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The scientist
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The Scientist
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521810 By Coldplay. By Chris …
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String Orchestra - Level 3 - Digital Download SKU: A0.521810 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Sherry Lewis. Film/TV. Score and Parts. 19 pages. Sherry Lewis Publishing #6491051. Published by Sherry Lewis Publishing (A0.521810). THE SCIENTIST String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 10 pages Time:4'20 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.95 €
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Orchestre à Cordes
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Coldplay
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Sherry Lewis
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https://www
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The Scientist
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Sherry Lewis Publishing
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SheetMusicPlus
The Scientist
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1083563 By Coldplay. By Chris Marti…
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Piano Solo - Level 2 - Digital Download SKU: A0.1083563 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Antje Günther. Film/TV,Hip-Hop,New Age,Pop,R & B,Rock. Score. 2 pages. Antje Guenther #687766. Published by Antje Guenther (A0.1083563). This is an easy arrangement for solo piano. The tutorial is on YT (see link below).
$6.99
6.43 €
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Piano seul
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Coldplay
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Antje Günther
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The Scientist
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Antje Guenther
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SheetMusicPlus
The Scientist
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1315834 By Coldplay. By Chris Marti…
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Easy Piano - Level 1 - Digital Download SKU: A0.1315834 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Claire Summerbell. 21st Century,Instructional,Pop,Singer/Songwriter. Score. 2 pages. Claire Summerbell #904609. Published by Claire Summerbell (A0.1315834). This easy piano arrangement of 'The Scientist' from ColdPlay's 2002 album 'A Rush Of Blood To The Head' is written for those looking for simple pop piano arrangements to play. It is suitable for UK Grade 1-2 level.Claire Summerbell is a London-based clarinetist, educator, composer and arranger. Although she specialises in writing intermediate jazz clarinet duets through her website Clarisheets, she also enjoys arranging and composing for piano. #coldplay #thescientist.
$4.99
4.59 €
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Piano Facile
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Coldplay
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Claire Summerbell
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The Scientist
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Claire Summerbell
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.08 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.59 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
The Scientist
Chorale 3 parties
Choral Choir,Choral (SSA) - Digital Download SKU: A0.1365457 By Coldplay. By Chris …
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Choral Choir,Choral (SSA) - Digital Download SKU: A0.1365457 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Joanna Eames. 21st Century,Contemporary,Pop. 12 pages. Joanna Eames #949784. Published by Joanna Eames (A0.1365457). Arrangement of the Coldplay song The Scientist, for a three-part community choir (SSA or SAT).S2 enjoys the tune in the verses - ensure S1 and A keep their notes sustained and breathy, with clear consonants at the end of the phrases. The tune then moves into S1 - work on the dynamics here for an effective build to the end of each chorus.As with all my arrangements, you can perform with the written piano part, or switch it out for a karaoke backing track or live band.
$1.99
1.83 €
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Chorale 3 parties
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Coldplay
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Joanna Eames
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The Scientist
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Joanna Eames
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SheetMusicPlus
The Scientist
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1085300 By Coldplay. By Chris Marti…
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Piano Solo - Level 2 - Digital Download SKU: A0.1085300 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by FakebookGuy. Pop. Score. 2 pages. Fakebook Guy #689443. Published by Fakebook Guy (A0.1085300). Discover the ultimate collection of high-quality sheet music for all your musical needs! Our sheet music is carefully crafted to bring you the best in notation and layout, so you can play your favorite tunes with confidence and ease.With our sheet music, you'll enjoy exceptional detail and clarity in every note and chord, ensuring that you can play with accuracy and precision. Our sheet music is designed with the musician in mind, with a clean, easy-to-read layout that makes it simple to follow along and practice.Whether you're a beginner or an experienced musician, our sheet music is perfect for anyone who wants to improve their skills and enjoy the full expression of their musical talents. So why wait? Order your sheet music today and start playing like a pro!
$5.00
4.6 €
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Piano seul
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Coldplay
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FakebookGuy
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The Scientist
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Fakebook Guy
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SheetMusicPlus
The Scientist
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1085555 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by FakebookGuy. Pop,Wedding. Score and parts. 4 pages. Fakebook Guy #689721. Published by Fakebook Guy (A0.1085555). Discover the ultimate collection of high-quality sheet music for all your musical needs! Our sheet music is carefully crafted to bring you the best in notation and layout, so you can play your favorite tunes with confidence and ease.With our sheet music, you'll enjoy exceptional detail and clarity in every note and chord, ensuring that you can play with accuracy and precision. Our sheet music is designed with the musician in mind, with a clean, easy-to-read layout that makes it simple to follow along and practice.Whether you're a beginner or an experienced musician, our sheet music is perfect for anyone who wants to improve their skills and enjoy the full expression of their musical talents. So why wait? Order your sheet music today and start playing like a pro!
$15.00
13.8 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Coldplay
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FakebookGuy
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The Scientist
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Fakebook Guy
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SheetMusicPlus
The Spirits of Cahuachi - Score Only
Large Ensemble - Level 5 - Digital Download SKU: A0.1088411 Composed by Antonio Ger…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1088411 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 20 pages. Antonio Gervasoni #692676. Published by Antonio Gervasoni (A0.1088411). Single-movement work for 10 musicians. This piece is inspired by the reading of the book 'Behind the Silence: Music in the Nasca Culture', by the Polish scientist Anna Gruszczyńska-Ziółkowska, which describes the discovery, in 1994, of several antaras (Andean pan flutes) made of clay in a temple in the city of Cahuachi, the political and cultural center of the Nasca culture. The book includes tables with the exact tones that each tube is capable of producing. The Spirits of Cahuachi uses these tones, i.e. their approximate counterpart in our modern tuning system, treating them in different ways, sometimes as chords, sometimes as scales, sometimes as pitch-class sets, fragmenting the sets, and then overlapping the resulting groups, etc. Of course, there is no intention to produce something that resembles the music of the ancient Nasca inhabitants. We don't know anything about their music. None of it has survived with the exception of these tones, these 'spirits' contained in the pipes of the antaras discovered in Cahuachi.
$6.99
6.43 €
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Antonio Gervasoni
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The Spirits of Cahuachi - Score Only
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Antonio Gervasoni
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SheetMusicPlus
The Scientist
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.919662 By Coldplay. By Chris Martin…
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Piano Solo - Level 3 - Digital Download SKU: A0.919662 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Danilo Andrade. Pop,Rock. Score. 6 pages. Danilo Andrade #6385207. Published by Danilo Andrade (A0.919662). It's a clear and complete piano arrangement of the full song. With this sheet music, intermediate piano students can play The Scientist by Coldplay on piano! Your right hand plays the melody along with the chords, so it makes for a perfect piano solo cover with or without a singer. The Scientist is a song composed by Coldplay for their 2002 album A Rush of Blood to the Head (their second studio album). I hope you enjoy it.
$5.99
5.51 €
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Piano seul
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Coldplay
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Danilo Andrade
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arrangement of the full song
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The Scientist
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Danilo Andrade
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SheetMusicPlus
The Scientist
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809437 By Coldplay. By Chris…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809437 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Academia Unimusica. Film/TV. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265693. Published by Unimusic Academy (Academia Unimusica) (A0.809437). The Scientist is a song by British rock band Coldplay. The song was written collaboratively by all the band members for their second album, A Rush of Blood to the Head. It is built around a piano ballad, with lyrics telling the story about a man's desire to love and an apology. The song was released in the United Kingdom on 4 November 2002 as the second single from A Rush of Blood to the Head and reached number 10 in the UK Charts. It was released in the United States on 15 April 2003 as the third single and reached number 18 on the US Billboard Modern Rock Tracks chart and number 34 on the Adult Top 40 chart. Critics were highly positive towards The Scientist and praised the song's piano ballad and falsetto. Several remixes of the track exist, and its riff has been widely sampled. The single's music video won three MTV Music Video Awards, for the video's use of reverse narrative. The song was also featured on the band's 2003 live album Live 2003 and has been a permanent fixture in the band's live set lists since 2002.
$8.00
7.36 €
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Piano, Voix
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Coldplay
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Academia Unimusica
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The Scientist
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Unimusic Academy
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SheetMusicPlus
The Scientist
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1166868 By Coldplay. By Chris Marti…
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Easy Piano - Level 2 - Digital Download SKU: A0.1166868 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dennis Cheng. Instructional,Pop,Rock. Score. 3 pages. Dennis Cheng #767245. Published by Dennis Cheng (A0.1166868). Easiest version of The Scientist by Coldplay that will sound accurate to the real song with a melody and harmony. Easy arrangement for the beginner to early intermediate level piano player.Ideal for teaching the adult beginner learner. Knowledge of ties, ottava, triads are useful. Learn piano online from the arranger: https://www.thekeyspacenj.com/Arranger's channel: https://www.youtube.com/user/dc24fly.
$4.99
4.59 €
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Piano Facile
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Coldplay
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Dennis Cheng
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The Scientist
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Dennis Cheng
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SheetMusicPlus
The Scientist
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.878453 By Coldplay. By Chris Martin…
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Piano Solo - Level 1 - Digital Download SKU: A0.878453 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Rimskyfarby. Rock. Score. 3 pages. Rimskyfarb #2845903. Published by Rimskyfarb (A0.878453). An easy arrangement using simple chord shapes. A great performance work for young players...they all love playing this piece. The Scientist is the second single from British alternative rock band Coldplay's second studio album, A Rush of Blood to the Head (2002). The song was written collaboratively by all the band members for the album. It is built around a piano ballad, with its lyrics telling the story about a man's desire to love and an apology.
$4.99
4.59 €
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Piano seul
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Coldplay
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Rimskyfarby
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The Scientist
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Rimskyfarb
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SheetMusicPlus
The Scientist
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.9…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.934763 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James Cox. Rock. Score and parts. 10 pages. James Cox #4267633. Published by James Cox (A0.934763). Title:   The ScientistDuration: 5 minutes (with repeats)This arrangement provides a fantastic arrangement of Coldplay's The Scientist for string quartet. This simple yet effective arrangement could be used in a stand alone context, as part of a wedding ceremony or other celebration. It could easily be incorporated into a school concert.Facebook: https://www.facebook.com/jamescoxmusicWebsite: https://www.jamescoxmusic.co.uk/
$12.99
11.95 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Coldplay
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James Cox
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The Scientist
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James Cox
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SheetMusicPlus
#WeToo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.83 €
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Chorale SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
The Scientist
Small Ensemble Guitar,Piano,Ukulele,Voice - Digital Download SKU: A0.858288 By Cold…
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Small Ensemble Guitar,Piano,Ukulele,Voice - Digital Download SKU: A0.858288 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Stephen Bulat. Rock. Score and parts. 3 pages. Stephen Bulat Publishing #3885669. Published by Stephen Bulat Publishing (A0.858288). Lead sheet (melody, lyrics & chords) of the pop hit by Coldplay. This arrangement has been gig-tested and has a very easy to follow roadmap with all essential cues and rehearsal markings throughout. Please click on publisher to view this song in other keys as well as to purchase other easy to follow charts to add to your modern day gig book.
$4.99
4.59 €
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Coldplay
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Stephen Bulat
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The Scientist
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Stephen Bulat Publishing
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SheetMusicPlus
The Scientist
Violoncelle, Piano
Instrumental Duet Cello,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.93…
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.935262 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Cristian Ordoñez. Film/TV. Score and parts. 5 pages. Cristian Ordonez #6090883. Published by Cristian Ordonez (A0.935262). The best way to play a song is with these arrangements. I take care of reviewing each note and that it sounds excellent when you play.You can subscribe to my YouTube Channel. https://www.youtube.com/channel/UCuNZR396zEgqdZzBbEzdcIgYou can also get access to my Patreon-only feed supporting my work and be the first to find out when I post new arrangements. https://www.patreon.com/CristianDavid.
$4.99
4.59 €
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Violoncelle, Piano
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Coldplay
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Cristian Ordoñez
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The Scientist
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Cristian Ordonez
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SheetMusicPlus
The Scientist
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1407074 By Coldplay. By Chris Marti…
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Easy Piano - Level 1 - Digital Download SKU: A0.1407074 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Marcia Valéria Rigobello Muraro. Multicultural,Pop,World. Score. 2 pages. Santa Partitura #989774. Published by Santa Partitura (A0.1407074). Easy Piano Sheet Music, to motivate beginning students to continue their studies until performing the original pieces.
$4.99
4.59 €
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Piano Facile
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Coldplay
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The Scientist
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Santa Partitura
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SheetMusicPlus
The Scientist
Orgue
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.505095 By C…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.505095 By Coldplay. This edition: scorch. E-Z Play Today. Pop,Rock. Score. 5 pages. Published by Hal Leonard - Digital (HX.505095). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.75 €
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Orgue
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Coldplay
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The Scientist
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Hal Leonard - Digital
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SheetMusicPlus
Back To The Future
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestr…
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Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99
55.21 €
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Orchestre d'harmonie
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Alan Silvestri
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Graham Boag
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Eric Stoltz was cast instead
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Back To The Future
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Graham Boag
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SheetMusicPlus
The Scientist
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1045339 By Coldplay. By Ch…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1045339 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Brian Buda. Contemporary,Contest,Festival,Jazz,Pop,Rock. Octavo. 11 pages. Budaful music #649915. Published by budaful music (A0.1045339). Originally released in 2002 (!!), The Scientist remains one of ColdPlay's best-loved songs. This arrangement puts a choral twist on the song, starting out melancholy, delaying the iconic piano ballad sound until the 2nd verse, and by the end, goes back to the start. The key has been lowered to better fit into the choral ranges. A 4-page choral part is included with this to help cut down on page turns and save on printing costs.
$2.50
2.3 €
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Chorale SATB
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Coldplay
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Brian Buda
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The Scientist
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budaful music
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SheetMusicPlus
The Scientist
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1196349 By Coldplay. By Chris Marti…
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Piano Solo - Level 2 - Digital Download SKU: A0.1196349 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Eduardo Barros. Multicultural,Pop,Rock,World. Score. 2 pages. Eduardo Barros #795505. Published by Eduardo Barros (A0.1196349). This arrangement of The Scientist has been made by the pianist Eduardo Barros, for a solo piano performance. Ideal for pianists at the easy intermediate level, using the melody in the right hand and the accompaniment in arpeggios made by the left hand.
$6.99
6.43 €
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Piano seul
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Coldplay
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Eduardo Barros
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The Scientist
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Eduardo Barros
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SheetMusicPlus
The Scientist
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1260074 By Coldplay. By Chris Marti…
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Easy Piano - Level 1 - Digital Download SKU: A0.1260074 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Eduardo Barros. Multicultural,Pop,Singer/Songwriter,World. Score. 2 pages. Eduardo Barros #853311. Published by Eduardo Barros (A0.1260074). This arrangement of The Scientist has been made by the pianist Eduardo Barros, for easy piano solo performance. Ideal for pianists at the easy level, using the melody in the right hand and the accompaniment in simple arpeggios made by the left hand.
$5.99
5.51 €
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Piano Facile
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Coldplay
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Eduardo Barros
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The Scientist
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Eduardo Barros
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SheetMusicPlus
The Scientist
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1383420 By Coldplay. By Chris Marti…
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Easy Piano - Level 1 - Digital Download SKU: A0.1383420 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Rene Alves. Contemporary,Multicultural,Pop,Rock,Wedding,World. Score. 2 pages. Rene Alves #967860. Published by Rene Alves (A0.1383420). Piano sheet music for the beginning musician of the song The Scientist - coldplay. The sheet music is large, great for reading on tablets.
$6.00
5.52 €
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Piano Facile
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Coldplay
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Rene Alves
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The Scientist
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Rene Alves
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SheetMusicPlus
O CIENTISTA - The Scientist
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 4 - Digital Download SKU: A0.836840 Composed by GIL…
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Baritone Saxophone Solo - Level 4 - Digital Download SKU: A0.836840 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Latin,Standards. Individual part. 8 pages. Gilson Santos #5733277. Published by Gilson Santos (A0.836840). The Scientist - for Solo Baritone Saxophone. Piece dedicated to the Brazilian Saxophonist Daniel Freire, friend of the Master's course at the University of Rio de Janeiro.
$9.99
9.19 €
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Saxophone (partie séparée)
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GILSON SANTOS
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O CIENTISTA - The Scientist
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Gilson Santos
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SheetMusicPlus
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