Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Saint-Saëns (Saint Saens), Camille
Non classifié
154
Piano & claviers
Piano seul
68
Piano, Voix
60
Accordéon
12
Piano Facile
9
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue
3
Piano, Voix et Guitare
3
1 Piano, 4 mains
3
Piano (partie séparée)
2
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
Instruments en Do
1
+ 8 instrumentations
Retracter
Guitares
Guitare
3
2 Guitares (duo)
2
Guitare notes et tablatures
1
Voix
Chorale SATB
21
Chorale 3 parties
4
Chorale TTBB
2
Chorale SSAA
1
Voix duo, Piano
1
Vents
Quatuor de Saxophones: 4 saxophones
33
Flûte traversière et Piano
29
2 Saxophones (duo)
24
Clarinette et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
3 Saxophones (trio)
17
Clarinette
16
Flûte, Hautbois, Clarinette, Basson
14
Hautbois, Piano (duo)
14
Saxophone Alto et Piano
14
Quintette de Saxophone: 5 saxophones
12
Flûte traversière
12
Saxophone Tenor et Piano
11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Baryton, Piano
9
Saxophone Soprano et Piano
9
2 Flûte à bec (duo)
8
3 Clarinettes (trio)
7
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
7
2 Hautbois (duo)
6
5 Flûtes à bec
6
Saxophone Tenor
6
Quatuor de Flûtes à bec
6
Saxophone Alto
6
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes : 4 flûtes
5
Cor anglais, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Piano (trio)
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
4
Hautbois
4
Ensemble de saxophones
3
Ensemble de Clarinettes
3
Flûte à Bec
2
3 Flûtes à bec (trio)
2
Flûte et Guitare
2
Cor Anglais
2
Ensemble de Flûtes
2
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Soprano
1
Flûte, Clarinette et Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
+ 45 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de cuivres: 4 cors
6
Trombone et Piano
6
Euphonium, Piano (duo)
5
Cor anglais, Piano
5
Trompette, Piano
4
Trombone
4
Cor et Piano
3
Cor
3
Tuba et Piano
3
Trombone basse et Piano
2
Tuba
2
Ensemble de Cors
2
Ensemble de Trompettes
2
Cor Anglais
2
Euphonium
2
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et orchestre
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
25
Violoncelle, Piano
23
Violoncelle
22
Violon
22
Quatuor à cordes: 2 violons, alto, violoncelle
22
Alto, Piano
15
Alto seul
11
2 Violoncelles (duo)
10
2 Violons (duo)
9
2 Altos (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
Trio à cordes: 3 violins
6
4 Violoncelles
6
Violon, Alto (duo)
6
Quatuor à cordes: 4 violons
5
Quatuor à cordes : 4 altos
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Orchestre
6
Ensemble de cuivres
6
Orchestre à Cordes
6
Orchestre de chambre
3
Ensemble Jazz
2
Percussion
2
Orchestre, Violon
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
559
Partitions Numériques
1 150
Librairie Musicale
2 859
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Saint-Saëns (Saint Saens), Camille
Partitions à imprimer
1 150 partitions trouvées
<
1
26
51
....
1126
Saint-Saëns (Saint Saens) Cavatine for Trombone and Orchestra
#
Trombone et orchestre
#
AVANCÉ
#
Classique
#
Saint-Saëns
#
Coy, Benjamin
#
Saint-Saëns
#
Cherry Classics Music
#
SheetMusicPlus
Trombone and Orchestra - Advanced - Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Coy, Benjamin. Romantic Period. Score, Set of P...
(+)
Trombone and Orchestra - Advanced - Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Coy, Benjamin. Romantic Period. Score, Set of Parts, Solo Part. 79 pages. Published by Cherry Classics Music
Cavatine, Opus 144 is a true Romantic solo work for the Trombone. This arrangement for full orchestra by Benjamin Coy is a pleasure to perform with its sweeping, majestic phrases, sweet and elegant middle section and dramatic conclusion.For advanced performers, the 6-minute work is a great showpiece to feature your Trombone soloist.Instrumentation:Solo Trombone, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons2 Horns, 2 Trumpets in B-flat, 3 Trombones, Tuba, Timpani, PercussionStrings and Full Score.
$125.00
Le Cygne (The Swan) / Camille Saint-Saëns
#
2 Flûtes traversières (duo)
#
INTERMÉDIAIRE
#
Camille Saint-Saens
#
Kan Saito / Japan Duo Notes
#
Le Cygne
#
Japan Duo Notes
#
SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classic...
(+)
Flute Duet Flute - Level 3 - SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV. Score. 2 pages. Japan Duo Notes #1068411. Published by Japan Duo Notes (A0.1491737). Title: Le Cygne (The Swan) by Camille Saint-Saëns – Flute Duet ArrangementDescription:Immerse yourself in the serene beauty of Camille Saint-Saëns’ Le Cygne (The Swan) with this exquisite flute duet arrangement. Originally composed as part of Le Carnaval des Animaux (The Carnival of the Animals), this iconic piece is known for its graceful melody that evokes the image of a swan gliding gracefully across the water. Perfectly adapted for two flutes, this arrangement captures the tranquil elegance and emotional depth of Saint-Saëns’ beloved work.Key Features:Composer: Camille Saint-SaënsArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet version of Le Cygne showcases the beautiful lyrical qualities of the flute, with both parts engaging in expressive and melodic interplay. Ideal for both performance and teaching, this arrangement is perfect for musicians looking to explore the delicate artistry of Saint-Saëns’ composition.Why Choose This Arrangement?Iconic Melody: Enjoy one of classical music’s most recognizable and beautiful pieces in a new flute duet adaptation.Versatile Performance: Suitable for recitals, concerts, and special occasions, offering a peaceful and lyrical moment in any program.Expressive and Accessible: Designed for intermediate flutists, allowing performers to engage with the emotional depth of the piece while refining their expressive techniques.Enhance your flute repertoire with this refined arrangement of Le Cygne by Camille Saint-Saëns. Its serene melody and flowing lines make it a timeless favorite for both performers and audiences alike.Keywords: Camille Saint-Saëns, Le Cygne, The Swan, flute duet, flute sheet music, classical music, intermediate flute music, Saint-Saëns arrangements, lyrical flute duet, recital music, chamber music.
$4.99
Saint-Saëns: The Swan for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
(+)
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
(+)
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Clarinette Basse
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
(+)
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
(+)
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
(+)
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
(+)
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Danse Macabre by Camille Danse Macabre by Camille Saint-Saëns
#
Classique
#
Halloween
#
Camille Saint-Saens
#
Rika K
#
Danse Macabre by Camille Danse
#
Rika K.
#
SheetMusicPlus
Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1478860 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Cent...
(+)
Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1478860 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 5 pages. Rika K. #1056184. Published by Rika K. (A0.1478860). Step into the mysterious and captivating world of Camille Saint-Saëns' Danse Macabre with our exclusive sheet music arrangement, wrote for Flute and Bassoon Duet with Piano.Originally composed in 1874, Danse Macabre vividly depicts the medieval legend of Death summoning the dead to dance at midnight on Halloween. Saint-Saëns' evocative score weaves haunting melodies with lively rhythms, creating a vivid musical narrative that entrances listeners with its eerie allure and supernatural charm.Whether for performances at themed events, educational settings exploring musical storytelling, or professional seeking to showcase the rich tapestry of classical repertoire, this adaptation ensures accessibility without compromising the intricate beauty and thematic depth of Danse Macabre.Embrace the allure of Saint-Saëns' masterwork, delve into its narrative richness, and experience the thrill of bringing its chilling melodies to life. Expand your musical repertoire and capture the imagination with our essential sheet music arrangement of Danse Macabre – available now to enrich your musical journey.Don’t miss your chance to summon the magic of this timeless composition – secure your copy today!
$5.99
Tollite Hostias - Camille Saint-Saëns - for Men’s Choir TTBB
#
Chorale TTBB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514381 Composed by Camille Saint-Saens. Arranged by L. Müller. 19th Century,Christmas,Classical,...
(+)
Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514381 Composed by Camille Saint-Saens. Arranged by L. Müller. 19th Century,Christmas,Classical,Religious,Sacred. 16 pages. Müller Publishing company #1088864. Published by Müller Publishing company (A0.1514381). Tollite hostias - Camille Saint-Saëns - for Men’s Choir TTBBExperience the sublime beauty of “Tollite hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns in this magnificent arrangement by L. Müller for Men’s Choir TTBB. Known for its joyful and spiritual celebration, “Tollite hostias” exudes joy and reverence, now splendidly adapted for male vocal harmonies. This version captures the triumphant and uplifting spirit of the original, bringing to life the richness of vocal harmonies. Perfect for concert performances, recitals, and sacred services, this piece will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional rendition.
$2.99
Tollite Hostias - Camille Saint-Saëns - for Men’s Choir TTBB A Cappella
#
Chorale TTBB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514383 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514383 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 5 pages. Müller Publishing company #1088867. Published by Müller Publishing company (A0.1514383). Tollite hostias - Camille Saint-Saëns - for Men’s Choir TTBB A CappellaExperience the sublime beauty of “Tollite hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns in this magnificent a cappella arrangement by L. Müller for Men’s Choir TTBB. Known for its joyful and spiritual celebration, “Tollite hostias” exudes joy and reverence, now splendidly adapted for male vocal harmonies without instrumental accompaniment. This version captures the triumphant and uplifting spirit of the original, bringing to life the richness of vocal harmonies. Perfect for concert performances, recitals, and sacred services, this piece will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional a cappella rendition.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual version
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514739 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514739 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 5 pages. Müller Publishing company #1089230. Published by Müller Publishing company (A0.1514739). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual versionExperience the pure vocal beauty of “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this stunning a cappella arrangement for SATB in F Major with bilingual lyrics by L. Müller. This version, featuring both English and Latin lyrics, emphasizes the rich and harmonious vocal lines, making it perfect for sacred services, concerts, and recitals. This arrangement will bring a timeless elegance to your choir’s performances, highlighting the spiritual and joyful essence of Saint-Saëns’ masterpiece.
$2.99
Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - with Optional Accompaniment
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Bring Forth Your Offerings
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514735 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514735 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089227. Published by Müller Publishing company (A0.1514735). Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment Bring the festive and spiritual celebration of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, to your choir with this versatile arrangement for SATB in G Major with optional piano and English lyrics by L. Müller. Titled “Bring Forth Your Offerings”, this version can be performed with or without piano accompaniment, offering flexibility for different performance settings. The triumphant and uplifting nature of this arrangement will add a classic touch to your choir’s repertoire, showcasing the grandeur of Saint-Saëns’ work.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514729 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514729 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089220. Published by Müller Publishing company (A0.1514729). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment Bring the festive and spiritual celebration of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, to your choir with this versatile arrangement for SATB in G Major with optional piano by L. Müller. Featuring the original Latin lyrics, this version can be performed with or without piano accompaniment, offering flexibility for different performance settings. The triumphant and uplifting nature of this arrangement will add a classic touch to your choir’s repertoire, showcasing the grandeur of Saint-Saëns’ work.
$2.99
Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - with Optional Accompaniment
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Bring Forth Your Offerings
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514734 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514734 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089226. Published by Müller Publishing company (A0.1514734). Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in F Major with Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite Hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in F Major with optional piano and English lyrics by L. Müller. Titled “Bring Forth Your Offerings”, this version offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in G Major
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Bring Forth Your Offerings
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514731 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514731 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 2 pages. Müller Publishing company #1089223. Published by Müller Publishing company (A0.1514731). Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in G MajorImmerse your choir in the celebratory and spiritual essence of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, arranged for SATB in G Major with English lyrics by L. Müller. This version, titled “Bring Forth Your Offerings”, brings out the triumphant and uplifting nature of the piece. Ideal for a variety of performances, this arrangement will enhance your choir’s repertoire with its beautiful harmonies and celebratory tone. Let the majestic sounds of Saint-Saëns’ work resonate through your choir’s voices.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major with Optional Accompaniment
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514727 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514727 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089218. Published by Müller Publishing company (A0.1514727). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major with Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite Hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in F Major with optional piano by L. Müller. This version, with its Latin lyrics, offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Tollite hostias - Camille Saint-Saëns - for SATB Choir in F Major
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514723 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514723 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 2 pages. Müller Publishing company #1089214. Published by Müller Publishing company (A0.1514723). Tollite hostias - Camille Saint-Saëns - for SATB Choir in F Major Discover the enchanting beauty of “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this exquisite SATB arrangement in F Major by L. Müller. This version, with its Latin lyrics, brings out the joyous and reverent spirit of the original composition. Ideal for concerts, recitals, and sacred services, this arrangement will elevate your choir’s performance with its rich harmonies and uplifting melodies. Add this timeless classic to your repertoire and let your voices shine with the glory of Saint-Saëns’ masterpiece.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir - Bilingual version - Optional Accompaniment
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514742 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514742 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089233. Published by Müller Publishing company (A0.1514742). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major A capella - Bilingual version - Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in G Major with optional piano and bilingual lyrics by L. Müller. This version, featuring both English and Latin lyrics, offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir - Bilingual version - Optional Accompaniment
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514741 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514741 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089232. Published by Müller Publishing company (A0.1514741). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual version - Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in F Major with optional piano and bilingual lyrics by L. Müller. This version, featuring both English and Latin lyrics, offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major Bilingual version
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite Hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514736 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514736 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 2 pages. Müller Publishing company #1089228. Published by Müller Publishing company (A0.1514736). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major Bilingual versionExperience the best of both worlds with “Tollite Hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this bilingual SATB arrangement in F Major by L. Müller. Featuring both English and Latin lyrics, this version captures the joyous and reverent spirit of the original piece. Perfect for concerts, recitals, and sacred services, this arrangement will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional rendition.
$2.99
Tollite hostias - Camille Saint-Saëns - for SATB Choir in G Major
#
Chorale SATB
#
DÉBUTANT
#
Camille Saint-Saens
#
L
#
Tollite hostias - Camille Sain
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514724 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
(+)
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514724 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 2 pages. Müller Publishing company #1089215. Published by Müller Publishing company (A0.1514724). Tollite hostias - Camille Saint-Saëns - for SATB Choir in G Major Discover the enchanting beauty of “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this exquisite SATB arrangement in F Major by L. Müller. This version, with its Latin lyrics, brings out the joyous and reverent spirit of the original composition. Ideal for concerts, recitals, and sacred services, this arrangement will elevate your choir’s performance with its rich harmonies and uplifting melodies. Add this timeless classic to your repertoire and let your voices shine with the glory of Saint-Saëns’ masterpiece.
$2.99
<
1
26
51
....
1126
Saint-Saëns (Saint Saens), Camille