ISBN 9781619118799.

Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysaa challenge for harmonica players, but less difficult in 3rd Position. In this book weall explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and moving around the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning astudya songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand whatas technically going on. (This is at the end of the book, so itas not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). Youall need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio.

ISBN 9781619116245. 8.5 X 11 inches.

A very thorough study of blues bass lines covering many different blues styles from Texas swing to jazz and rock blues. Along with specific instruction and analysis, plenty of sample blues bass lines are included. Great for beginners to advanced players, this book will teach you everything you need to know to play the blues. In notation and tablature.This package includes a play-along stereo online audio recording demonstrating most of the exercises in the book. Most of the exercises are recorded with bass and drums only, with the last few lessons adding electric guitar. Includes access to online audio.

ISBN 9781619117280.

For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.