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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Little Motive
Non classifié
3
Piano & claviers
Piano seul
26
Orgue
2
Piano Trio: piano, violon, violoncelle
1
Guitares
Piano, Guitare (duo)
1
Voix
Chorale SATB
3
Chorale 3 parties
1
Vents
Flûte traversière et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Piano (duo)
2
2 Saxophones (duo)
1
Hautbois (partie séparée)
1
Saxophone et Orgue
1
Quatuor de Saxophones: 4 saxophones
1
+ 2 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Orchestre & Percussions
Orchestre d'harmonie
2
Ensemble Jazz
2
Orchestre
2
Orchestre de chambre
1
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Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Little Motive
Partitions à imprimer
58 partitions trouvées
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Little Motive
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Piano seul
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DÉBUTANT
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Lorraine Milne
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Little Motive
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Pucblished by Lorraine Milne
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.972746 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine ...
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Piano Solo - Level 1 - SKU: A0.972746 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3222551. Published by Pucblished by Lorraine Milne (A0.972746). Little Motive is from a series of 24 piano pieces called The Emerging Pianist. It is for piano students ready to move from beginners stage and looking for something a little more challenging. There are two versions of Little Motive, an Abridged version (single page) and a Full version (double page). The Abridged version could also be used by more advanced pianists for sight-reading practice. This piece is driven by the little motive announced in the first bar. It is heard eleven times in its original form throughout the Full version. In the Full version, a subtle shift of harmony occurs in the answering phrase to the little motive. Refer to and compare bar 2 with bar 28. The Ab tonality of bar 2 becomes Ab7 in bar 28. The accompanying mp3 file is a demo version only.
$5.00
Just Another Night Music (Mozart´s Little Night Music in a Latin Version)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Augustin Lehfuss
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the piece
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Just Another Night Music
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Gustfuss Records
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Contemporary,Jazz. S...
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String Quartet String Quartet - Level 4 - SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Contemporary,Jazz. Score and parts. 23 pages. Gustfuss Records #3036639. Published by Gustfuss Records (A0.876883). This is a „take another crossroad version of Mozart´s famous Little Night Music, written by Austrian Arranger and Composer Augustin Lehfuss – a wild and funny arrangement for string quartet in a unusual latin style. Everybody knows the triad motive at the beginning of Mozart´s original composition, which reappears several times throughout the piece. The idea was, that the performing quartet, while playing the original work of Mozart – tired of always playing the same classical music – „turns left any time the characteristic motive appears, and switches to the latin version which is sold here. Then it runs wild for a while and enjoys Mozart´s theme in a crazy latin style, bevor, finally disciplinized again, finishes in Mozart´s original ending of his „Little Night Music. From the „turn out of Mozart´s original piece until the original ending the latin arrangement lasts about three minutes . For this arrangement starts with the famous triad motive, it can also be played as a stand alone version, though recognizable for the audience. There are phrasings and dynamics indicated in this arrangement, but every quartet should feel free to choose their own phrasings. This arrangement was written for students of a musical university, so it requires a little bit more advanced players – but it should not be taken too serious..visit also the arranger's hompagewww.lehfuss.com Please visit also the arrangers facebook and twitter accounts https://www.facebook.com/pg/Augustin-Lehfuss-Singer-and-Songwriter-694559137266782/about/?ref=page_i..... https://twitter.com/AugustinLehfuss
$11.95
Little Boat, Big Sea
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Piano seul
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Contemporain
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Alice B
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Little Boat, Big Sea
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Alice B. Dearden
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SheetMusicPlus
Piano Solo - SKU: A0.1002993 Composed by Alice B. Dearden. 20th Century,Contemporary. Score. 4 pages. Alice B. Dearden #6588527. Published by Alice B. D...
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Piano Solo - SKU: A0.1002993 Composed by Alice B. Dearden. 20th Century,Contemporary. Score. 4 pages. Alice B. Dearden #6588527. Published by Alice B. Dearden (A0.1002993). Early Advanced -- Will the little boat make it safely back to shore? The sea is depicted through a rolling pattern split between the hands, while a short motive is gradually developed above it.
$3.95
Motivetto in Do Maggiore per Pianoforte Op. 1 No. 2
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Piano seul
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DÉBUTANT
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Giuseppe Corcella
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Motivetto in Do Maggiore per P
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Giuseppe Corcella
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1274279 Composed by Giuseppe Corcella. 19th Century,20th Century,21st Century,Classical. Score. 3 pages. Giuseppe Corcell...
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Piano Solo - Level 1 - SKU: A0.1274279 Composed by Giuseppe Corcella. 19th Century,20th Century,21st Century,Classical. Score. 3 pages. Giuseppe Corcella #866416. Published by Giuseppe Corcella (A0.1274279). A delightful and joyful little piece for piano solo.
$2.50
Have Yourself A Merry Little Christmas
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Piano seul
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INTERMÉDIAIRE
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Noël
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Colbie Caillat
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Laura Sullivan
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Have Yourself A Merry Little C
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Laura Sullivan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1232791 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Laura Sullivan. Christmas,Classical,Film/TV,Histor...
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Piano Solo - Level 3 - SKU: A0.1232791 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Laura Sullivan. Christmas,Classical,Film/TV,Historic,Holiday. Score. 2 pages. Laura Sullivan #828419. Published by Laura Sullivan (A0.1232791). Capture the magical essence of the holiday season with our enchanting solo piano sheet music arrangement of Have Yourself a Merry Little Christmas. This beloved Christmas classic, originally composed by Hugh Martin and Ralph Blane, has been beautifully transcribed for piano, allowing you to bring warmth and joy to your holiday gatherings, recitals, or personal enjoyment.Our meticulously crafted sheet music showcases the timeless melody and heartfelt lyrics that have made this song a cherished holiday favorite for generations. With this arrangement, you can experience the nostalgic charm of Have Yourself a Merry Little Christmas in its purest form, embracing the delicate nuances and emotional depth of the composition.Whether you're an intermediate or advanced pianist, our sheet music caters to your skill level, providing accurate notation and musical markings that faithfully capture this arrangement by Laura Sullivan. Immerse yourself in the gentle harmonies, cascading arpeggios, and heartfelt chords that bring this holiday gem to life.This solo piano sheet music for Have Yourself a Merry Little Christmas is perfect for pianists seeking a captivating and emotive rendition of this timeless holiday classic. It is an ideal choice for holiday concerts, Christmas parties, and intimate family gatherings.
$5.99
Fugue in G Minor: "The Little"
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Ralph Raymond Hays
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Fugue in G Minor: "The Li
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Ralph Raymond Hays
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1227970 By Johann Sebastian ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1227970 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ralph Raymond Hays. Baroque,Instructional,Praise & Worship,Sacred,Wedding. 14 pages. Ralph Raymond Hays #823973. Published by Ralph Raymond Hays (A0.1227970). Transcribed and edited with added dynamics and articulation, this cherished Bach Fugue has been masterfully adapted for perdormance by the saxophone quartet. This arrangement has been generously cued for ease of reading, and extended counter-subjects have been broken into smaller motives and distributed between performers to aid in endurance and take further adavantage of the various timbral offerings of each member of the ensemble. This work is a must-have for all saxophone quartets.
$12.99
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
Short Suite - all 3 movements
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Piano seul
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Tom Rule
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Short Suite - all 3 movements
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MaconMacMusicGuy
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SheetMusicPlus
Piano Solo - SKU: A0.495557 By Tom Rule. By Tom Rule. Contemporary,Instructional. Score. 14 pages. Published by MaconMacMusicGuy (A0.495557). ...
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Piano Solo - SKU: A0.495557 By Tom Rule. By Tom Rule. Contemporary,Instructional. Score. 14 pages. Published by MaconMacMusicGuy (A0.495557). A challenging yet accessible piano piece that is interesting and very rhythmic. Don’t let all of the meters scare you - it is easier to figure out than you’d think at first glance! The first movement - No Toe Tapping - opens with a little motive, then plays around with it in an effort to frustrate anyone tapping their toes in the audience. [Yes, that’s a tip ‘o the hat to Dave Brubeck’s “Unsquare Danceâ€]. No. 2: Surprisingly Calm - has some interesting and thick sounds. Don’t be afraid to take it slow and easy and make it as rubato as you like. The third movement - Over-Caffeinated - starts with a tri-tone, just because it sounds interesting and a bit jarring. The Right and Left hands argue for quite a while. It all ends in a major blowout, complete with references to the first two movements, and then the final surprisingly pleasant C major chord is followed by the right hand, which JUST has to get in the last word.
$8.99
Short Suite 1: No Toe Tapping
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Piano seul
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Tom Rule
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Short Suite 1: No Toe Tapping
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MaconMacMusicGuy
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SheetMusicPlus
Piano Solo - SKU: A0.495554 By Tom Rule. By Tom Rule. Contemporary,Instructional. Score. 4 pages. Published by MaconMacMusicGuy (A0.495554). A...
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Piano Solo - SKU: A0.495554 By Tom Rule. By Tom Rule. Contemporary,Instructional. Score. 4 pages. Published by MaconMacMusicGuy (A0.495554). A challenging yet accessible piano piece that is interesting and very rhythmic. Don’t let all of the meters scare you - it is easier to figure out than you’d think at first glance! The first movement - No Toe Tapping - opens with a little motive, then plays around with it in an effort to frustrate anyone tapping their toes in the audience. [Yes, that’s a tip ‘o the hat to Dave Brubeck’s “Unsquare Danceâ€]. Check out the other two movements, or the complete suite, here on this site!
$3.99
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00
Prelude on "Vom Himmel Hoch" (From Heaven Above to Earth I Come), organ work by Phil Lehenbauer
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Orgue
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INTERMÉDIAIRE
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Noël
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Martin Luther
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Phil Lehenbauer
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Prelude on "Vom Himmel Ho
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Phil Lehenbauer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1316105 Composed by Martin Luther. Arranged by Phil Lehenbauer. Advent,Christmas,Classical,Sacred,Traditional. Score. 6 pages....
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Organ - Level 3 - SKU: A0.1316105 Composed by Martin Luther. Arranged by Phil Lehenbauer. Advent,Christmas,Classical,Sacred,Traditional. Score. 6 pages. Phil Lehenbauer #904853. Published by Phil Lehenbauer (A0.1316105). This is the first movement from A Vom Himmel Hoch Triptych, a set of three works set to the Christmas hymn From Heaven Above to Earth I Come. This movement is based on the verse that includes Welcome to Earth, O Noble Guest, and is meant to be a regal statement of the hymn tune. It contains little motives from Joy to the world and Angels we have heard on high to heighten the Christmas flavor! It was written and recorded on a two manual instrument. The whole triptych is available on this website as well. May this add a royal touch to your Christmas and Advent seasons!
$3.50
Tarantella for the Boys, Op. 24
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Piano seul
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AVANCÉ
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Tyler J
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Tarantella for the Boys, Op. 2
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TJHoltMusic
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1021631 Composed by Tyler J. Holt. 20th Century,Concert,Contemporary,Standards. Score. 14 pages. TJHoltMusic #6138231. Pu...
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Piano Solo - Level 5 - SKU: A0.1021631 Composed by Tyler J. Holt. 20th Century,Concert,Contemporary,Standards. Score. 14 pages. TJHoltMusic #6138231. Published by TJHoltMusic (A0.1021631). Tarantella for the Boys, Op. 24 was written for solo piano and is dedicated to my nephews Braxton, Brayden, and Bryson. The overall mood is reminiscent of their energetic personalities with exception of the Bryson, the youngest nephew, who is under a year old at the time of composing this piece; the others are 2 and 4 years old respectively. The form of this piece is a rondo and one motive represents each of the boys with each motive becoming a little more subdued. On the other hand, the initial motive is the conglomerate of all three of their personalities, which returns often throughout the piece. At the end of the piece, the energy reaches a point where it is almost out of control, even clumsy, and ends with my middle nephew Brayden face-planting on the ground due to his clumsiness.Composed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$10.00
Distance
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Orchestre d'harmonie
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Britt Burns
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Distance
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBS158-S Composed by Britt Burns. Score. 16 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158-S. Published b...
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Concert band - SKU: IZ.CBS158-S Composed by Britt Burns. Score. 16 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158-S. Published by Imagine Music - Digital (IZ.CBS158-S). 9 x 12 in inches.Distance was composed in early 2009 (and later revised in 2011) when I was feeling very homesick. The title wasinspired by the big change that comes when one relocates 1,000 miles away from familiar territory to begin a new life.Although this kind of event is very exciting, it also can create pain from the absence of friends and family. The music isintended to sound bittersweet in nature because it's meant to reflect both of these things.I don't usually try to write in a specific form, as I feel that can hurt the natural flow of how the music wants to develop.However, this piece is indeed in anABAform. Almost all of the thematic material in the piece is written in a major key,but with the goal of sounding a little sad. While writing this, I was heavily influenced by the music of Ennio Morriconeand Dan Forrest. There is a short motive used in the B section of the piece that is similar to a motive used in variousfilm themes. Since I associate this motive with Morricone, and because he is one of my all time favorite composers, Idecided to dedicate this piece to him.
$10.00
Distance
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Orchestre d'harmonie
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Britt Burns
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Distance
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBS158 Composed by Britt Burns. Score and Parts. 90 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158. Publi...
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Concert band - SKU: IZ.CBS158 Composed by Britt Burns. Score and Parts. 90 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158. Published by Imagine Music - Digital (IZ.CBS158). 9 x 12 in inches.Distance was composed in early 2009 (and later revised in 2011) when I was feeling very homesick. The title wasinspired by the big change that comes when one relocates 1,000 miles away from familiar territory to begin a new life.Although this kind of event is very exciting, it also can create pain from the absence of friends and family. The music isintended to sound bittersweet in nature because it's meant to reflect both of these things.I don't usually try to write in a specific form, as I feel that can hurt the natural flow of how the music wants to develop.However, this piece is indeed in anABAform. Almost all of the thematic material in the piece is written in a major key,but with the goal of sounding a little sad. While writing this, I was heavily influenced by the music of Ennio Morriconeand Dan Forrest. There is a short motive used in the B section of the piece that is similar to a motive used in variousfilm themes. Since I associate this motive with Morricone, and because he is one of my all time favorite composers, Idecided to dedicate this piece to him.
$80.00
They Can't Take That Away From Me
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Ensemble Jazz
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INTERMÉDIAIRE
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Frank Sinatra
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John Hoesly
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They Can't Take That Away From
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453574 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Hoesly. Film/TV,Jazz,Pop...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453574 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Hoesly. Film/TV,Jazz,Pop,Standards. 71 pages. PRS&B #1032798. Published by PRS&B (A0.1453574). THEY CAN’T TAKE THAT AWAY FROM ME- Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. They Can't Take That Away from Me has become a standard in the Great American Songbook, celebrated for its timeless elegance and emotional resonance. One of Gershwin’s best. Features a nice counter line/answer motive.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
Impromptu in c sharp minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jesús Rubén Navarrete Ro
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Impromptu in c sharp minor
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Jesus Ruben Navarrete Rodriguez
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1016018 Composed by Jesús Rubén Navarrete RodrÃguez. 20th Century,Concert,Contemporary,Instructional,Standards. ...
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Piano Solo - Level 4 - SKU: A0.1016018 Composed by Jesús Rubén Navarrete RodrÃguez. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 12 pages. Jesus Ruben Navarrete Rodriguez #5198253. Published by Jesus Ruben Navarrete Rodriguez (A0.1016018). This is a piece written in the XIX century style,it may work for professional musicians, students and music lovers as well in some technical aspects as the overlap of binary and ternary rythms, scales, octaves, arpeggios.It beggins with a furious and full of charachter allegro, which, after a transitional series of sequences establishes a slower and pacefull middle section in D flat major with a song-like theme followed by a modulatory progression that leads to a variation of the preceding theme, by the use of some mixtures the music recapitulates the c sharp major section, then a coda with a little reminiscence of the d flat major theme ends with an abrupt irruption of the main motive in c sharp minor. I hope all of you enjoy my music, I'm looking forward to share with the musical community a little more of my work. General description of the piece: *Approximate duration: 5-6 minutes. * Composition date: January 2, 2020. * Copyright owner: Jesús Rubén Navarrete RodrÃguez.Social Media and contact: https://www.instagram.com/jesusrubennavarrete https://twitter.com/jsrnnavarrete jsrnnavarrete@hotmail.comjsrnnavarrete@gmail.com
$2.99
Fantasy in C minor
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Flûte traversière et Piano
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David E
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not too avant-garde.  
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Fantasy in C minor
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Advent Studio Recordings
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SheetMusicPlus
Flute,Piano - SKU: A0.1029819 Composed by David E. Gonzalez. Classical,Contemporary,Romantic Period. Score and part. 35 pages. Advent Studio Recordings ...
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Flute,Piano - SKU: A0.1029819 Composed by David E. Gonzalez. Classical,Contemporary,Romantic Period. Score and part. 35 pages. Advent Studio Recordings #6275109. Published by Advent Studio Recordings (A0.1029819). They say that all compositions come out as a result of improvisation, and showing off a little bit can also be all in good fun. Having an original composition to showcase both composition and performance skills is not a bad motive either. This piece offers a bit of lyrically melodic content for both the piano and the flute. It contains rhythmic challenges for the pianist and poses some ethereal harmonic progressions typical of a fantasy piece.This printing contains the score and separate parts for the piano and the flute (34 Pages of Music). It is easy on the ears; not too avant-garde. It does not push too much in an experimental way. It should be about 4:42 minutes in length. The adante tempo marking is flexible (80-86 bpm), and the tempo should become faster at about the second half of the piece. Dynamics should fluctuate at the beginning and grow in intensity as the piece moves towards the end. Phrases should breathe and not remain static.
$12.99
The Mansion - for Guitar and Orchestra - reduction
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Piano, Guitare (duo)
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AVANCÉ
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Britt Andrew Burns
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The Mansion - for Guitar and O
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Indie Classical Publications
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #...
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Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #41347. Published by Indie Classical Publications (A0.971794). THE MANSION was composed in 2011. The inspiration for the work came from a reoccurring dream (or nightmare) I would have about being lost in a large, haunted mansion. The mansion would be abandoned, yet would be full of unexpected noises and surprises around every corner. Because of this, the music is intended to sound a little haunting, yet adventurous at the same time, because both of these emotions were strong in the dreams. I no longer have this reoccurring dream, and I have never come to understand why I used to have this dream. I have been a student of the guitar for over 18 years, and I wanted to write a concerto-like work for the nylon string guitar and orchestra. Because an orchestra can be overpowering to the acoustic guitar, I have suggested that the guitarist use an acoustic guitar amplifier. The volume can be adjusted to the performers discretion, but the guitar needs to always be heard. Although the work is also technically challenging, I tried to write something that would still be accessible for the audience. Almost all of the thematic material comes from a simple 5-note motive that can be heard at the beginning of the piece in the piano and guitar. This work does not follow a specific form, although many of the sections do repeat. Originally for guitar and orchestra, this arrangement is for guitar and piano.Difficulty: grade 5Duration: 7:45
$12.00
Joyride-Clarinet and Alto Sax Version
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Kyle Vanderburg
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Joyride-Clarinet and Alto Sax
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NoteForge
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SheetMusicPlus
Alto Saxophone,B-Flat Clarinet,Instrumental Duet - Level 5 - SKU: A0.1246358 Composed by Kyle Vanderburg. 21st Century,Chamber. 32 pages. NoteForge #841...
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Alto Saxophone,B-Flat Clarinet,Instrumental Duet - Level 5 - SKU: A0.1246358 Composed by Kyle Vanderburg. 21st Century,Chamber. 32 pages. NoteForge #841109. Published by NoteForge (A0.1246358). Joyride is a clarinet and alto saxophone duet that oscillates from being loud and raucous when it thinks you're not looking to well-behaved and almost polite when it catches you watching. The back-and-forth motive suggests either a lack of control by either player or a complete abdication of any responsibility. Sure, there are some nice chorale-sounding moments, but even those get a little out of hand when in the hands of these two. Seriously, don't trust them. Years later, they'll look back on this and say It seemed like a good idea at the time..
$11.00
Joyride
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2 Saxophones (duo)
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AVANCÉ
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Kyle Vanderburg
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Joyride
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NoteForge
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SheetMusicPlus
Alto Saxophone,Soprano Saxophone - Level 5 - SKU: A0.1246350 Composed by Kyle Vanderburg. 21st Century,Chamber. Saxophone Duet. 32 pages. NoteForge #841...
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Alto Saxophone,Soprano Saxophone - Level 5 - SKU: A0.1246350 Composed by Kyle Vanderburg. 21st Century,Chamber. Saxophone Duet. 32 pages. NoteForge #841098. Published by NoteForge (A0.1246350). Joyride is a saxophone duet that oscillates from being loud and raucous when it thinks you're not looking to well-behaved and almost polite when it catches you watching. The back-and-forth motive suggests either a lack of control by either player or a complete abdication of any responsibility. Sure, there are some nice chorale-sounding moments, but even those get a little out of hand when in the hands of these two. Seriously, don't trust them. Years later, they'll look back on this and say It seemed like a good idea at the time..
$11.00
Silent Night
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Noël
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Franz Xaver Gruber
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Alberto Caeiro
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Silent Night
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Alberto Caeiro
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1108702 Composed by Franz Xaver Gruber. Arranged by Alberto Caeiro. 19th Century,Christian,Christmas,Clas...
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Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1108702 Composed by Franz Xaver Gruber. Arranged by Alberto Caeiro. 19th Century,Christian,Christmas,Classical,Traditional. 9 pages. Alberto Caeiro #711352. Published by Alberto Caeiro (A0.1108702). This arrangement was written for brass quintet. It is relatively easy, with the melody always present throughout the work. Despite being an arrangement, it has a small entrance and key change for a better performance and more complete motive. It is written for quintets who already have some, but little, stage experience.
$7.99
Ripples
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Piano seul
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DÉBUTANT
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Lorraine Milne
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Ripples
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Pucblished by Lorraine Milne
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.972750 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine ...
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Piano Solo - Level 1 - SKU: A0.972750 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3222559. Published by Pucblished by Lorraine Milne (A0.972750). Ripples is from a series of 24 piano pieces called The Emerging Pianist. It is for piano students ready to move from beginners stage and looking for something a little more challenging. There are two versions Ripples, an Abridged version (single page) and a Full version (double page). The Abridged version could also be used by more advanced pianists for sight-reading practice. The Full version of this piece is in two distinct sections. The first is based on the Mixolydian mode on A moving into the opening motive in D Mixolydian. This heralds the second section which is firmly based in D major concluding with a simple ascending D major scale. An E7b9 chord brings the return of the first rippling section. The accompanying mp3 file is a demo version only.
$5.00
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
The Egret's Wishes《白鷺鷥的願望》
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Orchestre de chambre
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Ma Shui Long 馬水é¾
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The Egret's Wishes《ç™
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SpringAutumnmusic
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SheetMusicPlus
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic ...
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Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》,鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´  本曲應白鷺鷥文教基金會之委託,特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ;全曲略分為四段,動機之發展亦為單純,但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化,象徵白鷺鷥乘著希望之翼翻山越嶺,飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian,第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ,大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet(2002) The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
Count Your Many Blessings
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Quatuor de Cuivres
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Thanksgiving
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Thanksgiving
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Jr
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Douglas Smith
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Count Your Many Blessings
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quartet - Grade 3 - SKU: DX.145425 Composed by Jr. Johnson Oatman. Arranged by Douglas Smith. Thanksgiving. Sheet Music. Score and parts. 23 pages...
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Brass Quartet - Grade 3 - SKU: DX.145425 Composed by Jr. Johnson Oatman. Arranged by Douglas Smith. Thanksgiving. Sheet Music. Score and parts. 23 pages. David E. Smith - Digital Sheet Music #145425. Published by David E. Smith - Digital Sheet Music (DX.145425). Four Plus Brass Series- for two Trumpets and two Trombones (with opt. Horn and Tuba for color). Beginning with a tempo and style of vitality the introduction uses motivic repetitions until the trombones establish the tune with trumpet counterpoint. The rest of the whole first section is an exchange of thematic motives amongst the parts. With a modulation the trumpets present a little duet with the trombones adding brief flourishes. The final section again presents melodic motives passed around the various voices and then slows to a strong conclusion.
$9.95
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