Digital Pack includes:

1. Ain't No Mountain High Enough (arr. Paul Murtha) - Conductor Score (Full Score)
2. Ain't No Mountain High Enough (arr. Paul Murtha) - Tenor Sax 1
3. Ain't No Mountain High Enough (arr. Paul Murtha) - Alto Sax 1
4. Ain't No Mountain High Enough (arr. Paul Murtha) - Alto Sax 2
5. Ain't No Mountain High Enough (arr. Paul Murtha) - Tenor Sax 2
6. Ain't No Mountain High Enough (arr. Paul Murtha) - Trumpet 1
7. Ain't No Mountain High Enough (arr. Paul Murtha) - Baritone Sax
8. Ain't No Mountain High Enough (arr. Paul Murtha) - Trumpet 2
9. Ain't No Mountain High Enough (arr. Paul Murtha) - Trumpet 3
10. Ain't No Mountain High Enough (arr. Paul Murtha) - Trumpet 4
11. Ain't No Mountain High Enough (arr. Paul Murtha) - Trombone 4
12. Ain't No Mountain High Enough (arr. Paul Murtha) - Trombone 1
13. Ain't No Mountain High Enough (arr. Paul Murtha) - Trombone 2
14. Ain't No Mountain High Enough (arr. Paul Murtha) - Guitar
15. Ain't No Mountain High Enough (arr. Paul Murtha) - Trombone 3
16. Ain't No Mountain High Enough (arr. Paul Murtha) - Drums
17. Ain't No Mountain High Enough (arr. Paul Murtha) - Bass
18. Ain't No Mountain High Enough (arr. Paul Murtha) - Piano
19. Ain't No Mountain High Enough (arr. Paul Murtha) - Aux Percussion
20. Ain't No Mountain High Enough (arr. Paul Murtha) - Flute
21. Ain't No Mountain High Enough (arr. Paul Murtha) - Bb Clarinet 1
22. Ain't No Mountain High Enough (arr. Paul Murtha) - Tuba
23. Ain't No Mountain High Enough (arr. Paul Murtha) - Bb Clarinet 2
24. Ain't No Mountain High Enough (arr. Paul Murtha) - F Horn

Digital Pack includes:

1. Ain't No Mountain High Enough (arr. Michael Brown) - Conductor Score (Full Score)
2. Ain't No Mountain High Enough (arr. Michael Brown) - Bb Clarinet
3. Ain't No Mountain High Enough (arr. Michael Brown) - Bb Tenor Sax
4. Ain't No Mountain High Enough (arr. Michael Brown) - Trombone
5. Ain't No Mountain High Enough (arr. Michael Brown) - Flute/Piccolo
6. Ain't No Mountain High Enough (arr. Michael Brown) - Eb Baritone Sax
7. Ain't No Mountain High Enough (arr. Michael Brown) - Tuba
8. Ain't No Mountain High Enough (arr. Michael Brown) - 3rd Bb Trumpet
9. Ain't No Mountain High Enough (arr. Michael Brown) - Baritone B.C. (Opt. Tbn. 2)
10. Ain't No Mountain High Enough (arr. Michael Brown) - Electric Bass
11. Ain't No Mountain High Enough (arr. Michael Brown) - Eb Alto Sax
12. Ain't No Mountain High Enough (arr. Michael Brown) - Bb Horn/Flugelhorn
13. Ain't No Mountain High Enough (arr. Michael Brown) - 1st Bb Trumpet
14. Ain't No Mountain High Enough (arr. Michael Brown) - Baritone T.C.
15. Ain't No Mountain High Enough (arr. Michael Brown) - 2nd Bb Trumpet
16. Ain't No Mountain High Enough (arr. Michael Brown) - Cymbals
17. Ain't No Mountain High Enough (arr. Michael Brown) - Quad Toms
18. Ain't No Mountain High Enough (arr. Michael Brown) - Bells/Xylophone
19. Ain't No Mountain High Enough (arr. Michael Brown) - Snare Drum
20. Ain't No Mountain High Enough (arr. Michael Brown) - F Horn
21. Ain't No Mountain High Enough (arr. Michael Brown) - Aux Percussion
22. Ain't No Mountain High Enough (arr. Michael Brown) - Multiple Bass Drums

Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.

"I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."

The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.

In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.

Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.

Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.

Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."

Christoph Schluren

Translation: John Patrick Thomas and W. Richard Rieves

A collection of fifty hymns of The Church Jesus Christ of Latter-Day Saints (Mormon faith) in lead sheet or fake book format, taken directly from the collection printed in 1985 with the simple title ?Hymns.? It includes a broad selection of these hymns to print with melody line, chord symbols, editings for harmonic adjustment on either lever or pedal harp, simultaneously, and the first verse of lyrics. Three separate ?Table of Contents? listings organize the entries according to first line of text, level of difficulty, and key signature.If you already play from a fake book, this will be a resource of immediate use to you. If you want to learn to play from a fake book, this is a great place to start.

Titles: Abide with Me, Angels We Have Heard on High, Christ the Lord is Risen Today, Come Unto Jesus, Come, Come Ye Saints, Come, Listen to a Prophet's Voice, Come, O Thou King of Kings, Come, Ye Children of the Lord, Come, Ye Disconsolate, Did You Think to Pray?, Far, Far Away on Judea's Plains, Father in Heaven, For the Beauty of the Earth, For the Strength of the Hills, God Be With You Till We Meet Again, God of Our Fathers, Whose Almighty Hand, God, Our Father, Hear Us Pray, He Is Risen!, High on the Mountaintop, How Firm a Foundation, How Gentle God's Command, How Great the Wisdom and Love, I Know that my Redeemer Lives, I Need Thee Every Hour, I Stand All Amazed, I'll Go Where You Want Me to Go, In Humility, Our Savior, In Hymns of Praise, Israel, Israel, God is Calling, Jesus, Once of Humble Birth, Jesus, Savior, Pilot Me, Jesus, The Very Thought of Thee, Joseph Smith's First Prayer, Joy to the World, Let Us All Press On, Lead, Kindly Light, Oh, Come, All Ye Faithful, Now Let Us Rejoice, O My Father, Praise God, from Whom All Blessings Flow, Put Your Shoulder to the Wheel, Redeemer of Israel, Rejoice, the Lord is King, Silent Night, Sweet is the Work, The Lord Is My Shepherd, The Spirit of God, There is a Green Hill Far Away, We Ever Pray for Thee, Zion Stands with Hills Surrounded.