Euphonium, Piano (duo)
122
Cor anglais, Piano
116
2 Cors (duo)
104
Quatuor de cuivres: 4 trombones
103
Ensemble de Cors
93
Cor (partie séparée)
49
2 Tubas (duo)
49
Ensemble de Trombones
47
Ensemble de Trompettes
47
Trompette, Tuba (duo)
37
2 Euphoniums et 2 Tubas
33
Trompette, Cor (duo)
30
Tuba (partie séparée)
28
Cor Anglais
28
Trio de Cuivres
26
3 Trombones (trio)
25
Euphonium
22
Euphonium, Tuba (duo)
22
Trombone, Violon (duo)
20
3 Trompettes (trio)
19
Trombone, Tuba (duo)
17
2 Euphoniums (duo)
16
Trombone basse et Piano
16
Instruments en Sib
14
Bass Clef Instruments
12
4 Tubas
11
Quatuor de cuivres: 4 trompettes
11
Cor, Tuba (duo)
10
Trombone, Cor (duo)
10
Tuba et Orgue
9
Trompette, Violoncelle et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trompette, Trombone, Piano
5
Cor, Orchestre
5
4 Euphoniums
4
Trompette, Basson (duo)
4
3 Cors (trio)
4
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors Anglais Et Pianoforte
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trombone basse
3
Trompette, violon (duo)
3
3 Tubas (trio)
3
Trombone, Orgue
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
Ensemble de Tubas
2
3 Euphoniums
2
Tuba ou Euphonium ou Saxhorn
1
Cor anglais, Guitare (duo)
1
Trompette, Orchestre
1
Clarinette, Cor (duo)
1
Trompette et Guitare
1
Trombone et orchestre
1
Cor et Orgue
1
+ 69 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 346
Violon et Piano
1 099
Violon
922
Violoncelle, Piano
848
Violon, Violoncelle (duo)
707
Alto, Piano
623
Violoncelle
552
Trio à Cordes: violon, alto, violoncelle
539
2 Violons (duo)
461
2 Violoncelles (duo)
400
Harpe
348
Violon, Alto (duo)
343
Alto seul
333
2 Altos (duo)
332
Quintette à cordes: 2 violons, alto, violoncelle, basse
308
Contrebasse, Piano (duo)
262
Contre Basse
176
Trio à Cordes: 2 violons, violoncelle
95
Violon (partie séparée)
87
Alto (partie séparée)
85
Alto, Violoncelle (duo)
81
Contrebasse (partie séparée)
66
4 Violoncelles
47
2 Harpes (duo)
45
Trio à cordes: 3 violins
42
Violon, Basson (duo)
40
2 Contrebasses (duo)
40
Violon, Guitare (duo)
36
Trio à Cordes: 3 violoncelles
35
Violoncelle (partie séparée)
29
Trio à cordes: 3 altos
27
Piano Trio: Violon, Alto, Piano
25
Trio à Cordes: 2 violons, alto
23
Violon, Tuba (duo)
22
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
22
Violoncelle , Guitare (duo)
21
Quatuor à cordes : 4 altos
20
Violoncelle, Orchestre
13
Harpe, Flûte (duo)
13
Alto, Guitare (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Harpe (partie séparée)
10
Violon, Clarinette, Piano (trio)
8
Harpe, Voix
7
Ensemble d'Altos
7
Harpe, Violon (duo)
6
Ensemble de Violons
6
Ensemble de Violoncelles
6
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Violoncelle, Orgue
5
Trio à cordes
4
Harpe et mandoline
4
Harpe, Quatuor à cordes
3
Violon, Orgue
3
Alto, Orgue
3
3 Contrebasses
3
2 Violons, Piano
2
Harpe, Violon, Violoncelle
2
Autoharp
2
Harpe et Piano
2
Alto et Basson
2
4 Contrebasses
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
Harpe, Trombone (duo)
1
Violon, Basse continue
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Basse continue
1
Alto et Harpe
1
2 Altos, Piano
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 459
Orchestre
1 263
Ensemble Jazz
866
Orchestre à Cordes
812
Cloches
731
Ensemble de cuivres
401
Orchestre de chambre
262
Jazz combo
259
Batterie
232
Fanfare
200
Ensemble de Percussions
137
Marimba
47
Percussion (partie séparée)
46
Vibraphone
41
Piano et Orchestre
38
Xylophone, Piano
30
Percussion
27
Batterie (partie séparée)
27
Xylophone
25
Orchestre, Violon
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Big band
8
Timbales (partie séparée)
7
Ensemble d'École
6
Instrumentation Flexible
4
Quintette de Cuivres: autres combinaisons
4
Caisse Claire
3
2 Xylophones
2
Marimba, Piano (duo)
2
3 Marimbas
2
Timbales
1
2 Percussions
1
Voix et Orchestre
1
Vibraphone et Marimba
1
Marimba et Orgue
1
Batterie-Fanfare
1
Marimba ou Xylophone et Piano
1
2 Marimbas
1
+ 33 instrumentations
Retracter
Autres
Formation musicale - Solfège
137
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORCHESTRE
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PERCU. ORCH…
PERCUSSION
PIANO
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SYNTHE
TROMBONE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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9976
More Than Amazing (21-Piece Digital Pack)
#
Pack Instrumental pour Chorale
#
Musique Sacrée
#
Christian contemporain
#
Lincoln Brewster and Mia Field
#
Richard Kingsmore
#
More Than Amazing
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.193556 Composed by Lincoln Brewster and Mia Fieldes. Arranged by Richard Kingsmore. Christian,Concert,Contemporary,Praise & Worship,Sacred. Chor...
(+)
SKU: HX.193556 Composed by Lincoln Brewster and Mia Fieldes. Arranged by Richard Kingsmore. Christian,Concert,Contemporary,Praise & Worship,Sacred. Choral Instrumental Pak. 4 pages. Duration 310. Hal Leonard - Digital #212282. Published by Hal Leonard - Digital (HX.193556).
Digital Pack includes
:
More Than Amazing - Full Score
More Than Amazing - Flute 1 & 2
More Than Amazing - Oboe
More Than Amazing - Clarinet 1 & 2
More Than Amazing - Bb Trumpet 1
More Than Amazing - Bb Trumpet 2,3
More Than Amazing - F Horn
More Than Amazing - Trombone 1 & 2
More Than Amazing - Trombone 3/Tuba
More Than Amazing - Percussion
More Than Amazing - Harp
More Than Amazing - Drums
More Than Amazing - Rhythm
More Than Amazing - Violin 1, 2
More Than Amazing - Viola
More Than Amazing - Cello
More Than Amazing - Double Bass
More Than Amazing - Alto Sax (sub. Horn)
More Than Amazing - Tenor Sax (sub. Tbn 2)
More Than Amazing - Bass Clarinet (sub. Tuba)
More Than Amazing - Keyboard String Reduction
$75.00
Days of Elijah (arr. Richard Kingsmore) (22-Piece Digital Pack)
#
Pack Instrumental pour Chorale
#
Musique Sacrée
#
Richard Kingsmore
#
Days of Elijah
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir - SKU: HX.477704 Arranged by Richard Kingsmore. This edition: scorch. Praise & Worship. Choral Instrumental Pak. 5 pages. Hal Leonard - Digital #5...
(+)
Choir - SKU: HX.477704 Arranged by Richard Kingsmore. This edition: scorch. Praise & Worship. Choral Instrumental Pak. 5 pages. Hal Leonard - Digital #54297. Published by Hal Leonard - Digital (HX.477704).
Digital Pack includes
:
Days of Elijah (arr. Richard Kingsmore) - Full Score
Days of Elijah (arr. Richard Kingsmore) - Flute 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Oboe
Days of Elijah (arr. Richard Kingsmore) - Clarinet 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Horn 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Trumpet 1
Days of Elijah (arr. Richard Kingsmore) - Trombone 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Alto Sax 1 & 2 (Sub. Horn)
Days of Elijah (arr. Richard Kingsmore) - Trombone 3/Tuba
Days of Elijah (arr. Richard Kingsmore) - Trumpet 2 & 3
Days of Elijah (arr. Richard Kingsmore) - Bb Tenor Sax/Bar. TC (Trb 1,2)
Days of Elijah (arr. Richard Kingsmore) - Percussion 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Drum Set
Days of Elijah (arr. Richard Kingsmore) - Harp
Days of Elijah (arr. Richard Kingsmore) - Viola
Days of Elijah (arr. Richard Kingsmore) - Rhythm
Days of Elijah (arr. Richard Kingsmore) - Clarinet 3 (Sub. Viola)
Days of Elijah (arr. Richard Kingsmore) - Cello/Bassoon
Days of Elijah (arr. Richard Kingsmore) - Violin I & II
Days of Elijah (arr. Richard Kingsmore) - Bass Clarinet (Sub. Cello)
Days of Elijah (arr. Richard Kingsmore) - String Bass
Days of Elijah (arr. Richard Kingsmore) - Keyboard String Reduction
$75.00
Jesus (arr. Richard Kingsmore) (9-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Chris Tomlin
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Richard Kingsmore
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Jesus
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.385978 By Chris Tomlin. Arranged by Richard Kingsmore. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - D...
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SKU: HX.385978 By Chris Tomlin. Arranged by Richard Kingsmore. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #276457. Published by Hal Leonard - Digital (HX.385978).
Digital Pack includes
:
Jesus (arr. Richard Kingsmore) - Full Score
Jesus (arr. Richard Kingsmore) - Percussion
Jesus (arr. Richard Kingsmore) - Drums
Jesus (arr. Richard Kingsmore) - Rhythm
Jesus (arr. Richard Kingsmore) - Violin 1
Jesus (arr. Richard Kingsmore) - Violin 2
Jesus (arr. Richard Kingsmore) - Viola
Jesus (arr. Richard Kingsmore) - Cello
Jesus (arr. Richard Kingsmore) - Keyboard String Reduction
$40.00
Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
Gitanos andaluces for oboe d'amore
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Hautbois
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AVANCÉ
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Contemporain
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Flamenco
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Paco de Lucia
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M
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Gitanos andaluces for oboe d'a
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M. Contreras
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SheetMusicPlus
Oboe, Viola, Oboe d'amore - Advanced - By Paco de Lucia. Arranged by M. Contreras. Individual Part, Solo Part. 4 pages. Published by M. Contreras ...
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Oboe, Viola, Oboe d'amore - Advanced - By Paco de Lucia. Arranged by M. Contreras. Individual Part, Solo Part. 4 pages. Published by M. Contreras
Transcription of the flamenco tune for oboe d'amore.
$4.99
Luther: Out of the Depths for Oboe d'Amore & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Sta...
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic ...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Bach: Wachet auf for Oboe d'Amore & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Am
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
One More Night
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Instruments en Do
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FACILE
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Phil Collins
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Amorel
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One More Night
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Amorel
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1292147 By Phil Collins. By Phil Collins. Arranged by Amorel. 20th Century,Pop,Rock. Lead Sheet / Fake Book. 2 pages. A...
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C Instrument - Level 2 - SKU: A0.1292147 By Phil Collins. By Phil Collins. Arranged by Amorel. 20th Century,Pop,Rock. Lead Sheet / Fake Book. 2 pages. Amorel #882745. Published by Amorel (A0.1292147). One More Night was Phil Collins' second number one single in the US and his fourth top 10 single in the UK.
$3.99
Not The Same Anymore
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Piano Facile
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INTERMÉDIAIRE
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Contemporain
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The Strokes
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Jason Wheeler
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Not The Same Anymore
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Wheelers Music
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.888643 By The Strokes. By Albert Jr Hammond, Fabrizio Moretti, Julian Casablancas, Nick Valensi, and Nikolai Fraiture. Ar...
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Easy Piano - Level 3 - SKU: A0.888643 By The Strokes. By Albert Jr Hammond, Fabrizio Moretti, Julian Casablancas, Nick Valensi, and Nikolai Fraiture. Arranged by Jason Wheeler. Contemporary. Score. 7 pages. Wheelers Music #6356889. Published by Wheelers Music (A0.888643). Not The Same Anymore by The Strokes 6 pages. Published by Wheelers MusicA instrumental piano piece of 'Not The Same Anymore'. A fun and easy to play arrangement of a great song.
$4.99
No More
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Saxophone Tenor
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FACILE
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Rock
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Elvis Presley
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LF
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No More
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Amorel
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SheetMusicPlus
Tenor Saxophone Solo - Level 2 - SKU: A0.1419702 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. A...
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Tenor Saxophone Solo - Level 2 - SKU: A0.1419702 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Amorel #1001127. Published by Amorel (A0.1419702). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
No More
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Flûte traversière
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FACILE
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Rock
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Elvis Presley
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LF
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No More
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Amorel
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.1419698 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Amorel #100...
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Flute Solo - Level 2 - SKU: A0.1419698 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Amorel #1001122. Published by Amorel (A0.1419698). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
No More
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Instruments en Do
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FACILE
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Rock
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Elvis Presley
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LF
#
No More
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Amorel
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1419682 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Am...
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C Instrument - Level 2 - SKU: A0.1419682 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Amorel #1001100. Published by Amorel (A0.1419682). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
No More
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Violon
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FACILE
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Rock
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Elvis Presley
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LF
#
No More
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Amorel
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1419700 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. 2 pages. Amorel #1001125. Published ...
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Violin Solo - Level 2 - SKU: A0.1419700 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. 2 pages. Amorel #1001125. Published by Amorel (A0.1419700). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
No More
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Trompette
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FACILE
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Rock
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Elvis Presley
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LF
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No More
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Amorel
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1419707 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Am...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1419707 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Amorel #1001128. Published by Amorel (A0.1419707). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
Humoreske
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Piano seul
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Classique
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Antonin Dvorak
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Humoreske
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Soundnotation
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SheetMusicPlus
Piano and Keyboard - Early Advanced - SKU: 2S.4251133760934 Poco lento e grazioso, Ges-Dur. Composed by Antonin Dvorak. Classical. Score. 5 pages...
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Piano and Keyboard - Early Advanced - SKU: 2S.4251133760934 Poco lento e grazioso, Ges-Dur. Composed by Antonin Dvorak. Classical. Score. 5 pages. Soundnotation #4251133760934. Published by Soundnotation (2S.4251133760934). This edition contains the original scores for the famous - Humoreske - (Poco lento e grazioso, Ges major) by Antonin Dvorak for piano. From the piano cycle Humoresques op. 101 this is number 7.
$3.95
Morenica (Shecharchoret)
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Accordéon
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DÉBUTANT
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Assi Rose
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Assi Rose
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Morenica
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Assi Rose Methods
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SheetMusicPlus
Accordion - Level 1 - SKU: A0.1099941 By Assi Rose. By Traditional. Arranged by Assi Rose. Multicultural,Renaissance,Romantic Period,Standards,Tradition...
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Accordion - Level 1 - SKU: A0.1099941 By Assi Rose. By Traditional. Arranged by Assi Rose. Multicultural,Renaissance,Romantic Period,Standards,Traditional,World. Score. 4 pages. Assi Rose Methods #703817. Published by Assi Rose Methods (A0.1099941). Morenica - A Sephardic composition from around 1500 (About 500 years ago!) , is named after a dark haired and dark eyed girl from the Moren tribe. They were invaders from north Africa. The Moren girl nick name is Morenica. This songs is also called: Shecarchoret - from the Hebrew language, it means the girl with the black hair.
$5.55
Fillmore Schottisch
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Piano seul
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F
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Fillmore Schottisch
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.12807 Composed by F. Southgate. Liberty--symbols, National Emblems, Clouds. Lester S. Levy Collection. 4 pages. Published by Johns Hopki...
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Piano - SKU: LV.12807 Composed by F. Southgate. Liberty--symbols, National Emblems, Clouds. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12807). Fillmore Schottisch. F. Southgate. Published 1856 by Henry McCaffrey in Baltimore. Composition of da capo with piano instrumentation. Subject headings for this piece include Liberty--symbols, National Emblems, Clouds. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Humoreske - in G for flexible ensemble
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Antonin Dvorak
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David Woodcock
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Humoreske - in G for flexible
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393979 Composed by Antonin D...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393979 Composed by Antonin Dvorak. Arranged by David Woodcock. Classical,Instructional. 69 pages. David Woodcock #977432. Published by David Woodcock (A0.1393979). This is an arrangement of the famous melody from Bizet's opera Carmen, scored for flexible ensemble in G. It is also available in C.This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination.Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts.Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director.If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$20.00
Humoreske - in C for flexible ensemble
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Antonin Dvorak
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David Woodcock
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Humoreske - in C for flexible
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393978 Composed by Antonin D...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - SKU: A0.1393978 Composed by Antonin Dvorak. Arranged by David Woodcock. Classical,Instructional,Opera. 69 pages. David Woodcock #977431. Published by David Woodcock (A0.1393978). This is an arrangement of the famous melody by Dvorak, scored for flexible ensemble in C. It is also available in G.This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination.Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts.Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director.If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$20.00
Don't Get Around Much Anymore
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Jazz
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Bob Russell and Duke Ellington
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Daryl McKenzie
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Don't Get Around Much Anymore
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Daryl McKenzie
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.1499411 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages...
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String Ensemble,String Trio - Level 5 - SKU: A0.1499411 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages. Daryl McKenzie #1075472. Published by Daryl McKenzie (A0.1499411). String Trio Arrangement of Don't Get Around Much AnymoreAdd a touch of swing to your string ensemble with this delightful arrangement of the jazz standard Don't Get Around Much Anymore, originally popularized by Duke Ellington. This arrangement is crafted for a string trio, featuring Violin, Viola, and Cello, with an optional 2nd Violin part to cover the Viola, making it versatile and adaptable for different group configurations.Instrumentation: Violin Viola (or optional 2nd Violin) Cello This swing arrangement captures the playful and sophisticated essence of the original tune, offering a fresh and elegant sound for string players. Perfect for jazz concerts, wedding receptions, or any event where you want to bring a classic jazz vibe, this arrangement is sure to be a crowd-pleaser.Key Features: Classic jazz standard with a swinging feel Flexible instrumentation for trio Perfect for live performances, rehearsals, or casual playing Whether you're performing in an intimate setting or adding a jazzy flair to your repertoire, this string trio arrangement of Don't Get Around Much Anymore will swing your audience right into the mood!Full audio demo (Sibelius Sounds): click hereAlso available as a String Quartet arrangement:
$19.99
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