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Words: Earl B
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Words: Earl B
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Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
O Young and Fearless Prophet
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Words: S
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Lyndell Leatherman
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some were not
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O Young and Fearless Prophet
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295059 Composed by Words: S. Ralph Harlow / Music: John B. Dykes. Arranged by Lyndell Leatherman. Christia...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295059 Composed by Words: S. Ralph Harlow / Music: John B. Dykes. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885378. Published by Leatherman Music Services (A0.1295059). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.This hymn is ideal for use in a worship service emphasizing social concern/justice.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
Early Lost and Early Found
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Piano, Voix
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I
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Early Lost and Early Found
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.3094 Composed by I.B. Woodbury. Infants, Children, Youth, Death, Angels, Heaven. Lester S. Levy Collection. 3 pages. Published...
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Piano and voice - SKU: LV.3094 Composed by I.B. Woodbury. Infants, Children, Youth, Death, Angels, Heaven. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3094). Early Lost and Early Found. Words by the Rev. Geo. W. Bethune. Music Composed by I.B. Woodbury. Published 1846 by C. Bradlee & Co., 184 Washington St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Infants, Children, Youth, Death, Angels, Heaven. First line reads Within that downy cradle there lay a little child.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Songs Without Words No.1, Op.19 - Bb Clarinet and Piano (Individual Parts)
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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Songs Without Words No.1, Op.1
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1435793 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Multicultu...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1435793 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. Score and part. 6 pages. Sheet Music To Play Editions #1015885. Published by Sheet Music To Play Editions (A0.1435793). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Bb Clarinet and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$5.99
Songs Without Words No.1, Op.19 - Bb Clarinet and Piano (Full Score)
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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Songs Without Words No.1, Op.1
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1435795 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Roman...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1435795 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #1015887. Published by Sheet Music To Play Editions (A0.1435795). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Bb Clarinet and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$5.99
Songs Without Words No.1, Op.19 - Bb Trumpet and Piano (Full Score and Parts)
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Trompette, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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Songs Without Words No.1, Op.1
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.1435798 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Romant...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.1435798 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 14 pages. Sheet Music To Play Editions #1015890. Published by Sheet Music To Play Editions (A0.1435798). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Bb Trumpet and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99
Songs Without Words No.1, Op.19 - Bb Clarinet and Piano (Full Score and Parts)
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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Songs Without Words No.1, Op.1
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1435792 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Film/TV,Multicultura...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1435792 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 14 pages. Sheet Music To Play Editions #1015884. Published by Sheet Music To Play Editions (A0.1435792). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Bb Clarinet and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99
Julian's Hazelnut for SSAA and B flat clarinet
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Julian's Hazelnut for SSAA and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages....
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Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
Minuet (EASY PIANO) from Orchestral Suite No. 2 in B Minor (BWV 1067) [Johann Sebastian Bach]
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Piano Facile
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FACILE
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Classique
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Johann Sebastian Bach
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Darek
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Minuet
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1261985 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #85507...
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Easy Piano - Level 2 - SKU: A0.1261985 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855070. Published by Darek (A0.1261985). Minuet (EASY PIANO) from Orchestral Suite No. 2 in B Minor (BWV 1067) [Johann Sebastian Bach]Simplified arrangement for pianists of Minuet from Orchestral Suite No. 2 in B Minor (BWV 1067) by Johann Sebastian Bach. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. Step into the graceful world of Johann Sebastian Bach's Minuet from Orchestral Suite No. 2 in B Minor with my meticulously designed easy-level piano sheet music. Crafted specifically for beginner pianists, this sheet music allows you to explore the beauty and elegance of this iconic composition from the Baroque era. Unlock the enchanting melodies and harmonies of the Minuet, as you embark on a musical journey filled with joy and discovery. With clear and precise fingering suggestions, you'll navigate the piece with confidence, enabling you to focus on the expressive qualities of the music. Immerse yourself in the nuances of the composition with detailed articulation markings that guide you in shaping each phrase with clarity and precision. These markings provide valuable insights into Bach's artistic intentions, allowing you to convey the essence of the Minuet. Elevate your performance with precise dynamics markings, enabling you to create subtle variations in volume and intensity. These dynamics add depth and emotion to your interpretation, capturing the true spirit of the music. As an added bonus, this sheet music package includes a video YouTube tutorial, where you can learn from an experienced pianist as they unravel the intricacies of the Minuet from Orchestral Suite No. 2 in B Minor. Gain valuable insights, tips, and techniques that will refine your playing and enhance your musicality. Embrace the joy of playing classical music on the piano as you explore the timeless compositions of Johann Sebastian Bach. This easy-level sheet music serves as a stepping stone for beginners, allowing you to develop your skills while immersing yourself in the beauty of the Minuet. Indulge in the music of the Baroque era, discovering the intricate melodies and harmonies that have captivated audiences for centuries. Expand your repertoire and embark on a musical journey filled with passion and inspiration. Keywords: Minuet, Orchestral Suite No. 2 in B Minor, Johann Sebastian Bach, sheet music, piano, easy level, beginner, fingering, articulation, dynamics, video tutorial, music, Baroque era, notes, pianists, classical music, composition, tutorial, melodies, harmonies, gracefulness.
$3.00
Concerto for 4 Violins in B Minor “L'Estro Armonico” (EASY PIANO) Op. 3, No. 10, I. Allegro (RV 580)
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Piano Facile
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FACILE
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Classique
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Antonio Vivaldi
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Darek
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Concerto for 4 Violins in B Mi
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1272790 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 3 pages. Darek #...
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Easy Piano - Level 2 - SKU: A0.1272790 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 3 pages. Darek #864987. Published by Darek (A0.1272790). Concerto for 4 Violins in B Minor “L'Estro Armonico†(EASY PIANO) Op. 3, No. 10, I. Allegro (RV 580) [Antonio Vivaldi]Simplified arrangement for pianists of Concerto for 4 Violins in B Minor “L'Estro Armonico†Op. 3, No. 10, I. Allegro (RV 580) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard |  For Novice Pianists. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Embrace the timeless allure of classical music with my handpicked selection of easy piano sheet music, perfectly tailored for beginner pianists. Immerse yourself in the mesmerizing Concerto for 4 Violins in B Minor (RV 580) from L'Estro Armonico Op. 3, No. 10, composed by Antonio Vivaldi, a true masterpiece from the Baroque era. Explore the beauty of this concerto with my sheet music, thoughtfully prepared with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the expressive and lively spirit of the Allegro as you effortlessly master each note. To elevate your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's genius. Whether you're a novice seeking an exciting challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano lovers. Embrace the magic of Vivaldi's Concerto and transport yourself to the captivating era of Baroque music. Keywords: easy piano sheet music, beginner pianists, Concerto for 4 Violins, B Minor, Allegro, RV 580, L'Estro Armonico, Op. 3, No. 10, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, expressive, classical music, genius, harmonious, repertoire, melodies.
$4.00
Badinerie (EASY PIANO) Orchestral Suite No. 2 in B Minor [Johann Sebastian Bach]
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Piano Facile
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FACILE
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Classique
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Johann Sebastian Bach
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Darek
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Badinerie
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1261966 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 3 pages. Darek #85505...
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Easy Piano - Level 2 - SKU: A0.1261966 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 3 pages. Darek #855051. Published by Darek (A0.1261966). Badinerie (EASY PIANO) Orchestral Suite No. 2 in B Minor [Johann Sebastian Bach]Simplified arrangement for pianists of Badinerie Orchestral Suite No. 2 in B Minor by Johann Sebastian Bach. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. Step into the lively world of Johann Sebastian Bach's Badinerie from the Orchestral Suite No. 2 in B Minor, now available in an easy-level piano sheet music arrangement for beginner pianists. Let the playful and spirited melodies of this beloved composition ignite your passion for music and transport you to the illustrious Baroque era. With my meticulously crafted sheet music, you will find yourself effortlessly navigating through the intricacies of this delightful piece. Each note is carefully accompanied by fingering suggestions, ensuring that your hands glide smoothly across the keys, bringing out the infectious energy of the music. Capture the essence of the composition with detailed articulation markings, guiding you to shape each phrase with precision and grace. Explore the full range of dynamics, as meticulously notated, allowing you to infuse the piece with the vibrant and expressive qualities it demands. As a valuable addition to this package, I have included a YouTube tutorial video that provides comprehensive guidance, tips, and demonstrations. This visual aid will empower you to master the intricacies of Badinerie at your own pace, ensuring a rewarding learning experience. Designed specifically for beginner pianists, this sheet music offers an accessible entry point into the enchanting world of Bach's compositions. Embrace the challenge, and revel in the satisfaction of conquering a piece from the renowned composer's repertoire. Join the community of aspiring pianists who have chosen to embark on this musical adventure. Whether you are a beginner yearning for an exciting new piece or an intermediate player seeking to expand your repertoire, this sheet music will undoubtedly captivate and inspire. Unleash your creativity and let the spirited rhythms of Badinerie fill your surroundings. Transport yourself to a bygone era while honing your skills as a pianist. Don't miss the opportunity to add this iconic composition to your repertoire and delight audiences with your captivating performance. Keywords: Badinerie, Orchestral Suite No. 2 in B Minor, Johann Sebastian Bach, piano sheet music, easy level, beginner pianists, fingering, articulation, dynamics, YouTube tutorial, Baroque era, music, pianists, composition, repertoire, musical adventure, playful melodies, spirited rhythms.
$3.00
Are Ye Able? Said the Master
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Words: Earl B
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Lyndell Leatherman
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Are Ye Able? Said the Master
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Leatherman Music Services
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SheetMusicPlus
Composed by Words: Earl B. Marlett / Tune: BEACON HILL, by Harry S. Mason. Arranged by Lyndell Leatherman. Christian, Sacred. Score. 2 pages. Leatherm...
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Composed by Words: Earl B. Marlett / Tune: BEACON HILL, by Harry S. Mason. Arranged by Lyndell Leatherman. Christian, Sacred. Score. 2 pages. Leatherman Music Services #5986743. Published by Leatherman Music Services
$3.99
Hymntime Piano Book #2 Children's Piano
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Fred Bock
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Hymntime Piano Book #2 Childre
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Fred Bock Music Company
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SheetMusicPlus
SKU: HL.8738365 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Children, General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0837...
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SKU: HL.8738365 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Children, General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0837. Published by Fred Bock Music Company (HL.8738365). ISBN 9780634011856. UPC: 073999383652. 12.0x9.0x0.105 inches.Continuing where Book 1 leaves off, Book 2 covers many of the early problems encountered by the young pianist. Dotted rhythms are effectively taught through familiar titles that the pianist will love to play. Again, a listing of problems and correlating pieces is provided for the teacher's convenience.
Song List
: Christ the Lord Is Risen Today (Lyra Davidica) Just As I Am (William B Bradbury) Onward, Christian Soldiers (A Sullivan) What A Friend We Have in Jesus (C Converse) Savior, Like A Shepherd Lead Us (Thrupp/Bradbury) For the Beauty of the Earth (F. Pierpoint/C. Kocher) Faith of Our Fathers (F. Faber) The B-I-B-L-E Jesus Loves the Little Children (Geo. Root) Spirit of God, Decend Upon My Heart (F Atkinson) Away in A Manger (M Luther/C Muller) Blest Be the Tie That Binds (J Naegeli) All the Happy Children (F Dillingham/F Havergal) America (Sam Smith) I'll Be A Sunbeam (N Talbot/E Excell) Why Not I? (S Ford/J Peterson) Sun of My Soul (K Keble/P Ritter) Wonderful Words of Life (P Bliss) DOXOLOGY, THE (T KEN/L BOURGEOIS) CREED, A (J PETERSON)
$5.95
Titanium - David Guetta and Sia (SSAA)
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Chorale SSAA
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FACILE
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Pop musique
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David Guetta and Sia
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Rebecca (Boo) de Bruin
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Titanium - David Guetta and Si
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Rebecca de Bruin
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SheetMusicPlus
Barbershop Quartet - Early Intermediate - Digital Download By David Guetta and Sia. Arranged by Rebecca (Boo) de Bruin. Score. 16 pages. Published by...
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Barbershop Quartet - Early Intermediate - Digital Download By David Guetta and Sia. Arranged by Rebecca (Boo) de Bruin. Score. 16 pages. Published by Rebecca de Bruin
Words and Music by David Guetta, Sia Furler, Giorgio Tuinfort and Nik Van De Wall. Arranged in 2017 by Boo de Bruin. 16 pages (because it's written on four staves for ease of reading) for Sweet Adelines (ladies' barbershop) quartet or SSAA choir. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).
This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow.
Vocal ranges are:
Tenor: F#4 - F#5 (F# above middle C to F# above high C)
Lead: A#3 - D#5 (A# below middle C to D# above high C)
Baritone: A#3 - B4 (A# below middle C to B above middle C)
Bass: F#3 - D#4 (F# below middle C to D# above middle C)
Attached recording provided by Helen Warner.
$1.99
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
TRUE AND GENTLE (Piano/ Vocal)
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Piano, Voix
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INTERMÉDIAIRE
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ROBERT VAN HORNE
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TRUE AND GENTLE
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1299409 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Broadway,Contemporary,Early Music,Film/TV,Musical/Show,Singer/So...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1299409 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Broadway,Contemporary,Early Music,Film/TV,Musical/Show,Singer/Songwriter. Score. 9 pages. White Piano International Publishing #889267. Published by White Piano International Publishing (A0.1299409). TRUE AND GENTLE (Piano/Vocal) by ROBERT VAN HORNE9 pagesTRUE AND GENTLE was originally composed as an intermediate piano solo in 2014. Currently, TRUE AND GENTLE (Piano Solo) is published with SHEET MUSIC PLUS and SHEET MUSIC DIRECT. In 2016, Robert wrote lyrics to this song. The words tell of a woman he has dreamed about and imagined: a “True and Gentle Lady.â€Â This song, crafted with tender care, beautifully captures the essence of true love and gentle emotions. The words add a meaningful connection to this memorable and enchanting melody. Robert considers it one of the most beautiful and romantic songs he has ever written. The Piano/Vocal Sheet Music of TRUE AND GENTLE  features a clearly published piano accompaniment, suggested piano fingerings with a vocal part and chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance.TRUE AND GENTLE is a song that will entertain audiences at concerts and recitals and could even be used as a theme for a television show or movie production.The original key is B Flat and E Flat. The mp3 example is performed and sung by Robert in the key of G and C. A 2015 YouTube performance of Robert playing TRUE AND GENTLE (Piano Solo) is available at: http://youtu.be/4gShVmgEzWsRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Sussex Carol - Duet for Flute and Clarinet
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Flûte, Clarinette (duo)
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FACILE
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Noël
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Traditional English Carol
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Dennis Ruello
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Sussex Carol - Duet for Flute
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Chicory Music
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SheetMusicPlus
B-Flat Clarinet,Flute,Instrumental Duet - Level 2 - SKU: A0.1114464 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,...
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B-Flat Clarinet,Flute,Instrumental Duet - Level 2 - SKU: A0.1114464 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Religious,Traditional. 4 pages. Chicory Music #716347. Published by Chicory Music (A0.1114464). The Sussex Carol is a Christmas carol popular in Britain, sometimes referred to by its first line On Christmas night all Christians sing. Its words were first published by Luke Wadding, a 17th-century Irish bishop, in a work called Small Garland of Pious and Godly Songs (1684). It is unclear whether Wadding wrote the song or was recording an earlier composition. This Flute and Clarinet Duet is arranged at the Early Intermediate Level in the woodwind friendly key of F Major. Performance Time: Approx. 2 minutes.
$3.99
Sussex Carol - Duet for Clarinet and Soprano Saxophone
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Noël
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Traditional English Carol
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Dennis Ruello
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Sussex Carol - Duet for Clarin
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Chicory Music
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1117621 Composed by Traditional English Carol. Arranged by Den...
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Instrumental Duet B-Flat Clarinet,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1117621 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christian,Christmas,Folk,Holiday,Traditional. Score and parts. 4 pages. Chicory Music #719164. Published by Chicory Music (A0.1117621). The Sussex Carol is a Christmas carol popular in Britain, sometimes referred to by its first line On Christmas night all Christians sing. Its words were first published by Luke Wadding, a 17th-century Irish bishop, in a work called Small Garland of Pious and Godly Songs (1684). It is unclear whether Wadding wrote the song or was recording an earlier composition. This Clarinet and Soprano Saxophone Duet is arranged at the Early Intermediate Level in the woodwind friendly key of F Major. Performance Time: Approx. 2 minutes.
$3.99
Quick March 'Beltane Fantasia'
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Graham Hamilton
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Quick March 'Beltane Fantasia'
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1440634 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 57 pages. Hambone Music #1020610. Published by Hambone Music (A0.1440634). The final movement of the 'Peebles Beltane Festival Suite' is rousing quick march, based upon the traditional Beltane Festal Song theme from the small town of Peebles in the Scottish Borders. The Beltane Fetstival which is celebrated every year has been going for almost 200 years.The words to the traditional festal song are:At Beltane in the aulden time, it was the custom gay, To gather on the village green and hail the festal day,Huntsman gallant and sheperds grey, dought and blythsome men,And Lassies blooming fresh and fair cam liltin’ doon the glen,Through the greenwood haste away,... Sing aloud the festal lay,Busk the the Beltane banner gay, to Peblis and the play.Auld Neidpath, grim and grey wi’ years, looks doon wi war-scarred face,And sentinels our royal toun wi’ majesty and grace,Loyal sons of a fearless race, gather we here today,And sing the auld-warld round-e-lay of ‘Peblis to the Play’,Wave the Beltane banner high,Ring the anthem to the sky,While our silver stream rolls by,The Tweeddale glen for aye.Across the wild foam-crested wave, in distant lands of fame,The exile oft wi’ pride recalls the dear auld Border hame,And while we crown our Beltane queen, ‘mid flaming skies of June,We pledge the leal hearts far a-wa and lilt our festal tune,Honour is our watchword clear,Truth our dauntless halberdier,Liberty’s our heralds cheer,Long live our Beltane Queen.
$29.99
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Words: Earl B
