ISBN 9781619116580.

This volume of the songs of Scottish poet Robert Burns contains 85 songs excerpted from the chapter Country Life in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs portraying farmers, shepherds, millers, weavers, tinkers, colliers, coopers, shoemakers, tailors, and other country folk reflecting Burns's intense love of the Scottish countryside and the oral tradition and music of its people. Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills.

ISBN 9781609741747.

This second volume of the songs of Scottish poet Robert Burns contains 70 songs excerpted from the chapter The Lasses in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs expressing the poet's passion for his wife Jean, and for that other species. Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills. This volume is illustrated with reproductions of paintings, drawings, and prints. These volumes also contain a glossary of frequently appearing Scots words and insightful historical notes for each song.

German.

Finally a modern anthology of folksongs for accordion! The songs are set in easy arrangements and can be played on various occasions, be it at home, at school, or in an ensemble. The arrangements can also be performed with an optional second part. Songs like Greensleeves, Auld lang syne, Cielito lindo, El Condor Pasa or Oh Happy Day not only are catchy tunes but will certainly take musicians and audience into a different land!

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.

4 Irish Folksongs arranged by Charles Villiers Stanford and set for flute trio by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 3 Flutes. The tunes are : Trottin' to the Fair, At the Brink of the White Rock, Lost Light of My Eyes, and Leatherbags Donnell.

With this sheet music, you can play "What A Beautiful Name" by Hillsong Worship on piano!

It's an accurate, carefully created piano arrangement of the full song.

The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.

Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics!

"What a Beautiful Name" was first released as the lead single from Hillsong Worship's 2016 live album "let there be light".

The studio version of the song was released in 2017. In the same year, the group was named Billboard's Top Christian Artist.

"What a Beautiful Name" won two Dove Awards (Song of the Year and Worship Song of the Year), and a Grammy Award for Best Contemporary Christian Music Performance/Song!

Needless to say, "What a Beautiful Name" makes for a fantastic piano cover!

3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.

With this sheet music, you can play "What A Beautiful Name" by Hillsong Worship on piano!

It's an accurate, carefully created piano arrangement of the full song.

The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.

"What a Beautiful Name" was first released as the lead single from Hillsong Worship's 2016 live album "let there be light".

The studio version of the song was released in 2017. In the same year, the group was named Billboard's Top Christian Artist.

"What a Beautiful Name" won two Dove Awards (Song of the Year and Worship Song of the Year), and a Grammy Award for Best Contemporary Christian Music Performance/Song!

Needless to say, "What a Beautiful Name" makes for a fantastic piano cover!

ISBN 9780193536661.

For SSA and piano. This is a gentle setting of an optimistic text about joy and hope and the expression of these through song. Sister Song features delicate piano ostinatos, persuasive melodies, close harmonies, and contrasts of unison and imitative writing.

Harpsolo of hero by Family of the Year, easy version.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she has specialized herself in playing Popharp. She has made many arrangements of Popsongs.

Harp solo of Hero by Family of the Year, aslo available in easy version.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she has specialized herself in playing Popharp. She has made many arrangements of Popsongs.